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1517 Martin Luther nails his ninety-five theses to the door of Wittenburg Cathedral, and a dance of death begins between a radical Anabaptist with many names and a loyal papal spy, known mysteriously as "Q." In this brilliantly conceived literary thriller set in the chaos of the Reformation-an age devastated by wars of religion-a young theology student adopts the cause of heretics and the disinherited and finds himself pursued by a relentless papal informer and heretic-hunter. What begins as a personal struggle to reveal each others' identities becomes a mission that can only end in death.
At its best, Q displays an impressive knowledge of the Reformation, its ideas and its principal actors. It is a historical novel of the grand and sweeping sort, one that aims to capture not a life or a moment, but an era of pivotal importance. The authors have gone to great lengths to include information about important figures of the Reformation -- Luther, Philipp Melanchthon and John Calvin -- as well as some significant sites of Protestant foment, including the heady events at Munster and the disaster of Thomas Muntzer's revolt at Frankenhausen.
More Reviews and RecommendationsFirst published anonymously in Italy, and crafted by four young writers under the pseudonym of LUTHER BLISSETT, Q has become a cult bestseller across Europe.
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April 07, 2007: There is no way to follow this book it is very poorly written. Just a bad idea that should have been abandoned. The style of writing is just unbearable.
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July 04, 2004: Q Luther Blisset 7/4/2004 A very good novel about the time of the Reformation. The title refers to a character who is a spy for the Inquisition, involved in toppling the various protestant sects and ultimately establishing the power of the church. The story is told mainly from the point of view of a German free- lancer and mercenary, who first became involved with a radical peasant revolt, then with Anabaptists, and at the end as a subversive working with the Jewish people in Venice. Very richly detailed, moves at a good pace, has a complex plot and engaging characters.
1517 Martin Luther nails his ninety-five theses to the door of Wittenburg Cathedral, and a dance of death begins between a radical Anabaptist with many names and a loyal papal spy, known mysteriously as "Q." In this brilliantly conceived literary thriller set in the chaos of the Reformation-an age devastated by wars of religion-a young theology student adopts the cause of heretics and the disinherited and finds himself pursued by a relentless papal informer and heretic-hunter. What begins as a personal struggle to reveal each others' identities becomes a mission that can only end in death.
At its best, Q displays an impressive knowledge of the Reformation, its ideas and its principal actors. It is a historical novel of the grand and sweeping sort, one that aims to capture not a life or a moment, but an era of pivotal importance. The authors have gone to great lengths to include information about important figures of the Reformation -- Luther, Philipp Melanchthon and John Calvin -- as well as some significant sites of Protestant foment, including the heady events at Munster and the disaster of Thomas Muntzer's revolt at Frankenhausen.
Rich religious history is turned into bloated, tedious fiction in this Reformation-age epic produced by four anonymous writers lurking behind a pseudonym. In 1517, Martin Luther nails his 95 theses to the door of Wittenburg Cathedral. In 1525, a one-time theological student, a radical Anabaptist who goes under a number of names over the course of the narrative, but who is initially called Gustav Metzger, pulls off the first of a number of hairbreadth escapes from heretic hunters keen to spill the blood of any would-be supporter of Luther. For the next 30 years, even as Protestantism slowly makes inroads across Europe, Metzger is tracked by a papal spy who, traveling incognito under the eponymous moniker Q, keeps his boss apprised while he and his compatriots attempt to crush the movement on behalf of the Vatican before the schism widens. Needless to say, they fail. Translator Whiteside has done the best he could with the material: stripped-down chapters breathlessly composed of short, snappy paragraphs ("The girl smiles. She's extremely beautiful") alternate with epistolary passages given a faux-historical gloss. Speech anachronisms abound throughout, especially when events are related by Metzger and company ("`What the fuck did you say? What? So you're not dead, but you scare me anyway, pal, you scare me'"), and most of the characters sound so alike that not only do they remain lifeless on the page, they are often indistinguishable from one another. A good amount of historical research is lumped throughout, but the period stylings are wooden and the story never gains enough momentum to carry readers along. (May 4) Forecast: This was a cult hit in Europe, but will face a struggle in the U.S., despite a striking jacket and enticing doorstop heft. Copyright 2004 Reed Business Information.
