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Following the acclaimed success of Souvenir, Therese Fowler’s captivating new novel will resonate with every woman who has wondered what if—as a heartfelt drama of buried secrets and daring passion unfolds.
Celebrity talk show host Blue Reynolds is the queen of daytime television—she is smart, funny, and as down-to-earth as her adoring fans. In the eyes of the world, she has it all. But no one knows about the secret she has harbored for the last twenty years—a secret that could destroy her image, her reputation, and her career. Twenty years ago, she gave birth to a son and put him up for adoption through illegal channels. And every day since, she’s been filled with regret. Now Blue has hired a private investigator to find her son, knowing full well the consequences.
A week in Key West to do her show on location brings Blue a much-needed change of pace—and an unexpected reunion with an old flame, Mitch Forrester. Helping him launch a television series may help her recapture the kind of genuine romance and affection long missing from her life. But it also means having to deal with Mitch’s disapproving son, Julian, who is only nine years younger than Blue. Emotionally battered from his years as a war photographer in the world’s most dangerous hotspots, Julian struggles to get close to his father while making his disdain for Blue crystal clear—which makes his desire for her all the more shocking.
As serendipity and scandal collide, Therese Fowler’s passionate, illuminating novel takes a dramatic turn deep into our own hearts, as the healing power of love—family love, romantic love, andself-love—transforms pain and regrets into promises and second chances.
Therese Fowler debuted in 2008 with Souvenir, the poignant story of a woman whose youthful choices have far-reaching consequences for her and for those she loves.
More About the AuthorReader Rating:
See Detailed Ratings
July 11, 2009: The Chicago base for Blue and her talk show was a bit distracting because of the strong resemblance to Oprah's home base. Given the fact that Chicago didn't play a major role in the story overall Blue's childhood and subsequent career could have been set in any large city and worked just as well. In fact, the only point of geography that played a significant role in the story was Key West and in this case it was wonderfully portrayed and valuable to the progression of the story.
Furthermore, the main reason Blue was hiding the secret birth and child she'd given up should have been given more focus. Small references were made several times but it seemed minimally significant, more an afterthought than an actual expansion of the overall plot. To make the secret and it's later fall out more believable it should have had more prominence throughout the story.What I loved about this story is Fowler's ability to build great characters. She does a fabulous job crawling into their minds then depicting it to the reader. Major players (Blue, Mitch, Julian) each have his/her own in depth back-story that intrigues enough to stand alone, yet they are intricately intertwined together in subtle places so subsequent relationships are all the more believable. of the story were well written with realism and focus to detail. Each character's motivations and the interaction with his/her respective partner generated feelings of compassion, longing, and hope.In the end, the beauty of this story lies in the strong relationships built. Not only does Fowler focus attention on numerous romantic entanglements, but also the strain of distant family relationships, the love parents have for their children, and the effects one's professional choices have on their personal lives.Reader Rating:
See Detailed Ratings
May 19, 2009: This was a good read - enjoyed the characters and story line.
I Also Recommend: Mr. and Miss Anonymous.
Name:
Therese Fowler
Current Home:
Raleigh, NC
Date of Birth:
April 22, 1967
Place of Birth:
Rock Island, IL
Education:
B.A. in Sociology, 2000; M.F.A. in Creative Writing, 2005
Awards:
Finalist, Brenda L. Smart Short Story Contest 2003; Semi-finalist, Wm. Faulkner--Wm. Wisdom Fiction Competition 2006; Finalist, Thomas Wolfe Fiction Prize 2006
Although Therese Fowler officially made her fiction debut in 2008, it turns out Souvenir, is actually her third novel. The first one, penned in grad school, never got past the query stage. She came closer the second time. In 2005, with the ink still wet on her M.F.A., she sent out queries and, almost immediately, signed with her first-choice literary agent.
Flush with success, Fowler assumed she had it made. Yet, in spite of what seemed like more-than-polite interest from several editors, she was unable to land a book deal. After the last wave of submissions, she retreated into a period of reflection with a dawning realization that she might well have been writing "the wrong kind" of novel. Suddenly, she zoomed in on an idea that had been germinating in her creative imagination ever since her mother's death two years previously.
