Satchel: The Life and Times of an American Legend by Larry Tye

The Barnes & Noble Review

I want to be "the onliest man in the United States that nobody knows nothin' about," declared Satchel Paige; and to that end he dished out a variety of dates and places of birth, explanations of his nickname, and statements concerning his family, his marital status, and his wealth. Over time, reporters and historians have nailed down the facts in most of these matters; but it is in a larger respect that Satchel Paige remains an insoluble mystery. That is in the particulars that make up baseball's enduring reality: statistics. According to Paige, he played for 250 different teams -- a statement that, like most coming from this great fabulist, may or may not be true; but, in this case, it is certainly possible. In addition to having played under contract for countless teams -- semipro, major and minor Negro leagues, winter and Latin leagues, and eventually the integrated majors and Triple-A -- Paige freelanced, barnstormed, and was rented out throughout his entire career, a picaresque series of escapades and ordeals running from his debut as a semi-pro in 1924 to his three-inning swan song for the Kansas City Athletics in 1965.

Paige would have needed to employ his own personal statistician to keep track of his record. And he did have one, in a manner of speaking: himself. He claimed to have kept a notebook recording his every performance, racking up, he said, more than 2,500 appearances and around 2,000 wins. "The numbers were dizzying," Larry Tye notes in this new biography, "but each required an asterisk explaining that Satchel kept records the way he set them: with flair, grace, and hoopla." To complement the patchy and embellished statistical record, we have the reports of fellow players, coaches, managers, club owners, umpires, sports reporters, fans, and biographers, of which Tye is only the second to devote an entire book to the subject. Out of a welter of testimony, not all of it charitable to say the least, we get the feeling -- knowledge not being possible -- that Satchel Paige was the greatest pitcher who ever lived.

He was born Leroy Robert Page on July 7, 1906, in Mobile, Alabama. The "i" materialized in his surname sometime around the time his father died, and the moniker Satchel was, variously, a tribute to his feet or to his prowess in handling suitcases or stealing them -- or something. He was sent to the Alabama Reform School for Juvenile Negro Lawbreakers at age 12; and it was there, under the tutelage of coach Edward Byrd, that he developed his legendary pitching form: Leg cocked to the heavens, right arm trailing miles behind before it looped forward, endlessly, shooting "fire and smoke over the pan to make even the heaviest of the invading clouters look like shuffleboard players." Released from reform school as a 6' 3", 140-pound 17-year-old, he signed on with the semi-pro Mobile Tigers, moving on to the professional Chattanooga White Sox and, later, the New Orleans Black Pelicans. In 1927 he finally made it to the Birmingham Black Barons, his first team in the black majors, whence he jumped on and off for the next four years. Blazing fast from the beginning, he was "wild as a march hen" until he came under the guidance of Mobile manager Alex Herman. After that, as he said, "It got so I could nip frosting off a cake with my fast ball." By 1933, with almost a dozen teams to his hydra-headed record, he had developed a curve ball and entered his heyday, playing for two of the Negro leagues' greatest teams, the Pittsburg Crawfords and, eventually, the Kansas City Monarchs. Jumping contracts and playing all year round, often with white players, he pitched across the nation, from Bismarck, North Dakota to Florida, from California to New England, as well as stints in Venezuela and the Caribbean, including a win-or-be-shot season in the Dominican Republic for dictator Rafael Trujillo's pet team. Despite a frightening period during which he suffered from a desperately sore arm, he could have been the dominant pitcher in all baseball.

But, no. Instead he was attended by the constant refrain: "If only you were white." The trials of black baseball players make up a continuous and melancholy strand in this biography. Enduring routine racial insults in the North and outright segregation and even vigilantism in the South, the players also had to put up with the brutal travelling conditions, shabby uniforms, dilapidated equipment, and uncertain paychecks that were attendant upon working for cash-strapped club owners.

For all that, Satchel Paige, showman, master of the mound, and perhaps the most celebrated black ballplayer in America, made a great deal of money. He spent with abandon, living high and, as it happens, often letting his teammates down at will, showing up late, dogging it on the field. Nonetheless, he, and many others, believed he should be the man to break baseball's color bar; indeed, he had already played a good deal with major-league greats in winter ball. But as much as his age ("Methuselah was my batboy," he liked to say), it was his flashiness and insouciance, his wild life and plurality of wives, and his lack of team spirit that made him precisely the sort of player that teetotaling, tight-fisted Branch Rickey did not want to put in a Brooklyn Dodgers uniform. Jackie Robinson was his man: buttoned-down, buttoned-up, college-educated, and a military veteran. Rickey plucked Robinson from the Monarchs without paying the team's owner a dime. When, in 1948, Paige finally got the nod, it was from Cleveland Indians owner Bill Veeck, a fellow showman and -- in contrast to Rickey -- a square-dealer who paid $15,000 to the Monarchs for their flamboyant, if aging, crowd magnet.

Tye lays out Paige's life and times and long career in workmanlike prose, bringing it down to his death in a heat wave in Kansas City in 1982. He sets the record straight on a number of particulars, not only with respect to Paige's many assertions of derring-do -- tales that grew in altitude over the years -- but also in what the great aphorist actually said and what was manufactured for him, the latter including his well-known rules for staying young. Most important, the book adds depth to an important chapter in baseball history. For decades, the story of black players was streamlined and simplified, defined against the white major leagues and located exclusively in this country's history of racial inequality. It was portrayed chiefly as a long, arduous trek to integrating the game, with Jackie Robinson's first season as a Dodger serving as the natural finale. Meanwhile, the black leagues tended to be characterized as expedient substitutes for the real deal, rather than institutions in their own right. In recent years, however, the story has considerably expanded and deepened with excellent books appearing on blackball, its players and owners and the milieu they fostered. Satchel is a fine contribution to this shelf, further developing what Tye calls the "tragic and epic" history of black baseball, as well as showing how central the integration of the game was to the struggle for black civil rights in the country as a whole. Above all it fleshes out the part played in both, blackball and integration, by the "Million-Dollar String Bean," Satchel Paige. --Katherine A. Powers

Katherine A. Powers writes the literary column "A Reading Life" for the Boston Sunday Globe and lives in Cambridge, Massachusetts.

From the Publisher

He is that rare American icon who has never been captured in a biography worthy of him. Now, at last, here is the superbly researched, spellbindingly told story of athlete, showman, philosopher, and boundary breaker Leroy “Satchel” Paige.

Few reliable records or news reports survive about players in the Negro Leagues. Through dogged detective work, award-winning author and journalist Larry Tye has tracked down the truth about this majestic and enigmatic pitcher, interviewing more than two hundred Negro Leaguers and Major Leaguers, talking to family and friends who had never told their stories before, and retracing Paige’s steps across the continent. Here is the stirring account of the child born to an Alabama washerwoman with twelve young mouths to feed, the boy who earned the nickname “Satchel” from his enterprising work as a railroad porter, the young man who took up baseball on the streets and in reform school, inventing his trademark hesitation pitch while throwing bricks at rival gang members.

Tye shows Paige barnstorming across America and growing into the superstar hurler of the Negro Leagues, a marvel who set records so eye-popping they seemed like misprints, spent as much money as he made, and left tickets for “Mrs. Paige” that were picked up by a different woman at each game. In unprecedented detail, Tye reveals how Paige, hurt and angry when Jackie Robinson beat him to the Majors, emerged at the age of forty-two to help propel the Cleveland Indians to the World Series. He threw his last pitch from a big-league mound at an improbable fifty-nine. (“Age is a case of mind over matter,” he said. “If youdon’t mind, it don’t matter.”)

More than a fascinating account of a baseball odyssey, Satchel rewrites our history of the integration of the sport, with Satchel Paige in a starring role. This is a powerful portrait of an American hero who employed a shuffling stereotype to disarm critics and racists, floated comical legends about himself–including about his own age–to deflect inquiry and remain elusive, and in the process methodically built his own myth. “Don’t look back,” he famously said. “Something might be gaining on you.” Separating the truth from the legend, Satchel is a remarkable accomplishment, as large as this larger-than-life man.

The New York Times - Janet Maslin

…discerning, empathetic and hype-free…Satchel makes a cool, clear, tenacious effort to find the real Paige behind all that hyperbole.

