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(Mass Market Paperback - REV)
Just days before a massive exhibition opens at the popular New York Museum of Natural History, visitors are being savagely murdered in the museum's dark hallways and secret rooms. Autopsies indicate that the killer cannot be human...But the museum's directors plan to go ahead with a big bash to celebrate the new exhibition, in spite of the murders. Museum researcher Margo Green must find out who - or what - is doing the killing. But can she do it in time to stop the massacre?
A monster on the loose in New York City's American Museum of Natural History provides the hook for this high-concept, high-energy thriller. A statue of the mad god Mbwun, a monstrous mix of man and reptile, was discovered by a Museum expedition to South America in 1987. Now, it is about to become part of the new Superstition Exhibition at the museum (here renamed the ``New York Museum of Natural History''). But as the exhibition's opening night approaches, the museum may have to be shut down due to a series of savage murders that seem to be the work of a maniac-or a living version of Mbwun. When the museum's director pulls strings to ensure that the gala affair takes place, it's up to a small band of believers, led by graduate student Margo Green, her controversial adviser and an FBI agent who investigated similar killings in New Orleans, to stop the monster-if the culprit is indeed a monster-from going on a rampage. Less horror then action-adventure, the narrative builds to a superbly exciting climax, and then offers a final twist to boot. With its close-up view of museum life and politics, plausible scientific background, sharply drawn characters and a plot line that's blissfully free of gratuitous romance, this well-crafted novel offers first-rate thrills and chills. Film rights optioned by Kennedy-Marshall Productions; audio rights to Brilliance Corp. (Jan.)
More Reviews and RecommendationsDouglas Preston is the co-author with Lincoln Child of a bestselling thriller/adventure series. He also writes novels and nonfiction books of his own and is a frequent contributor to magazines like National Geographic, The New Yorker, Natural History, Smithsonian, Harper's, and Travel & Leisure.
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August 24, 2008: I'm not easily scared by the horror genre. However, this book gave me chills from the very beginning: the description of the hut in particular. The book is detailed without overwhelming the senses, describes gore and bloodshed without being ridiculous, and paints some excellent characters that you can really root for. My only criticism is the use of technical language (particularly when they are talking of genetics), which would probably go over your head if you haven't studied the subject. Still, I was too into the story to be bothered, and I spent a week afterward jumping at every little shadow.
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July 09, 2002: What starts out as an ordinary expedition in the Brazilian Jungle turns to a horrifying battle in a museum in New York City. The story centers around the opening of an exhibition devoted to superstition. But before the grand opening the museum is plagued by grusome murders, and Margo Green joins a cop and an FBI agent in the search to find out who is behind it. And when she does she is forced into fighting a nightmarish creature in a battle for ultimate survival. Stocked with non-stop thrills this book will keep you glued to the edge of your seat till its climactic end.

Name:
Douglas Preston
Place of Birth:
Cambridge, Massachusetts
Education:
B.A., Pomona College, 1978
Douglas Preston was born in 1956 in Cambridge, MA, was raised in nearby Wellesley (where, by his own admission, he and his brothers were the scourge of the neighborhood!), and graduated from Pomona College in California with a degree in English literature.
Preston's first job was as a writer for the American Museum of Natural History in New York -- an eight year stint that led to the publication of his first book, Dinosaurs in the Attic and introduced him to his future writing partner, Lincoln Child, then working as an editor at St. Martin's Press. The two men bonded, as they worked closely together on the book. As the project neared completion, Preston treated Child to a private midnight tour of the museum, an excursion that proved fateful. As Preston tells it, "...in the darkened Hall of Late Dinosaurs, under a looming T. Rex, Child turned to [me] and said: 'This would make the perfect setting for a thriller!'" Their first collaborative effort, Relic, would not be published until 1995, by which time Preston had picked up stakes and moved to Santa Fe to pursue a full-time writing career.
In addition to writing novels (The Codex, Tyrannosaur Canyon) and nonfiction books on the American Southwest (Cities of Gold, Ribbons of Time), Preston has collaborated with Lincoln Child on several post-Relic thrillers. While not strictly a series, the books share characters and events, and the stories all take place in the same universe. The authors refer to this phenomenon as "The Preston-Child Pangea."
