DELIVERY & GIFT DETAILS:
Usually ships within 24 hours
Delivery Time and Shipping Rates
Eligible for gift wrap & gift message.

Reserve it at BN.com & pick it up in 60 minutes at your local store.
Enter a zip code
(Mass Market Paperback - Reprint)
Reader Rating: (211 ratings)
Detailed Rating: "Characters" See All
| More Formats | |
|---|---|
| Available in eBook | $6.39 |
| Audio - Abridged | $24.95 |
| Compact Disc - Abridged, 5 CDs, 6 hours | $14.99 |
| MP3 on CD - Unabridged | $23.70 |
I am Meredith Gentry, P.I. and Princess Merry, heir to the throne of Faerie. Now there are those among us who whisper I am more. And who can blame them? I've awakened the dazzling magic that's slumbered in them for thousands of years. But the thing is, I can't figure out why.
My aunt, Queen of Air and Darkness, is no longer distracted by her sadistic hobbies. Her obsession has turned unwaveringly to me. The mission to get me pregnant and beat my cousin Prince Cel to the crown is taking longer than expected. Even though I spend each night with the Queen's Ravens, my immortal guards, no child has come of our decadent pleasures. But something else is happening. My magic courses through me uncontrollably. And as I lock my half-mortal body with their full-Sidhe-blooded ones, the power surges like never before.
It all began with a chalice. I dreamed of it, and it appeared, cool and hard, beside me when I awoke. My guards know the ancient relic well - its disappearance ages ago stripped them of all of their vital powers. But it is here with us now. My touch resonates with its force, and they're consumed with it, their Sidhe essences lit up by it. But even as they cherish me for this unexpected gift, there are those who loathe me for it. Me, a mongrel, only half fey and part mortal. The Unseelie court has suffered for so long, and there are some who would not have it weakened further by an impure queen. My enemies grow in number every day. But they do not know what I am capable of. Nor, for that matter, do I...
Considering all the complications, sexual and otherwise, that Merry Gentry, heir to the faerie throne, endured in A Kiss of Shadows (2000) and A Caress of Twilight (2002), it's no surprise to find the start of Hamilton's third book in her erotic fantasy series weighed down by attempts to conversationally recap earlier convolutions. Even readers of the first two books might have problems sorting out exactly why Merry is messing with the goblin king via magic mirror. Though the author maintains interest through such devices as an imaginative sex scene involving Merry, two of her sidhe studs and a doll-sized, winged, blood-sucking demi-fey, it takes a milieu switch from L.A. to St. Louis and the Unseelie court for the plot to take off and become a page turner. Merry confronts faerie politics that make Machiavelli look like a rookie, while her aunt's sadistic madness leads to what must rank as one of the bloodier scenes of fictional slaughter. Since Merry's previous role as a private eye has almost completely disappeared, nefarious deeds require magic to solve rather than detection. Hamilton's trademark mix of the personal and emotional along with the sexual will as usual delight her fans. Add yet another tour de force ending, a new final total of 16 lustful sidhe male immortals with whom to couple (or triple or...), and a fair future is assured for Merry for at least another few books. (Feb. 3) FYI: Hamilton is also the author of the bestselling Anita Blake vampire series (Cerulean Sins, etc.). Copyright 2004 Reed Business Information.
More Reviews and RecommendationsToss everything you think you know about vampire stories and sword and sorcery novels into an open grave, because Laurell K. Hamilton is reinventing the genres with chills, thrills, and giggles. With her popular Anita Blake and Meredith Gentry series, Hamilton is making dark fantasy fantastically entertaining again.
More About the AuthorReader Rating:
See Detailed Ratings
December 09, 2009: I L.O.V.E how Laurell K Hamilton writes. I also L.O.V.E her since of imagination. I L.O.V.E how she escapes you from one world and put you in a world beyond belief.LOL.
