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Derek Strange is an ex-cop who's making a good living with his own business, a detective agency called Strange Investigations. A new case hits him close to home: A police officer has been slain by another policeman in a confusing late-night clash, and the dead officer's mother asks Strange to help her make sense of his killing. That mother's request sends Strange into the darkest chasms of the D.C. underworld, where police officers and criminals operate by their own secret laws, and where human life is sometimes of less consequence than cash, drugs, and other forms of currency.
Strange is joined in his quest by Terry Quinn, the officer who was exonerated in the police inquiry into the shooting but who is still haunted by that terrifying night. Together Strange and Quinn confront the ravages of an unquenchable drug trade, the realities of race in the capital police force, and some of the most implacable, dead-eyed killers ever to haunt the pages of a novel.
...a terrific book, full of characters I wish I had thought of...
More Reviews and RecommendationsA devotee of the hard-boiled school of detective fiction, George P. Pelecanos has honed his street-smart style with a series of detective thrillers all set in the seamier corners of the D.C./Maryland/Virginia triangle.
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August 17, 2008: Great book. Everything a reader could want. Great characters, solid prose, dashes of humor, and a plot with twists, surprises and a satisfying conclusion. I'm happy to have found a new author to read.
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April 18, 2001: I recommend this to anyone wanting a change of pace from their daily how-to's, self-help's and financials. A good book for travel or a day off.

Name:
George P. Pelecanos
Current Home:
Silver Spring, Maryland
Date of Birth:
February 18, 1957
Place of Birth:
Washington, D.C.
Education:
B.A., University of Maryland at College Park, 1980
Awards:
Los Angeles Times Book Award for Hell to Pay, 2003
Few writers have employed the mean streets of Washington, D.C. as effectively as George Pelecanos, the award-winning author of two acclaimed detective series and several standalone noirs of exceptional quality.
Pelecanos debuted in 1992, with A Firing Offense, a fast-paced crime novel that introduced Nick Stefanos, a Greek-American advertising executive for an electronics chain who is reluctantly drawn into investigative work when a stock boy at his company goes missing. By book's end, Nick has lost his job and applied for his P.I. license, paving the way for further (mis)adventures. Neverthless, the series has proved anything but predictable. Some books move forward in time to reveal Nick's sad descent into alcoholism; others flash back to investigate his family's past -- with Nick relegated to cameo appearances in stories that span several generations and feature a cast of interrelated characters. Beloved by readers and critics alike, the Stefanos books cast unsparing light on a city tragically mired in crime, poverty, and racism.
In his Derek Strange and Terry Quinn series, Pelecanos delves further into the racial and cultural divide between white and black. Beginning with 2001's Right as Rain, these novels feature a "salt and pepper" team of ex-cops turned detectives who forge an uneasy friendship as they investigate cases in the blighted heart of D.C. The very model of noir, the stories are steeped in the violence, brutality, and despair of urban life, but the dynamic between the tough but sensitive Strange and his younger, more volatile partner offers a hopeful and humanizing counterbalance.
A distinguishing characteristic of Pelecanos's writing is an inclusion of musical references to create atmosphere, anchor period settings, and develop his characters' personalities. (His 2004 novel Hard Revolution, a prequel to the Strange/Quinn books, was packaged in limited quantity with a CD of '70s soul music.) Pelecanos has also published mysteries and thrillers, short fiction, reviews and essays, and screenplays for film and television -- most notably HBO's superb urban procedural The Wire.
In our interview, Pelecanos shared some interesting anecdotes about past gigs:
"I began to work at my father's lunch counter in downtown D. C. when I was 11 years old, the summer after the riots of April 1968. It was the single most influential experience of my life. Everything I've written about since has seeds in that summer."
"Another good job I had was selling women's shoes, for obvious reasons. Writing for a living isn't bad, either. It beats digging ditches or washing dishes. I know, because I've done those things, too."
What was the book that most influenced your life or your career as a writer -- and why?
