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In a land soaked with sin, Dave Robicheaux is dueling with killers, ghosts, and a woman's revenge....
The townspeople of New Iberia, Louisiana, didn't crucify Megan Flynn's father. They just didn't catch whoever pinned him to a barn wall with sixteen-penny nails.
Decades later, Megan, now a world-famous photojournalist, has come back to the bayou, looking for cop Dave Robicheaux. It was Dave who found the body of labor leader Jack Flynn. The sight changed the boy, shaped him as a man. And after forty years, Robicheaux is still haunted by the bizarre unsolved slaying.
Now Megan's return has stirred up the ghosts of the long-buried past, igniting a storm of violence that will rip apart lives of blacks and whites in this bayou county. And for a good cop with bad memories, hard desires, and chilling nightmares, the time has come to uncover the truth.
Continuing the journey begun in his bestselling Connections, popular author and television series host James Burke takes readers on a fascinating tour through history's most dramatic innovations to show "how sometimes the simplest act with have cosmic repercussions a hundred years later." of photos. NPR sponsorship.
After stepping into stand-alone territory with "Cimmaron Rose" (1997), Burke choreographs a masterful return to the lush and brooding world of volatile New Iberia Sheriff's Deputy Dave Robicheaux ("Cadillac Jukebox", 1996). This tale's strength lies in breathtaking, moody descriptive passages and incisive vignettes that set time, place and character. Burke's major themes, that the past is key to the present and that money buys power, pervade this mystery. The narrative, with more twists and bounces than a fish fighting a hook, rises from the violent, unsolved murder 40 years ago of union organizer Jack Flynn. The story encompasses at least eight disparate but interlocking subplots: the crooked money behind a movie directed by Flynn's son Cisco; the hold that ex-con Swede Boxleiter has on Cisco's photojournalist sister, Megan; Willie "Cool Breeze" Broussard's theft of a mob warehouse; his wife Ida's suicide 20 years ago; the shooting of two white brothers who raped a black woman; alcoholic Lisa Terrebonne's haunted childhood; her wealthy, arrogant father's ties to Harpo Scruggs, a vicious murderer; the post-Civil War killing by freed slaves of a Terrebonne servant. Hired assassins, snitches, lawmen and FBI agents weave through the novel. Dave and his partner Detective Helen Soileau find the connections, but Dave knows that in the ongoing class war, the worst criminals wield too much influence to pay for their crimes. In rich, dense prose, Burke conjures up bizarre, believable characters who inhabit vivid, spellbinding scenes in a multifaceted, engrossing plot.
More Reviews and RecommendationsJames Lee Burke was struggling through some lean times as a novelist -- he had published only one book in 15 years -- when a friend and fellow writer suggested he take a stab at crime fiction. The result was The Neon Rain, the first book in his successful Dave Robicheaux books. With a complex moral protagonist and a lush writing style, the series evokes the heady environment of the Louisiana bayou country.
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July 13, 2009: I'm slowly but surely working my way through this series - I just can't stand it when I get to the last page - I just want it to continue. Burke has a way of taking a lot of characters and a lot of different things going on and tying them altogether - people in the past just jump right into the present from problems they caused long ago. Burke's writing is a blend of prose with the violent nature of the crime - I love the characters in this series and I love Burke's writing style....I'll read them all.
I Also Recommend: Heaven's Prisoners (Dave Robicheaux Series #2), The Neon Rain (Dave Robicheaux Series #1), Burning Angel (Dave Robicheaux Series #8), Cadillac Jukebox (Dave Robicheaux Series #9), In the Electric Mist with the Confederate Dead (Dave Robicheaux Series #6).
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December 27, 2000: I'm not sure what the other reviewers are thinking when they knock 'Sunset Limited' as Burke in lesser form. This book is a gem, much in the style of Burke's 'A Stained White Radiance.' The evocations of place are fine as always, but what is especially strong in 'Sunset Limited' is the infusion of past memories into present circumstances, another strength of the Robicheaux series. The Biblical imagery is a bonus, and Burke carries it through seamlessly, right down to Catholic allusions to St. Veronica's veil. There is a vein in Burke's novels that echoes Flannery O'Connor--and that vein is evident here. 'Sunset Limited' is one of Burke's best-written novels, not a lower member of the totem poll as some of the other reviews suggest.