In this book Meredith grows in age, grows in wisdom, and in power. She starts getting more of a feel of who she is and what it means to be Princess.Merry's life gets less annoying in this book and the court intrigue gets more intense, making it an improvement over the previous installment in the series. Sex is a main factor or 3rd main factor in this book lol. By the end of the book it is discovered that a spell was used to incite the Queen to murder. The plot was hatched by those amongst the court who feared that a mortal Queen, Merry, would result in the sidhe ceasing to exist!!!I really enjoyed this book and give this book a two thumbs up!!! And it is a must read!!!!Reader Rating:
See Detailed Ratings
November 25, 2009: gards finaly folow her orders and cam in to her gifts
Name:
Laurell K. Hamilton
Also Known As:
Laurell Kaye Klein (birth name)
Current Home:
St. Louis, Missouri
Date of Birth:
February 19, 1963
Place of Birth:
Heber Springs, Arkansas
Education:
B.A., Marion College
Awards:
P.E.A.R.L. (Paranormal Excellence Award for Romantic Literature) for A Kiss Of Shadows, 2000
The vampire genre has enthralled readers ever since Bram Stoker introduced a certain Transylvanian count over a century ago. Since then vampires have been used as vehicles for everything from romantic novels to erotica to humor to the expected tales of terror. However, very few writers have combined all of these facets of the never-say-die vampire quite the way that Laurell K. Hamilton has.
Hamilton has not always been under the spell of undead things that go bump-and-grind in the night. When she was a young girl, her literary tastes were a bit more on the traditional side. "I wanted to be Louisa May Alcott, who wrote Little Women, because I had never read any science fiction, fantasy, or horror," she confessed in a podcast on Mayor Slay.com. "Then at 13 or 14 I found Robert E. Howard's short story collection [Pigeons From Hell]. It was the first horror, the first heroic fantasy, the first science fiction I'd ever read, and the moment I read that I knew that not only did I want to be a writer, but this is what I wanted to write."
Furthering Hamilton's burgeoning fascination with the fantastic, she discovered Anthony Masters's The Natural History of the Vampire at her high school library. Coupled with the ghost stories her grandmother had told her when she was a child and heavy doses of Hammer Horror movies from Great Britain, Hamilton was well on her way to creating a character that would only be rivaled by Buffy in the field of vampire slaying.
Hamilton first introduced vampire huntress Anita Blake in her third novel Guilty Pleasures. Blake is an unlikely combination of action hero, federal marshal, "necromancer," and lusty dame. Her exploits between the sheets and in the graveyard won Hamilton a rabid following hungry for something new in the well-traveled vampire genre.
Along with the kinds of scares normally associated with vampire stories, Hamilton's books are notable for their unflinching eroticism. Vampires have had a sexual lure since Stoker, but Hamilton particularly draws that aspect to the surface of her work as one of her creatures might draw blood from a victim. "I [want] a kiss to be so believable it gives the reader shivers," she says on her website. "Two things I do well are sex and violence, but I don't want gratuitous sex or violence. The sex and violence is only as graphic as need be. And never included unless it furthers the plot or character development."
Another unlikely trait of her books is humor, vampire tales classically being of the more solemn sort. However, a writer weaned on a book titled Pigeons From Hell is not likely going to shy away from wit. Consequently, her books have been consistently entertaining and fun, as well as creepy and sexy.
Hamilton has also brought her delicious combination of sex, humor, and frights to another series, this one more ingrained in dark fantasy than horror. Her faerie princess/P.I. Meredith Gentry made her debut in Kiss of Shadows in 2001 and has since sparked her own crowd-pleasing sword and sorcery meets pulp series.
Increasingly, the Anita Blake and Merry Gentry books have added more sexual content to their story lines, classifying both series in a new hybrid genre that blends romance, erotica, and paranormal fantasy. To judge from Hamilton's consistent appearance on the bestseller charts, readers find the mix spellbinding.
One thing you will never find in a Hamilton novel is a cliffhanger. She believes that cliffhangers unfairly tease readers who would then have to wait six months to a year to have some sense of resolution. As she said during an interview with Bill Thompson of Eye On Books, "Every book is a full meal. All the way from the appetizer to the dessert, so that you come away feeling that you've had an experience... and at the end you have that satisfied, full feeling."
Before Laurell K. Hamilton made a full-time career of blood, guts, murder, and mayhem, she had more humane pursuits -- she volunteered at an animal shelter where she played with unwanted pets.
In our interview, Hamilton shared some fun and fascinating facts about herself with us:
"I am incredibly stubborn. Telling me I cannot do something, especially if you cite the fact that I am a girl, will make me want to do it more and do it better."
"I am not my characters. We have some of the same traits in common, but we are very different people."
"Everything inspires me. Getting up in the morning, walking the dogs, watching a music video. Inspiration comes from everywhere."