The New York Times Book Review - Jonathan Eig

In many ways, Paige was ahead of his time, as Tye nicely demonstrates in this engaging and insightful but uneven book.

Publishers Weekly

Tye, a Boston Globe reporter and author of The Father of Spin, offers the first biography on Satchel Paige, the premier pitcher of the Negro Leagues. Having interviewed more than 200 veteran fellow players of the Negro and Major Leagues, he is able to flesh out the Satchel Paige persona. Through Paige's hardscrabble years in Jim Crow Alabama to his time with the all-black Monarchs, one of the powerhouses in segregated "colored" ball, Tye dissects Satchel's mastery of pitching, his accuracy, power and velocity, and signature pitch, the sizzler. Satchel was among the peerless Negro Leaguers, who beat the white big leaguers more than 60% of the time; he struck out some of the biggest sluggers, like Ralph Kiner, Rogers Hornsby and even Joe DiMaggio, who got one hit off of Satchel and was signed by the Yankees immediately. He became one of four black athletes signed up in the late 1940s, with the Cleveland Indians, three years after Jackie Robinson joined the Dodgers (the two men were bitter rivals). This is the definitive biography of a black showman-athlete, and as Tye makes the case, one of the finest pitchers ever, who finally was inducted into the Baseball Hall of Fame in 1971. (July)

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Randall Schroeder - Library Journal

Leroy "Satchel" Paige is a poster child for the tragedy of segregated baseball. He could have dominated major league pitching but got a chance with the Indians only at the end of his career. Paige could have been the star to break baseball's color line, but Jackie Robinson got first crack as a "safer choice." While there are stacks of biographies about Robinson, this is the first attempt at a full, major biography of Paige. Tye, a journalist, is more noted for his labor histories, such as Rising from the Rails, about black rail porters. However, he's a passionate baseball fan with a strong interest in the history of segregated America. Why has so little been written about Paige? One factor is the difficulty of getting reliable information. Paige was well known for embellishing stories. Tye masterfully weaves primary and oral sources together to create a credible biography of a talkative yet elusive subject. We can hope that his occasional sloppiness when it comes to sports facts (e.g., he refers to Joltin' Joe Dimaggio as "Jumpin'" Joe) will have been corrected for publication because this is an important book about a neglected figure in baseball history. Recommended for all readers in sports as well as 20th-century America.

Kirkus Reviews

A fine biography of the legendary baseball Methuselah. In 1945 Brooklyn Dodger's general manager Branch Rickey signed Jackie Robinson, breaking a color barrier that had held for more than 75 years. Though revolutionary, Rickey's selection overlooked a generation of Negro Leagues superstars, none bigger than Satchel Paige (1906-82), quite possibly the greatest pitcher ever. After a lengthy Negro Leagues career, tours barnstorming against the likes of Dizzy Dean and Bob Feller and seasons played in Cuba, Venezuela and the Dominican Republic, by 1944 Paige had become the biggest attraction and the highest paid player in the game. Starting out as a blazing fastballer, he later developed an array of pitches that baffled hitters and delighted fans. He matched his on-field showmanship with a larger-than-life persona as a comic and aphorist. Along the way, he also developed a reputation as a contract jumper, crazy driver, mad fisherman, womanizer and all-around fast liver who bridled at Jim Crow's rules. Although Paige had proven that white fans would come to see a black ballplayer, his age and reputation disqualified him as the impeccable figure Rickey needed for the tricky role of "first." Journalist and biographer Tye (Rising from the Rails: Pullman Porters and the Making of the Black Middle Class, 2004, etc.) conducted more than 200 interviews with Paige's former teammates to reconstruct this amazing career, in which the facts, including such basics as Paige's birth date, the spelling of his last name and the origins of his sobriquet, require careful sifting from the mistakes, misinformation and myth. Tye never quite convinces us that Paige consciously constructed "a brilliantly defiantparody" in order to combat racism, but he's correct that Paige knew his value and put himself first in a way that anticipated the superstars of today's game. Well past his prime, Paige finally got a shot at the Majors with three teams-including an appearance for the Kansas City Athletics at age 59-and a plaque in Cooperstown in 1971. An authoritative treatment of a true baseball immortal. Author tour to Boston, Cleveland, St. Louis, Kansas City. Agent: Jill Kneerim/Kneerim & Williams

• Reading Group Guide
• Read an Excerpt
• Read a Sample Chapter

Reading Group Guide

1. Satchel Paige’s age was a matter of perpetual mystery. Every time he was asked he offered a different answer, depending on who was asking and when. Why was it so difficult to pin down a straightforward matter like his birth date? And why do you think Satchel sometimes tried to make himself forever young, like Peter Pan, and other times as old as Methuselah?

2. Satchel grew up in Mobile in the early 1900s, long after the failure of the Reconstruction era, which promised a New South after the Civil War ended slavery. It was the era of Jim Crow and Uncle Tom. Who were Jim Crow and Uncle Tom? What do they tell us about what life in Mobile was like for a young boy like Satchel Paige?

3. Satchel Paige entered the world as Leroy Robert Paige. How did he come to be called “Satchel?” The roots of his nickname, like everything in his life, have several possible explanations. Why didn’t he clear up the mystery with a simple answer?

4. The Alabama Reform School for Juvenile Negro Law-Breakers is where Satchel discovered just how overpowering a pitcher he could be, and just how much he loved the game of baseball. What landed Satchel in the reformatory? Did it matter that the school was based on the black self-help philosophy of Booker T. Washington and run by the Federation of Colored Women’s Clubs? What lessons did Satchel take away from his five years in reform school?

5. Some people say that Satchel was the greatest pitcher ever to toss a baseball, a claim backed up with statistics like his pitching 2,500 games, winning two thousand of them, and recording fifty no-hitters. Why is it so difficult to separate truth from legend in the days ofthe Negro Leagues? What evidence is there that the claims about Satchel were the truth? What evidence that they were legend? Why was there separate Negro Leagues in the first place, and was baseball in America always racially segregated?

6. Satchel was a showman as well as a star, calling in his fielders, pitching over matchbooks he placed on home plate, and dazzling fans with his aphorisms along with his antics. Why did he feel it necessary to perform like that? Did he ever slip, as critics say, into the role of the Uncle Tom?

7. Satchel was a great friend to and competitor of the “black Babe Ruth,” Josh Gibson. What was their relationship like? How were they different? Were those differences a matter of personality–or of divergent responses to being a baseball star in a racially divided universe?

8. Satchel barnstormed across America, pitching night after night in mining towns and farming ones, from springtime through summer, fall, and winter. Why did he pitch so often, while white big leaguers threw just every third or fourth day and took off most of the fall and all winter? What did he learn about himself and about America by barnstorming?

9. Baseball owners historically exercised an imperial control over their players, buying and selling them as they would property, holding on to them for life if they so chose. That was true in the Negro Leagues as in the Majors. How did Satchel’s jumping from team to team affect that feudal system? How, if at all, did Satchel’s unprecedented salaries, and his throwing off owners’ shackles, affect his fellow ballplayers?

10. If Satchel was so special, why did Branch Rickey pass him over for his Kansas City Monarchs teammate Jackie Robinson as the man who would break the color barrier in baseball? And, having been passed over, what role if any can Satchel claim in having integrated America’s pastime?

11. Why do we know so little about Satchel today? What is the real legacy of Satchel Paige?

Read an Excerpt

Chapter One



Coming Alive

“I was no different from any other kid,

only in Mobile I was a nigger kid.”

Satchel Paige entered the world as Leroy Robert Page. He was delivered at home into the hands of a midwife, which was more help than most poor families could afford in 1906 in Mobile, Alabama. His mother, Lula, was a washerwoman who already spent her nights worrying how to feed and sustain the four daughters and two sons who had come before. Five more would follow. Leroy’s father, John, alternated between the luxuriant lilies in the gardens he tended uptown and the corner stoops on which he liked to loiter, rarely making time to care for his expanding brood. With skin the shade of chestnut and a birthplace in the heartland of the former Confederacy, the newborn’s prospects looked woeful. They were about to get worse.

