DELIVERY & GIFT DETAILS:
Usually ships within 24 hours
Delivery Time and Shipping Rates
Eligible for gift wrap & gift message.

Reserve it at BN.com & pick it up in 60 minutes at your local store.
Enter a zip code
(Paperback - Reprint)
Reader Rating: (237 ratings)
Detailed Rating: "Writing Style" See All
| More Formats | |
|---|---|
| Available in eBook | $11.20 |
| Hardcover - Large Print - Large Print | $30.95 |
| Compact Disc - Unabridged, 15 CDs, 17 hrs. 45 min. | $37.99 |
Curtis Sittenfeld’s debut novel, Prep, is an insightful, achingly funny coming-of-age story as well as a brilliant dissection of class, race, and gender in a hothouse of adolescent angst and ambition.
Lee Fiora is an intelligent, observant fourteen-year-old when her father drops her off in front of her dorm at the prestigious Ault School in Massachusetts. She leaves her animated, affectionate family in South Bend, Indiana, at least in part because of the boarding school’s glossy brochure, in which boys in sweaters chat in front of old brick buildings, girls in kilts hold lacrosse sticks on pristinely mown athletic fields, and everyone sings hymns in chapel.
As Lee soon learns, Ault is a cloistered world of jaded, attractive teenagers who spend summers on Nantucket and speak in their own clever shorthand. Both intimidated and fascinated by her classmates, Lee becomes a shrewd observer of–and, ultimately, a participant in–their rituals and mores. As a scholarship student, she constantly feels like an outsider and is both drawn to and repelled by other loners. By the time she’s a senior, Lee has created a hard-won place for herself at Ault. But when her behavior takes a self-destructive and highly public turn, her carefully crafted identity within the community is shattered.
Ultimately, Lee’s experiences–complicated relationships with teachers; intense friendships with other girls; an all-consuming preoccupation with a classmate who is less than a boyfriend and more than a crush; conflicts with her parents, from whom Lee feels increasingly distant, coalesce into a singular portrait of the painful and thrilling adolescenceuniversal to us all.
From the Hardcover edition.
In a memorable passage near the opening of Brideshead Revisited, Evelyn Waugh's narrator, Charles Ryder, reflects on how "easy" it is, "retrospectively, to endow one's youth with a false precocity or false innocence." The same double-edged temptation often derails first-time novelists, who end up enervating the protagonist-version of themselves with one or the other pretension. Not, however, Curtis Sittenfeld, whose gripping debut effort, Prep, gives us a more accurate picture of adolescence as an unlovely mix of utter cluelessness, extreme sensitivity and untempered drives.
More Reviews and RecommendationsCurtis Sittenfeld is the author of the acclaimed, bestselling novel Prep, which chronicles a young teen’s experiences at a New England Boarding School. Her writing has also appeared in a number of publications, including The New York Times, The Washington Post, Glamour, and The Atlantic Monthly. Now with her second novel, The Man of My Dreams, she continues to exhibit just why so many have praised her work for its wit and depth of character.
More About the AuthorReader Rating:
See Detailed Ratings
November 09, 2009: A page turner with some bittersweet and funny moments. Sittenfeld is a good writer and after reading this book I'm willing to buy anything else she writes.
I Also Recommend: American Wife.
Reader Rating:
See Detailed Ratings
October 18, 2009: I couldn't stop reading this book. I loved it, I own it and it's deffinently a book that iwll stay in my library.
Name:
Curtis Sittenfeld
Current Home:
Washington, D.C.
Date of Birth:
August 23, 1975
Place of Birth:
Cincinnati, Ohio
Education:
B.A., Stanford University, 1997; M.F.A., University of Iowa (Iowa Writers’ Workshop), 2001
Awards:
"When I was in junior high, my parents said they’d let me get my ears pierced if I made honor roll every quarter. And not to brag, but I did."
Before her debut novel Prep hit bookshelves, Curtis Sittenfeld promised her ninth-grade English students that if the novel hit the New York Times Bestseller list she would buy pizza for the class. Well, I hope that her class enjoyed those pizzas, because Prep, a wry coming-of-age story set in a New England boarding school, became a surprise sensation upon its publication in 2005.
Sittenfeld knows the insular world of boarding schools all too well. When the precocious writer was a pre-teen, a recruiter from the exclusive prep school Groton came inquiring about Sittenfeld at her Cincinnati home. Curious about embarking on what she saw as a potential adventure, Sittenfeld decided to attend the school. As she told the Washington Post, "I just became enthralled by the idea of boarding school, and it happened to coincide with this period where I was restless and ready for a new adventure, in a 13-year-old's kind of way. I was just curious about the world. I wanted a change."