Everything coalesced: the story idea, new insight into the demands of the market, knowledge from school, and Fowler's own refinement of her career goals. With a clear understanding of what she wished to accomplish with her writing, she set to work on Souvenir. The story of a woman whose youthful choices have far-reaching consequences for her and for those she loves, the novel was published in ten languages and released in 18 countries. On track at last, Fowler seems destined for a bright future.
Some fascinating outtakes from our interview with Therese Fowler:
I'm among the first girls ever to play Little League baseball, and to my knowledge the very first in western Illinois. It was 1976, and I was a nine-year-old tomboy whose older brothers had played. The national organization had altered its rules and began allowing girls into the League in '74, but it took some doing to persuade our local board to let me in. They insisted I had to wear a protective cup (citing "the official rules") -- but I never did, and no one ever double-checked.
At 19, I went to live in the Philippines for three years as a U.S. Air Force "dependent spouse." I lived off-base in Angeles City and had to haul water for drinking and cooking. The up-side was that a cold beer was a mere nine pesos (about 45 cents). The poverty and pollution in that part of the country was disheartening, yet the resourcefulness I witnessed in so many of the local people inspired me. Living outside the U.S. was the most eye-opening, conscience-expanding experience I've had.
As with many teens, my first jobs included babysitting and mopping floors at McDonald's. Since then, I've held jobs a diverse as selling used cars, selling apparel, cosmetics, and real-estate, substitute-teaching six graders, teaching undergraduate creative writing, and working as an editorial assistant for a literary magazine. Amidst all that, I spent several years as a stay-at-home mom. I earned my B.A. at age 33, and my M.F.A. at 38.
My husband and I have, in some ways, a non-traditional relationship -- especially when it comes to domestic duties. He does most of the cooking, dishes, and laundry, while I do most of the yard work. I love to mow the lawn! And I take great satisfaction in planting and pruning. I think my love of nature is prescribed by, or perhaps reflected by, my name: Therese (trees) Anne (and) Fowler (flowers).
What was the book that most influenced your life or your career as a writer -- and why?
This is such a difficult question, but I'll have to say Nabokov's Lolita most influenced me as a writer. It's the book that made me think, So this is what phenomenal writing and storytelling looks like. The novel is brilliantly constructed, it's smart, the prose is beautiful, and Nabokov performed magic in the way he made his narrator, Humbert Humbert -- who is an avowed pedophile, of a certain type -- compelling and, dare I say it, sympathetic.
Reading Nabokov showed me how prose can have musicality. A novel becomes a symphony. I couldn't help but want to put that lesson into service.
What are your ten favorite books, and what makes them special to you?
Naming favorites is hard, because different books appeal in different ways and at different times. I think these ten are good representations, though, of the much bigger list I'd make if I wasn't limited to ten.
The writing styles and the genres vary, but these stories have a lot in common. Flawed characters, moral struggles, ambiguous "truths," and a quality of feeling absolutely true to their settings in time and in place. Each of these stories is infused with emotion and humanity that leaps from the page and draws me into the story. That, to me, is what all the best fiction does.
What are some of your favorite films, and what makes them unforgettable to you?
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
My music taste is eclectic. I might, for example, play Nickelback in the afternoon when I'm out running errands, Ella Fitzgerald while I'm making dinner, and then later have Coldplay turned up loud while my husband and I are out back on the deck in the evening. Another day it could be Alannis Morissette, the Brian Setzer Band, and Sting. I love James Taylor and Nirvana, the Beatles and the Doors, Joni Mitchell, No Doubt, Ricky Martin... I love Celtic music, Latin music, classical, jazz... I'll even listen to rap now and then, if it's melodic and compelling.
I don't always have music on when I'm writing, but if I do it's usually something mid-tempo from, say, CSN&Y, Simon & Garfunkel, Sting, or something instrumental. I'll sometimes choose a particular band or kind of music in order to help set a mood for a scene.
