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Reader Rating: (106 ratings)
Detailed Rating: "Originality" See All
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In this humorous and perceptive exchange between two devils, C. S. Lewis delves into moral questions about good vs. evil, temptation, repentance, and grace. Through this wonderful tale, the reader emerges with a better understanding of what it means to live a faithful life.
I read Lewis for comfort and pleasure many years ago, and a glance into the books revives my old admiration.
More Reviews and RecommendationsC. S. Lewis was famous both as a fiction writer and as a Christian thinker, and scholars sometimes divide his personality in two. Yet a large part of Lewis's appeal, for both his audiences, lay in his ability to fuse imagination with instruction. "Let the pictures tell you their own moral," he once advised writers of children's stories. "But if they don't show you any moral, don't put one in."
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October 30, 2009: The Screwtape Letters is more relevant today than ever. CS Lewis describes the temptations of today's times as well as yesterdays, validating the point that evil is consistant and hardworking, if nothing else. Masterfully done!
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October 20, 2009: I am a big fan of Radio Theater: The Screwtape Letters audio-drama. If you are at all familiar with the works of Author CS Lewis, there is no doubt in my mind you'll really enjoy this drama.
Screw Tape Letters is a series that was written to shed light on spiritual warfare in showing how easily people can be led astray from God. And though this series was written over sixty years ago, much if not all that is mentioned can be applied to our lives today.The actors did an excellent job in placing you in the lives of the characters, the effects and noises were top quality, and the music was quite fitting in every scene. The sheer quality of it all really kept me hooked once I started listening.Note that you may not want to listen to this with little ones around. There can be some frightening situations and sounds thus there is a warning that it is for ages 12 and up on the packaging.I'm a fan of seeing how things likes films were created so after I had finished listening, I found myself captivated by the behind-the-scenes video documentaries on the bonus DVD that was included.I believe that everyone would benefit from listening to Radio Theater: The Screwtape Letters audio-drama. 5 Stars and props from me to Focus on the Family for putting this great series together into such a moving dramatic audio book!Name:
C. S. Lewis
Also Known As:
Clive Staples Lewis (real name); Clive Hamilton, N.W. Clerk, Nat Whilk; called "Jack" by his friends
Date of Birth:
November 29, 1898
Place of Birth:
Belfast, Nothern Ireland
Date of Death
November 22, 1963
Place of Death
Headington, England
Education:
Oxford University 1917-1923; Elected fellow of Magdalen College, Oxford in 1925
Awards:
Elected Fellow of the British Academy, 1955; Carnegie Medal (for The Last Battle), 1956
C. S. Lewis was famous both as a fiction writer and as a Christian thinker, and his biographers and critics sometimes divide his personality in two: the storyteller and the moral educator, the "dreamer" and the "mentor." Yet a large part of Lewis's appeal, for both his audiences, lay in his ability to fuse imagination with instruction. "Let the pictures tell you their own moral," he once advised writers of children's stories. "But if they don't show you any moral, don't put one in. ... The only moral that is of any value is that which arises inevitably from the whole cast of the author's mind."
Storytelling came naturally to Lewis, who spent the rainy days of his childhood in Ireland writing about an imaginary world he called Boxen. His first published novel, Out of the Silent Planet, tells the story of a journey to Mars; its hero was loosely modeled on his friend and fellow Cambridge scholar J.R.R. Tolkien. Lewis enjoyed some popularity for his Space Trilogy (which continues in Perelandra and That Hideous Strength), but nothing compared to that which greeted his next imaginative journey, to an invented world of fauns, dwarfs, and talking animals -- a world now familiar to millions of readers as Narnia.
The Lion, the Witch and the Wardrobe, the first book of the seven-volume Chronicles of Narnia, began as "a picture of a Faun carrying an umbrella and parcels in a snowy wood," according to Lewis. Years after that image first formed in his mind, others bubbled up to join it, producing what Kate Jackson, writing in Salon, called "a fascinating attempt to compress an almost druidic reverence for wild nature, Arthurian romance, Germanic folklore, the courtly poetry of Renaissance England and the fantastic beasts of Greek and Norse mythology into an entirely reimagined version of what's tritely called 'the greatest story ever told.'"