"I love animals. I own four dogs, two of whom are rescues. In fact, Jimmy is with us because they were going to gas him if we didn't take him with us. As an older dog his chances of finding a home were fairly slim. But he has been a wonderful addition to our home."
"I like spending time with my family and friends. Something I often feel I do not do enough of. But there are only so many hours in a day."
"I like to read other people's works. I love reading cozy or historical mysteries when I can."
"I enjoy interacting with fans at planned public events. I enjoy talking to them and have met many wonderful people."
What was the book that most influenced your life or your career as a writer?
Pigeons From Hell by Robert E. Howard -- it was the first heroic fantasy/horror novel I ever read. I read it and knew that not only did I want to be a writer, but this was what I wanted to write.
Andre Norton was important both for her science fiction and fantasy novels, and the fact that she was a woman. Before I became enamored of fantastic literature, my first writing hero was Louisa May Alcott, as in Little Women, and many more books. When I began writing horror and the like, I thought I'd left her far behind, only to discover that Ms. Alcott had also written gothic horror stories.
What are your favorite books, and what makes them special to you?
What are some of your favorite films, and what makes them unforgettable to you?
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
Tori Amos is a perennial favorite, but I have listened to everything from Nine Inch Nails to The Veggie Tales Christmas album.
If you had a book club, what would it be reading?
Any Nero Wolf books by Rex Stout -- because we (my husband and I) started reading them a year ago. They are clever, charming and the quality of the writing is consistently high. They are a wonderful hybrid of hardboiled detective and super-genius detective.
What are your favorite kinds of books to give -- and get -- as gifts?
I try to pick books that the recipient will actually read. I find most folks give books that they want to read or ones they hope will expand the mind of the recipient whether they like it or not. Books can do all that and still be entertaining. Books should be about the person you're giving it to rather than the gift giver.
As to what kind of books I like to get, I tend to like animal books -- ones with lovely pictures of dogs or other animals.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I don't really have any rituals. And my desk needs to be an uncluttered space for me to work. So most likely I will have a cup of hot tea and the music I have chosen for this book. Much else and I tend to get distracted.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
Nearly fourteen years ago when I was first trying to sell Guilty Pleasures, I had one publishing house reject the book on the grounds that the market couldn't bear another vampire book, and the week they were going to make the decision another vampire novel came out from another publisher. They used that as a reason to reject me, and Anita. They said that the vampire market was dying out, and no one wanted to read about vampires anymore.
I was told by a prominent mystery editor that if my Anita Blake mysteries had been straight mystery, no horror elements, or fantastic elements at all, that I'd have never gotten published. Because I am a woman writing from a first person woman's point of view, that no one would have touched it. Maybe that's true. Maybe it was one of the things that sent Anita around to nearly every publisher before it found a home. I don't know. No one complained about the sexual content of the first book, but then, there wasn't any.
I don't know if I'd have had more trouble if the first few books had had a higher content or not. I do know that by using the tropisms of several different genres, I get to play exactly the way I want to play. I get the tough as nails attitude of a hardboiled-mystery, the monsters and gore level of horror, the sex and sensuality of romance, the sheer wonderment of fantasy, and the feeling of reality that the best science fiction gives to amazingly odd facts. If I hadn't chosen to mix genres I might have had a harder time. Though most people told me that mixing genres this badly would doom me. Just goes to prove that you have to believe in yourself and your vision.
If you could choose one new writer to be "discovered," who would it be?
Rett MacPherson. The Victory O'Shea mysteries are delightfully different. First, the main character, Torie, is happily married, has more than one child and a mother who has been wheelchair bound most of Torie's life. The books are set around a small Missouri town that is a concentrated version of several historic towns here. Rett makes good use of Torie's extended family in the books and explains dramatic versions of some of the problems we all face with blood relatives. The series began in 1998 with Family Skeletons and is now in it's eighth book with the just-published In Sheep's Clothing.
They are fun to read and I don't think enough people have found them yet. Rett is also a personal friend and member of my writing group.
What tips or advice do you have for writers still looking to be discovered?
Write. You'd be surprised how many wanna-be writers never seem to do that. Write, then finish it. Finish the story. Finish the book. Do two pages a day, every day. Do not revise as you go. If you come to something you don't know, like what does 14th century underwear look like, put a note, skip it, and keep writing. I hear the wailing and gnashing of teeth, but trust me I've met too many writers that have the perfect three chapters of their book, but nothing more. Three chapters isn't a book, it's a beginning -- finish it.