That change she sought would eventually become material for her first novel, the witty, insightful bestseller Prep, in which a smart and singular 14-year-old named Lee Fiora finds herself at the fictional Ault prep school near Boston. The shift from a life at home with a loving family to the elite Ault, with its pretty, pampered, yet cynical teenagers, is an eye-opening experience for Lee, whose wariness of their little society does not stop her from drifting into it. In her debut novel, 29-year old Sittenfeld already displayed a sure-handedness with character and dialogue that many of her older and more seasoned contemporaries would surely envy. Little did the high school English teacher know that her first novel would become such a runaway success, being that it had been rejected 14 times before finally being picked up by Random House. "One editor actually called my agent and turned it down, and then she called my agent back and said, 'I've never done this but I want to un-turn it down'," Sittenfeld says. "And then, she called again and turned it down." That editor is quite likely kicking herself now that Prep has not only made it to the New York Times bestseller list, but has received raves right down the line: The Washington Post, The New Yorker, Publisher's Weekly, etc. The New York Times named it one of the ten best books of 2005. Paramount Pictures has optioned its film rights. Sittenfeld's sophomore effort is The Man of My Dreams, yet another coming-of-age story, this time using a dysfunctional household rather than a ritzy prep school as the backdrop. The Man of My Dreams follows Hannah Gavener for over a decade, detailing the travails of her friendships, familial relationships, and therapy sessions. The book is yet another example of Sittenfeld's gift for crafting fully dimensional characters and blending drama and humor. Only recently published, The Man of My Dreams is already receiving accolades from the likes of The Library Journal and acclaimed short story writer Alice Munro. Who knows, Curtis Sittenfeld may even have to buy another round of pizza for her class.
A few fun facts about Sittenfeld from our interview:
"I eat so much fruit that my friends and family tease me about being a monkey."
"I have trouble staying awake past 10:00 p.m."
"I have a big crush on Bruce Springsteen (but then, who doesn't?)."
What was the book that most influenced your life or your career as a writer?
When I was a sophomore in high school, my English class read Monkeys, the story collection by Susan Minot about a big New England family. It came as a revelation to me that you could write a completely powerful, engaging book about the dynamics among parents and kids living together in a house -- it wasn't necessary to write about, say, war or mountain climbing or other explicitly, externally dramatic events. Reading Monkeys made me comfortable focusing on writing about what came naturally to me: the daily lives of fairly ordinary people.
What are your ten favorite books, and what makes them special to you?
What are some of your favorite films, and what makes them unforgettable to you?
I saw Heavenly Creatures not long ago, and I thought it was really well done -- it portrayed the complications of female adolescence in a non-condescending way. (It's also a pretty dark and disturbing story.) The again, I also loved Mean Girls. And I thought Napoleon Dynamite was terrific -- it's so confidently weird. There are two sisters who've made the movies Walking and Talking and Lovely and Amazing -- and I think both movies are very realistic, funny, sad portrayals of the way women actually are. Oh, and Next Stop, Wonderland -- it's quite romantic and features Hope Davis, whom I love.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I listen to everything from Bob Dylan to Shania Twain (though maybe there's less distance between the two than many people think). I don't listen to music while I'm writing because I find it distracting.
If you had a book club, what would it be reading?
The next book I want to read is Disgrace by J. M. Coetzee -- I've heard raves about it from a wide range of people.
What are your favorite kinds of books to give -- and get -- as gifts?
I like to give and get novels and story collections. I pride myself on my ability to buy books for other people, and to figure out not what I think is good but what the other person will genuinely like. (For instance, my dad has a surprising fondness for chatty, southern tales.) Over time, I've had to face the fact that Alice Munro is not everyone's cup of tea.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
Unfortunately, I have tons of paper all over my entire apartment, including on my desk. I write lots of notes to myself, but most of them aren't very literary -- they say things like, "Buy toilet paper!!" I don't really have special rituals, but I don't try to write fiction unless I have a minimum of a few hours. For me, it takes a while to settle into a mode where I'm truly concentrating.
What are you working on now?
I'm writing my second novel, which will be published by Random House at some point in the next two years. It's called The Man of My Dreams (a title that's meant semi-ironically).
