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A cycle of violence and retribution is set in motion as two haunted men are engulfed by the emotions surrounding an unexpected and horrendous death.
Ethan, a respected professor at a small New England college, is wracked by an obsession for revenge that threatens to tear his family apart. Dwight, fleeing his crime yet hoping to get caught, wrestles with overwhelming guilt and his sense of obligation to his son. As these two men's lives unravel, Reservation Road moves to its startling conclusion.
Reservation Road is a page-turner, but along the way there is much to linger over...it never fails to chill us with the sober knowledge that everything we have, and everything we are, can change in an instant. -- The Washington Post
More Reviews and RecommendationsJohn Burnham Schwartz is the author of Bicycle Days, Reservation Road, and Claire Marvel, all of which have been translated into more than ten languages. His writing has appeared in numerous publications, including The New York Times, The New Yorker, The Boston Globe, and Vogue. He lives with his wife, filmmaker Aleksandra Crapanzano, in Brooklyn, New York.
Reader Rating:
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January 13, 2009: Twists and turns were super!
Reader Rating:
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June 30, 2008: I think I wasn't in the mood for this book when I started it. It was the beginning of summer and I was craving fun. But this book is anything but fun. It is very, very dark and depressing. No comic relief and perpetual sadness page after page. You keep hoping for redemption and to connect more with the characters...however, you never quite get there. The ending was the only satisfaction I got.
A cycle of violence and retribution is set in motion as two haunted men are engulfed by the emotions surrounding an unexpected and horrendous death.
Ethan, a respected professor at a small New England college, is wracked by an obsession for revenge that threatens to tear his family apart. Dwight, fleeing his crime yet hoping to get caught, wrestles with overwhelming guilt and his sense of obligation to his son. As these two men's lives unravel, Reservation Road moves to its startling conclusion.
Reservation Road is a page-turner, but along the way there is much to linger over...it never fails to chill us with the sober knowledge that everything we have, and everything we are, can change in an instant. -- The Washington Post
A beautiful novel. An important novel.
A triumph of form, pacing and power. . .character-driven as it is, it reads like a thriller, swift and complete.
One of those rare very rare novels that you don't so much read as inhabit. . .But it's the novel's conclusion, as perfect as it is sudden, shocking and completely unexpected, that will stick in your memory.
An unexpected pleasure. . .it will leave the reader entranced as well as moved. The Boston Herald
'I wasn't rich, but my life was secure. That had always been its fundamental premise,' observes Ethan Learner, an English professor at a small college in Connecticut. Moments later, his 10-year-old son, Josh, is killed by a hit-and-run driver, inaugurating a novel of terrible beauty that charts the progress of grief with concerto-like precision. For Ethan, his wife, Grace, and their daughter, Emma, Josh becomes both a cold absence and a constant, haunting, unfulfilled promise. For Dwight -- the driver who killed Josh-- the event stands as more evidence of a significantly flawed life. Dwight is no cartoon villain; with a son, an ex-wife and a history of sudden violence, he's like a lesser Ethan -- a poor father who, through incompetence, has killed another man's son. Schwartz structures the book with the tautness of a thriller -- Will Ethan find his son's murderer? -- but this book quickly becomes much larger than a simple revenge tale. Neither does it become maudlin or forced. Ethan, Grace and Dwight all seem ruined by the boy's death, but, like three drowning people, they keep fighting for air--aided by Schwartz's strong, measured prose and exquisitely chosen metaphors (describing his now-troubled marriage, Ethan says, 'Our house... a wordless, internalized diaspora... a landscape riven with fault lines'). 'I want to tell this right," Ethan says several times during the course of the book. The author's first novel, Bicycle Days, gathered solid reviews but modest notice. With this effort, he seems poised to reach a break-out audience. If a story about overwhelming tragedy can be told right, this novel is--telling it with wise observation and abundant humanity. (PW best book of 1998)