The hurricane that battered Mobile Bay just two months after Leroy’s birth started with two days of torrential rains carried in on the back of a driving northeast wind. By the next morning ten-foot-high surges had dispatched oyster and fishing vessels to the bottom of the sea. Tornado-like squalls ripped from their roots southern pines, blew tin roofs off Greek Revival homes, and made it look as if birds were flying backward. At historic Christ Church only the choir loft was left standing. The lucky escaped by fleeing to third-floor attics or climbing tall trees; 150 others were consigned to watery graves. One area hit especially hard was the Negro slum known as Down the Bay, where the Pages lived.

Their home was a four-room shack called a shotgun, because a shot fired through the frontdoor would exit straight out the back. That is the path storm waters took when they burst through Down the Bay’s alleys on the way to more fashionable quarters. Rental units like the Pages’ were ramshackle and fragile, with no flood walls to protect them from the nearby sea and no electricity to ease their recovery. The Page cottage remained standing but the thin mattresses the children shared and their few furnishings needed airing out. That cleanup would have to wait: Lula’s white employers insisted she be at their homes early the next morning to mop up the storm damage. The kids would wait, too, the way they did every day when Mama headed to work, with the older ones watching over baby Leroy and the rest of the young ones.

Leroy’s world was being reshaped in another way that would mark him even more profoundly. Mobile historically was a center of the slave trade and the destination for the last slave ship to America, but Alabama’s oldest city also was home to more than a thousand blacks who bought or were granted their freedom in the antebellum era. That paradox was consistent with the coastal city’s push toward the conservative state of which it was part and its pull to a more tolerant world beyond its shores. For more than two hundred years Mobile had welcomed outsiders—Irish Catholics fleeing the famine, Jewish merchants, Yankees and English, along with legions of Creoles, the free offspring of French or Spanish fathers and chattel mothers—and they in turn challenged inbred thinking on everything from politics to race. The result, during the Reconstruction period, was a blurring of color lines in ways unthinkable in Montgomery, Selma, and most of the rest of Alabama. Jim Crow—the system of segregation named after a cowering slave in an 1820s minstrel show—was there in Mobile, but so was Booker T. Washington’s gospel of black self-help. The races were separated on trolleys and in other public settings, but the separation was done by tradition more than law. Blacks not only could vote for officeholders, a few even held political office. Paternalism more than meanness defined how whites treated Mobile’s 18,000 black citizens.

Unfortunately for Leroy, that live-and-let-live mind-set had begun fraying by the turn of the century and it unraveled entirely the very season of his birth. The reforms of Reconstruction were collapsing across the South, as whites who wielded power in the fallen Confederacy began to reinvent the realm and tear down Negroes’ new freedoms. The brief postwar honeymoon of racial coexistence survived longer in Mobile than in most of the South, but the backlash finally came there, too. An ordinance mandated separate seating on streetcars. Blacks were barred from most restaurants, cemeteries, saloons, hotels, and brothels. Whites and blacks were not allowed to attend the same school, marry one another, or live together. And in the wake of the devastating September hurricane, Mobile’s most influential newspaper stirred up reader resentment with its account of Negroes looting the homes of dead Caucasians and mutilating their bodies.

The rising tensions turned violent on October 6, 1906, when two black men accused in separate rapes of young white girls were being transported by train back to Mobile from protective custody in Birmingham. Forty-five vigilantes with masks and rifles boarded the train, took custody of the accused, and hanged them from a tree in the community of Plateau, just north of Mobile. As word of the killings spread, three thousand spectators, many arriving by streetcar, paraded by the black men’s limp bodies. Some snapped photographs. Others stole bits of the prisoners’ garments and cut souvenir segments from their noose. The double lynching ushered in four years of racist mobocracy in Mobile County. In 1907 Moses Dorsett, a Negro accused of raping an elderly white woman, was seized by a white mob and strung up fifty yards from the 1906 gallows. Two years later masked men snatched from the county jail a black inmate charged with killing a sheriff’s deputy, hanging the wounded man from an oak tree across from Mobile’s oldest church. This lynching stripped away any pretense that mob actions were confined to rural areas or resisted by law enforcers. It happened in the heart of the city, two blocks from the main police station, and investigators later established that the jail had been left unlocked.

Lest anyone doubt their meaning, the lynchers left behind notes. “Negroes must be taught that death will always follow attacks on white women,” one warned, while another advised, “There [are] plenty of ropes and trees left.” Blacks did not need the reminders. Many church and lay leaders from the Negro community had already gone, heading north or to larger cities in the South. Between 1910 and 1920, blacks’ share of Mobile’s population fell from 44 to 39 percent. While most had to stay, increasingly the city seemed less an oasis and more like the rest of Dixie. The Ku Klux Klan operated freely. Negroes disappeared from public offices and from voting rolls. In commerce, blacks were supplicants, whites selective benefactors. Less than two generations after the end of two centuries of slavery, liberation looked less like freedom than serfdom.

Leroy Page was too young to understand those developments but they were reinforced every day he spent in his native city. While record keepers used Colored to denote the city’s dark-skinned residents, the label used by most whites started with n. Those first few years “I was no different from any other kid,” Leroy wrote half a century on, “only in Mobile I was a nigger kid. I went around with the back of my shirt torn, a pair of dirty diapers or raggedy pieces of trousers covering me. Shoes? They was someplace else.” At a too-young age, he added, “I found out what it was like to be a Negro in Mobile.”

Lula and John had always known. John Page was at least a second-generation Mobilian. While he was born fourteen years after what many southern whites called the War of Northern Aggression, and he lived through the more hopeful years of Reconstruction, his ancestors almost certainly were dragooned in Africa and brought to America in shackles. John wed Lula when he was seventeen and began married life as a day laborer, which meant hoping he would be hired by white home owners or contractors for jobs ranging from hauling trash to laying bricks. Later he turned to gardening, although he preferred to be called a landscaper. Unemployed landscaper would have been more accurate. His kids saw less of him than they wanted and needed. Lula loved him but knew not to count on him or to argue with him when he was drinking. Still, she was proud that he never laid a hand on her.

Lula Coleman Page was almost four years older than her husband and would outlive him by more than forty years. As inattentive as John was, Lula was a present and steady figure in Leroy’s young life and those of his siblings. She raised and supported them. She taught them when to yield to their harsh surroundings and when to fight. She gave Leroy the love he seldom felt from his father and the certainty he could count on her. None of that was easy given how many other children she had asking for those same things. And none of it was done explicitly; she showed the way through her own struggle to get by.

Lula was pregnant close to half the time over a twenty-two-year stretch starting in September of 1894, nearly two years before she married John. Ellen was her first child, and like the rest she was delivered at home with no thought of a high-priced doctor or hospital. Three years later came Ruth, and the year after that John Jr. Julia was Lula’s first baby in the new century; she celebrated by naming the child after her mother, who was born a slave and was one of their few ancestors whose stories were passed on to Leroy and his siblings. There were two more children—Wilson and Emma Lee—before Leroy Robert made his entry in 1906. He had five younger siblings: the twins, Palestine and Eugene, then Clarence, another Lula, and, in 1917, the twelfth and last, Inez.

That averages out to a baby every twenty-two months, which made it a challenge to keep track of who was who in the family. Leroy himself often failed to include Eugene when he listed his brothers and sisters, either because there were so many of them or because Eugene died at birth. There was confusion every time U.S. Census takers visited the Page household, with ages and other answers not quite dovetailing with the children’s birth certificates. Some discrepancies were legitimate, given that Lula could not read or write, add or subtract. Others seemed whimsical. She forgot not just when her acclaimed son Leroy was born but where he fit in the birth order. Discretion might have been the motivation when John and Lula’s marriage was described as predating rather than following Ellen’s birth. Leroy, who got from Lula more than he acknowledged of his wit and his aphorisms, did credit her for one illuminating maxim: “If you tell a lie, always rehearse it. If it don’t sound good to you, it won’t sound good to anybody else.”

Being full-time mother to her eleven surviving children should have been more than a full-time job, but Lula could not afford the indulgence. John did not earn nearly enough to feed all those babies, so Lula took jobs she variously described as washerwoman, laundress, and domestic. All amounted to the same things: scrubbing spotless the homes of wealthy white families; using blue bleach along with red-hot water to clean their clothes, a smoothing iron to remove wrinkles from blouses and dresses, and starch to firm up shirt collars; and helping with the cooking. Later, when her own children were older, she sometimes took home the washing and ironing, setting up a boiling pot and rubbing board in the front yard.