What are your favorite kinds of books to give -- and get -- as gifts?
When I give books, I try to both tailor my choice to the receiver's tastes and give something that will be fresh and new to them. Just as a for-instance: my younger son reads a lot of SFF, but I wanted to expand his horizons a little, so I bought him Octavia Butler's Fledgling. He loved it. Another successful choice was from last Christmas when I gave my stepson, who is not too keen on reading but has a lively sense of mischief, the latest Captain Underpants adventure.
I love to receive books that feed my interest in the natural world -- books about perennial gardening, travel (anywhere picturesque), astronomy, earth science, and true adventures, for example. I also love books on art and world history.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
Most of the time I work in our sunroom, facing a wall of windows with a wooded view. It's serene space that helps me feel focused and creative.
At the moment my desk is piled with notes and various books I've been using for research. When the clutter becomes a distraction, I clear my desk of everything except a glass giraffe sculpture, an iron dragonfly paperweight, and a salt crystal lamp, which a dear friend gave me because she thought I could use "some good chi" to help finish the first draft of my latest novel (and it worked!).
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
It took me more than five years of persistent writing to finally get launched as a professional novelist. As with most of my fellow authors, I have a long trail of rejection slips behind me. I finished what I like to now call my "practice novel" in early 2002, and started querying literary agents for representation. After more than a year of the rejection, revision, rinse, repeat cycle, I put that manuscript aside and went to graduate school to learn how to be a better writer.
I finished my M.F.A. with a second completed novel in hand, and began querying again, with somewhat happier results: four eager agents, including my top choice, Wendy Sherman -- who had rejected my first novel (and rightly so). Wendy offered me representation on Christmas Eve day, 2005. I don't know that I've ever received a nicer gift!
It seemed I was all set. M.F.A. degree, completed manuscript, top agent... Surely the next thing in line was a publishing deal! But no. What I got from editors over the next couple of months was a sheaf of lovely rejections in the nature of, "I really loved this story. Unfortunately..." So I spent most of 2006 writing a new novel -- Souvenir -- which when it was finished enjoyed a much more favorable fate.
What tips or advice do you have for writers still looking to be discovered?
Realize that even in the best of times, top agents reject 97-99% of what crosses their desks, and editors reject as much as 95% of what agents pitch to them. With odds like these, aspiring writers need to polish their work until it's irresistible, and only then begin querying.
Also, it's essential that writers embrace the truth about publishing: It's a business. Writing primarily for art's sake is as worthy a goal as any, but if you're that writer, keep your expectations about contracts and income realistic.
Finally: keep the faith. There's always room for another good book.
Following the acclaimed success of Souvenir, Therese Fowler’s captivating new novel will resonate with every woman who has wondered what if—as a heartfelt drama of buried secrets and daring passion unfolds.
Celebrity talk show host Blue Reynolds is the queen of daytime television—she is smart, funny, and as down-to-earth as her adoring fans. In the eyes of the world, she has it all. But no one knows about the secret she has harbored for the last twenty years—a secret that could destroy her image, her reputation, and her career. Twenty years ago, she gave birth to a son and put him up for adoption through illegal channels. And every day since, she’s been filled with regret. Now Blue has hired a private investigator to find her son, knowing full well the consequences.
A week in Key West to do her show on location brings Blue a much-needed change of pace—and an unexpected reunion with an old flame, Mitch Forrester. Helping him launch a television series may help her recapture the kind of genuine romance and affection long missing from her life. But it also means having to deal with Mitch’s disapproving son, Julian, who is only nine years younger than Blue. Emotionally battered from his years as a war photographer in the world’s most dangerous hotspots, Julian struggles to get close to his father while making his disdain for Blue crystal clear—which makes his desire for her all the more shocking.
As serendipity and scandal collide, Therese Fowler’s passionate, illuminating novel takes a dramatic turn deep into our own hearts, as the healing power of love—family love, romantic love, andself-love—transforms pain and regrets into promises and second chances.
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Excerpted from Reunion by Therese Fowler Copyright © 2009 by Therese Fowler. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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