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Like a lot of the books that I buy, I tend to watch the movie without even realizing that there is a book first. But after I did watch the movie (that I believe anybody can relate to) and the book was no different. It was absorbing, funny, and insightful all in one. I couldn't help but turn to different chapters and reread them just to experience the feelings again. I fell in love with the characters'...
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Mental illness in 21st century American is a topic that is still not discussed and still holds onto many stigmas. If you suffer from depressions or any form of mental illness this book will be a comfort to you. If you know someone that suffers this book will be enlightening. Ms. Wurtzel has done an excellant job of education through her story written in lay terms. This should be required reading;...
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After seeing all the positive hype Wurtzel's memoir has received, I was looking forward to an insightful, illuminating look into the lives of the clinically depressed. What I was left with was an account that was at times whiny and self-pitying. I felt Wurtzel was difficult to empathize with, despite my extensive history of depression. The subtitle "Young and Depressed in America" seemed...
Full of promise is how anyone would have described Elizabeth Wurtzel at age ten, a bright-eyed little girl who painted, wrote stories, and excelled in every way. By twelve she was cutting her legs in the girls' bathroom and listening to scratchy recordings of the Velvet Underground. College was marked by a series of breakdowns, suicide attempts, and hospitalizations before she was finally given Prozac in combination with other psychoactive drugs, all of which have worked sporadically as Elizabeth's mood swings rise and fall like the lines of a sad ballad. This memoir, both harrowing and hilarious, gives voice to the high incidence of depression - especially among America's youth. Prozac Nation is a collective cry for help, a generational status report on today's young people, who have come of age fully entrenched in the culture of divorce, economic instability, and AIDS. "This private world of loony bins and weird people which I always felt I occupied and hid in," writes Elizabeth, "had suddenly turned inside out so that it seemed like this was one big Prozac Nation, one big mess of malaise. Perhaps the next time half a million people gather for a protest march on the White House green it will not be for abortion rights or gay liberation, but because we're all so bummed out." Writing with a vengeance (Nirvana, Joni Mitchell, and Dorothy Parker all rolled into one), Elizabeth Wurtzel will not go gentle into that good night. She wants off medication, she wants a family, and most definitely, a life worth living.
Twenty-six-year-old Wurtzel, a former critic of popular music for New York and the New Yorker, recounts in this luridly intimate memoir the 10 years of chronic, debilitating depression that preceded her treatment with Prozac in 1990. After her parents' acrimonious divorce, Wurtzel was raised by her mother on Manhattan's Upper West Side. The onset of puberty, she recalls, also marked the onset of recurrent bouts of acute depression, sending her spiraling into episodes of catatonic despair, masochism and hysterical crying. Here she unsparingly details her therapists, hospitalizations, binges of sex and drug use and the paralyzing spells of depression which afflicted her in high school and as a Harvard undergraduate and culminated in a suicide attempt and ultimate diagnosis of atypical depression, a severe, episodic psychological disorder. The title is misleading, for Wurtzel skimps on sociological analysis and remains too self-involved to justify her contention that depression is endemic to her generation. By turns emotionally powerful and tiresomely solipsistic, her book straddles the line between an absorbing self-portrait and a coy bid for public attention. First serial to Vogue, Esquire and Mouth2Mouth.
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