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Published a year after his stunning debut novel, Carrie, 'Salem's Lot firmly cemented Stephen King's name in the literary lexicon of great American storytellers. His rich and finely crafted tale of a mundane New England town under siege by the forces of darkness is both a homage to Bram Stoker's classic Dracula and an allegory of our post-Vietnam society. Considered one of the most terrifying vampire novels ever written, it cunningly probes the shadows of the human heart and the insular evils of small-town America.
A novel of chilling, unspeakable evil.
More Reviews and RecommendationsFew authors have tapped into our secret fears as adeptly as Stephen King, Master of the Macabre and one of the most widely read novelists writing today. With his trademark blend of fantasy, horror, and psychological suspense, this prolific and immensely popular contemporary writer continues to remind us that evil is still a potent force in the world.
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November 15, 2009: If you enjoy being scared, then this is the book for you. It is a story of a town that is being invaded by vampires turning the townspeople into the undead. Whats cool about the book is that each chapter is from a different characters perspective. The vampires don't arrive until later in the book... just so you get to know the characters, so when they die you actually feel for them. But before the vampires arrive you are still scared with stories of the old abandoned mansion in this town. If you are scared easily this is not the book for you. But if you enjoy being frightened and gore, this is the book for you.
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November 10, 2009: You heard me- Allamagoosalum. I have no idea what this is and it's driving me crazy, even though it was spoken about only once in the book.
But enough of my problems. King has one of my favorite writing styles that has been poorly imitated by Stephanie Meyer. It's his over discriptive style. The great thing about it is the need to not imagine or over imagine the more gory scenes. But it never becomes too oversaturated in usless adjectives and dumb mental close-ups. All in all, I thouroughly enjoyed this novel. It's an edgey whirlwind that leaves you hanging on for dear life near the end when it picks up wicked fast. And i recommend reading the epilouge it provides a grand scene of ultimatum. Its fantastic!I Also Recommend: Reise Reise, Mutter, Black House, The Talisman, The Stand.
Name:
Stephen King
Also Known As:
Stephen Edwin King (full name); Richard Bachman
Current Home:
Bangor, Maine
Date of Birth:
September 21, 1947
Place of Birth:
Portland, Maine
Education:
B.S., University of Maine at Orono, 1970
Awards:
O. Henry Award for "The Man in the Black Suit", 1995; National Book Foundation Medal for Distinguished Contribution to American Letters, 2003
Fiction powerhouse Stephen Edwin King was born in Portland, Maine, in 1947. As a student at the University of Maine at Orono, he wrote a weekly column for the school newspaper, became active in political causes, and met his wife, the former Tabitha Spruce. In the early years of his marriage, King augmented his meager teacher's salary by selling short stories to men's magazines. Then, in 1973 he hit pay dirt: his novel Carrie was accepted for publication, and a major paperback deal provided the means for him to leave teaching and concentrate full-time on writing. Since then, the prolific author has never looked back.
Dubbed the Master of the Macabre for his domination of the horror genre, King has also written bestselling thrillers, mysteries, fantasies, novellas, and short stories, many of which have been turned into blockbuster films and miniseries (A partial list includes Carrie, The Shining, The Stand,, Misery, It, The Shawshank Redemption, The Langoliers, Stand by Me, and The Green Mile). He also has two works of nonfiction to his credit: a gorgeously crafted memoir/scribbler's how-to (On Writing) and Faithful, a chronicle of the Boston Red Sox' stellar 2004 season, cowritten with Stewart O'Nan. In 2003, he received the National Book Foundation Medal for Distinguished Contribution to American Letters.
In between books, the indefatigable King performs in the Rock Bottom Remainders, a rock band that includes among its rotating personnel fellow authors Dave Barry and Amy Tan; attends as many Boston Red Sox games as is humanly possible; and contributes with his wife, Tabitha, to many local and national charities.
Don't believe everything you read about Stephen King. Among the gossip circulating about the scribe is the rumor that he is going blind. King assures his fans that while he is genetically predisposed to a disease called macular degeneration, which could result in blindness, he is not actually going blind.
King is probably one of the most easily recognizable authors alive, and it's not just because of his string of bestsellers. King has appeared in a number of films based on his work, including Pet Semetary, Thinner, and The Stand.