Preston divides his time between New Mexico and Maine, while Child lives in New Jersey -- a situation that necessitates a lot of long-distance communication. But their partnership (facilitated by phone, fax, and email) is remarkably productive and thoroughly egalitarian: They shape their plots through a series of discussions; Child sends an outline of a set of chapters; Preston writes the first draft of those chapters, which is subsequently rewritten by Child; and in this way the novel is edited back and forth until both authors are happy. They attribute the relatively seamless surface of their books to the fact that "[a]ll four hands have found their way into practically every sentence, at one time or another."
In between, Preston remains busy. He is a regular contributor to magazines like National Geographic, The New Yorker, Natural History, Smithsonian, Harper's, and Travel & Leisure, and he continues with varied solo literary projects. Which is not to say his partnership with Lincoln Child is over. Fans of the bestselling Preston-Child thrillers can be assured there are bigger and better adventures to come.
Douglas Preston counts among his ancestors the poet Emily Dickinson, the newspaperman Horace Greeley, and the infamous murderer and opium addict Amasa Greenough.
His brother is Richard Preston, the bestselling author of The Hot Zone, The Cobra Event, The Wild Trees, and other novels and nonfiction narratives.
Preston is an expert horseman and a member of the Long Riders Guild.
He is also a National Geographic Society Fellow, has traveled extensively around the world, and contributes archaeological articles to many magazines.
In our interview, Preston shared some fun and fascinating personal anecdotes.
"My first job was washing dishes in the basement of a nursing home for $2.10 an hour, and I learned as much about the value of hard work there as I ever did later."
"I need to write in a small room -- the smaller the better. I can't write in a big room where someone might sneak up behind my back."
"My hobbies are mountain biking, horseback riding and packing, canoeing and kayaking, hiking, camping, cooking, and skiing."
What was the book that most influenced your life or your career as a writer?
I would have to say the novel War and Peace influenced me more than any other book. This greatest of novels demonstrated to me the enormous power of literature and fired me up with a desire to become a writer, to participate in what I considered then to be the greatest of all endeavors.
What are your favorite books, and what makes them special to you?
What are some of your favorite films?
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I can't write and listen to music. I have eclectic tastes -- classical, jazz, bluegrass, folk, Celtic, Italian popular music, among others.
What are your favorite kinds of books to give -- and get -- as gifts?
Blank books and poetry books. From those whose taste I respect, I like to get novels from authors I've never heard of.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
No. I work nine to five, just like any good bank clerk.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I've been writing for 25 years. Sure, I've got plenty of rejection slip horror stories. No so much from book publishers, but from magazines. Magazines in general treat writers horribly, despicably -- although there are exceptions, like The New Yorker, National Geographic, and a few other top magazines. Most (especially men's fashion magazines like GQ) generally treat writers like dirt.
What tips or advice do you have for writers still looking to be discovered?
Keep working. It's a career, not a book. If your first manuscript doesn't sell, quit messing with it and move on quickly to the next novel.
The Barnes & Noble Review
I worked with these guys at Tor/Forge. Great guys, excellent novelists. In this one there's a horrific beast chomping up mayhem in New York City's Museum of Natural History. Spooky beyond belief, Preston and Child take you deep within the museum's dark, labyrinthine bowels for one extraordinary, page-turning ride. The sequel, Reliquary, is also excellent. Probably one of the best sequels I've ever read. It almost -- almost -- tops The Relic.
--Andrew LeCount
Just days before a massive exhibition opens at the popular New York Museum of Natural History, visitors are being savagely murdered in the museum's dark hallways and secret rooms. Autopsies indicate that the killer cannot be human...But the museum's directors plan to go ahead with a big bash to celebrate the new exhibition, in spite of the murders. Museum researcher Margo Green must find out who - or what - is doing the killing. But can she do it in time to stop the massacre?
A monster on the loose in New York City's American Museum of Natural History provides the hook for this high-concept, high-energy thriller. A statue of the mad god Mbwun, a monstrous mix of man and reptile, was discovered by a Museum expedition to South America in 1987. Now, it is about to become part of the new Superstition Exhibition at the museum (here renamed the ``New York Museum of Natural History''). But as the exhibition's opening night approaches, the museum may have to be shut down due to a series of savage murders that seem to be the work of a maniac-or a living version of Mbwun. When the museum's director pulls strings to ensure that the gala affair takes place, it's up to a small band of believers, led by graduate student Margo Green, her controversial adviser and an FBI agent who investigated similar killings in New Orleans, to stop the monster-if the culprit is indeed a monster-from going on a rampage. Less horror then action-adventure, the narrative builds to a superbly exciting climax, and then offers a final twist to boot. With its close-up view of museum life and politics, plausible scientific background, sharply drawn characters and a plot line that's blissfully free of gratuitous romance, this well-crafted novel offers first-rate thrills and chills. Film rights optioned by Kennedy-Marshall Productions; audio rights to Brilliance Corp. (Jan.)
