Pride and Prejudice (Barnes & Noble Classics Series) by Jane Austen, Carol Howard (Illustrator), Carol Howard (Introduction), George Stade

From the Publisher

Pride and Prejudice, by Jane Austen, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:

'It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.' Thus memorably begins Jane Austen's Pride and Prejudice, one of the world's most popular novels. Pride and Prejudice—Austen's own 'darling child'—tells the story of fiercely independent Elizabeth Bennet, one of five sisterswho must marry rich, as she confounds the arrogant, wealthy Mr. Darcy. What ensues is one of the most delightful and engrossingly readable courtships known to literature, written by a precocious Austen when she was just twenty-one years old.

Humorous and profound, and filled with highly entertaining dialogue, this witty comedy of manners dips and turns through drawing-rooms and plots to reach an immensely satisfying finale. In the words of Eudora Welty, Pride and Prejudice is as 'irresistible and as nearly flawless as any fiction could be.'

Carol Howard, educated at SUNY Purchase and Columbia University, where she received her Ph.D. in 1999, chairs the English Department and teaches in the Theater Department at Warren Wilson College in Asheville, North Carolina. She has published essays on early British and contemporary African-American women writers and has coedited two books on British writers (1996, 1997). Her primary scholarly interest is the literature of seventeenth- and eighteenth-century England.

Product Details

• Read an Excerpt

Read an Excerpt

From Carol Howard’s Introduction to Pride and Prejudice
It is sometimes said that Austen’s gift was to be a shrewd observer of her narrow, genteel social circle, that her experience and knowledge of the world were limited and her life sheltered, and that her novels realistically reflect the peaceful late-eighteenth- and early-nineteenth-century village community and English countryside she inhabited. That Austen was a careful observer of human motivation and social interaction is certainly true. One should not assume, though, that her choice to write novels of manners means that she was unaware of or unaffected by the political and social upheaval of her day. The idea that she centers her novels on the social classes with which she was most familiar is not entirely the case, although she had occasion to observe members of the gentry and aristocracy whose circumstances resembled those of some of the characters who populate her novels. Whether her own life was perfectly serene is questionable: Most lives, no matter how uneventful in retrospect, have their vicissitudes.