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
Well, I won Seventeen magazine's annual fiction contest when I was 16, and now I'm 29. I was interviewed recently by a reporter who asked, "What have you been doing for the last 13 years?!" Since high school, I've submitted my work to magazines and I've received many, many rejections. When I was in graduate school, I asked myself, is it really serving any purpose for me to submit to these tiny university literary magazines that 1) barely pay, 2) have very small readerships, and 3) always reject my work anyway? I basically quit submitting and just concentrated on writing my novel. I think whenever you're spending more time on the business aspect of your work than you are actually writing, it's not a good sign.
If you could choose one new writer to be "discovered," who would it be?
I feel a little silly identifying a "new" writer because I myself am about as new as you can be -- my first novel was published in January 2005 -- but one relatively young writer I admire is Meghan Daum. She's in her early 30s and has an essay collection called My Misspent Youth and a novel called The Quality of Life Report. I just loved both of them. She's very smart and very funny, and I would read anything by her.
What tips or advice do you have for writers still looking to be discovered?
Be hard on yourself, and look at what's actually on the page as opposed to what you wish were there. Also, write sincerely, which doesn't have to mean autobiographically -- just don't try to be cute or clever. Write about topics that genuinely interest you so the reader can feel your own engagement in the material.
Curtis Sittenfeld’s debut novel, Prep, is an insightful, achingly funny coming-of-age story as well as a brilliant dissection of class, race, and gender in a hothouse of adolescent angst and ambition.
Lee Fiora is an intelligent, observant fourteen-year-old when her father drops her off in front of her dorm at the prestigious Ault School in Massachusetts. She leaves her animated, affectionate family in South Bend, Indiana, at least in part because of the boarding school’s glossy brochure, in which boys in sweaters chat in front of old brick buildings, girls in kilts hold lacrosse sticks on pristinely mown athletic fields, and everyone sings hymns in chapel.
As Lee soon learns, Ault is a cloistered world of jaded, attractive teenagers who spend summers on Nantucket and speak in their own clever shorthand. Both intimidated and fascinated by her classmates, Lee becomes a shrewd observer of–and, ultimately, a participant in–their rituals and mores. As a scholarship student, she constantly feels like an outsider and is both drawn to and repelled by other loners. By the time she’s a senior, Lee has created a hard-won place for herself at Ault. But when her behavior takes a self-destructive and highly public turn, her carefully crafted identity within the community is shattered.
Ultimately, Lee’s experiences–complicated relationships with teachers; intense friendships with other girls; an all-consuming preoccupation with a classmate who is less than a boyfriend and more than a crush; conflicts with her parents, from whom Lee feels increasingly distant, coalesce into a singular portrait of the painful and thrilling adolescenceuniversal to us all.
From the Hardcover edition.
In a memorable passage near the opening of Brideshead Revisited, Evelyn Waugh's narrator, Charles Ryder, reflects on how "easy" it is, "retrospectively, to endow one's youth with a false precocity or false innocence." The same double-edged temptation often derails first-time novelists, who end up enervating the protagonist-version of themselves with one or the other pretension. Not, however, Curtis Sittenfeld, whose gripping debut effort, Prep, gives us a more accurate picture of adolescence as an unlovely mix of utter cluelessness, extreme sensitivity and untempered drives.
Any feelings of nostalgia for adolescence should be dispelled by the exacting intimacies of this first novel. Lee Fiora, a scholarship student at the prestigious Ault School (not Ault Academy, as her parents embarrassingly refer to it), negotiates her days there in a blaze of self-consciousness that is, by turns, hilarious and excruciating: “I believed then that if you had a good encounter with a person, it was best not to see them again for as long as possible.” And yet she becomes an expert on the rituals that govern the rarefied microenvironment in which she finds herself: the students’ fondness for catchphrases like “therein lies the paradox” and “LMC” (lower middle class); the taboo against enthusiasm for anything other than sports; the fact that the school always sings “God be with you till we meet again” at chapel before breaks. In the end, Lee’s incisive vision of herself and others is her downfall but also—as this richly textured narrative suggests—her greatest gift.