Name:
James Lee Burke
Current Home:
New Iberia, Louisiana and Missoula, Montana
Date of Birth:
December 05, 1936
Place of Birth:
Houston, Texas
Education:
B.A., University of Missouri, 1959; M.A., University of Missouri, 1960
Awards:
National Endowment for the Arts grant, 1977; Pulitzer Prize nomination, 1987; Edgar Allan Poe awards for Black Cherry Blues,1989, and for Cimarron Rose, 1998
In November 1999, The Atlantic Monthly -- under the headline, "Soft Boiled: Detectives Aren't What They Used to Be" -- noted an odd turn of events in the crime fiction genre: the strong-and-silent hero was on the wane, replaced instead by a bunch of chatty Cathys. "The 1990s detective can't shut up about anything. It's hard to go even a few pages without being assaulted by a confession of inner feelings." As an example, it offered James Lee Burke's Louisiana detective Dave Robicheaux, who "was in Vietnam 'in the early days of the war,' and this has left him with a sizable reservoir of musings about personal anger, which he taps frequently."
But put the aromatherapy away. Robicheaux -- Burke's best-known character and the launch of his financial success as a writer -- is no sensitive New Age guy. He's a police detective who holds his own on the mean streets of New Orleans, who faces the perils of alcoholism every day, and who supplements his work policing the Louisiana parish of New Iberia with running his bait shop on the bayou. Ropy with muscle, he can take -- and, if necessary -- throw a punch with the best of them.
Robicheaux is one of the stars of a series that started with The Neon Rain and continued with such titles as Heaven's Prisoners (turned into a 1996 movie with Alec Baldwin and Kelly Lynch), In the Electric Mist with the Confederate Dead and A Stained White Radiance. The other star is the Louisiana swamp country itself, which shimmers to life at the touch of Burke's pen. The smell of brackish water all but wafts off the page.
And in Robicheaux, Burke has created a complicated and often conflicted protagonist driven by a fierce moral code. "There is a pronounced streak of poetry in Mr. Burke's prose," The New York Times wrote in 1988. "He has the knack of combining action with reflection; he has pity for the human condition, and even his villains can have some sympathetic and redeeming qualities."
Like Robicheaux, Burke himself is a recovering alcoholic. He contributes his teenage drinking to his poor academic standing in high school, and it dogged him throughout much of his career as a writer. Even when he was sober for five years, he has said he still suffered from the same problems as an alcoholic and didn't truly find sanctuary until he joined a 12-step group.
His early days as a writer, in the 1960s, were marked by critical success that he thought meant he was on his way. But after his third novel met with so-so reviews, he only published one book for the next 15 years, supporting his family with an assortment of jobs -- teaching, social work, pipefitting. One novel, The Lost-Get Back Boogie, went unpublished for nearly a decade and was rejected roughly 100 times before finally being picked up by Louisiana State University Press. (It was nominated for a Pulitzer Prize.)
Burke credits LSU Press for resurrecting his career. Three years later, when the third Robicheaux novel, Black Cherry Blues, was published, Burke was beginning to reach a wider audience. After the ninth, he launched a new crime series, this one featuring Texas Ranger-turned-lawyer Billy Bob Holland. Despite the shift from the swamps of Louisiana to the dusty streets of Deaf Smith, Texas, much is the same in Burke's new franchise. "The themes that stalk Dave Robicheaux through the swamps in James Lee Burke's Louisiana mysteries -- the arrogance of wealth, the corruption of power and the price a man must pay for the sins of his past -- trail Burke's new series hero, a country lawyer named Billy Bob Holland, out to Texas hill country," The New York Times wrote in a 1999 review of the second book in the series, Heartwood.
He now has a readership for both Robicheaux and Holland. But he has been careful not to take it for granted. In 1996, even after he had three straight books on The New York Times bestsellers list and was building a second home in New Iberia -- to match his house in Missoula -- Burke was vigilant about not letting the mantle of success rest too comfortably on his shoulders.
