(Compact Disc - Unabridged, 7 CDs, 8 hours)
The author of Stiff: The Curious Lives of Human Cadavers explores how science has attempted to study our post-mortem fate. Roach traces early psychical research to current US investigations of near-death experiences and case studies by the International Centre for Survival and Reincarnation Researches. The title belies her desire to get scientific validation for free-floating consciousness. Referenced but not indexed. Annotation ©2006 Book News, Inc., Portland, OR
How serious is Ms. Roach in wondering about life after death? Not very. She appears more concerned with comic effects than cosmic ones, and she is constantly on the lookout for entertainingly bizarre details and turns of phrase…Spook has great appeal on the basis of Ms. Roach's droll research. But it is afflicted with the same problem common to its spirit-world subjects: insubstantiality. Although she does her best to avoid what the book calls "the Big Shrug," she is not always able to learn much from the string of research outings described here.
More Reviews and RecommendationsJournalist and former Salon.com columnist Mary Roach didn't leave readers and critics cold with her first book, Stiff: The Curious Lives of Human Cadavers. In fact, the comical-yet-scientific look at the "life" of the dead body throughout history earned her a spot in the Barnes & Noble Discover Great New Writers program.
More About the Author
Name:
Mary Roach
Current Home:
San Francisco, California
In our interview, Roach shared some fun facts about herself:
"My first job was as a writer for the San Francisco Zoological Society members magazine; I worked in a trailer next to Gorilla World."
"I've been to Antarctica three times, posing as a science writer."
"My dad was 65 when I was born."
"I like to unwind by going out birdwatching by myself; though the hours don't agree with me."
"I love red papaya, seaweed, a beer after a long hike, polar skies, and I'm a sucker for TV ads with monkeys in them. Dislikes: corporate greed, fluorescent lighting, extreme self-indulgence, weak coffee."
What was the book that most influenced your life or career as a writer -- and why?
The books of Bill Bryson were an inspiration to me, as they incorporate humor and fact so beautifully and effectively. In a Sunburned Country, in particular, made me reach higher as a writer of humorous nonfiction.
What are your favorite books, and what makes them special to you?
What are some of your favorite films, and what makes them unforgettable?
Recent titles: Y Tu Mama Tambien, Monsoon Wedding, Talk to Her, All About My Mother, Being John Malkovich, Best in Show (for its being improvised!).
Less recent titles: Aguirre (Herzog), Blow Up (Antonioni), Stranger than Paradise (Jarmusch), Satyricon (Fellini), In the White City (Volker-Schlondorf), Los Olvidados (Buņuel).
What kinds of music do you like? Is there any kind you like to listen to while writing?
I rarely listen to music while writing. I wish I could, but it distracts me. My tastes are all over the map: Beck, early Dolly Parton, R.E.M., Johnny Cash, foreign fusion, Arabic pop, opera (the overture to Boris Godunov totally sends me), Counting Crows, Moby, Les Negresses Vertes....
If you had a book club, what would it be reading, and why?
Yann Martel's Life of Pi, because I loved it but am not sure I understand it.
What are your favorite kinds of books to give -- and get -- as gifts?
I'm always imposing my taste in books on others. I hope that people enjoy being surprised by a book they might not otherwise read -- I enjoy the surprise myself when others do this to me. Well, usually....
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I sometimes wear earplugs, even though there's not much noise at my office. It's a habit from my old office, which had open cubicles. Somehow having them in kind of focuses my attention. Though I need to bring in a new pair. They're disgusting....
I have on my desk a rock from a sacred (among Buddhists) mountain in Nepal, Mt. Kailash, which a friend brought me. When I'm fretting over something or thinking unproductive negative thoughts, I pick it up to make myself cut it out.
What are you working on now?
My column, another book proposal, and a couple of magazine pieces.
Many writers in the Discover program are hardly overnight success stories. How long did it take for you to get where you are today? Any rejection slip horror stories or inspirational anecdotes?
I've been writing full-time since about 1984 -- mostly magazine features and columns. This is my first book. Part of what got me to sit down and do the proposal was a fortune cookie fortune that said, "Try something new." It's taped on my wall to this day.
What tips or advice do you have for writers still looking to be discovered? Follow your instincts. Do the kind of writing you love to do and do best. Stiff was an oddball book -- I mean, a funny book about cadavers? -- and I worried that it would be too unconventional. In the end, that's what has made it a success, I think.
This book might be best described as the logical sequel to Roach's Stiff: The Curious Lives of Human Cadavers. After probing autopsies, the funeral home business, and the implications of human composting, it seems only natural that the author would turn her attention to the afterlife. To learn what she can about the Other Side, she enrolls in an English school for mediums; banters with reincarnation researchers; and interviews a Duke University professor about a plan to weigh the consciousness of a leech.
"What happens when we die? Does the light just go out and that's that - the million-year nap? Or will some part of my personality, my me-ness persist? What will that feel like? What will I do all day? Is there a place to plug in my laptop?"