Once you have hundreds of pages on the other side of your computer, then go through and fill in those blank spots with research. Now, you can look up how to undress your 14th century heroine. Now you can chorography that fight scene. If you spend more than a week on a scene, maybe two days, skip it, write a note that says, fight scene here. You know who wins, just move on, keep going. The second draft is just filling in the blank notes. The third draft is where you begin to edit, and polish the writing. I did seven drafts of my first book, and I wrote it just like I've described. It sold. Most first novels don't. My way is not the only way, heaven knows, but it's the way that allowed me to write my first five to six books.
I've gotten better at my job, and I no longer need seven drafts to get it where I want to be. But I find even today, as I write my seventeenth novel, that if I spend more than a week on a scene, I'm stuck, and I need to move on. Perfectionism has set in, and I'm trying to make it perfect. Perfection is an unattainable goal -- trust me on that. Just write, try not to worry, and when it's done, send it out. Try to sell it. For money. Not copies, not for friends to read. Sell it. This is a business, not a charity. Remember that. Your goal is to earn a living writing what you most love, right? Well, if that's your goal, act like it.
I always started at the highest paying appropriate market for my short stories, and then worked down as they got rejected. I'm assuming that you have researched your markets and aren't trying to send vampire stories to magazines that don't even buy fiction. It's a business, remember. Sending your stories to inappropriate markets is like showing up for a job interview because you really want to edit fiction books, but you've walked into a computer-engineering firm. They don't edit fiction books there. Sending your story to the wrong market is the same deal.
Here's another important piece of advice: send the story, or book out, then get started on the next one. Don't fret, and hover around the mailbox angsting over that one story. It's like a mother with one child -- you worry more. So have more literary children, that way when one is rejected you know that there are others out there, that haven't been. It takes some of the sting out of the rejection process. Not a lot, but some. You've got to want this more than any other job, and you've got to toughen your ego, so that the business doesn't crush you. Be tough. Believe in yourself and your dreams.
I am Meredith Gentry, P.I. and Princess Merry, heir to the throne of Faerie. Now there are those among us who whisper I am more. And who can blame them? I've awakened the dazzling magic that's slumbered in them for thousands of years. But the thing is, I can't figure out why.
My aunt, Queen of Air and Darkness, is no longer distracted by her sadistic hobbies. Her obsession has turned unwaveringly to me. The mission to get me pregnant and beat my cousin Prince Cel to the crown is taking longer than expected. Even though I spend each night with the Queen's Ravens, my immortal guards, no child has come of our decadent pleasures. But something else is happening. My magic courses through me uncontrollably. And as I lock my half-mortal body with their full-Sidhe-blooded ones, the power surges like never before.
It all began with a chalice. I dreamed of it, and it appeared, cool and hard, beside me when I awoke. My guards know the ancient relic well - its disappearance ages ago stripped them of all of their vital powers. But it is here with us now. My touch resonates with its force, and they're consumed with it, their Sidhe essences lit up by it. But even as they cherish me for this unexpected gift, there are those who loathe me for it. Me, a mongrel, only half fey and part mortal. The Unseelie court has suffered for so long, and there are some who would not have it weakened further by an impure queen. My enemies grow in number every day. But they do not know what I am capable of. Nor, for that matter, do I...
Considering all the complications, sexual and otherwise, that Merry Gentry, heir to the faerie throne, endured in A Kiss of Shadows (2000) and A Caress of Twilight (2002), it's no surprise to find the start of Hamilton's third book in her erotic fantasy series weighed down by attempts to conversationally recap earlier convolutions. Even readers of the first two books might have problems sorting out exactly why Merry is messing with the goblin king via magic mirror. Though the author maintains interest through such devices as an imaginative sex scene involving Merry, two of her sidhe studs and a doll-sized, winged, blood-sucking demi-fey, it takes a milieu switch from L.A. to St. Louis and the Unseelie court for the plot to take off and become a page turner. Merry confronts faerie politics that make Machiavelli look like a rookie, while her aunt's sadistic madness leads to what must rank as one of the bloodier scenes of fictional slaughter. Since Merry's previous role as a private eye has almost completely disappeared, nefarious deeds require magic to solve rather than detection. Hamilton's trademark mix of the personal and emotional along with the sexual will as usual delight her fans. Add yet another tour de force ending, a new final total of 16 lustful sidhe male immortals with whom to couple (or triple or...), and a fair future is assured for Merry for at least another few books. (Feb. 3) FYI: Hamilton is also the author of the bestselling Anita Blake vampire series (Cerulean Sins, etc.). Copyright 2004 Reed Business Information.
