Stevie Ray Vaughan: Caught in the Crossfire, Vol. 1 by Joe Nick Patoski, Bill Crawford, Bill Crawford (With), Bill Crawford (With)

From the Publisher

His blistering guitar playing breathed life back into the blues. Performing night after night - from his early teens to his tragic death at age thirty-five, in tiny pass-the-hat clubs and before thousands in huge arenas - Stevie Ray Vaughan fused blazing technique with deep soul in a manner unrivaled since the days of Jimi Hendrix. The genuineness and passion of his music moved millions. It nearly saved his life. Stevie Ray Vaughan: Caught in the Crossfire is the first biography of this meteoric guitar hero. Emerging from the hotbed of Texas blues, Stevie Ray Vaughan developed his unique style early on, in competition with his older brother, Jimmie Vaughan, founder of the Fabulous Thunderbirds - a competition that shaped much of Stevie's life. Fueled by drugs and alcohol through a thousand one-night stands, he lived at a fever pitch that nearly destroyed him. Musically exhausted and close to collapse, in his final years Stevie Ray mustered the courage to overcome his addictions, finding strength and inspiration in a new emotional openness. His death in a freak helicopter crash in 1990 silenced one of the great musical talents of our time. Stevie Ray Vaughan: Caught in the Crossfire reveals Stevie Ray Vaughan's life in all its remarkable, sometimes unsavory detail. It also brings to life the rich world of Texas music out of which he grew, and captures the staggering dimensions of his musical legacy. It will stand as the definitive biographical portrait of Stevie Ray.

Publishers Weekly

Austin-based journalists Patoski and Crawford pen a rousing account of Texas blues guitarist Stevie Ray Vaughan, who died at age 35 in a 1990 helicopter crash. The Dallas-born Vaughan began playing electric guitar in imitation of older brother Jimmie, who founded the Fabulous Thunderbirds. Both brothers were fixtures of the 1960s and '70s Austin scene, which spawned such rock acts as ZZ Top and allowed Stevie Ray to form his own band, Double Trouble. Vaughan's biggest break was playing on David Bowie's 1983 Let's Dance album; when he brazenly rejected Bowie's offer to tour, he garnered music-industry notice. Later, as his career skyrocketed, Vaughan abused cocaine and whiskey. He underwent treatment in 1986, a process which sealed his friendship with guitarist and recovered heroin addict Eric Clapton. Afterward, Vaughan became a preachy proponent of AA's 12-step program; he is reverently portrayed here as an inspiration to troubled fans. Backed up by plenty of blues history, this enthusiastic tribute ably succeeds as a narrative, adopting the down-home colloquialisms of its subject. Photos not seen by PW. (May)

Library Journal

The authors provide a penetrating first biography of blues/rock guitar virtuoso Vaughn (1954-90). Through the use of extensive interviews, they succeed particularly well in describing Vaughan's childhood relationships with his abusive father and his older brother, who served as a role model. The authors chart Vaughan's initial interest in music, his emergence on the Texas music scene, his 1983 breakthrough, and his continued rise to superstardom until his untimely death in a helicopter crash. Writing in a breezy, engaging style, they offer an intimate look at the insecurities and abilities of Vaughan to explain his sometimes tortured, drug-dominated life and his fiery, powerful music. Highly recommended for general music collections.-- David Szatmary, Univ. of Washington, Seattle

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