Domestic labor like that must have reminded Lula of her mother’s life during slavery. The plantation was in many ways a simpler society, with clearer rules and relationships. In Lula’s day, even work as uncontroversial as a maid’s could raise racial hackles. “I don’t see why Mobile people shouldn’t have three meals a day, as they do in other cities all over the country,” a white woman complained to the Mobile Register in a 1912 article on the “servant problem.” “As it is, we have to beg the cook to give us two meals a day, and at night everybody has to eat scraps. Between meals, we have no servant to answer the door bell and the telephone. I think that all servants should be employed for a full day’s work.” Black leaders rallied to the white cause, vowing to set up training programs to clarify the duties as well as set the wages of domestics and bring the “best class of servants in touch with the best class of employers.”

Lula’s wages of fifty cents a day helped feed her brood. Leroy never missed a meal, although it was more likely to be cereal, greens, and water than chicken, beef, or milk. Lula stood at the head of the table ladling out each spoonful to the dozen or so bowls set in front of her. When there was not money enough for store food the boys were sent down to the bay where the fish were always biting. “It was poverty-stricken living,” Leroy would say later, “before I knew what that meant.”

What he and his siblings did know by the age of six was that they had to pitch in. They also understood where, as young Negroes, they could safely work or play. Bienville Square, Mobile’s oldest public park with its gnarled oaks and iron fountain, was off-limits. So were the choicest beaches along the gulf, seats near the front of streetcars, and any public accommodation that was not labeled “Colored.” Everyone knew which days of the week the Sisters of Charity dispensary cared for Negroes and which were whites only. It was okay for black boys to walk or play in back alleys or on city streets, espe- cially those south of magnolia-shaded Government Street. Librarians winked at the strictures of segregation; police and judges did not. Guessing wrong could land a sepia-skinned adolescent in the lockup or even the morgue. Asking whether a racial reform tried elsewhere might work here drew this refrain: “This is Mobile and we don’t do that.” Before long no one bothered to ask.

Leroy worked the alleyways like a pro, collecting and cashing in empty bottles he found there. A half-pint could fetch a penny; four cents for a quart. Delivering ice, a valued commodity in steamy Mobile, also brought in small change. Leroy was springing up like a weed in a bog, and as he grew so did Lula’s and John’s expectations of his earning power. The obvious place to look for work was the nearby L&N Station, where five separate railroads provided passenger service. Rail depots were a bonanza for Negroes back then. Black redcaps hoisted trunks onto and off the trains. Black Pullman porters served as chambermaids and shoe shines, nursemaids and valets. Black chefs and waiters offered seatside service of sugar-cured ham, Welsh rarebit, and 131 other culinary delights fit for New York’s finest eateries, while black firemen shoveled wood and coal to feed forever-hungry locomotives. And black youths like Leroy jumped when wealthy white travelers snapped their fingers in the air, polishing their boots or carrying bags to hotels like Mobile’s luxurious Battle House for as little as a dime or as much as a quarter.

Leroy was the quickest among the pint-size porters, but he soon realized that he could not bring home a real day’s pay if he made just ten cents at a time. So he got a pole and some rope and jury-rigged a contraption that let him sling together two, three, or four satchels and cart them all at once. His invention quadrupled his income to forty cents a load. It also drew chuckles from the other baggage boys. “You look like a walking satchel tree,” one of them yelled. The description fit him to a tee and it stuck. “LeRoy Paige,” he said, “became no more and Satchel Paige took over.”

Thus was born the most celebrated sobriquet in sports. Or so Satchel wrote in his 1962 autobiography. Fourteen years earlier, in his first memoir, it was string, not rope, that pulled the bags; his neck, shoulders, and waist rather than a pole that gave him traction; and sixteen satchels he carted instead of a mere four. Over the years he volunteered more versions, including telling a radio interviewer that he was first dubbed Satchel when he hung around the Mobile Bears’ ballpark collecting beat-up balls and broken bats. He brought his defective equipment to the schoolyard in a bag and “they started to call me ‘Satchel.’ ” Even his spelling of the moniker shifted, sometimes putting a second l in Satchel the same casual way he occasionally capitalized the r in Leroy. Relatives, friends, and sportswriters offered up their own etymologies. His real handle was Satchelfoot and grew out of his suitcase–size 14 feet, reporters insisted, even as Satchel insisted that his shoes were mere 11-AAAs. The tag was pinned on him by his family, said sister Palestine, after he borrowed his daddy’s old tote bag—or was it his mama’s suitcase?

There is one last explanation of why Satchel was called that since he was a boy—not because he toted suitcases, but because he swiped them. A man whose case he stole chased him, retrieved the bag, and gave young Leroy a hard slap across the face. “That’s when I named him Satchel, right on that day,” Wilbur Hines, a boyhood friend who said he witnessed the theft, recounted in 1991, two years before his death and nine years after Satchel’s. Hines was Leroy’s neighbor in Mobile and his story is consistent with Satchel’s youthful behavior and with his adult determination to shape his own legend. But Satchel not only owned up to that stealing, it would become a riveting chapter in his saga of rising above his roots. Why would he, as Hines claimed, have been embarrassed by this most gripping of all narratives?

No government record can unravel the mystery over his epithet the way it did over his age, which is just the way Satchel would have wanted it. In the end everyone connected with his life claimed a part in his naming. Each version, no matter how fanciful, adds to our understanding of Leroy and Satchel. Wherever the nickname came from, it caught on. Only Lula, who brought him into the world, and later Bill Veeck, who brought him to the Major Leagues, persisted in calling him Leroy. To everyone else he was Satchel. Or just Satch.

But then why worry about the wellspring or even the spelling of a first name when your family name would be remade—Page to Paige—and the justification for that change would itself change? The modification was made just before Satchel launched his baseball career. “Page looked too much like page in a book,” said Lula. Satchel had a more exotic explanation: “My folks started out by spelling their name ‘Page’ and later stuck in the ‘i’ to make themselves sound more high-tone.” Whatever the reason, the result would be to make it difficult to track down the records on Satchel’s birth, letting him spin out the mystery over his age and keep prying reporters at bay.

Lula and John enrolled Satchel in the blacks-only W. H. Council School at the required age of six, as they had their six older children. He arrived just as Mobile’s black leaders were emerging from a decade-long debate over the mission for their segregated schools. Booker T. Washington and his followers argued that industrial training was the only practical way for blacks to better themselves; others dreamed of a liberal arts education that would equip young Negroes to attend college and, while they dared not say this aloud, to topple Jim Crow. The debate proved academic since influential whites already had sided with Washington. The goal of Mobile’s all-black schools, as one Negro leader put it, would be to train “educated helpers” for white-owned businesses. Such a limited vision, city fathers reasoned, required only limited resources, so they gave black students broken-down buildings, bare-bones budgets for books and other supplies, and just twenty teachers for a system with 1,600 students. That meant one instructor for every eighty Negro pupils.

Satchel was at school too seldom to notice the overcrowding. Sometimes an empty stomach lured him to the waterfront with its promise of a free fish dinner. The need to bring home money also trumped the need for an education. All the Page children were forced to grow up fast, feeling compelled to strike out on their own and “to get married as soon as they could,” says Leon Paige, Satchel’s nephew. Ellen, Satchel’s oldest sister, was so eager to wed that she lied on her marriage license, saying she was the legally required age of eighteen when she was just sixteen. Wilson and Inez likewise inflated their ages when they married.

Lula herself had been barely twenty on her wedding day and had never attended school. Yet she saw education as the route for her children to escape Down the Bay, and she took to heart Sunday sermons at Mount Zion Baptist denouncing truancy and encouraging parents to take a firm hand with renegade children. Satchel, who attended church even less often than school, remembered one time when Lula caught him and Wilson playing hooky. No sooner did they reach the baseball field than someone shouted, “Here comes your Ma.” The boys took cover the only place they could: in a huge pipe. Lula couldn’t see them and she was too sore to stoop down and peer into the conduit, but she sensed they were there and knew how to find out. Collecting papers and rags, she lit a fire at one end of the pipe. Satchel and Wilson dashed out the other end, gagging, and found themselves in her firm grip. “Have you learned your lesson, boys?” she asked as she marched them home. “Yes, Ma,” they said in succession.