A self-conscious outsider navigates the choppy waters of adolescence and a posh boarding school's social politics in Sittenfeld's A-grade coming-of-age debut. The strong narrative voice belongs to Lee Fiora, who leaves South Bend, Ind., for Boston's prestigious Ault School and finds her sense of identity supremely challenged. Now, at 24, she recounts her years learning "everything I needed to know about attracting and alienating people." Sittenfeld neither indulges nor mocks teen angst, but hits it spot on: "I was terrified of unwittingly leaving behind a piece of scrap paper on which were written all my private desires and humiliations. The fact that no such scrap of paper existed... never decreased my fear." Lee sees herself as "one of the mild, boring, peripheral girls" among her privileged classmates, especially the Uber-popular Aspeth Montgomery, "the kind of girl about whom rock songs were written," and Cross Sugarman, the boy who can devastate with one look ("my life since then has been spent in pursuit of that look"). Her reminiscences, still youthful but more wise, allow her to validate her feelings of loneliness and misery while forgiving herself for her lack of experience and knowledge. The book meanders on its way, light on plot but saturated with heartbreaking humor and written in clean prose. Sittenfeld, who won Seventeen's fiction contest at 16, proves herself a natural in this poignant, truthful book. Agent, Shana Kelly. (Jan. 18) Copyright 2004 Reed Business Information.
Prep is a gently told novel of Lee Fiora's four years at prestigious, private Ault (High) School, to which, after applying on a lark, she gets a scholarship. A big fish in South Bend, Indiana, she is invisible at Ault. But why? Is it the dichotomy between her "LMC" (lower middle class) upbringing and the elite "bank boys" and coeds of extremely rich families or does Lee refuse to fit in? In her soft voice, Lee recounts incidents from each semester, weaving in her pre-Ault and post-graduation life. She tells of her four-year crush on fellow student Cross Sugarman, former roommate Sin Jun's aspirin overdose suicide attempt, Lee almost being a junior-year casualty of Ault's "spring cleaning" because she is failing pre-calculus, and a disastrous New York Times interview just prior to graduation. Throughout, Martha, Lee's best friend and roommate, is the voice of reason and largely responsible for Lee's survival at Ault. This adult-marketed novel is well written and realistic. Everyone, regardless of age, will know someone who is Lee. Readers will root for her, be frustrated by her passivity, angry at her illusions regarding Cross's feelings, and sorry that her invisibility, a cry for help as loud as Sin Jun's, was either not heard or ignored by school staff. The contrast between Lee's sheltered life and other students' growth is evident. Lee's parents, like many, never read the signs of her discontent. Of interest to high school and college students and their parents, Prep should be in high school and public libraries. VOYA CODES: 4Q 4P S A/YA (Better than most, marred only by occasional lapses; Broad general YA appeal; Senior High, defined as grades 10 to 12; Adult-marketed book recommendedfor Young Adults). 2005, Random House, 403p., Ages 15 to Adult.
In this readable coming-of age tale, Lee Fiora is an Iowa girl on scholarship at elite and private Ault in New England, where the stress of being an outsider magnifies the usual adolescent dilemma of uncertain identity. While there, she befriends Little, also an outsider as a black girl from Pittsburgh and the thief stealing money from dormitory rooms. During junior year, one of Lee's freshman roommates attempts suicide, and Lee has a secret sexual relationship with popular and handsome Cross, who never dates her and is indifferent to her in front of other students. When she is selected to talk about Ault with a reporter from the New York Times, she opens up under the reporter's seemingly sympathetic questioning. The article, quoting Lee, depicts Ault as dominated by a wealthy and snobbish clique, and Lee is further ostracized. But when she graduates, she discovers that there is a world outside of Ault. To interest adult readers, a novel like this needs something special: Holden Caulfield's voice, say, or the literary flair of Tobias Wolff's Old School. Here, events add up to little more than a familiar picture. Suitable for YA collections if mildly sexually explicit scenes are not objectionable.-Elaine Bender, El Camino Coll., Torrance, CA Copyright 2004 Reed Business Information.
Adult/High School-When Lee Fiona arrives at Boston's prestigious Ault boarding school for her freshman year, she enters a world unlike anything she knew in South Bend, IN. "I always worried that someone would notice me," she says of her first bewildering weeks at the school. "And then when no one did, I felt lonely." This dilemma follows her throughout her four years. In her senior year, when she hooks up with star basketball player Cross Sugarman, she asks that he keep their relationship quiet. But she is appalled when she suspects that he has done just that. Sittenfeld has exquisitely captured the angst of the outsider in this fine coming-of-age novel. Lee is 24 when she recounts her boarding school history. Those few years' perspective give her an authentic voice that makes her sound less eccentric and more mainstream than Salinger's Holden Caulfield. Lee's world is peopled with the geeks and greats of the high school years-super-popular Aspeth Montgomery, who warns Lee away from a relationship with a townie; Aubrey, her math tutor, who professes his unrequited love; and enigmatic Cross, who initiates Lee into sex, but seems less than the full-fledged boyfriend she craves. Much more than stereotypes, Prep's characters, in their depth and humanity, will appeal to readers, who will find themselves rooting for Lee despite her foibles and her insecurities. Her moments of self-doubt will reverberate with adolescents everywhere.-Patricia Bangs, Fairfax County Public Library System, VA Copyright 2005 Reed Business Information.
