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Drawing on a number of methodologies and disciplinary perspectives, this book boldly goes where none has gone before by focusing on the interplay between Star Trek, religion, and American culture as revealed in the four different Trek television series, and the major motion pictures as well. Explored from a Trek perspective are the portrayal and treatment of religion; the religious and mythic elements; the ritual aspects of the fan following; and the relationship between religion and other issues of contemporary concern.
In the 13 essays in this book, religious studies professors in Canada, Britain and the United States discuss the role of religion in Star Trek. The first section of the book examines each of the successive television series, the second treats large themes (such as biblical imagery and death) and the third looks at the attitudes of fans. As the essays show, Star Trek has been torn between rejecting religion and affirming a quasi-religious faith in discovery and tolerance. This religiosity was present from the beginning--as in Spock's Vulcan creed of "Infinite Diversity in Infinite Combinations"--but the later Star Trek series have more freely explored religious themes. The editors congratulate Star Trek: Voyager, the latest series, for "recovering sacred ground" through New Age spirituality. Unfortunately, while providing a nuanced reading of Star Trek's evolution, the authors pay too little attention to its larger context. The final section on "Trekkies" is valuable, but most of the essays concentrate on the motivations and behavior of the show's characters, ignoring the corporate television producers and the viewers who together brought--and continue to bring--these characters to life. The book seems written more for Star Trek fans than for students of religion or American culture. (Oct.) Copyright 1999 Cahners Business Information.
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February 11, 2004: This is a collection of 13 scholarly articles on various ways Star Trek has intersected with religion. One of the things that becomes clear is that the treatment of religion changed over the many-year span of the various Star Trek television series, from the secular humanism that characterized the original show ('classic' Trek) which was, not surprisingly, a reflection of the philosohpy of show's creator (Gene Roddenberry), to an acknowlegement (or belief) that religion has a place in societies of the future. This is a well-researched, well-written series of articles that should appeal not only to fans of the show interested in religious issues, but to anyone with an interest in both pop culture and religious studies.