Crafted by four fledgling authors and published anonymously in Italy, this literary thriller became a best seller with a cult following throughout Europe. In 1517 Germany, as the Reformation gets underway, a fired-up young Anabaptist plays a deadly game of cat and mouse with a papal spy known only as Q. Copyright 2003 Reed Business Information.
A sprawling cowl-and-dagger novel-by-committee, recounting a game of theological spy vs. spy. Luther Blissett is a learned-allusion pseudonym for four unnamed Italian writers; the publisher tells us only that they are young, and that Q is a "cult bestseller" in Europe. The book has its pleasures, one of which makes for the same kind of fun that Harold Bloom had in distinguishing the authors of the Book of Genesis-namely, identifying the voices of those four young scribes. One of them, it seems safe to say, is quite fond of the earthier matters in life: "He farts, sniggers, swigs. 'Fuck it!' " His/hers is the voice of a mysterious Anabaptist heretic who, inspired by Martin Luther and kindred spirits, travels across Germany stirring up religious dissent, railing against corrupt priests and wayward aristocrats. Against this agent of the Reformation stands the equally mysterious Q, an agent of the papacy, who adds a somewhat more refined if equally strident voice to the mix. Q has a flair for E. Howard Hunt/G. Gordon Liddy-style dirty tricks: for instance, his notion of planting a Luther-style agent provocateur, "more diabolical than the devil's friar, someone who would eclipse his fame and give voice to the desires of the mob" in order to frighten the German ruling class into inviting the pope's armies up north for some good old-fashioned bloodletting. Heretic and Q chase each other across Europe for several hundred pages and a quarter of a century, developing a grudging respect for each other along the way. Set Les Miserables in Reformation Europe, with Javert reporting to an evil cardinal instead of the prefect of police, and you'll have something of this book. Or imagine a Name of theRose-like historical thriller coauthored by, say, Bret Easton Ellis and Zadie Smith: "Watch your arse among the Mohammedans and careful where you stick your cock!"A modest entertainment, holding hours of fun in ferreting out anachronisms once the voices-sorting-out is through. But surely one of the best multiauthor novels of the Reformation to appear in recent times.
Loading...Prologue Out of Europe, 1555
On the first page it says: 'In the fresco I'm on the in the background.'
The meticulous handwriting, no smudges, tiny. Names, places, dates, reflections. The notebook of the final fevered days.
The yellowed and decrepit letters, the dust of decades.
The coin of the kingdom of the mad dangles on my chest to remind me of the eternal oscillation of human fortunes.
The book, perhaps the only remaining copy, has never been opened.
The names are the names of the dead. My names, and those who have travelled those twisting paths.
The years we have been through have buried the world's innocence for ever.
I promised you not to forget.
I've kept you safe in my memory.
I want to recall everything, right from the beginning, the de tails, chance, the flow of events. Before distance obscures my backward glance, muffling the hubbub of voices, of weapons, armies, laughter, shouts. And at the same time only distance allows us to go back to a likely beginning.
1514, Albert Hohenzollern becomes Archbishop of Magdeburg. At the age of twenty-three. More gold in the Pope's coffers: he also buys the bishopric of Halberstadt.
1517, Mainz. The biggest ecclesiastical principality in Ger many awaits the appointment of a new bishop. If he wins the appointment, Albert will get his hands on a third of the whole German territory.
He makes his offer: 14,000 ducats for the archbishopric, plus 10,000 for the papal dispensation that allows him to hold all these offices.
The deal is negotiated via the Fugger bank of Augsburg, which anticipates the sum required. Once the operation isconcluded, Albert owes the Fuggers 30,000 ducats.
The bankers decree the mode of payment. Albert must pro mote the sale of the indulgences for Pope Leo X in his territory. The faithful will make a contribution to the construction of St Peter's basilica and will receive a certificate in exchange: the Pope absolves them of their sins.
Only half of the takings will go to the Roman builders. Albert will use the rest to pay the Fuggers.
The task is given to Johann Tetzel, the most expert preacher around.
Tetzel travels the villages for the whole of the summer of 1517. He stops on the borders with Thuringia, which belongs to Frederick the Wise, Duke of Saxony. He can't set foot there.
Frederick is collecting indulgences himself, through the sale of relics. He doesn't tolerate competitors on his territories. But Tetzel is a clever bastard: he knows that Frederick's subjects will happily travel a few miles beyond the border. A ticket to paradise is worth the trip.