Another lesson Satchel took away from his school years was the joy of baseball. There were no independent youth leagues then, black or white; America’s first Little League game was a generation away, and it would be two generations before black adolescents got their shot. But Mobile was a baseball town whose subtropical climate made it possible to play the game year-round, while its passion for playing made it Alabama’s only city to allow Sunday ball. Seven days a week kids like Satchel took to the streets looking for enough space to make a field and enough other kids to cobble together two teams. Temperatures topping 100 and humidity nearly as high may have kept their parents rocking quietly on their porches, sipping sugared tea or hand-squeezed lemonade, but it was not enough to sideline these youthful ballplayers. Many learned to hit and pitch playing “top ball,” where a stick replaced the bat they could not afford and soda bottle caps substituted for baseballs. “I can still see him as a little boy,” said his sister Palestine, who was five years younger. “He had a sun hat, a ball and bat.” Lula had similar memories of baseball becoming Satchel’s escape and obsession: “Why, he’d rather play baseball than eat. It was always baseball, baseball.”

They played just off Davis Avenue, the main thoroughfare in black Mobile and the namesake of the first president of the Confederacy, Jefferson Davis. Ted Radcliffe, a catcher and pitcher who grew up near the Pages, remembers that even the disappearing daylight did not stop intrepid young baseballers like Satchel and him. “We’d make cotton balls and soak them in oil and play night ball,” said Radcliffe. “We’d light them and run like hell.”

Satchel got his first taste of how good a ballplayer he could be at the Council School. Most elementary schools had teams in that era, although the youngest kids generally spent more time watching than playing. Not so with Satchel. The coach put him in when he was a mere eight years old, pairing him against boys two or three years his senior. He was gaunt and gangly then in a way that reminded people of an ostrich or a crane. He would later claim that he had played each of the nine positions, sometimes all in the same game. “If I’d pitch the whole game I’d strike out seventeen and eighteen with nothin’ but speed,” he said. “I was under 10 years old strikin’ out everybody.” He soon became known around the South Side of Mobile as the best school-age pitcher anyone had ever seen. It was partly how hard he threw and partly how artfully. When kids came to the plate and he surprised them with his slow pitch, he said, “they just wet their pants or cried. That’s how scared they were of my speed.”

While baseball would become his vocation, another childhood passion—fishing—also lasted a lifetime. A dropline or makeshift pole would do, especially during Mobile Bay Jubilee, that magical moment when blue crabs, shrimp, flounder, stingray, and eels abandoned the bay’s thirty-five-foot-deep sea and made shallow waters along the shore boil with life. Firemen and police blared their sirens, a sign that the fish were jumping high as a tree, and Satchel headed for the beach with washtubs and croaker sacks to hold his catch. One challenge was keeping away the gnats: smearing dirt on his face helped. Another problem was remembering the many parts of the bay that were whites-only: shouts of “Get out of here, you no-good nigger!” reminded him.

His fascination with fishing was inspired partly by the joy of eating crabs, catfish, and shrimp. He also loved the serenity of the sea, a getaway from the frenetic city and his squalid slum. On the way there he walked under live oaks covered with Spanish moss and reached up to touch the cast-iron balconies of Spanish-style homes. Moisture made the shorefront air softer and swept away the smells of hemp and tar. By the hour he hung over a bridge and puffed on a cigarette, his brown eyes focused on the ocean. Close in were rows of long, flat piers and beyond that steamships and schooners sailing to what Satchel imagined were exotic ports of call, places where skin color did not count for everything. No need even to fish on afternoons like these.

Hunting offered a different sort of escape. He had no guns then, and no need for them. He could bring down a butterfly with a clamshell, nail a squirrel with a rock using his catching hand rather than his throwing one, or make a lasting impression on an adversary’s backside with a brick, stone, or pebble. That precision and power made him special and kept him safe. One time he was ambling down the railroad tracks heading home from his job as a baggage porter. In his fist was a pile of rocks, in the air a pheasant. As it flew by he aimed and fired. Dead bird. Another pheasant, another whiplike release of a stone, a second direct hit. Quietly watching were four white men carrying shotguns. Seeing them too late to retreat, Satchel feared he might become their quarry. “You mean to tell me you killed those birds with rocks?” the first hunter asked, incredulous. “You ought to be a baseball player.”

Real enemies were not hard to find for Satchel, especially when he was with his South Siders. Their path took them by a white school where a gang was always waiting. When Satchel and his crew got close the rocks started flying. The whites were older and looked like Goliaths, with Satchel relishing the role of David. “I crippled up a lot of them,” he recalled. “Most people need shotguns to do what I did with those rocks. . . . Those fights helped me forget what I didn’t have. They made me a big man in the neighborhood instead of just some more trash.”

Rock throwing also gave birth to what would become one of the most controversial and deceptive deliveries in baseball: the hesitation pitch. When he aimed a brick at a rival gang member his adversary would instinctively duck. Knowing that, Satchel stopped mid-delivery, catching his foe stooped over in a posture that made him easy prey. The misleading motion worked equally well when he was armed with a baseball. At the top of a painfully deliberate stretch he paused longer than normal, arms high above his head, then thrust his left foot forward. He paused again—slowing but not stopping—as he whipped his arm and sent the ball flying. The result: batters swung at shadows long before the baseball itself arrived. The brick and rock throwing may have helped his image in the alley and the ballpark, but it did not fly at home. Lula had a low tolerance for brawling and she hit harder than any of his street adversaries. “I used to think she’d hit me because she didn’t know how I felt. She didn’t know how it was when they told me I couldn’t swim where the white folks did. Then I realized maybe she did,” he said. “I guess she learned to live with it.”

Sometimes Satchel told himself the fights and other troubles were his ways of not living with it, of battling back—against poverty, against Jim Crow, against being robbed of a real childhood. In later moments of candor he acknowledged that it was a game. He was good at outfoxing or outrunning his white antagonists and the police. Like all boys that age, he felt he was invincible. So why not pick a fight? He always had time for trouble.

At school he was absent so often that the Page home became a regular stop on the truant officers’ rounds. At the L&N Station he stopped pulling and started purloining suitcases. He stole bicycles, too, along with anything else that was easy to grab. One night in 1918, walking home after dark, he passed a five-and-dime store with an alluring display of gold-colored bands and red and green stones. In he went and, when he thought no one was looking, he stuffed a fistful of the trinkets into his pocket. “Unless you’ve gone around with nothing,” he would explain afterward, “you don’t know how powerful a lure some new, shiny stuff is.”

Unluckily for Satchel, a burly security guard saw him pocket the loot, nabbed him, and dragged him to police headquarters. That night the authorities released him to Lula. It would be his last night home for more than five years and would mark the end of his boyhood. The next day there was a hearing before a truant officer he called Mrs. Meanie. She was armed with a long list of infractions Satchel thought had escaped notice, from fistfights to skipping school to stealing to not listening to her repeated warnings. He thought she would never finish. She thought he would never listen and would end up on the trash heap that consumed so many black boys from Mobile. Her last words pronounced his punishment: confinement until the age of eighteen at the state reform school.

“No!” Lula screamed. Satchel was shaking so hard he could not say anything. Just two weeks before he had celebrated his twelfth birthday. Now he was being told he would not see freedom again for six long years. It seemed like a bad dream until they shut the door on him. That is when he knew it was real.

Read a Sample Chapter

Satchel

The Life and Times of an American Legend

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By Larry Tye

Random House

Copyright © 2009 Larry Tye
All right reserved.
ISBN: 9781400066513

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Chapter One



Coming Alive

“I was no different from any other kid,

only in Mobile I was a nigger kid.”