Meredith Gentry, half-mortal Sidhe princess, is engaged in a contest to produce a child before her cousin Prince Cel does. The stakes are high: the winner will be heir to Queen Andais and the throne of the Unseelie Court. A powerful artifact mysteriously appears, and Merry becomes a trigger for the goddess Danu to restore long-lost powers of Celtic godhood to any Sidhe who has sex with Merry. In addition to sex, there is interminable conversation and explication about who, where, why, and how to have sex. Almost no plot movement takes place until late in the book, when situations at the court become graphically violent. Any listener unfamiliar with the two earlier episodes in this series may be confused, while fans might be impatient with the lengthy explanations. Hamilton does provide sensual erotica, faultlessly performed by Laural Merlington. Recommended only for large collections that include adult material.-Janet Martin, FirstHealth of the Carolinas, Pinehurst, NC Copyright 2004 Reed Business Information.
Third entry in Hamilton's series about p.i. /Faerie Princess Meredith Gentry. Meredith, she of the moonlight skin and blood-auburn hair, handles supernatural cases for the Grey Detective Agency while involved in endless faerie court politics. As we learned in A Caress of Shadows (2002), the now-mortal Meredith will replace her aunt as the Queen of Air and Darkness only if she becomes pregnant, a state she chases hard with the help of her many bodyguards and lovers, including thousand-year-old assassin Doyle, a celibate creature of absolute blackness and a member of the Queen's Ravens. But Prince Cel hopes to assassinate her and become ruler himself by providing an heir before Meredith can deliver a child. The series background is Hollywood, whose tabloid media and paparazzi pursue Meredith for photo ops. Merry first comes up against Siun, a nightmarish bloated black spider the size of a large German shepherd, with eyes everywhere, a head, hands, and breasts. Then Maeve Reed, the golden goddess of Hollywood, who looks 20 but has been top star for 50 years, tries to seduce her. Can Merry's ultimate orgasmic lovemaking reawaken Maeve's true godhead of lost power? Can Merry's body return his lost godhead to oceanic Barinthus? Will she sink into Adair and into "the power that lay in the muscles and meat of him"? Given all the rolling around beforehand, it seems only right that at this novel's climax, Meredith finds herself abed with 16 males. Steamy embraces wispily laced together by moonlit shadow-webbing. Agent: Merrilee Heifetz/Writers House
Loading...Chapter 1
A lot of people lounge by pools in l.a., but few of them are truly immortal, no matter how hard they pretend with plastic surgery and exercise. Doyle was truly immortal and had been for over a thousand years. A thousand years of wars, assassinations, and political intrigue, and he'd been reduced to being eye candy in a thong bathing suit by the pool of the rich and famous. He lay at the edge of the pool, wearing almost nothing. Sunlight glittered across the blue, blue water of the pool. The light broke in a jagged dance across his body, as if some invisible hand stirred the light, turning it into a dozen tiny spotlights that coaxed Doyle's dark body into colors I'd never known his skin could hold.
He wasn't black the way a human being is black, but more the way a dog is black. Watching the play of light on his skin, I realized I'd been wrong. His skin gleamed with blue highlights, a shine of midnight blue along the long muscular sweep of his calf, a flare of royal blue like a stroke of deep sky touched his back and shoulder. Purple to shame the darkest amethyst caressed his hip. How could I ever have thought his skin monochrome? He was a miracle of colors and light, strapped across a body that rippled and moved with muscles honed in wars fought centuries before I was born.
The braid of his black hair trailed across the edge of the lounge chair, fell over the side, and curled beside him on the concrete like some patient serpent. His hair was the only thing that seemed black on black. There was no play of colors, only a gleam like a black jewel. It seemed as if it should have been the other way around, that his hair should have held thehighlights and his body been all one color, but it wasn't.