The coming and going of souls in search of reassurance infuriates a young Augustinian friar, a doctor at Wittenberg University. He can't bear the obscene market that Tetzel has set in motion, with the Pope's coat of arms and the papal bull in full view.
31 October 1517, the friar nails ninety-five theses against the traffic in indulgences, written in his own hand, to the northern door of Wittenberg church.
His name is Martin Luther. With that gesture the Reformation begins.
A STARTING point. Memories reassembling the fragments of an era. Mine. And that of my enemy: Q
Carafa'eye (1518)
Letter sent to Rome from the Saxon cit of Wittenberq, addressed to Gianpietro Carafa, member of the theoloqical meetinq held by His Holiness Leo X, dated 17 May 1518.
To the most illustrious and reverend lord and honourable master Giovanni Pietro Carafa, at the theological meeting held by His Holiness Leo X, in Rome.
My Most Respected, Illustrious and Reverend Lord and Master,
Here is Your Lordship's most faithful servant's report on what is happening in these remote marshlands, which for a year now appear to have become a focus for all manner of diatribes.
Since the Augustinian monk Martin Luther nailed his notorious theses to the portal of the cathedral eight months ago, the name of Wittenberg has travelled far and wide on everyone's lips. Young students from bordering states are flowing into this town to listen to the preacher's incredible theories from his own mouth.
In particular, his sermons against the buying and selling of indulgences seem to have enjoyed the greatest success among young minds open to novelty. What was until yester day something perfectly ordinary and undisputed, the remission of sins in return for a pious donation to the Church, seems today to be criticised by everyone as though it were an unmentionable scandal.
Such sudden fame has made Luther pompous and over bearing; he feels as though he has been entrusted with a supernatural task, and that leads him to risk even more, to go even further.
Indeed yesterday, like every Sunday, preaching from the pulpit on the gospel of the day (the text was John 16, 2: 'They shall put you out of the synagogues'), he linked the 'scandal' of the market in indulgences with another thesis, one which is to my mind even more dangerous.
Luther asserted that one should not be overly frightened of the consequences of an unjust excommunication, because that concerns only external communion with the Church, and not internal communion. Indeed, only the latter concerns God's bond with the faithful, which no man can declare broken, not even the Pope. Furthermore, an unjust excommunication cannot harm the soul, and if it is sup ported with filial resignation towards the Church, it can even become a precious merit. So if someone is unjustly excommunicated, it can even be seen as a precious merit. S0 if someone is unjustly excommunicated, he must not deny with words or actions the cause for which he was excommunicated, and must patiently endure the excommunication even if it means dying excommunicated and not being buried in consecrated ground, because these things are much less important than truth and justice.
Finally he concluded with these words: 'Blessed be he who dies in an unjust excommunication; because by being subjected to that harsh punishment because of his love of justice, which he will neither deny nor abandon, he shall receive the eternal crown of salvation.'
Uniting the desire to serve you with gratitude for the confidence that you have shown in me, I shall now make so bold as to convey my opinion of the things that I have mentioned above. It seemed clear to Your Most Reverend Lord ship's humble servant that Luther had sniffed the air and smelt his own coming excommunication, just as the fox scents the smell of the hounds. He is already sharpening his doctrinal weapons and seeking allies for the immediate future. In particular, I believe he is seeking the support of his master the Elector Frederick of Saxony, who has not yet publicly disclosed his own state of mind as regards Friar Martin. Not for nothing is he called the Wise. The lord of Saxony continues to employ that skilled intermediary, Spalatin, the court librarian and counsellor, to assess the monk's intentions. Spalatin is a sly and treacherous character, of whom I gave you a brief description in my last missive.
Your Lordship will have a better understanding than his servant of the disastrous gravity of the thesis put forward by Luther: he wants to strip the Holy See of its greatest bulwark, the weapon of excommunication. And it is also apparent that Luther will never dare to put this thesis of his in writing, since he is aware of the enormity that it represents, and the danger it might present to his own person. So I have thought it opportune to do so myself, so that Your Lordship may have time to take all the precautions he considers necessary to stop this diabolical friar.
Kissing the hand of Your Most Illustrious and Reverend Lordship,
I beg that I may never fall from grace with Your Lordship.
Your Lordship's faithful servant
Q Wittenberg, 17 May 1518
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