Satchel Paige entered the world as Leroy Robert Page. He was delivered at home into the hands of a midwife, which was more help than most poor families could afford in 1906 in Mobile, Alabama. His mother, Lula, was a washerwoman who already spent her nights worrying how to feed and sustain the four daughters and two sons who had come before. Five more would follow. Leroy’s father, John, alternated between the luxuriant lilies in the gardens he tended uptown and the corner stoops on which he liked to loiter, rarely making time to care for his expanding brood. With skin the shade of chestnut and a birthplace in the heartland of the former Confederacy, the newborn’s prospects looked woeful. They were about to get worse.

The hurricane that battered Mobile Bay just two months after Leroy’s birth started with two days of torrential rains carried in on the back of a driving northeast wind. By the next morning ten-foot-high surges had dispatched oyster and fishing vessels to the bottom of the sea. Tornado-like squalls ripped from their roots southern pines, blew tin roofs off Greek Revival homes, and made it look as if birds wereflying backward. At historic Christ Church only the choir loft was left standing. The lucky escaped by fleeing to third-floor attics or climbing tall trees; 150 others were consigned to watery graves. One area hit especially hard was the Negro slum known as Down the Bay, where the Pages lived.

Their home was a four-room shack called a shotgun, because a shot fired through the front door would exit straight out the back. That is the path storm waters took when they burst through Down the Bay’s alleys on the way to more fashionable quarters. Rental units like the Pages’ were ramshackle and fragile, with no flood walls to protect them from the nearby sea and no electricity to ease their recovery. The Page cottage remained standing but the thin mattresses the children shared and their few furnishings needed airing out. That cleanup would have to wait: Lula’s white employers insisted she be at their homes early the next morning to mop up the storm damage. The kids would wait, too, the way they did every day when Mama headed to work, with the older ones watching over baby Leroy and the rest of the young ones.

Leroy’s world was being reshaped in another way that would mark him even more profoundly. Mobile historically was a center of the slave trade and the destination for the last slave ship to America, but Alabama’s oldest city also was home to more than a thousand blacks who bought or were granted their freedom in the antebellum era. That paradox was consistent with the coastal city’s push toward the conservative state of which it was part and its pull to a more tolerant world beyond its shores. For more than two hundred years Mobile had welcomed outsiders—Irish Catholics fleeing the famine, Jewish merchants, Yankees and English, along with legions of Creoles, the free offspring of French or Spanish fathers and chattel mothers—and they in turn challenged inbred thinking on everything from politics to race. The result, during the Reconstruction period, was a blurring of color lines in ways unthinkable in Montgomery, Selma, and most of the rest of Alabama. Jim Crow—the system of segregation named after a cowering slave in an 1820s minstrel show—was there in Mobile, but so was Booker T. Washington’s gospel of black self-help. The races were separated on trolleys and in other public settings, but the separation was done by tradition more than law. Blacks not only could vote for officeholders, a few even held political office. Paternalism more than meanness defined how whites treated Mobile’s 18,000 black citizens.

Unfortunately for Leroy, that live-and-let-live mind-set had begun fraying by the turn of the century and it unraveled entirely the very season of his birth. The reforms of Reconstruction were collapsing across the South, as whites who wielded power in the fallen Confederacy began to reinvent the realm and tear down Negroes’ new freedoms. The brief postwar honeymoon of racial coexistence survived longer in Mobile than in most of the South, but the backlash finally came there, too. An ordinance mandated separate seating on streetcars. Blacks were barred from most restaurants, cemeteries, saloons, hotels, and brothels. Whites and blacks were not allowed to attend the same school, marry one another, or live together. And in the wake of the devastating September hurricane, Mobile’s most influential newspaper stirred up reader resentment with its account of Negroes looting the homes of dead Caucasians and mutilating their bodies.

The rising tensions turned violent on October 6, 1906, when two black men accused in separate rapes of young white girls were being transported by train back to Mobile from protective custody in Birmingham. Forty-five vigilantes with masks and rifles boarded the train, took custody of the accused, and hanged them from a tree in the community of Plateau, just north of Mobile. As word of the killings spread, three thousand spectators, many arriving by streetcar, paraded by the black men’s limp bodies. Some snapped photographs. Others stole bits of the prisoners’ garments and cut souvenir segments from their noose. The double lynching ushered in four years of racist mobocracy in Mobile County. In 1907 Moses Dorsett, a Negro accused of raping an elderly white woman, was seized by a white mob and strung up fifty yards from the 1906 gallows. Two years later masked men snatched from the county jail a black inmate charged with killing a sheriff’s deputy, hanging the wounded man from an oak tree across from Mobile’s oldest church. This lynching stripped away any pretense that mob actions were confined to rural areas or resisted by law enforcers. It happened in the heart of the city, two blocks from the main police station, and investigators later established that the jail had been left unlocked.

Lest anyone doubt their meaning, the lynchers left behind notes. “Negroes must be taught that death will always follow attacks on white women,” one warned, while another advised, “There [are] plenty of ropes and trees left.” Blacks did not need the reminders. Many church and lay leaders from the Negro community had already gone, heading north or to larger cities in the South. Between 1910 and 1920, blacks’ share of Mobile’s population fell from 44 to 39 percent. While most had to stay, increasingly the city seemed less an oasis and more like the rest of Dixie. The Ku Klux Klan operated freely. Negroes disappeared from public offices and from voting rolls. In commerce, blacks were supplicants, whites selective benefactors. Less than two generations after the end of two centuries of slavery, liberation looked less like freedom than serfdom.

Leroy Page was too young to understand those developments but they were reinforced every day he spent in his native city. While record keepers used Colored to denote the city’s dark-skinned residents, the label used by most whites started with n. Those first few years “I was no different from any other kid,” Leroy wrote half a century on, “only in Mobile I was a nigger kid. I went around with the back of my shirt torn, a pair of dirty diapers or raggedy pieces of trousers covering me. Shoes? They was someplace else.” At a too-young age, he added, “I found out what it was like to be a Negro in Mobile.”

Lula and John had always known. John Page was at least a second-generation Mobilian. While he was born fourteen years after what many southern whites called the War of Northern Aggression, and he lived through the more hopeful years of Reconstruction, his ancestors almost certainly were dragooned in Africa and brought to America in shackles. John wed Lula when he was seventeen and began married life as a day laborer, which meant hoping he would be hired by white home owners or contractors for jobs ranging from hauling trash to laying bricks. Later he turned to gardening, although he preferred to be called a landscaper. Unemployed landscaper would have been more accurate. His kids saw less of him than they wanted and needed. Lula loved him but knew not to count on him or to argue with him when he was drinking. Still, she was proud that he never laid a hand on her.

Lula Coleman Page was almost four years older than her husband and would outlive him by more than forty years. As inattentive as John was, Lula was a present and steady figure in Leroy’s young life and those of his siblings. She raised and supported them. She taught them when to yield to their harsh surroundings and when to fight. She gave Leroy the love he seldom felt from his father and the certainty he could count on her. None of that was easy given how many other children she had asking for those same things. And none of it was done explicitly; she showed the way through her own struggle to get by.

Lula was pregnant close to half the time over a twenty-two-year stretch starting in September of 1894, nearly two years before she married John. Ellen was her first child, and like the rest she was delivered at home with no thought of a high-priced doctor or hospital. Three years later came Ruth, and the year after that John Jr. Julia was Lula’s first baby in the new century; she celebrated by naming the child after her mother, who was born a slave and was one of their few ancestors whose stories were passed on to Leroy and his siblings. There were two more children—Wilson and Emma Lee—before Leroy Robert made his entry in 1906. He had five younger siblings: the twins, Palestine and Eugene, then Clarence, another Lula, and, in 1917, the twelfth and last, Inez.

That averages out to a baby every twenty-two months, which made it a challenge to keep track of who was who in the family. Leroy himself often failed to include Eugene when he listed his brothers and sisters, either because there were so many of them or because Eugene died at birth. There was confusion every time U.S. Census takers visited the Page household, with ages and other answers not quite dovetailing with the children’s birth certificates. Some discrepancies were legitimate, given that Lula could not read or write, add or subtract. Others seemed whimsical. She forgot not just when her acclaimed son Leroy was born but where he fit in the birth order. Discretion might have been the motivation when John and Lula’s marriage was described as predating rather than following Ellen’s birth. Leroy, who got from Lula more than he acknowledged of his wit and his aphorisms, did credit her for one illuminating maxim: “If you tell a lie, always rehearse it. If it don’t sound good to you, it won’t sound good to anybody else.”