He lay on his stomach, head turned away from me. He was pretending to be asleep, but I knew he wasn't. He was waiting. Waiting for the helicopter to fly over. The helicopter that would contain the press, people with cameras. We'd made a deal with the devil. If the press would just stay away enough for us to have some privacy, we'd make sure that at prearranged times they had something newsworthy to take pictures of. I was Princess Meredith NicEssus, heir to the throne of the Unseelie Court, and the fact that I'd surfaced in Los Angeles, California, after a three-year absence was big news. People thought I'd died. Now I was alive and well, and living in the middle of one of the biggest media empires on the planet. Then I'd gone and done something that was even better tabloid fodder.
I was looking for a husband. The only faerie princess born on American soil was looking to wed. Being fey, especially a member of the sidhe, the highest of the high royals, I wasn't allowed to marry unless I was pregnant. The fey don't breed much, and the sidhe royals breed even less. My aunt, the Queen of Air and Darkness, would not tolerate anything less than a fertile match. Since we seemed to be dying out, I guess I couldn't blame her. But somehow the tabloids had gotten wind that I wasn't just dating my bodyguards, I was fucking them. Whoever got me with child, got a wedding. Got to be king to my queen.
The tabloids even knew that the queen had made it a contest between me and her son, my cousin, Prince Cel. Whoever got a baby first, won the throne. The media had fallen on us like a cannibalistic orgy. Not pretty, not pretty at all.
What the tabloids didn't know was that Cel had tried to have me assassinated more than once. They also didn't know that he'd been imprisoned by the queen for six months as punishment. Imprisoned and tortured, for six months. Immortality and an ability to heal almost anything does have some downsides. Torture can last a very, very long time.
When Cel got out, he'd be allowed to continue the contest, unless I got pregnant first. So far, no luck, and it wasn't for lack of trying.
Doyle was one of five bodyguards, the queen's own bodyguards, who had volunteered, or been volunteered, to be my lover. Queen Andais had had a rule that her bodyguards gave their seed to her body, or nobody. Doyle had been celibate for centuries. Again, immortality, if it goes wrong, can have some downsides.
We'd chosen one of the most persistent of the tabloids and made our arrangements. Doyle thought it was rewarding bad behavior; the queen wanted us to show positive images to the media. The Unseelie Court of the sidhe has a reputation for being the bad guys. We can be, but I'd spent my fair share of time at the Seelie Court, the bright and shining court that the media think is so perfect, so joyous. Their King Taranis, the King of Light and Illusion, is my uncle. But I'm not in line to that throne. I had the bad taste to have a father who was full-blooded Unseelie sidhe, and that is a crime for which the glittering throng has no forgiveness. There was no prison that I could go to, no torture I could endure, that would cleanse me of this sin.
They can say that the Seelie Court is a beautiful place, but I learned that my blood is just as red on white marble as it is on black. The beautiful people made it very plain at a young age that I would never be one of them. I'm too short, too human looking, and, worse yet, too Unseelie looking.
My skin is as white as Doyle's is black. Moonlight skin is what I have, a mark of beauty at either court, but I am barely five feet tall. No sidhe is that short. I have curves and am a little too voluptuous for the sidhe—that pesky human blood, I guess. My eyes are tricolored, two shades of green and a circle of gold. The eyes would be welcome in the Seelie Court, but not the hair. It's blood auburn, sidhe scarlet, if you go to a good salon and get the dye job. It's not auburn, and it's not human red. It's as if you took good red garnets and spun the jewels out into hair. It has one other nickname among the glittering throng—Unseelie red. The Seelie have red hair, but it's closer to human red, orangey, golden, true auburn, or true red, but nothing as dark as mine.
My mother made sure that I knew I was less. Less beautiful, less welcome, just less. She and I don't talk much. My father died when I was younger, and there is rarely a day that I don't miss him. He taught me that I was enough, beautiful enough, tall enough, strong enough, just enough.
Doyle raised his head, showing the black wraparound sunglasses that hid his own black eyes. The light glittered off the silver earrings that graced almost every inch of his ears, from lobe to pointed tip. The ears were the only thing that gave away the fact that Doyle wasn't pure Unseelie sidhe. Contrary to popular literature, and every wanna-be fey with ear implants, real sidhe do not have pointed ears. Doyle could have hidden the ears and passed for pure sidhe, but he almost always wore his hair back so that this one imperfection showed. I think the earrings were so you wouldn't miss them.
"I hear the helicopter. Where is Rhys?"