"By the time I was 35, I had three books published. I thought I was home free," he told People. "But that was vanity. I went a dozen years without selling a book. I couldn't sell ice water in hell."
When Burke is writing, he's typing blind. "I don't think up the stories," he told Publishers Weekly in 1992. "I'm convinced they're already written in the unconscious. My work is simply a day-to-day discovery. I never see more than two scenes around the corner and I don't know a book's ending until the last pages."
His college English papers earned him a string of D-minuses until he talked to his professor about what was wrong. "She said, 'Your spelling is an assault upon the eyeballs. Your penmanship makes me wish the Phoenicians had not developed the alphabet. But I couldn't give you an F because you have so much heart,'" he said in a 1996 interview with People. "Every Saturday I went with her and rewrote the essay for the week. I got a B and made the dean's list. (She) changed my life."
The 1993 publication of Two for Texas marked Burke's return to bookshelves after 11 years. Unable to sell a book after Lay Down My Sword and Shield, Burke finally broke the bad luck streak with his historical novel about the Texas Revolution of 1835. Kris Kristofferson starred in the 1998 TV movie adaptation, which aired on TNT.
What was the book that most influenced your life, and why?
The Sound and the Fury by William Faulkner.
What are your favorite books, and why?
The works of Chaucer, Faulkner, O'Connor & Ernest Hemingway
Favorite films?
The Godfather and Gone With the Wind
Favorite nusic?
Jazz, rock n' roll, blues, R & B and bluegrass
If you had a book club, what would it be reading - and why?
Faulkner, because he was the best.
Give us three good to know facts about you.
I have a wonderful family who have always supported my career. A writer can have no greater gift.
What else do you want your readers to know?
I am obsessed with trout fishing.
Please list your favorite books for the holidays.
I recommend Ron Hansen's Mariette in Ecstasy.
Burke spoke with Barnes & Noble.com while promoting his novel Cimarron Rose.
Who are some of your literary influences?
Some of my literary influences are William Faulkner, Ernest Hemingway, Flannery O'Connor, Robert Penn Warner, James T. Farrel, and Gerald Manley Hopkins.
We've read that you were once a social worker on skid row. Can you describe that experience, and did it influence any of your books?
I learned what it was like to live in a slum, where slumlords make large profits off misery. However, 35 years later we put the mentally ill on the street to fend for themselves. Our social evolution seems to have gone into abeyance.
If you had to give up writing, what would you see yourself doing?
I would never give up writing!
You split your time between Missoula, Montana, and southern Louisiana. What draws you to these two locations?
These are the two places I love the most.
Old crimes stir new passions in James Lee Burke's powerfully lyrical Sunset Limited. When photojournalist Megan Flynn and her brother return to their childhood home in Louisiana, Cajun cop Dave Robicheaux begins making the connections between the 40-year-old crucifixion of a prominent labor leader, the recent rape of a black teenager, and the subsequent deaths of two white brothers. Themes of race, class, and corruption all play into the complex yet gracefully told tale.
Nancy Pate
In a land soaked with sin, Dave Robicheaux is dueling with killers, ghosts, and a woman's revenge....
The townspeople of New Iberia, Louisiana, didn't crucify Megan Flynn's father. They just didn't catch whoever pinned him to a barn wall with sixteen-penny nails.
Decades later, Megan, now a world-famous photojournalist, has come back to the bayou, looking for cop Dave Robicheaux. It was Dave who found the body of labor leader Jack Flynn. The sight changed the boy, shaped him as a man. And after forty years, Robicheaux is still haunted by the bizarre unsolved slaying.
Now Megan's return has stirred up the ghosts of the long-buried past, igniting a storm of violence that will rip apart lives of blacks and whites in this bayou county. And for a good cop with bad memories, hard desires, and chilling nightmares, the time has come to uncover the truth.