Being full-time mother to her eleven surviving children should have been more than a full-time job, but Lula could not afford the indulgence. John did not earn nearly enough to feed all those babies, so Lula took jobs she variously described as washerwoman, laundress, and domestic. All amounted to the same things: scrubbing spotless the homes of wealthy white families; using blue bleach along with red-hot water to clean their clothes, a smoothing iron to remove wrinkles from blouses and dresses, and starch to firm up shirt collars; and helping with the cooking. Later, when her own children were older, she sometimes took home the washing and ironing, setting up a boiling pot and rubbing board in the front yard.

Domestic labor like that must have reminded Lula of her mother’s life during slavery. The plantation was in many ways a simpler society, with clearer rules and relationships. In Lula’s day, even work as uncontroversial as a maid’s could raise racial hackles. “I don’t see why Mobile people shouldn’t have three meals a day, as they do in other cities all over the country,” a white woman complained to the Mobile Register in a 1912 article on the “servant problem.” “As it is, we have to beg the cook to give us two meals a day, and at night everybody has to eat scraps. Between meals, we have no servant to answer the door bell and the telephone. I think that all servants should be employed for a full day’s work.” Black leaders rallied to the white cause, vowing to set up training programs to clarify the duties as well as set the wages of domestics and bring the “best class of servants in touch with the best class of employers.”

Lula’s wages of fifty cents a day helped feed her brood. Leroy never missed a meal, although it was more likely to be cereal, greens, and water than chicken, beef, or milk. Lula stood at the head of the table ladling out each spoonful to the dozen or so bowls set in front of her. When there was not money enough for store food the boys were sent down to the bay where the fish were always biting. “It was poverty-stricken living,” Leroy would say later, “before I knew what that meant.”

What he and his siblings did know by the age of six was that they had to pitch in. They also understood where, as young Negroes, they could safely work or play. Bienville Square, Mobile’s oldest public park with its gnarled oaks and iron fountain, was off-limits. So were the choicest beaches along the gulf, seats near the front of streetcars, and any public accommodation that was not labeled “Colored.” Everyone knew which days of the week the Sisters of Charity dispensary cared for Negroes and which were whites only. It was okay for black boys to walk or play in back alleys or on city streets, espe- cially those south of magnolia-shaded Government Street. Librarians winked at the strictures of segregation; police and judges did not. Guessing wrong could land a sepia-skinned adolescent in the lockup or even the morgue. Asking whether a racial reform tried elsewhere might work here drew this refrain: “This is Mobile and we don’t do that.” Before long no one bothered to ask.

Leroy worked the alleyways like a pro, collecting and cashing in empty bottles he found there. A half-pint could fetch a penny; four cents for a quart. Delivering ice, a valued commodity in steamy Mobile, also brought in small change. Leroy was springing up like a weed in a bog, and as he grew so did Lula’s and John’s expectations of his earning power. The obvious place to look for work was the nearby L&N Station, where five separate railroads provided passenger service. Rail depots were a bonanza for Negroes back then. Black redcaps hoisted trunks onto and off the trains. Black Pullman porters served as chambermaids and shoe shines, nursemaids and valets. Black chefs and waiters offered seatside service of sugar-cured ham, Welsh rarebit, and 131 other culinary delights fit for New York’s finest eateries, while black firemen shoveled wood and coal to feed forever-hungry locomotives. And black youths like Leroy jumped when wealthy white travelers snapped their fingers in the air, polishing their boots or carrying bags to hotels like Mobile’s luxurious Battle House for as little as a dime or as much as a quarter.

Leroy was the quickest among the pint-size porters, but he soon realized that he could not bring home a real day’s pay if he made just ten cents at a time. So he got a pole and some rope and jury-rigged a contraption that let him sling together two, three, or four satchels and cart them all at once. His invention quadrupled his income to forty cents a load. It also drew chuckles from the other baggage boys. “You look like a walking satchel tree,” one of them yelled. The description fit him to a tee and it stuck. “LeRoy Paige,” he said, “became no more and Satchel Paige took over.”

Thus was born the most celebrated sobriquet in sports. Or so Satchel wrote in his 1962 autobiography. Fourteen years earlier, in his first memoir, it was string, not rope, that pulled the bags; his neck, shoulders, and waist rather than a pole that gave him traction; and sixteen satchels he carted instead of a mere four. Over the years he volunteered more versions, including telling a radio interviewer that he was first dubbed Satchel when he hung around the Mobile Bears’ ballpark collecting beat-up balls and broken bats. He brought his defective equipment to the schoolyard in a bag and “they started to call me ‘Satchel.’ ” Even his spelling of the moniker shifted, sometimes putting a second l in Satchel the same casual way he occasionally capitalized the r in Leroy. Relatives, friends, and sportswriters offered up their own etymologies. His real handle was Satchelfoot and grew out of his suitcase–size 14 feet, reporters insisted, even as Satchel insisted that his shoes were mere 11-AAAs. The tag was pinned on him by his family, said sister Palestine, after he borrowed his daddy’s old tote bag—or was it his mama’s suitcase?

There is one last explanation of why Satchel was called that since he was a boy—not because he toted suitcases, but because he swiped them. A man whose case he stole chased him, retrieved the bag, and gave young Leroy a hard slap across the face. “That’s when I named him Satchel, right on that day,” Wilbur Hines, a boyhood friend who said he witnessed the theft, recounted in 1991, two years before his death and nine years after Satchel’s. Hines was Leroy’s neighbor in Mobile and his story is consistent with Satchel’s youthful behavior and with his adult determination to shape his own legend. But Satchel not only owned up to that stealing, it would become a riveting chapter in his saga of rising above his roots. Why would he, as Hines claimed, have been embarrassed by this most gripping of all narratives?

No government record can unravel the mystery over his epithet the way it did over his age, which is just the way Satchel would have wanted it. In the end everyone connected with his life claimed a part in his naming. Each version, no matter how fanciful, adds to our understanding of Leroy and Satchel. Wherever the nickname came from, it caught on. Only Lula, who brought him into the world, and later Bill Veeck, who brought him to the Major Leagues, persisted in calling him Leroy. To everyone else he was Satchel. Or just Satch.

But then why worry about the wellspring or even the spelling of a first name when your family name would be remade—Page to Paige—and the justification for that change would itself change? The modification was made just before Satchel launched his baseball career. “Page looked too much like page in a book,” said Lula. Satchel had a more exotic explanation: “My folks started out by spelling their name ‘Page’ and later stuck in the ‘i’ to make themselves sound more high-tone.” Whatever the reason, the result would be to make it difficult to track down the records on Satchel’s birth, letting him spin out the mystery over his age and keep prying reporters at bay.

Lula and John enrolled Satchel in the blacks-only W. H. Council School at the required age of six, as they had their six older children. He arrived just as Mobile’s black leaders were emerging from a decade-long debate over the mission for their segregated schools. Booker T. Washington and his followers argued that industrial training was the only practical way for blacks to better themselves; others dreamed of a liberal arts education that would equip young Negroes to attend college and, while they dared not say this aloud, to topple Jim Crow. The debate proved academic since influential whites already had sided with Washington. The goal of Mobile’s all-black schools, as one Negro leader put it, would be to train “educated helpers” for white-owned businesses. Such a limited vision, city fathers reasoned, required only limited resources, so they gave black students broken-down buildings, bare-bones budgets for books and other supplies, and just twenty teachers for a system with 1,600 students. That meant one instructor for every eighty Negro pupils.

Satchel was at school too seldom to notice the overcrowding. Sometimes an empty stomach lured him to the waterfront with its promise of a free fish dinner. The need to bring home money also trumped the need for an education. All the Page children were forced to grow up fast, feeling compelled to strike out on their own and “to get married as soon as they could,” says Leon Paige, Satchel’s nephew. Ellen, Satchel’s oldest sister, was so eager to wed that she lied on her marriage license, saying she was the legally required age of eighteen when she was just sixteen. Wilson and Inez likewise inflated their ages when they married.