I have to name a teacher, Charles C. Mish, as my biggest influence. He got me reading crime novels in college and put me on the path. Among the novelists he recommended: Raymond Chandler, Dashiell Hammett, Ross MacDonald, John D. MacDonald, James Crumley, and many others.
What are your ten favorite books, and what makes them special to you?
What are some of your favorite films, and what makes them unforgettable to you?
Anything by John Ford, Peckinpah, Leone, Robert Aldrich -- genre films that resonate.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I like damn near every kind of music. Occasionally, I listen to soundtracks -- Ennio Morricone and Lalo Schifrin and the like -- when I write. Nothing with vocals.
What are your favorite kinds of books to give -- and get -- as gifts?
I like to buy my own books and music. The search is part of the fun.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I write seven days a week when I am working on a novel. That's the ritual: stay obsessively in the fictional world you have created, and get it done
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I sold my first novel myself, un-agented and over the transom, because no one would represent me. I was not connected to the publishing world and had never even met a writer before I'd been published. I have been at it for 15 years now and don't think that I'll ever feel as if I have arrived. My ambition is to write good books and stay in the game.
What tips or advice do you have for writers still looking to be discovered?
Write with ambition.
The Barnes & Noble Review
Having completed his cycle of Nick Stefanos novels with 2000's Shame the Devil, George Pelecanos -- one of the classiest crime writers working in America today -- has now embarked on a brand-new series. The opening volume, Right as Rain, is set, like most of Pelecanos's fiction, in the gritty, violent milieu of contemporary Washington, D.C. Ostensibly a private-eye novel, Right as Rain is a serious, troubling work that deals with murder, drug abuse, racial tension, cultural identity, urban decay, and problematic personal relationships of every sort. Crime fiction rarely gets more ambitious, or provocative, than this.
Two very different figures dominate the narrative. The first is Derek Strange, a middle-aged black ex-policeman who has successfully operated his own detective agency (Strange Investigations) for nearly 30 years. The second is Terry Quinn, a young white man who resigned from the police force in the aftermath of a controversial shooting. In the final hours of a late-night patrol, Terry shot and killed an apparently crazed young black man who was holding a gun on an unarmed white man. The black man was later identified as off-duty policeman Chris Wilson. Right as Rain begins when Wilson's mother hires Strange to investigate the circumstances surrounding that shooting and to restore her son's good name.
Shortly afterward, Strange forms an unlikely alliance with Quinn. Their joint investigation takes them into the heart of the Washington drug culture and brings them into contact with a vivid array of characters on both sides of the law. Included among them are an insulated, untouchable drug lord named Cherokee Coleman; an assortment of policemen, corrupt and otherwise; and a pair of hapless redneck father-and-son drug mules that Elmore Leonard would be proud to call his own. They also encounter the wretched inhabitants of a Washington "junkyard," a decaying tenement populated by burned-out, dying heroin addicts. One of the inhabitants is Sondra Wilson, Chris's hopelessly addicted sister. Sondra's story stands at the heart of the narrative and gradually illuminates the unanswered questions surrounding her brother's death.
Like Elmore Leonard's City Primeval, Right as Rain is a kind of latter-day urban western, played out against an Ennio Morricone soundtrack. It's exciting, moving, unsentimental fiction distinguished throughout by its bleak evocation of the darkest corners of the urban jungle, and by its subtle, carefully shaded portrayal of race relations in contemporary America. If you haven't encountered George Pelecanos before, then please don't wait any longer. Right as Rain is an ideal place to begin.
--Bill Sheehan
Bill Sheehan reviews horror, suspense, and science fiction for Cemetery Dance, The New York Review of Science Fiction, and other publications. His book-length critical study of the fiction of Peter Straub, At the Foot of the Story Tree, has been published by Subterranean Press (www.subterraneanpress.com).
Derek Strange is an ex-cop who's making a good living with his own business, a detective agency called Strange Investigations. A new case hits him close to home: A police officer has been slain by another policeman in a confusing late-night clash, and the dead officer's mother asks Strange to help her make sense of his killing. That mother's request sends Strange into the darkest chasms of the D.C. underworld, where police officers and criminals operate by their own secret laws, and where human life is sometimes of less consequence than cash, drugs, and other forms of currency.
