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(Hardcover - Bargain)
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| Hardcover - 1 | $24.00 |
| Paperback | $14.00 |
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Jerry McGuinty is a simple, self-made builder who claims he can plaster a wall that will change your life. Simon Struthers is a disaffected businessman who proves the old adage about money and happiness. Together they face the new Ottawa of the seventies: brash, bright, and ready for the taking.
With their different careers and successes, these two strangers seek to carve out their own happiness-Jerry with his new wife, Simon with his endless affairs and intrigues. But love can be suffocated by the drive to succeed, and individuals crushed by greed and progress. Only when both men realize what they have to lose will their lives finally intersect, and the story spiral to its astonishing conclusion.
… McAdam displays a superb ear for dialogue, especially when his characters are ranting or lying about what they want. In the end, Some Great Thing is a novel about the fruitless longing to create something that will withstand the savage fist of time. Despite the roar of earth movers, the clack of bricks being laid in course after course and the scrape of plastering, the spirit of Shelley's "Ozymandias" hangs over it all.
More Reviews and RecommendationsCOLIN McADAM is a Canadian who grew up in Hong Kong, Denmark, England, and Canada. Educated at McGill University and Cambridge, he now divides his time between Sydney and Montreal. Some Great Thing is his first book.
Jerry McGuinty is a simple, self-made builder who claims he can plaster a wall that will change your life. Simon Struthers is a disaffected businessman who proves the old adage about money and happiness. Together they face the new Ottawa of the seventies: brash, bright, and ready for the taking.
With their different careers and successes, these two strangers seek to carve out their own happiness-Jerry with his new wife, Simon with his endless affairs and intrigues. But love can be suffocated by the drive to succeed, and individuals crushed by greed and progress. Only when both men realize what they have to lose will their lives finally intersect, and the story spiral to its astonishing conclusion.
… McAdam displays a superb ear for dialogue, especially when his characters are ranting or lying about what they want. In the end, Some Great Thing is a novel about the fruitless longing to create something that will withstand the savage fist of time. Despite the roar of earth movers, the clack of bricks being laid in course after course and the scrape of plastering, the spirit of Shelley's "Ozymandias" hangs over it all.
...Some Great Thing is one of those infrequent "literary" novels that are likely to do extremely well because unlikely readers i.e. men will buy them and they will hand them on and let others know about them.... Appearing from nowhere, bursting with energy, here is a character-drive novel to reinvigorate Canadian fiction just as it was appearing tired... Some Great Thing is hugely entertaining, and God knows, Canadian readers don't get to say that very often.
Urban planning and construction in Ottawa, Canada, might seem like dull subjects on which to build a novel, but in this compelling, bawdy debut, McAdam fashions them into powerful metaphors for the ambitions and personalities of two opposing characters, Jerry McGuinty and Simon Struthers. An introverted construction worker whose most reliable expression is "fuckin eh," McGuinty dreams of building better houses than the shoddy tract homes he's hired to plaster; eventually, he becomes one of the most powerful developers of suburban Ottawa. Struthers, on the other hand, is the master of the charming, vapid bureaucratic memo; the government's director of design and land use, he has a reputation for a smooth tongue in the office and among the ladies. Distracted by one love affair after another, Struthers feels age erode his promise until he becomes desperate to accomplish some great public works project on the same piece of land where McGuinty is determined to build his most magnificent housing community yet. Fans of Martin Dressler will appreciate McAdam's attention to the mechanics of real estate development, but his forceful, cartwheeling prose style is more akin to that of Dermot Healy or Lawrence Sterne. His first-person narrators wink and hint at the reader, and he sometimes indulges in stream of consciousness or other formal play. Some of these sections have more flash than substance the book's least successful bit is its first 20 pages. But McAdam redeems himself by fusing his housing narrative with a thoughtful exploration of the dynamics of home, where the relationships between fathers and sons, mothers and daughters, can often be more loving than those between husband and wife. Technical prowess and a surprising empathy mark McAdam as a writer to watch. Agent, Bill Clegg. (Apr.) Copyright 2004 Reed Business Information.
Harcourt debut fiction: two men on a collision course in hopped-up 1970s Ottawa. Copyright 2003 Reed Business Information.
The careers of a homebuilder and a bureaucrat converge on the booming fringe of Ottawa. McAdam's debut flexes considerable muscle once it settles down from a jittery beginning in the minds of Jerry McGuinty, an understandably inarticulate, up-from-nothing builder and his cirrhotic, delusional, estranged wife Kathleen. Carefully constructing McGuinty's progress up the ranks from gofer to drywall drudge to plaster artist to developer, McAdam tackles concurrently the rise of Simon Struthers, a thoroughly unpleasant bureaucrat, a bachelor with a bad habit of boffing the wives of his co-workers and, when appropriate, his co-workers. Struthers, son of an MP, independently wealthy, and totally amoral, drifts into semipotency in a department with controls over city development, a course that will place his one real project, a greenbelt, square in the path of Jerry McGuinty's subdivisions. McGuinty's ambitions and work ethic absorb him totally and leave him oblivious both to Irish-born Kathleen's hard-to-miss alcoholism and to the wretched life of their only son. He also manages to miss the fact that Kathleen pretty much loathes him and would gladly chuck husband, son, and the succession of bigger homes to return to her loose life running a lunch wagon from one construction site to the next. What works here is the portrait of Jerry and the insight into the rough world and odd priorities of the people who shape the houses most of us live in and are occasionally mystified by. Less believable is the utter corruption of the urban mandarin who, when he is not meddling with progress, spends an astonishing amount of time peering into the windows of his ladyloves, one of whom is much, much too young. Thedisintegration of the McGuintys' wretched family is made palatable by a clever denouement that knits up the ambitions of the two men. The construction business is on solid ground, the bureau is a little shaky. Agent: Bill Clegg/Burnes & Clegg
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