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A rare and remarkable cultural history of World War I that unearths the roots of modernism
Dazzling in its originality, Rites of Spring probes the origins, impact, and aftermath of World War I, from the premiere of Stravinsky's ballet The Rite of Spring in 1913 to the death of Hitler in 1945. Recognizing that “The Great War was the psychological turning point . . . for modernism as a whole,” author Modris Eksteins examines the lives of ordinary people, works of modern literature, and pivotal historical events to redefine the way we look at our past and toward our future.
``In a trailblazing, iconoclastic work of cultural history, Eksteins links the modern avant-garde's penchant for primitivism, abstraction and myth-making to the protofascist ideology and militarism unleashed by WW I,'' reported PW . ``This provocative and disturbing reappraisal of modernism rings with authority.'' Photos. (Apr.)
More Reviews and RecommendationsModris Ekstein is a professor of history at the University of Toronto's Scarborough campus.
``In a trailblazing, iconoclastic work of cultural history, Eksteins links the modern avant-garde's penchant for primitivism, abstraction and myth-making to the protofascist ideology and militarism unleashed by WW I,'' reported PW . ``This provocative and disturbing reappraisal of modernism rings with authority.'' Photos. (Apr.)
"A bold and unforgetable journey into the heart of our Daemonic century." - Alfred Kazin
A brilliantly conceived and wonderfully written book of cultural and intellectual history that considers the impact of World War I on the 20th century. Ekstein (history, Toronto) begins by arguing that the ballet The Rite of Spring prefigured the mass psychology that was necessary to the waging of the war. He then carefully elucidates how the soldiers who fought experienced and internalized the horrors of the trenches. The last third of the book deals with the postwar era, considering Lindbergh's flight and its effect on Europe, the best seller All Quiet on the Western Front , and the Hitler phenomenon. Like Paul Fussell's The Great War and Modern Memory (LJ 7/75), this will likely become required reading for anyone who seeks to understand the central importance of the Great War to the decades that followed. For both public and college libraries.-- Ann H. Sullivan, Tompkins Cortland Community Coll. Lib., Dryden, N.Y.
Describes World War I as the cultural fulcrum on which history turned into the modern age. From the premier of Stravinsky's Rites of Spring in 1913 to the death of Hitler in 1945, Eksteins (history, Toronto) traces the origins, impact and aftermath of the change through the lives and words of ordinary people, works of literature, and such events as Lindberg's flight. Annotation c. Book News, Inc., Portland, OR (booknews.com)
| Map of the Western Front | xi | |
| Preface | xiii | |
| Prologue: Venice | 1 | |
| Act 1 | ||
| I | Paris | 9 |
| Vision | 9 | |
| May 29, 1913 | 10 | |
| Le Theatre Des Champs-Elysees | 16 | |
| Diaghilev and the Ballets Russes | 21 | |
| Rebellion | 33 | |
| Confrontation and Liberation | 39 | |
| Audience | 44 | |
| Scandal as Success | 50 | |
| II | Berlin | 55 |
| Ver Sacrum | 55 | |
| Overture | 64 | |
| Technique | 70 | |
| Capital | 73 | |
| Kultur | 76 | |
| Culture and Revolt | 80 | |
| War as Culture | 90 | |
| III | In Flanders' Fields | 95 |
| A Corner of A Foreign Field | 95 | |
| Guns of August | 98 | |
| Peace on Earth | 109 | |
| The Reason Why | 115 | |
| Victorian Synthesis | 128 | |
| Is There Honey Still for Tea? | 131 | |
| Act 2 | ||
| IV | Rites of War | 139 |
| Battle Ballet | 139 | |
| Themes | 142 | |
| Transvaluation | 155 | |
| V | Reason in Madness | 170 |
| Theirs Was Not to Reason Why | 170 | |
| Duty | 176 | |
| VI | Sacred Dance | 192 |
| War God | 192 | |
| Congregation | 202 | |
| VII | Journey to the Interior | 208 |
| War as Art | 208 | |
| Art as Form | 215 | |
| Art and Morality | 223 | |
| Avant-Garde | 227 | |
| Act 3 | ||
| VIII | Night Dancer | 241 |
| The New Christ | 242 | |
| Star | 247 | |
| Lest We Forget | 252 | |
| Itinerary and Symbol | 261 | |
| New Worlds and Old | 267 | |
| Associations | 271 | |
| IX | Memory | 275 |
| War Boom | 275 | |
| Life of Death | 277 | |
| Fame | 285 | |
| Cloud Juggler | 298 | |
| X | Spring Without End | 300 |
| Germany, Awake! | 300 | |
| Victim Hero | 305 | |
| Art as Life | 311 | |
| Myth as Reality | 315 | |
| "Es Ist Ein Fruhling Ohne Ende!" | 325 | |
| Acknowledgments | 335 | |
| Notes | 337 | |
| Selected Sources | 367 | |
| Index | 371 |
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