A witty, involving boarding-school drama from Seventeen magazine award-winner Sittenfeld. Seduced by media depictions of glamorous boarding-school life, South Bend teenager Lee Fiora uses her straight-A average as a ticket out of her LCM (lower middle class, in prep-school speak) home, winning a scholarship to tony Ault. But once there, she's immediately the dorkey outcast, relegated to the company of the ethnics and the weirdoes. The rest could have been a standard nerd narrative, as Lee pursues the unattainably cool and gorgeous Cross Sugerman and finds an unexpected niche cutting hair for the popular kids. But Sittenfeld is too serious to let the story lapse into cliche. Instead of triumphing, her underdog is gradually corrupted by her frustrated social climbing. Lee's grades flag while she obsesses about being liked; Cross does finally come to her bed, but keeps it a shameful secret, using her only as an easy sexual outlet. While resenting the popular kids, Lee is too vain to court them, preferring to lurk resentfully in her room. When her loving but lowbrow family comes to visit, she tries only to hide them, sacrificing her parents for an elusive popularity. By the end, Lee's father has turned his back on her, remarking, "Sorry I couldn't buy you a big house with a palm tree, Lee. Sorry you got such a raw deal for a family." Her one close friend and roommate, Martha, serves as a foil. Beginning as an outsider like Lee, Martha finally becomes the senior prefect, generally liked for her straightforward kindness. As for Lee, we never lose sympathy for her, even when it becomes clear that it's not her classmates' snobbery but her own that isolates her. The boarding-school formula allowsnewcomer Sittenfeld the comforting slippers-and-ice-cream haven of chick-lit while allowing much more in the way of psychological insight. Teenaged years served up without sugar: a class act. Agent: Shana Kelly/William Morris Agency
Loading...1. How does Prep differ from other books about teenagers you’ve read?
Reviews have cited the book as an unsentimental view of high
school and adolescence—do you agree? How does Lee Fiora’s point
of view relate to your own high school experience?
2. Throughout the novel, Lee describes herself as an outsider, partly
because of her scholarship-student status. How does Sittenfeld develop
this theme of fitting in racially and financially? What kind
of difficulties, both overt and subtle, do Little, Sin-Jun, Darden, and
other minority students encounter at Ault, and how does their outsider
status differ from Lee’s?
3. How does the school-wide game of Assassin temporarily transform
Lee? How do her interactions with her classmates during this game
empower her? Explore her guilt in “killing” McGrath.
4. Many readers and reviewers of Prep have described Lee as a passive
character. When is Lee submissive, and when does she act on her
desires, even if subconsciously? Does her level of assertion change
by the end of the novel?
5. Lee experiences friction with her parents when they visit Ault for
Parents’ Weekend. How has her relationship with them changed
since she left for boarding school? Her father states, “When you
started at Ault . . . I said to myself, I’ll bet there are a lot of kids
who’d think real highly of themselves going to a place like that.
And I thought, but I’m glad Lee has a good head on her shoulders.
Well, I was wrong. I’ll say that now. We made a mistake to let you
go” (202). Do you think Lee has changedin the way her father
claims she has?
6. Many reviewers have mentioned that Prep feels autobiographical
and reads like a memoir, but Sittenfeld denies that her novel
closely follows her life. Why, then, do you think Prep comes across
as so authentic and personal?
7. Is Angela Varizi, The New York Times reporter who interviews Lee,
manipulative in her interview? Do you think Lee intended, even if
subconsciously, to give a negative picture of Ault?
8. During Lee’s final conversation with Cross Sugarman, he tells her,
“You’ll be happier in college. . . . I think it’s good you’re going to a
big school, somewhere less conformist than Ault” (380). Why does
Cross think this, and do you agree with him? How do you envision
Lee changing after high school?
9. Reviewers have compared Sittenfeld to other authors in the boardingschool-
novel genre, including J. D. Salinger, John Knowles, and
Tobias Wolff. How does Prep differ from those other novels? How
does a female perspective affect Prep?
10. How does Lee’s adolescence compare to your own? Which of her
high school experiences resonate with you most?
loading...
loading...
loading...
Hear our exclusive audio interview with Curtis Sittenfeld (15:42).
Terms of Use, Copyright, and Privacy Policy
© 1997-2009 Barnesandnoble.com llc