The author of Bicycle Days returns with a powerful story about two unhappy Connecticut families linked by one violent moment. The Learners are the victims of tragedy: an ordinary stop at a country gas station turns to horror when their oldest child is killed by a hit-and-run driver in full view of his father, Ethan. As his wife and small daughter suffer through grief, depression, and guilt, Ethan is consumed by his compulsion to find and punish his son's murderer after the police give up. Nearby, failed attorney and divorced father Dwight Arno tortures himself with his memories of speeding away from the accident. Has running saved his fragile relationship with his own son (a schoolmate of the Learner boy), or has it made the unbearable problems between Dwight and his family even worse? More than slightly hoping to be apprehended, Dwight begins to behave oddly and deteriorate mentally, even as Ethan closes in on him. Narrated mainly by the two fathers, this is a forceful psychological novel in which nobody wins -- except readers appreciating Schwartz's well-wrought prose. -- Starr E. Smith, Marymount University Library, Alexandria,Virginia
Part hardboiled thrilled, part sensitive melodrama, with tears for the ladies and gunplay for the guys,....[He]tells the story from complementary viewpoints that must sooner or later collide and clash....Schwartz stays close enough to his characters' thoughts to keep the debate authentic and personal, rather than calculated and abstract. --Time Magazine
A beautiful novel. An important novel. -- New York Observer
One of those rare -- very rare -- novels that you don't so much read as inhabit. . .But it's the novel's conclusion, as perfect as it is sudden, shocking and completely unexpected, that will stick in your memory. -- Entertainment Weekly
A powerful and affecting novel. . .haunting. . .highly suspenseful. . .compelling to read -- The New York Times
A poignant thriller. . .quietly breathtaking.. . . a suspenseful literary novel. --
It possesses a conclusion of such power that it would be a literary crime to reveal it. -- USA Today
A triumph of form, pacing and power. . .character-driven as it is, it reads like a thriller, swift and complete. -- New York Times Book Review
A pleasure to read. Suspense is redefined here. Newsday
An unexpected pleasure. . .it will leave the reader entranced as well as moved. -- The Boston Herald
The complex stages of guilt, grief, and recovery in the wake of a boy's hit-and-run death are exquisitely portrayed in this heartrending story by Schwartz (Bicycle Days), whose characterizations are as finely nuanced as they are sympathetic. Ten-year-old Josh Learner was killed by a hit-and-run driver that summer night in Connecticut, on the way back from a symphony picnic with his family; for the three adultshis parents and the driver of the speeding carwho saw what happened, it was as if their lives stopped then, too. His father Ethan, an English professor at a small college nearby, bears guilt for not having insisted that Josh come away from the road; his mother Grace is guilt-ridden as well, for having insisted they stop at the gas station so that Josh's sister Emma could use the restroom; and Dwight, running late after seeing a Red Sox game with his son and worried about the wrath of his ex at not having Sam back on time, not only has to bear the certainty of having killed someone Sam's age, but also the fact that the sleeping boy received a black eye from the accidentto go with the broken jaw that Dwight had given him accidentally on another occasion. In the ensuing months, Ethan tries to carry on while Grace shuts down almost completely, losing her business and her bearings. The police investigation goes nowhere, and when Ethan blows up at the officer in charge, he guarantees there'll be no further help from that quarter. Dwight, meanwhile, has let his legal practice go to hell, alienated himself from Sam and everyone else, and taken to heavy drinking while waiting for someone to find him out. After more than a year, Ethan finally doesand as thefirst snow of that year falls, they enact a ritual of revenge both primal and fitting. Rarely have three lives in crisis been detailed with such compassion and care: a tragic, utterly absorbing tale.
David Halberstam
A first-rate work of fiction disguised as a page-turning thriller.
Anne Lamott
Both a beautiful, wrenching story of redemption, and a thriller of exquisite suspense.
Ward Just
A non-stop read. . .a wonderful writer.
Peter Matthiessen
A lovely book, full of life and feeling.
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