The Chronicles of Narnia was for decades the world's bestselling fantasy series for children. Although it was eventually superseded by Harry Potter, the series still holds a firm place in children's literature and the culture at large. (Narnia even crops up as a motif in Jonathan Franzen's 2001 novel The Corrections). Its last volume appeared in 1955; in that same year, Lewis published a personal account of his religious conversion in Surprised by Joy. The autobiography joined his other nonfiction books, including Mere Christianity, The Screwtape Letters, and The Great Divorce, as an exploration of faith, joy and the meaning of human existence.
Lewis's final work of fiction, Till We Have Faces, came out in 1956. Its chilly critical reception and poor early sales disappointed Lewis, but the book's reputation has slowly grown; Lionel Adey called it the "wisest and best" of Lewis's stories for adults. Lewis continued to write about Christianity, as well as literature and literary criticism, for several more years. After his death in 1963, The New Yorker opined, "If wit and wisdom, style and scholarship are requisites to passage through the pearly gates, Mr. Lewis will be among the angels."
The imposing wardrobe Lewis and his brother played in as children is now in Wheaton, Illinois, at the Wade Center of Wheaton College, which also houses the world's largest collection of Lewis-related documents, according to The Christian Science Monitor.
The 1994 movie, Shadowlands, based on the play of the same name, cast Anthony Hopkins as Lewis. It tells the story of his friendship with, and then marriage to, an American divorcee named Joy Davidman (played by Debra Winger), who died of cancer four years after their marriage. Lewis's own book about coping with that loss, A Grief Observed, was initially published under the pseudonym N. W. Clerk.
Several poems, stories, and a novel fragment published after Lewis's death have come under scrutiny as possible forgeries. On one side of the controversy is Walter Hooper, a trustee of Lewis's estate and editor of most of his posthumous works; on the other is Kathryn Lindskoog, a Lewis scholar who began publicizing her suspicions in 1988. Scandal or kooky conspiracy theory? The verdict's still out among readers.
The Deluxe Illustrated Edition of a Timeless Classic
First published in 1942, The Screwtape Letters has sold millions of copies world-wide and is recognized as a milestone in the history of popular theology. A masterpiece of satire, it entertains readers with its sly and ironic portrayal of human life and foibles from the vantage point of Screwtape, a highly placed assistant to "Our Father Below." At once wildly comic, deadly serious, and strikingly original, The Screwtape Letters is the most engaging account of temptation—and triumph over it—ever written. With beautiful color illustrations by the artist Papas throughout, this new edition also includes C. S. Lewis's own drawing of Screwtape, as well as a retrospective essay written twenty years after the original publication.
I read Lewis for comfort and pleasure many years ago, and a glance into the books revives my old admiration.
If wit and wisdom, style and scholarship are requisites to passage through the pearly gates, Mr. Lewis will be among the angels.
Lewis, perhaps more than any other twentieth-century writer, forced those who listened to him and read his works to come to terms with their own philosophical presuppositions.
Lewis, perhaps more than any other twentieth-century writer, forced those who listened to him and read his works to come to terms with their own philosophical presuppositions.
If wit and wisdom, style and scholarship are requisites to passage through the pearly gates, Mr. Lewis will be among the angels.
Lewis's satire is a Christian classic. Screwtape is a veteran demon in the service of "Our Father Below" whose letters to his nephew and prot g , Wormwood, instruct the demon-in-training in the fine points of leading a new Christian astray. Lewis's take on human nature is as on-target as it was when the letters were first published in 1941. John Cleese's narration is perfect as he takes Screwtape from emotional height to valley, from tight control to near apoplexy. This will be a popular in most libraries.--Nann Blaine Hilyard, Lake Villa Dist. Lib., IL Copyright 1999 Cahners Business Information.
