(Paperback)
The Soul of Creative Writing is a tribute to language and to its potentials. It explores the elements of language, style, rhythm, sound, and the choice of the right word. Richard Goodman paints an image of how language can produce a life and meaning that otherwise cannot exist in the symbols themselves.
Goodman's stunningly creative collection was written after a lifetime of working and struggling with language. He collects rich examples from writers of the past and present, both great and small, and uses them to illustrate how each element of our written language can be used. The book begins with an analysis of words and how they can be used to create music on the page. Goodman uncovers the strength of words, writing about the shades of meaning that make the search for the exact word both arduous and immensely rewarding. He discusses how to find the proper title and how to find a fitting subject. He show how to create nonfiction work that is vivid and memorable through the use of the same techniques fiction writers employ.
Goodman's volume is written with humor and clarity--with fascination and reverence. Writers will find it an indispensable source of creative inspiration and instruction. In Goodman's words, "reading is a tour of a writer's efforts at manipulating language to create art, to create flesh and blood and mountains, cities, homes, and gardens out of inky symbols on the page." To literary critics, this book will be a guide to understanding the tools and devices of great writing.
By the end of the chapter "The Music of Prose," you'll be reaching for pen and paper yourself ... For the first time, I feel like I could do something evocative and memorable in creative nonfiction, an area where I myself have been afraid to tread... Goodman also includes a fantastic chapter on titles. Creating titles is diffi-cult, whether for an article or a book. And finding subjects can be just as try-ing-thank goodness there's a whole chapter on this, as well. "The Eminent Domain of Punctuation" is a real hoot. Goodman cites David Sedaris' use of 12 exclamation marks in a story and Good-man's own love of brackets .... This book is not just for writers then, but for lovers of words and writing. For renewing my excitement about what I've chosen to do for a living, this book de-serves 13 exclamation marks.
More Reviews and RecommendationsRichard Goodman is the author of French Dirt: The Story of a Garden in the South of France. He has written for many national publications, including the New York Times, Creative Nonfiction, Harvard Review, Commonweal, Grand Tour, AWP Writer's Chronicle, Saveur, Louisville Review, Ascent, French Review, Pilgrimage and the Michigan Quarterly Review. He has taught creative writing in New York City for a number of years and is now associated with the New York Writers Workshop. Goodman teaches writing at Spalding University's MFA in Writing Program in Louisville, Kentucky.