The Spies of Warsaw by Alan Furst

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(Hardcover)

  • Pub. Date: June 2008
  • 288pp
  • Sales Rank: 100,493
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    • Overview
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    Product Details

    • Pub. Date: June 2008
    • Publisher: Random House Publishing Group
    • Format: Hardcover, 288pp
    • Sales Rank: 100,493

    The Barnes & Noble Review

    Alan Furst’s 14th novel opens in late 1937, in a Warsaw menaced by approaching war and teeming with spies of every stripe. Among them is Colonel Jean-François Mercier, an aristocratic French military attaché and beau idéal of the dashing secret agent. Forty-six years old, his tall frame a palimpsest of war wounds, he is a melancholy widower. Among the many other spies afoot in these pages is German businessman Edvard Uhl, entrapped by a supposed countess into smuggling information on German tank design to the French. Uhl’s activities come to the attention of some exceedingly unpleasant Nazi secret agents, and his life becomes a problem for Mercier to solve. The only non-spy in this espionage-steeped arena seems to be Anna Szarbek, a lawyer for the League of Nations and Mercier’s serious love interest The novel moves back and forth between Warsaw and Paris with excursions, among them to the Polish-German border where our hero, creeping through the forest in his waxed Barbour field jacket, observes German military preparations and, later, to the Black Forest, where he witnesses tank maneuvers. Both forays produce evidence suggesting German plans of attack for invasions of Poland and France. If you think Mercier manages to convince anyone with authority to act on his discoveries, you have forgotten your history. What we have here is a thrilling, cleverly plotted re-creation of the sort of hugger-mugger, double-dealing, and wishful thinking that marked the last crepuscular years before full-scale war plunged Europe into darkness. --Katherine A. Powers

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    Synopsis

    A new thriller from "the greatest living writer of espionage fiction"

    -- Houston Chronicle

    Autumn 1937: War is coming to Europe. French and German intelligence operatives are locked in a life-and-death struggle on the espionage battlefield. At the French embassy, the new military attaché, Colonel Jean-François Mercier, a decorated hero of the 1914 war, is drawn into a world of abduction, betrayal, and intrigue in the diplomatic salons and back alleys of Warsaw. At the same time, the handsome aristocrat finds himself in a passionate love affair with a Parisian woman of Polish heritage, a lawyer for the League of Nations.

    Colonel Mercier must work in the shadows, amid an extraordinary cast of venal and dangerous characters -- Colonel Anton Vyborg of Polish military intelligence; the mysterious and sophisticated Dr. Lapp, senior German Abwehr officer in Warsaw; Malka and Viktor Rozen, at work for the Russian secret service; and...

    The Washington Post - Jonathan Yardley

    Furst is that rarity, a writer of popular fiction who is also a serious novelist. This is the third of his novels that I've reviewed, and the steady growth of his achievement almost can be measured with calipers. At times his prose can get a little strained, as he reaches a little far for effects, but it's now much more controlled than it was a dozen years ago in The World at Night. Like a handful of other writers who have turned espionage fiction into something approximating art—John le Carre, of course, and Charles McCarry—Furst combines the craft of entertainment with the exploration of important themes, and in no way does the entertainment diminish the themes. The Spies of Warsaw is entertaining from first page to last.

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    Biography

    When it comes to spy novels, no one is more erudite or elegant than Alan Furst, whose novels -- all set in the European theater of World War II – are rich with both historical fact and brilliantly imagined circumstances.

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    Customer Reviews

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    • Ratings: 5Reviews: 2

    The Spies of Warsaw; going through the motionsby Anonymous

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    October 14, 2008: I have read every one of Alan Furst's books concerning the period around WW II but have been very disappointed in the last two - The Foreign Correspondent and The Spies of Warsaw. For me, I most enjoyed the imagery and descriptions that made me feel as if I were in the locale of the story. As someone else wrote, "I could feel and taste the fog."

    In each of the last two novels Furst has abandoned the rich, detailed descriptions which made his stories so enthralling. Rather it is as if, he starts a description and then says, "Dear reader, you can fill in the rest, I'm bored with writing this stuff."

    The ending of the Spies of Warsaw represents a good example of his unwillingness to put the effort into this story that was routinely put into his earlier work. Overall, the latest story is a B-; the premise had real possibilities but the implementation was not up to the standards longtime readers have come to expect.

    Back to Formby Anonymous

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    July 16, 2008: Furst seems to be getting back to the great game of espionage, leaving the reluctant journalists to their own devices. Will remind most of the Polish Officer, but not as good as Night Soldiers.