Loading...The Screwtape Letters
Chapter One
My dear Wormwood,
I note what you say about guiding your patient's reading and taking care that he sees a good deal of his materialist friend. But are you not being a trifle naïve? It sounds as if you supposed that argument was the way to keep him out of the Enemy's clutches. That might have been so if he had lived a few centuries earlier. At that time the humans still knew pretty well when a thing was proved and when it was not; and if it was proved they really believed it. They still connected thinking with doing and were prepared to alter their way of life as the result of a chain of reasoning. But what with the weekly press and other such weapons we have largely altered that. Your man has been accustomed, ever since he was a boy, to have a dozen incompatible philosophies dancing about together inside his head. He doesn't think of doctrines as primarily 'true' or 'false', but as 'academic' or 'practical', 'outworn' or 'contemporary', 'conventional' or 'ruthless'. Jargon, not argument, is your best ally in keeping him from the Church. Don't waste time trying to make him think that materialism is true! Make him think it is strong, or stark, or courageous that it is the philosophy of the future. That's the sort of thing he cares about.
The trouble about argument is that it moves the whole struggle on to the Enemy's own ground. He can argue too; whereas in really practical propaganda of the kind I am suggesting He has been shown for centuries to be greatly the inferior of Our Father Below. By the very act of arguing, you awake the patient's reason; and once it is awake, who canforesee the result? Even if a particular train of thought can be twisted so as to end in our favour, you will find that you have been strengthening in your patient the fatal habit of attending to universal issues and withdrawing his attention from the stream of immediate sense experiences. Your business is to fix his attention on the stream. Teach him to call it 'real life' and don't let him ask what he means by 'real'.
Remember, he is not, like you, a pure spirit. Never having been a human (Oh that abominable advantage of the Enemy's!) you don't realise how enslaved they are to the pressure of the ordinary. I once had a patient, a sound atheist, who used to read in the British Museum. One day, as he sat reading, I saw a train of thought in his mind beginning to go the wrong way. The Enemy, of course, was at his elbow in a moment. Before I knew where I was I saw my twenty years' work beginning to totter. If I had lost my head and begun to attempt a defence by argument I should have been undone. But I was not such a fool. I struck instantly at the part of the man which I had best under my control and suggested that it was just about time he had some lunch. The Enemy presumably made the counter-suggestion (you know how one can never quite overhear what He says to them?) that this was more important than lunch. At least I think that must have been His line for when I said 'Quite. In fact much too important to tackle at the end of a morning,' the patient brightened up considerably; and by the time I had added 'Much better come back after lunch and go into it with a fresh mind,' he was already half way to the door. Once he was in the street the battle was won. I showed him a newsboy shouting the midday paper, and a No. 73 bus going past, and before he reached the bottom of the steps I had got into him an unalterable conviction that, whatever odd ideas might come into a man's head when he was shut up alone with his books, a healthy dose of 'real life' (by which he meant the bus and the newsboy) was enough to show him that all 'that sort of thing' just couldn't be true. He knew he'd had a narrow escape and in later years was fond of talking about 'that inarticulate sense for actuality which is our ultimate safeguard against the aberrations of mere logic'. He is now safe in Our Father's house.
You begin to see the point? Thanks to processes which we set at work in them centuries ago, they find it all but impossible to believe in the unfamiliar while the familiar is before their eyes. Keep pressing home on him the ordinariness of things. Above all, do not attempt to use science (I mean, the real sciences) as a defence against Christianity. They will positively encourage him to think about realities he can't touch and see. There have been sad cases among the modern physicists. If he must dabble in science, keep him on economics and sociology; don't let him get away from that invaluable 'real life'. But the best of all is to let him read no science but to give him a grand general idea that he knows it all and that everything he happens to have picked up in casual talk and reading is 'the results of modern investigation'. Do remember you are there to fuddle him. From the way some of you young fiends talk, anyone would suppose it was our job to teach!
Your affectionate uncle
Screwtape
The Screwtape Letters. Copyright (c) by C. Lewis . Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
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