I didn't hear anything yet, but I'd learned not to question Doyle; if he said he'd heard something, he had. His hearing was better than a human's, and better than most of the rest of the guards. Probably something to do with his mixed heritage.
I sat up and looked back toward the wall of glass that led into the house. Rhys appeared in the sliding glass doors before I could call for him. His skin was the paleness of mine, but there the sameness ended. His waist-length hair was a mass of tight white curls framing a face that was boyishly handsome and would be forever. His one eye was tricolored blue, cornflower, and winter sky. His other eye was gone, lost long ago. Sometimes he wore a patch to cover the scars, but once he realized that I didn't mind, he seldom bothered. The scars trailed down his face but stopped short of his kissable, pouting lips. For sheer shape of the mouth, his was the prettiest. He was five foot six, the shortest full-blooded sidhe I'd ever met. But every inch of him that showed was muscled. He seemed to try to make up for the lack of height by being in better shape than the rest of the guards. They were all muscular, but he was one of the few who really took the weight lifting seriously. He was also the only one with washboard abs. He had the towels he'd gone for, in front of those abs, and lower, and it wasn't until he dropped the towels beside my chair that I realized he'd left his bathing suit in the house.
"Rhys! What are you doing?"
He grinned at me. "Bathing suits this small are like lies. It's a way for humans to be nude without being naked. I'd rather just be naked."
"They won't be able to print the pictures if one of us is nude," Doyle said.
"They'll print my ass, just not my front."
I looked up at him, suddenly suspicious. "And just why won't they be able to see the front of your body?"
He laughed, head back, mouth wide, a sound so joyous it seemed to make the day brighter. "I'll be hiding myself against your gorgeous body."
"No," Doyle said.
"And are you going to do anything picture-worthy?" Rhys asked, hands on his hips. He was totally comfortable nude. His body language never changed no matter what he was, or wasn't, wearing. It had taken two days worth of arguing to get Doyle into the thong bikini bottom he had on. He'd never participated in the court's casual nudity.
Doyle stood, and the front of the suit was tiny enough, and close enough in color, that I could see Rhys's point. If you didn't know how magnificent Doyle looked nude, you might think this was it, at a glance. From the back he looked almost as nude as Rhys.
"I am wearing this, and I am in public view."
"You're cute," Rhys said, "but if we want the tabloids to stop trying to snap pictures through the bedroom windows, we need to play fair with them. We need to give them a show." He spread his arms wide when he said the last, turning his back to me so I got the full view of the back of his body. The view was better without the bathing suit to break up the clean, muscled lines of him. He still had a wonderful ass, unlike some bodybuilders, who've taken the lack of body fat to a point where there is nothing soft on their bodies. You need a little softness to hide the lines of muscles, or it just looks wrong.
I could hear the helicopter now. "We're running out of time, gentlemen. I do not want to go back to having the photographers camped out in the trees outside the wall."
Rhys glanced back at me. "If we don't give the first tabloid a good show, they'll tell the rest that we lied, and we'll have them climbing all over us again." He sighed, and not as if he was happy. "I'd rather flash my ass to the entire country than have another photographer break his arm falling off the roof."
"Agreed," I said.
Doyle took a deep breath in through his nose and let it out slowly through his mouth. "Agreed." How little he liked it showed in the lines of his body, the way he stood. If he couldn't act better than this, Doyle would have to be excused from future photo opportunities.
Rhys came to the foot of my lounge chair and knelt on all fours, with his hands on the chair arms. He was grinning at me, and I knew he'd find a way of enjoying this. It might be duty, and he might prefer to just shoot the helicopter out of the sky, but he'd play fair, and he'd find a way to make it fun, if he could.
I gazed down his body, because I couldn't help it. I couldn't not look at him dangling there, close enough to fondle, close enough for so much. My voice was a little less than steady when I asked, "Do you have a plan?"
"I thought we'd make out."
"And what am I supposed to be doing?" Doyle asked. He sounded disgusted with the entire situation. He loved being my lover, loved the possibility of being king; he hated the publicity and everything that went with it.
"You can take one end, I'll take the other."
The helicopter was close now, perhaps hidden only by the line of tall eucalyptus trees that bordered the estate. Doyle flashed a smile, white and sudden as lightning in the darkness of his face. He moved with that liquid grace and speed that I could never match, and was suddenly kneeling beside my shoulder. "If I must, then I would have the sweet taste of your mouth."