Strange is joined in his quest by Terry Quinn, the officer who was exonerated in the police inquiry into the shooting but who is still haunted by that terrifying night. Together Strange and Quinn confront the ravages of an unquenchable drug trade, the realities of race in the capital police force, and some of the most implacable, dead-eyed killers ever to haunt the pages of a novel.
...a terrific book, full of characters I wish I had thought of...
The word among writers and those in the know has long been 'Read Pelecanos.'
...captures the dark side of Washington and human nature...
Pelecanos has created a tremendously powerful protagonist...
One of the best crime novelists around...
...vividly portrays the nuances of racial tension, the territorial braggadocio of cops and pushers, and youthful slang.
Riding a wave that has taken him from cult favorite to acknowledged master of the hard-boiled crime novel, Pelecanos audaciously introduces a new series.
More hard-boiled than a 47-minute egg...
...well-paced and absorbing...explores racial and social issues without sentimentality or preaching and with a hefty dose of dark, city humor...
Nearly a decade after Pelecanos (Shame the Devil; Nick's Trip) introduced Nick Stefanos to the private eye scene, the hard-boiled specialist has come up with a new urban gumshoe who's just as tantalizing to watch in action. Derek Strange, a black ex-cop in his mid-50s, walks the same Washington, D.C., streets as Stefanos, yet does so with far more experience under his belt. In his debut, Strange is hired to answer nagging questions about the death of black police officer Chris Wilson, who was killed by another cop in a shootout. Police investigators cleared Terry Quinn, the white cop who killed Wilson, but Strange soon discovers several hidden issues that may put a different spin on the case. Quinn confirms that he shot Wilson in self-defense, but admits he remains disturbed by the actions of the other people present at the scene of the conflict. Strange enlists his aid in the investigation and the case takes both men deep into the worlds of drug dealing, police corruption and racism. The plot rolls along in a workmanlike, almost predictable fashion. Yet as is usually the case with Pelecanos, it's the characters who give the story the gritty, dark twists that have become the author's trademark. The cast is wonderfully varied, yet Pelecanos also manages to capture the essence of most of his characters with just a few descriptive licks. It's Strange, however, who steals the show. He's a mature man with a highly defined sense of who he is--an aging private eye who knows that his best weapons these days are his wits and wisdom. (Feb. 6) Forecast: A new Pelecanos series hero is big news in the noir world. British, Italian, French and Japanese rights have already been sold, and a five-city author tour will start sales rolling in the U.S. Copyright 2001 Cahners Business Information.
In his new novel, Pelecanos traverses the same old gritty terrain he has traveled before--Washington, DC, neighborhoods that stretch between the marble monuments and the leafy suburbs--but he introduces a new cast of characters. A black off-duty cop, Chris Wilson, has been killed by a white officer, Terry Quinn. The official investigation has stamped the incident "right as rain," but Wilson's mother isn't so sure. She hires Derek Strange, a black ex-cop turned private investigator, to look into it. Before the end, Strange uncovers a multiracial mix of drug dealers, crooked cops, and a strung-out runaway and develops a respect for Quinn that is fully returned. Again, the main appeal here (as in Shame the Devil) is in talk at the local bars and in the cars as the characters travel through the neighborhoods the author enshrines in his work. Anybody looking for nonstop adventure should be steered elsewhere (a Redskins game, maybe), but if readers like their action interspersed with conversations about the neighborhood and the "good old days," Pelecanos delivers. For all urban and large public libraries. [Previewed in Prepub Alert, LJ 10/15/00.]--Bob Lunn, Kansas City P.L., MO Copyright 2000 Cahners Business Information.
Elmore Leonard
...a terrific book, full of characters I wish I had thought of...
Michael Connelly
The word among writers and those in the know has long been 'Read Pelecanos.'
Dennis Lehane
One of the best crime novelists around...
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