In an attempt to find out, Mary Roach brings her tireless curiosity to bear on an array of contemporary and historical soul-searchers: scientists, schemers, engineers, mediums, all trying to prove (or disprove) that life goes on after we die. She begins the journey in rural India with a reincarnation researcher and ends up in a University of Virginia operating room where cardiologists have installed equipment near the ceiling to study out-of-body near-death experiences. Along the way, she enrolls in an English medium school, gets electromagnetically haunted at a university in Ontario, and visits a Duke University professor with a plan to weigh the consciousness of a leech. Her historical wanderings unearth soul-seeking philosophers who rummaged through cadavers and calves' heads, a North Carolina lawsuit that established legal precedence for ghosts, and the last surviving sample of "ectoplasm" in a Cambridge University archive.
How serious is Ms. Roach in wondering about life after death? Not very. She appears more concerned with comic effects than cosmic ones, and she is constantly on the lookout for entertainingly bizarre details and turns of phrase…Spook has great appeal on the basis of Ms. Roach's droll research. But it is afflicted with the same problem common to its spirit-world subjects: insubstantiality. Although she does her best to avoid what the book calls "the Big Shrug," she is not always able to learn much from the string of research outings described here.
Roach is a wonderfully vivid writer and most fun when she is exploring the world of the modern soul-searchers. Spook, like Stiff, is a "who knew?" kind of book, and it's fascinating to discover that a researcher in the 21st century would be, say, trying to weigh the consciousness of a leech. And as a reporter, Roach has a keen eye for the perfect detail, an ear for the zinging quotation and a finely tuned sense of the preposterous…Spook is less about figuring out what science says about the afterlife than it is a celebration of the wide, occasionally crazy spectrum of human pursuit.
The deadpan humor and subtle wit that journalist Roach (Stiff) is known for is overshadowed by Quigley's exaggerated delivery in this disappointing audio adaptation. Like Roach's previous book, this exploration of the afterlife is loaded with unusual historical facts, oddball encounters and humorous observations. Unfortunately, Quigley performs rather than reads the material, and her snarky, knowing tone is as out of sync with Roach's earnest investigation as are her atrocious character voices. For reincarnation researcher Dr. Rawat, she adopts a heavily accented voice as subtle as The Simpsons' Hindu grocer, Apu. Professor Gerry Naham is lent a nasally, squeaky voice, apparently to convey his nerdiness (he aims to build a system that can detect the departure of a dying person's soul using electromagnetic energy). Then there's sheep rancher Lewis Hollander, whom Quigley gives the mellow voice of a stoned hippie despite Roach's description of him as "a kindly, soft-spoken guy"; one almost expects Hollander to preface his description of his homegrown soul-weighing experiment with "dude." Quigley transforms these intriguing, eccentric people into caricatures and makes this a grating listen. Simultaneous release with the Norton hardcover (Reviews, Aug. 22). (Oct.) Copyright 2006 Reed Business Information.
This is not about ghosts-rather, science writer Roach (Stiff) looks to science to determine whether the human "soul" exists in death. Unfortunately, neither science nor Roach is up to the task. Three of the 12 chapters deal with contemporary science (infrasound and electromagnetic waves, the personal computer, and the operating room ceiling where University of Virginia cardiologists placed equipment to monitor out-of-body, near-death experiences). The remaining chapters are devoted to such topics as medium school, the weight of a soul, the last surviving ectoplasm sample, and reincarnation. Readers come away with little new information or insight into the question originally posed but with many pieces of arcane trivia. Although deftly written and at times humorous, this book is superficial overall. Recommended for only the largest collections or where Stiff was popular. [See Prepub Alert, LJ 6/1/05.]-Michael D. Cramer, Schwarz BioSciences, RTP, NC Copyright 2005 Reed Business Information.
Science writer Roach, having told all about cadavers in Stiff (2003), progresses to the logical next step: What happens after death?Her journey begins in India, where she tracks down stories of children purported to be reincarnations of dead relatives. Lots to debunk here. Then on to all-but-unbelievable experiments to weigh, see or tape-record the soul, as well as tales of celebrated mediums, spirit guides and ectoplasm. Did you know there are mediums being tested in university labs today, and that you can attend medium school in England? While researching this, Roach learned a good bit about human psychology of the "if you wanna believe it it's true" variety. She makes the point that, historically, investigators of the afterlife often capitalize on the latest scientific discoveries of new sources of energy so that they can be invoked to power a soul or, alternatively, explain away a phenomenon. Thus, the perception of ghosts might be due to some people's sensitivity to very low frequency "infrasound." One of her best ghost stories concerns a revised last will and testament whose discovery was attributed to a ghost telling his son where it could be found. The case went to trial and the ghost won. (There's a neat follow-up.) For all Roach's skeptical and often hilarious accounts, she is an eager volunteer and ready to accept evidence if evidence there be. Thus she reports that experiments are under way to study near-death experiences in which patients are briefly "killed" during surgery to implant defibrillators. If even one person reports seeing an image on a ceiling-mounted laptop in the O.R., whose screen faces the ceiling, she might be convinced. As it is, she admits to not "knowing,"but sort of believing in ghosts. Throughout, she is critical and witty-e.g., speaking of postmortem "recordings," she says there is one of Chopin, "who has, we learn, resumed composing following a short stint of decomposing."Truly deft handling of the (mostly) daft.
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