If you've ever wondered why Stephen King has written several books under the pseudonym Richard Bachman, there is actually a very simple explanation: King is so prolific that he felt it necessary to create an alter-ego so that he could publish more than one book a year. The name was a hastily hobbled together combination of writer Richard Stark (ironically, a pseudonym for Donald Westlake) and Randy Bachman of rock group Bachman-Turner Overdrive.
Something strange is going on in Jerusalem's Lot ... but no one dares to talk about it. By day, 'Salem's Lot is a typical modest, New England town; but when the sun goes down, evil roams the earth. The devilishly sweet insistent laughter of a child can be heard echoing through the fields, and the presence of silent looming spirits can be felt lurking right outside your window. Stephen King brings his gruesome imagination to life in this tale of spine tingling horror.
Published a year after his stunning debut novel, Carrie, 'Salem's Lot firmly cemented Stephen King's name in the literary lexicon of great American storytellers. His rich and finely crafted tale of a mundane New England town under siege by the forces of darkness is both a homage to Bram Stoker's classic Dracula and an allegory of our post-Vietnam society. Considered one of the most terrifying vampire novels ever written, it cunningly probes the shadows of the human heart and the insular evils of small-town America.
A novel of chilling, unspeakable evil.
Spine-tingling fiction at its best.
Kirkus Reviews A super exorcism...tremendous.
This is one of King's early classics and his second novel, where he offers us his reinterpretation of Bram Stoker's Dracula. He describes a town first touched by an evil and horrific murder/suicide involving prominent citizen Hubie Marston, overlooked since by the empty and terrible Marston House. The village has its own collection of small-town secrets and moral corruptions and is finally invaded by a vampiric plague, starting with the shadowy new owner of Marston House. Another new resident, writer Ben Mears, teams up with a local doctor, teacher, and young Mark Petrie to fight the ultimate death of the town. This is veteran audiobook reader Ron McLarty's first performance of a King title, but one hopes it is not his last. The author reads his own engaging introduction to this vintage but enduring vampire story. Highly recommended. Kristen L. Smith, Loras Coll. Lib., Dubuque, IA Copyright 2004 Reed Business Information.
Loading...| Prologue | 1 | |
| Part I | The Marsten House | 13 |
| Part II | The Emperor of Ice Cream | 183 |
| Part III | The Deserted Village | 327 |
| Epilogue | 443 |
Chapter One: Ben (I)
By the time he had passed Portland going north on the turnpike, Ben Mears had begun to feel a not unpleasurable tingle of excitement in his belly. It was September 5, 1975, and summer was enjoying her final grand fling. The trees were bursting with green, the sky was a high, soft blue, and just over the Falmouth town line he saw two boys walking a road parallel to the expressway with fishing rods settled on their shoulders like carbines.
He switched to the travel lane, slowed to the minimum turnpike speed, and began to look for anything that would jog his memory. There was nothing at first, and he tried to caution himself against almost sure disappointment. You were seven then. That's twenty-five years of water under the bridge. Places change. Like people.
In those days the four-lane 295 hadn't existed. If you wanted to go to Portland from the Lot, you went out Route 12 to Falmouth and then got on Number 1. Time had marched on.
Stop that shit.
But it was hard to stop. It was hard to stop when
A big BSA cycle with jacked handlebars suddenly roared past him in the passing lane, a kid in a T-shirt driving, a girl in a red cloth jacket and huge mirror-lensed sunglasses riding pillion behind him. They cut in a little too quickly and he overreacted, jamming on his brakes and laying both hands on the horn. The BSA sped up, belching blue smoke from its exhaust, and the girl jabbed her middle finger back at him.
He resumed speed, wishing for a cigarette. His hands were trembling slightly. The BSA was almost out of sight now, moving fast. The kids. The goddamned kids. Memories tried to crowd in onhim, memories of a more recent vintage. He pushed them away. He hadn't been on a motorcycle in two years. He planned never to ride on one again.
A flash of red caught his eye off to the left, and when he glanced that way, he felt a burst of pleasure and recognition. A large red barn stood on a hill far across a rising field of timothy and clover, a barn with a cupola painted white even at this distance he could see the sungleam on the weather vane atop that cupola. It had been there then and was still here now. It looked exactly the same. Maybe it was going to be all right after all. Then the trees blotted it out.
