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"I'd heard about him but had never seen him, the foreigner with the funny name who wandered the countryside painting pictures."
F rom a talented new author comes a poignant and haunting novel of creation and desire, passion and madness, art and love.
A young prostitute seeking temporary refuge from the brothel, Rachel awakens in a beautiful garden in Arles to discover she is being sketched by a red-haired man in a yellow straw hat. This is no ordinary artist but the eccentric painter Vincent van Gogh—and their meeting marks the beginning of a remarkable relationship. He arrives at their first assignation at No. 1, Rue du Bout d'Arles, with a bouquet of wildflowers and a request to paint her—and before long, a deep, intense attachment grows between Rachel and the gifted, tormented soul.
But the sanctuary Rachel seeks from her own troubled past cannot be found here, for demons war within Vincent's heart and mind. And one shocking act will expose the harsh, inescapable truth about the artist she has grown to love more than life.
In a knockout debut novel, art historian Bundrick (Music and Image in Classical Athens) brings Vincent Van Gogh's paintings and personal story to vibrant life. While Bundrick takes many liberties (recorded in an author's note) in her fictionalized account of Van Gogh's affair with her narrator, fille de maison Rachel Courteau, she gives Rachel such a believable voice that the proceedings seem genuine. At 35, Van Gogh meets lovable spitfire Rachel while surreptitiously sketching her in a garden. Having taken refuge in an Arles brothel after the death of her parents, Rachel greets Van Gogh as a customer not long after, and soon feelings blossom between them. Visiting friend Paul Gauguin and the cloud of Van Gogh's madness undercut the couple's bliss, as do financial troubles and Rachel's life at the maison, where she's kept a virtual prisoner. While infusing well-known historical moments (like Van Gogh's infamous self-mutilation) with vivid details, humanizing Van Gogh and putting his famous works in context, Bundrick generates an impressive volume of suspense, delight and heartbreak. (Oct.)
More Reviews and RecommendationsSheramy Bundrick is an art historian and professor at the University of South Florida St. Petersburg. Sunflowers is her first novel.
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October 13, 2009: In 1888 in Arles, France, prostitute Rachel Courteau takes a needed time out from her brothel life that she embraced out of necessity when her parents died. She hides in a garden from the nasty cracks of the good citizens, but soon falls asleep. She is awakened by a thirty something red haired male who has secretly sketched her nap.
Rachel assumes her visitor, the crazed artist Vincent Van Gogh is another client. He arranges a tryst but brings with him wildflowers. He begs her to let him paint her instead of sleeping with her as she expected. As their relationship blossoms in spite of his increasing bouts madness, she meets his friend Gauguin while wondering if she can ever be free of being a fille de maison as increasingly she believes it will not be with Van Gogh consumed by his lunacy.Rachel is the key to this terrific look at the life of Van Gogh as she brings freshness to the artist and the period. As Sheramy Bundrick notes in her afterward, there is little known about the real Rachel so the author took liberties with her, but tried to remain true to what is considered factual about Van Gogh; she succeeds. Fans of historical biographical fiction will want to read SUNFLOWERS, as art professor Sheramy Bundrick captures the essence of Vincent Van Gogh's Lust for Life (by Irving Stone) through Rachel's first person perceptions of the artist and his work especially SUNFLOWERS. Harriet Klausner