One suspects that Child, who has edited numerous ghost and horror anthologies (e.g., Dark Company, St. Martin's, 1984), read Dinosaurs in the Attic (LJ 10/15/86), Preston's wonderful history of the American Museum of Natural History, and decided the pair should collaborate on a horror novel in this wonderfully spooky setting. The heroes (an FBI agent and a journalist) and heroine (a spunky graduate student) wander through basements, sub-basements, and tunnels, searching for the savagely murderous predator inadvertently sent to the museum from the Amazon. Despite the headless bodies turning up all over, the museum director is determined to proceed with the lucrative opening ceremony for the new "Superstition" exhibit. Then the monster gets loose among New York's rich and powerful. This is a real page-turner, part Jaws, part Poseidon Adventure. Essential for horror collections.-Marylaine Block, St. Ambrose Univ. Lib., Davenport, Ia.
YA-This electrifying thriller opens in an unexplored, mysterious corner of the Amazon basin. A Museum of Natural History expedition is seeking the legendary Kothoga tribe in quest of the vile secret it conceals. The thoroughly terrified tribes nearby infer that the Kothoga and their malicious ways are too awful to discuss with outsiders, except to issue dire warnings. The expedition dissolves, with most of its members opting out of the territory with alacrity, only to perish in a plane crash. Two zealous individuals who heedlessly press on into the jungle vanish, but not before making the horrifying discovery they sought. The crates of the lost expedition, however, arrive back in New York City intact, and are consigned to the basement for cataloging. The story picks up back at the museum where murders have begun to occur with dreadful frequency. Forensics reveal the death blows were delivered with unusual strength, the corpses were dismembered with savage violence, and the perpetrator has mighty unusual DNA patterns. The NYPD, the FBI, and enterprising museum research assistants join efforts to solve the grisly murders but are stonewalled by officials in the head office who plan a revenue-generating exhibition of Amazonian artifacts, recklessly ignoring the impending danger to staff and visitors alike. While the story line contains a bit too much of museum politics and logistics that don't quite mesh, the suspense is sure to please fans of Michael Crichton and Stephen King.-Catherine Noonan, Fairfax County Public Library, VA
With movie and multiple translation rights already sold, "Relic"'s publicity-hungry publisher is solicitously billing the thriller as ""Alien" meets "Jurassic Park"." Although the book's premise is strictly standard horror fare--a flesh-ripping creature runs loose in New York's Natural History Museum--Preston and Child's refreshing penchant for realistic detail elevates their tale far above Crichton's. The apparent relic here is a sacred stone icon that leaves a perished Amazonian expedition and several mutilated bodies in the wake of its shipment to New York. As clawed corpses begin to accumulate in the museum's dim sub-basement, doctoral student Margo Green and iconoclastic evolutionary theorist Dr. Frock become key players in tracking the killer and inadvertently exposing the real relic, a 65-million-year-old virus with the power to completely and insidiously transform human flesh. Preston and Child hit pay dirt with their wonderfully eerie rendition of New York's labyrinthine Natural History Museum. Containing just the right blend of gripping suspense, colorful characters, and credible science, "Relic" has all the ingredients for well-deserved best-seller status.
"The Relic is a straight thriller. That's like saying, however, that Die Hard was just another action adventure flick or that Gone With the Wind was just another Civil War film. Each stands as a superlative example of its type."
"What might happen if a creature from 'Jurassic Park' came to New York City.
"Better than anything the theoretically recombiant team of Michael Crichton and Peter Benchley could ever hope to achieve."
"Want to pick up a thriller that arrives with the kinetic energy of a meteor smacking the Earth? Read The Relic[for] some of the most riverting passages ever contained between two covers."
"Jaws takes Manhattan."
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Excerpted from Relic by Child, Lincoln Copyright © 2005 by Child, Lincoln. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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