As the turnpike entered Cumberland, more and more things began to seem familiar. He passed over the Royal River, where they had fished for steelies and pickerel as boys. Past a brief, flickering view of Cumberland Village through the trees. In the distance the Cumberland water tower with its huge slogan painted across the side: "Keep Maine Green." Aunt Cindy had always said someone should print "Bring Money" underneath that.
His original sense of excitement grew and he began to speed up, watching for the sign. It came twinkling up and out of the distance in reflectorized green five miles later:
ROUTE 12 JERUSALEM'S LOT CUMBERLAND CUMBERLAND CTR
A sudden blackness came over him, dousing his good spirits like sand on fire. He had been subject to these since (his mind tried to speak Miranda's name and he would not let it) the bad time and was used to fending them off, but this one swept over him with a savage power that was dismaying.
What was he doing, coming back to a town where he had lived for four years as a boy, trying to recapture something that was irrevocably lost? What magic could he expect to recapture by walking roads that he had once walked as a boy and were probably asphalted and straightened and logged off and littered with tourist beer cans? The magic was gone, both white and black. It had all gone down the chutes on that night when the motorcycle had gone out of control and then there was the yellow moving van, growing and growing, his wife Miranda's scream, cut off with sudden finality when
The exit came up on his right, and for a moment he considered driving right past it, continuing on to Chamberlain or Lewiston, stopping for lunch, and then turning around and going back. But back where? Home? That was a laugh. If there was a home, it had been here. Even if it had only been four years, it was his.
He signaled, slowed the Citroën, and went up the ramp. Toward the top, where the turnpike ramp joined Route 12 (which became Jointner Avenue closer to town), he glanced up toward the horizon. What he saw there made him jam the brakes on with both feet. The Citroën shuddered to a stop and stalled.
The trees, mostly pine and spruce, rose in gentle slopes toward the east, seeming to almost crowd against the sky at the limit of vision. From here the town was not visible. Only the trees, and in the distance, where those trees rose against the sky, the peaked, gabled roof of the Marsten House.
He gazed at it, fascinated. Warring emotions crossed his face with kaleidoscopic swiftness.
"Still here," he murmured aloud. "By God."
He looked down at his arms. They had broken out in goose flesh.
He deliberately skirted town, crossing into Cumberland and then coming back into 'salem's Lot from the west, taking the Burns Road. He was amazed by how little things had changed out here. There were a few new houses he didn't remember, there was a tavern called Dell's just over the town line, and a pair of fresh gravel quarries. A good deal of the hardwood had been pulped over. But the old tin sign pointing the way to the town dump was still there, and the road itself was still unpaved, full of chuckholes and washboards, and he could see Schoolyard Hill through the slash in the trees where the Central Maine Power pylons ran on a northwest to southeast line. The Griffen farm was still there, although the barn had been enlarged. He wondered if they still bottled and sold their own milk. The logo had been a smiling cow under the name brand: "Sunshine Milk from the Griffen Farms!" He smiled. He had splashed a lot of that milk on his corn flakes at Aunt Cindy's house.
He turned left onto the Brooks Road, passed the wrought-iron gates and the low fieldstone wall surrounding Harmony Hill Cemetery, and then went down the steep grade and started up the far side the side known as Marsten's Hill.
At the top, the trees fell away on both sides of the road. On the right, you could look right down into the town proper Ben's first view of it. On the left, the Marsten House. He pulled over and got out of the car.
It was just the same. There was no difference, not at all. He might have last seen it yesterday.
The witch grass grew wild and tall in the front yard, obscuring the old, frost-heaved flagstones that led to the porch. Chirring crickets sang in it, and he could see grasshoppers jumping in erratic parabolas.
The house itself looked toward town. It was huge and rambling and sagging, its windows haphazardly boarded shut, giving it that sinister look of all old houses that have been empty for a long time. The paint had been weathered away, giving the house a uniform gray look. Windstorms had ripped many of the shingles off, and a heavy snowfall had punched in the west corner of the main roof, giving it a slumped, hunched look. A tattered no-trespassing sign was nailed to the right-hand newel post.
He felt a strong urge to walk up that overgrown path, past the crickets and hoppers that would jump around his shoes, climb the porch, peek between the haphazard boards into the hallway or the front room. Perhaps try the front door. If it was unlocked, go in.
He swallowed and stared up at the house, almost hypnotized. It stared back at him with idiot indifference.