After stepping into stand-alone territory with "Cimmaron Rose" (1997), Burke choreographs a masterful return to the lush and brooding world of volatile New Iberia Sheriff's Deputy Dave Robicheaux ("Cadillac Jukebox", 1996). This tale's strength lies in breathtaking, moody descriptive passages and incisive vignettes that set time, place and character. Burke's major themes, that the past is key to the present and that money buys power, pervade this mystery. The narrative, with more twists and bounces than a fish fighting a hook, rises from the violent, unsolved murder 40 years ago of union organizer Jack Flynn. The story encompasses at least eight disparate but interlocking subplots: the crooked money behind a movie directed by Flynn's son Cisco; the hold that ex-con Swede Boxleiter has on Cisco's photojournalist sister, Megan; Willie "Cool Breeze" Broussard's theft of a mob warehouse; his wife Ida's suicide 20 years ago; the shooting of two white brothers who raped a black woman; alcoholic Lisa Terrebonne's haunted childhood; her wealthy, arrogant father's ties to Harpo Scruggs, a vicious murderer; the post-Civil War killing by freed slaves of a Terrebonne servant. Hired assassins, snitches, lawmen and FBI agents weave through the novel. Dave and his partner Detective Helen Soileau find the connections, but Dave knows that in the ongoing class war, the worst criminals wield too much influence to pay for their crimes. In rich, dense prose, Burke conjures up bizarre, believable characters who inhabit vivid, spellbinding scenes in a multifaceted, engrossing plot.
Cajun detective Dave Robicheaux is back, as polite as ever, after sitting out Burke's "Cimarron Rose" (LJ 6/15/97). Accompanying Dave is his buddy Clete and a marvelous cast of characters; downtrodden Cool Breeze Broussard, tortured Lila Terrebonne, slimy Harpo Scruggs, and photojournalist Megan Flynn, whose father, a labor organizer, was crucified on a barn wall 40 years ago. When Megan, still haunted by her father's unsolved murder, returns to New Iberia, she sets in motion a series of events that draws Dave into the dark, twisting relationships of these tortured characters, who are intertwined in a plot too convoluted to summarize but that bears all the hallmarks of a Burke mysterybloody racial sins from the past mixed with violent, inbred kinships that haunt the present. Once again, with strong and graceful prose, Burke presents a tale as dark and rich as a cup of chicory coffee. Highly recommended. Rebecca House Stankowski, Purdue Univ. Calumet Lib., Hammond, IN
If you haven't already discovered Burke's novels, find one.
One of the best writers of our time.
James Lee Burke knows how to tell a story with pyrotechnics, art, and heart.
Burke is a brilliant descriptive writer, perhaps the best in modern American fiction.
After Burke's Texas sabbatical in "Cimarron Rose" (1997), it's back to the bayous with Dave Robicheaux, struggling as usual to right an old injustice while balancing the weight of the world on his back. Forty years after their labor-organizer father was crucified against a barn wall, Pulitzer photojournalist Megan Flynn and her filmmaker brother Cisco are back in New Iberia. Despite the sweeping changes in the South over the years, time seems to have stood still for most of the cast. Minor-league house thief Willie (Cool Breeze) Broussard and his jailer, Alex Guidry, are still at each other's throats over Guidry's "rescue" of Breeze's late wife from Harpo Delahoussey, the brute who carried her out of Breeze's house a generation ago. Harpo is long dead, but he's been reincarnated in his nephew Harpo Scruggs, the ex-Angola gun bull who now hires out as a contract killer. Landed souse Lila Terrabonne is frozen in time by the sexual abuse she can neither name nor forget. So the news that Cisco Flynn's been joined on location by his old orphanage buddy Swede Boxleiter, and that a Chinese drug triad, determined to stabilize its position before the British relinquish Hong Kong, is reaching down to New Iberia through New Orleans gangster Ricky (the Mouse) Scarlotti, does less to change the status quo than bring it to a boil. All of this will sound excruciatingly familiar to Burke's legion of fans, and indeed the novel might have been cast out of the author's stock company: There's the brutish lawman, the seductive returning native daughter, the Hollywood poseurs, the big-city gangsters, the browbeaten black victims, the corrupt power-mongers and, making his way through the middle of themall, thoughtful, hamstrung Dave, who doesn't so much solve this case as watch it unfold in a series of slow-motion flashbacks. On the other hand, the characters' buried secrets, floating just beneath the surface like so many hungry gators, remind you why reading even lesser Burke is like reading lesser Faulkner.
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