Lula herself had been barely twenty on her wedding day and had never attended school. Yet she saw education as the route for her children to escape Down the Bay, and she took to heart Sunday sermons at Mount Zion Baptist denouncing truancy and encouraging parents to take a firm hand with renegade children. Satchel, who attended church even less often than school, remembered one time when Lula caught him and Wilson playing hooky. No sooner did they reach the baseball field than someone shouted, “Here comes your Ma.” The boys took cover the only place they could: in a huge pipe. Lula couldn’t see them and she was too sore to stoop down and peer into the conduit, but she sensed they were there and knew how to find out. Collecting papers and rags, she lit a fire at one end of the pipe. Satchel and Wilson dashed out the other end, gagging, and found themselves in her firm grip. “Have you learned your lesson, boys?” she asked as she marched them home. “Yes, Ma,” they said in succession.

Another lesson Satchel took away from his school years was the joy of baseball. There were no independent youth leagues then, black or white; America’s first Little League game was a generation away, and it would be two generations before black adolescents got their shot. But Mobile was a baseball town whose subtropical climate made it possible to play the game year-round, while its passion for playing made it Alabama’s only city to allow Sunday ball. Seven days a week kids like Satchel took to the streets looking for enough space to make a field and enough other kids to cobble together two teams. Temperatures topping 100 and humidity nearly as high may have kept their parents rocking quietly on their porches, sipping sugared tea or hand-squeezed lemonade, but it was not enough to sideline these youthful ballplayers. Many learned to hit and pitch playing “top ball,” where a stick replaced the bat they could not afford and soda bottle caps substituted for baseballs. “I can still see him as a little boy,” said his sister Palestine, who was five years younger. “He had a sun hat, a ball and bat.” Lula had similar memories of baseball becoming Satchel’s escape and obsession: “Why, he’d rather play baseball than eat. It was always baseball, baseball.”

They played just off Davis Avenue, the main thoroughfare in black Mobile and the namesake of the first president of the Confederacy, Jefferson Davis. Ted Radcliffe, a catcher and pitcher who grew up near the Pages, remembers that even the disappearing daylight did not stop intrepid young baseballers like Satchel and him. “We’d make cotton balls and soak them in oil and play night ball,” said Radcliffe. “We’d light them and run like hell.”

Satchel got his first taste of how good a ballplayer he could be at the Council School. Most elementary schools had teams in that era, although the youngest kids generally spent more time watching than playing. Not so with Satchel. The coach put him in when he was a mere eight years old, pairing him against boys two or three years his senior. He was gaunt and gangly then in a way that reminded people of an ostrich or a crane. He would later claim that he had played each of the nine positions, sometimes all in the same game. “If I’d pitch the whole game I’d strike out seventeen and eighteen with nothin’ but speed,” he said. “I was under 10 years old strikin’ out everybody.” He soon became known around the South Side of Mobile as the best school-age pitcher anyone had ever seen. It was partly how hard he threw and partly how artfully. When kids came to the plate and he surprised them with his slow pitch, he said, “they just wet their pants or cried. That’s how scared they were of my speed.”

While baseball would become his vocation, another childhood passion—fishing—also lasted a lifetime. A dropline or makeshift pole would do, especially during Mobile Bay Jubilee, that magical moment when blue crabs, shrimp, flounder, stingray, and eels abandoned the bay’s thirty-five-foot-deep sea and made shallow waters along the shore boil with life. Firemen and police blared their sirens, a sign that the fish were jumping high as a tree, and Satchel headed for the beach with washtubs and croaker sacks to hold his catch. One challenge was keeping away the gnats: smearing dirt on his face helped. Another problem was remembering the many parts of the bay that were whites-only: shouts of “Get out of here, you no-good nigger!” reminded him.

His fascination with fishing was inspired partly by the joy of eating crabs, catfish, and shrimp. He also loved the serenity of the sea, a getaway from the frenetic city and his squalid slum. On the way there he walked under live oaks covered with Spanish moss and reached up to touch the cast-iron balconies of Spanish-style homes. Moisture made the shorefront air softer and swept away the smells of hemp and tar. By the hour he hung over a bridge and puffed on a cigarette, his brown eyes focused on the ocean. Close in were rows of long, flat piers and beyond that steamships and schooners sailing to what Satchel imagined were exotic ports of call, places where skin color did not count for everything. No need even to fish on afternoons like these.

Hunting offered a different sort of escape. He had no guns then, and no need for them. He could bring down a butterfly with a clamshell, nail a squirrel with a rock using his catching hand rather than his throwing one, or make a lasting impression on an adversary’s backside with a brick, stone, or pebble. That precision and power made him special and kept him safe. One time he was ambling down the railroad tracks heading home from his job as a baggage porter. In his fist was a pile of rocks, in the air a pheasant. As it flew by he aimed and fired. Dead bird. Another pheasant, another whiplike release of a stone, a second direct hit. Quietly watching were four white men carrying shotguns. Seeing them too late to retreat, Satchel feared he might become their quarry. “You mean to tell me you killed those birds with rocks?” the first hunter asked, incredulous. “You ought to be a baseball player.”

Real enemies were not hard to find for Satchel, especially when he was with his South Siders. Their path took them by a white school where a gang was always waiting. When Satchel and his crew got close the rocks started flying. The whites were older and looked like Goliaths, with Satchel relishing the role of David. “I crippled up a lot of them,” he recalled. “Most people need shotguns to do what I did with those rocks. . . . Those fights helped me forget what I didn’t have. They made me a big man in the neighborhood instead of just some more trash.”

Rock throwing also gave birth to what would become one of the most controversial and deceptive deliveries in baseball: the hesitation pitch. When he aimed a brick at a rival gang member his adversary would instinctively duck. Knowing that, Satchel stopped mid-delivery, catching his foe stooped over in a posture that made him easy prey. The misleading motion worked equally well when he was armed with a baseball. At the top of a painfully deliberate stretch he paused longer than normal, arms high above his head, then thrust his left foot forward. He paused again—slowing but not stopping—as he whipped his arm and sent the ball flying. The result: batters swung at shadows long before the baseball itself arrived. The brick and rock throwing may have helped his image in the alley and the ballpark, but it did not fly at home. Lula had a low tolerance for brawling and she hit harder than any of his street adversaries. “I used to think she’d hit me because she didn’t know how I felt. She didn’t know how it was when they told me I couldn’t swim where the white folks did. Then I realized maybe she did,” he said. “I guess she learned to live with it.”

Sometimes Satchel told himself the fights and other troubles were his ways of not living with it, of battling back—against poverty, against Jim Crow, against being robbed of a real childhood. In later moments of candor he acknowledged that it was a game. He was good at outfoxing or outrunning his white antagonists and the police. Like all boys that age, he felt he was invincible. So why not pick a fight? He always had time for trouble.

At school he was absent so often that the Page home became a regular stop on the truant officers’ rounds. At the L&N Station he stopped pulling and started purloining suitcases. He stole bicycles, too, along with anything else that was easy to grab. One night in 1918, walking home after dark, he passed a five-and-dime store with an alluring display of gold-colored bands and red and green stones. In he went and, when he thought no one was looking, he stuffed a fistful of the trinkets into his pocket. “Unless you’ve gone around with nothing,” he would explain afterward, “you don’t know how powerful a lure some new, shiny stuff is.”

Unluckily for Satchel, a burly security guard saw him pocket the loot, nabbed him, and dragged him to police headquarters. That night the authorities released him to Lula. It would be his last night home for more than five years and would mark the end of his boyhood. The next day there was a hearing before a truant officer he called Mrs. Meanie. She was armed with a long list of infractions Satchel thought had escaped notice, from fistfights to skipping school to stealing to not listening to her repeated warnings. He thought she would never finish. She thought he would never listen and would end up on the trash heap that consumed so many black boys from Mobile. Her last words pronounced his punishment: confinement until the age of eighteen at the state reform school.

“No!” Lula screamed. Satchel was shaking so hard he could not say anything. Just two weeks before he had celebrated his twelfth birthday. Now he was being told he would not see freedom again for six long years. It seemed like a bad dream until they shut the door on him. That is when he knew it was real.

Continues...

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Excerpted from Satchel by Larry Tye Copyright © 2009 by Larry Tye. Excerpted by permission.
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