You walked down the hall, smelling wet plaster and rotting wallpaper, and mice would skitter in the walls. There would still be a lot of junk lying around, and you might pick something up, a paperweight maybe, and put it in your pocket. Then, at the end of the hall, instead of going through into the kitchen, you could turn left and go up the stairs, your feet gritting in the plaster dust which had sifted down from the ceiling over the years. There were fourteen steps exactly fourteen. But the top one was smaller, out of proportion, as if it had been added to avoid the evil number. At the top of the stairs you stand on the landing, looking down the hall toward a closed door. And if you walk down the hall toward it, watching as if from outside yourself as the door gets closer and larger, you can reach out your hand and put it on the tarnished silver knob
He turned away from the house, a straw-dry whistle of air slipping from his mouth. Not yet. Later, perhaps, but not yet. For now it was enough to know that all of that was still here. It had waited for him. He put his hands on the hood of his car and looked out over the town. He could find out down there who was handling the Marsten House, and perhaps lease it. The kitchen would make an adequate writing room and he could bunk down in the front parlor. But he wouldn't allow himself to go upstairs.
Not unless it had to be done.
He got in his car, started it, and drove down the hill to Jerusalem's Lot.
Copyright © 1975 by Stephen King
Chapter One: Ben (I)
By the time he had passed Portland going north on the turnpike, Ben Mears had begun to feel a not unpleasurable tingle of excitement in his belly. It was September 5, 1975, and summer was enjoying her final grand fling. The trees were bursting with green, the sky was a high, soft blue, and just over the Falmouth town line he saw two boys walking a road parallel to the expressway with fishing rods settled on their shoulders like carbines.
He switched to the travel lane, slowed to the minimum turnpike speed, and began to look for anything that would jog his memory. There was nothing at first, and he tried to caution himself against almost sure disappointment. You were seven then. That's twenty-five years of water under the bridge. Places change. Like people.
In those days the four-lane 295 hadn't existed. If you wanted to go to Portland from the Lot, you went out Route 12 to Falmouth and then got on Number 1. Time had marched on.
Stop that shit.
But it was hard to stop. It was hard to stop when
A big BSA cycle with jacked handlebars suddenly roared past him in the passing lane, a kid in a T-shirt driving, a girl in a red cloth jacket and huge mirror-lensed sunglasses riding pillion behind him. They cut in a little too quickly and he overreacted, jamming on his brakes and laying both hands on the horn. The BSA sped up, belching blue smoke from its exhaust, and the girl jabbed her middle finger back at him.
He resumed speed, wishing for a cigarette. His hands were trembling slightly. The BSA was almost out of sight now, moving fast. The kids. Thegoddamned kids. Memories tried to crowd in on him, memories of a more recent vintage. He pushed them away. He hadn't been on a motorcycle in two years. He planned never to ride on one again.
A flash of red caught his eye off to the left, and when he glanced that way, he felt a burst of pleasure and recognition. A large red barn stood on a hill far across a rising field of timothy and clover, a barn with a cupola painted white even at this distance he could see the sungleam on the weather vane atop that cupola. It had been there then and was still here now. It looked exactly the same. Maybe it was going to be all right after all. Then the trees blotted it out.
As the turnpike entered Cumberland, more and more things began to seem familiar. He passed over the Royal River, where they had fished for steelies and pickerel as boys. Past a brief, flickering view of Cumberland Village through the trees. In the distance the Cumberland water tower with its huge slogan painted across the side: "Keep Maine Green." Aunt Cindy had always said someone should print "Bring Money" underneath that.
His original sense of excitement grew and he began to speed up, watching for the sign. It came twinkling up and out of the distance in reflectorized green five miles later:
ROUTE 12 JERUSALEM'S LOT
CUMBERLAND CUMBERLAND CTR
A sudden blackness came over him, dousing his good spirits like sand on fire. He had been subject to these since (his mind tried to speak Miranda's name and he would not let it) the bad time and was used to fending them off, but this one swept over him with a savage power that was dismaying.
What was he doing, coming back to a town where he had lived for four years as a boy, trying to recapture something that was irrevocably lost? What magic could he expect to recapture by walking roads that he had once walked as a boy and were probably asphalted and straightened and logged off and littered with tourist beer cans? The magic was gone, both white and black. It had all gone down the chutes on that night when the motorcycle had gone out of control and then there was the yellow moving van, growing and growing, his wife Miranda's scream, cut off with sudden finality when
The exit came up on his right, and for a moment he considered driving right past it, continuing on to Chamberlain or Lewiston, stopping for lunch, and then turning around and going back. But back where? Home? That was a laugh. If there was a home, it had been here. Even if it had only been four years, it was his.