Rhys darted a quick lick across my bare stomach that made me writhe and giggle. He raised his face enough to say, "There are other tastes just as sweet." The look in his eye, his face, held a heat and knowledge that stole the laughter from my throat and sent my pulse racing.
Doyle brushed his lips across my shoulder. The movement brought my gaze to his, and there was that same dark knowledge. A knowledge born of nights and days of skin and sweat and bodies, of tangled sheets and pleasure.
My voice came a little shaky. "You've decided to play. What made you change your mind?"
He whispered against my cheek, and just his breath hot against my skin made me shudder. "This is a necessary evil, and if you must parade yourself for the media, then I will not abandon you." That flash of a smile came again, like a surprise across his face. It made him look younger, almost like someone else entirely. It had only been in the last month or so that I'd known Doyle had a smile like that inside him. "Besides, I cannot leave you to Rhys. Goddess knows what he would do out here on his own."
Rhys ran a finger along the edge of my bikini bottom. "Such a tiny piece of cloth. They'll never see it if we're careful."
I frowned at him. "What do you mean?"
He dropped lower on the lounge chair so that his face was above that tiny piece of cloth, his hands sliding under my slightly raised thighs until those hands came up over my hips and hid the bright red cloth of the bikini bottom. He lowered his face just over my groin, and his hair spread across my thighs like a curtain.
I didn't have time to protest, or even decide if I was going to. The helicopter cleared the trees, and that was how they found us. Rhys with his face buried in my groin, his legs bent at the knees, feet kicking slightly over his bare ass, like a child with a piece of good candy.
I thought Doyle would protest, until he pressed his face into my neck and I realized he was laughing. Silently, shoulders shaking. He eased me back onto the lounge chair so that I was lying down again, still laughing, but hiding it from the cameras.
I started to smile and was glad my sunglasses were back in place. The smile started to turn into a laugh as the helicopter circled overhead, close enough to chop the water of the pool and send Rhys's hair tickling along my skin. My hair flared in the artificial wind like bloody flames.
I was laughing full out now, which made things besides my shoulders shake.
Rhys licked across the front of my groin, and even through the cloth it slowed the laughter, brought a catch to my breath. He rolled his eye up the line of my body, and the look was enough; he didn't want me laughing. He set his teeth into the cloth and grazed me delicately with his teeth. The sensation made me shudder, spine bowing enough to spill my head backward and open my mouth in a throaty gasp.
Doyle squeezed my shoulder, brought me back into my head a little. I was still shaky and had trouble focusing on his face. "I think we have had enough of a show for one day." He laid one of the towels across my stomach. He handed the other one to Rhys.
Rhys looked up at him, and I saw the thought to argue cross his face, but in the end he simply began to get up, spreading the towel as he moved so that the cameras didn't get a glimpse of the bikini bottoms. I'd half expected him to flash the camera, show the joke, but he didn't. He very carefully covered me with the towel, while the helicopter swirled overhead and the wind beat our hair around us. On his knees, he was fully exposed, and I wondered if there'd be photos with him politely fuzzed out, or whether they'd sell them to the European papers and not worry about it.
When I was covered completely, from thighs to just under the red bikini top, he scooped me up in his arms.
I had to shout to be heard above the sound of wind and machinery. "I can walk."
"I want to carry you." He seemed so serious when he said it, and it cost me nothing to let him do it.
I nodded.
Rhys carried me toward the house with Doyle walking a little behind and to one side of us. Doyle was being a good bodyguard, bringing up the rear, but he was also walking to one side, instead of directly behind us, so that he didn't ruin the photo opportunity.
He stopped at his chair and scooped up a third towel, then moved smoothly toward the house. I caught a glimpse of the gun wrapped in that towel. The helicopter circling overhead never knew that any of us was armed. They also couldn't see Frost standing just inside the sliding glass doors, hidden by a spill of drapes. He was fully dressed, and very fully armed. I think the reason I didn't mind the media games so much was that if no one tried to kill me, it was a good day. When that's your criterion for a good day, what's a few helicopters and some racy photos? Not much.
loading...
loading...
loading...
Hear our exclusive audio interview with Laurell K. Hamilton (12:51).
Terms of Use, Copyright, and Privacy Policy
© 1997-2010 Barnesandnoble.com llc