He signaled, slowed the Citroën, and went up the ramp. Toward the top, where the turnpike ramp joined Route 12 (which became Jointner Avenue closer to town), he glanced up toward the horizon. What he saw there made him jam the brakes on with both feet. The Citroën shuddered to a stop and stalled.
The trees, mostly pine and spruce, rose in gentle slopes toward the east, seeming to almost crowd against the sky at the limit of vision. From here the town was not visible. Only the trees, and in the distance, where those trees rose against the sky, the peaked, gabled roof of the Marsten House.
He gazed at it, fascinated. Warring emotions crossed his face with kaleidoscopic swiftness.
"Still here," he murmured aloud. "By God."
He looked down at his arms. They had broken out in goose flesh.
He deliberately skirted town, crossing into Cumberland and then coming back into 'salem's Lot from the west, taking the Burns Road. He was amazed by how little things had changed out here. There were a few new houses he didn't remember, there was a tavern called Dell's just over the town line, and a pair of fresh gravel quarries. A good deal of the hardwood had been pulped over. But the old tin sign pointing the way to the town dump was still there, and the road itself was still unpaved, full of chuckholes and washboards, and he could see Schoolyard Hill through the slash in the trees where the Central Maine Power pylons ran on a northwest to southeast line. The Griffen farm was still there, although the barn had been enlarged. He wondered if they still bottled and sold their own milk. The logo had been a smiling cow under the name brand: "Sunshine Milk from the Griffen Farms!" He smiled. He had splashed a lot of that milk on his corn flakes at Aunt Cindy's house.
He turned left onto the Brooks Road, passed the wrought-iron gates and the low fieldstone wall surrounding Harmony Hill Cemetery, and then went down the steep grade and started up the far side the side known as Marsten's Hill.
At the top, the trees fell away on both sides of the road. On the right, you could look right down into the town proper Ben's first view of it. On the left, the Marsten House. He pulled over and got out of the car.
It was just the same. There was no difference, not at all. He might have last seen it yesterday.
The witch grass grew wild and tall in the front yard, obscuring the old, frost-heaved flagstones that led to the porch. Chirring crickets sang in it, and he could see grasshoppers jumping in erratic parabolas.
The house itself looked toward town. It was huge and rambling and sagging, its windows haphazardly boarded shut, giving it that sinister look of all old houses that have been empty for a long time. The paint had been weathered away, giving the house a uniform gray look. Windstorms had ripped many of the shingles off, and a heavy snowfall had punched in the west corner of the main roof, giving it a slumped, hunched look. A tattered no-trespassing sign was nailed to the right-hand newel post.
He felt a strong urge to walk up that overgrown path, past the crickets and hoppers that would jump around his shoes, climb the porch, peek between the haphazard boards into the hallway or the front room. Perhaps try the front door. If it was unlocked, go in.
He swallowed and stared up at the house, almost hypnotized. It stared back at him with idiot indifference.
You walked down the hall, smelling wet plaster and rotting wallpaper, and mice would skitter in the walls. There would still be a lot of junk lying around, and you might pick something up, a paperweight maybe, and put it in your pocket. Then, at the end of the hall, instead of going through into the kitchen, you could turn left and go up the stairs, your feet gritting in the plaster dust which had sifted down from the ceiling over the years. There were fourteen steps exactly fourteen. But the top one was smaller, out of proportion, as if it had been added to avoid the evil number. At the top of the stairs you stand on the landing, looking down the hall toward a closed door. And if you walk down the hall toward it, watching as if from outside yourself as the door gets closer and larger, you can reach out your hand and put it on the tarnished silver knob
He turned away from the house, a straw-dry whistle of air slipping from his mouth. Not yet. Later, perhaps, but not yet. For now it was enough to know that all of that was still here. It had waited for him. He put his hands on the hood of his car and looked out over the town. He could find out down there who was handling the Marsten House, and perhaps lease it. The kitchen would make an adequate writing room and he could bunk down in the front parlor. But he wouldn't allow himself to go upstairs.
Not unless it had to be done.
He got in his car, started it, and drove down the hill to Jerusalem's Lot.
Copyright © 1975 by Stephen King
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