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Stephanie Jardine is at the apex of her career and life running the American branch of Jardine's, the prestigious Crown Jewellers of London. A young widow, she has three grown sons and one very precious teenage daughter, Chloe. Then one day, an unexpected act of violence committed by a stranger on the other side of the world plunges Stevie into turmoil and despair.
To save her injured daughter's life and ensure her future, Stevie must go back to her own past and confront a relationship that has only brought her heartbreak. As she battles for her daughter, Stevie comes to understand how fragile life is and how it can be forever changed by others when least expected.
A moving novel about family secrets, betrayal, and redemption, Power of a Woman is the story of an innocent victim of a stranger's vengeance, who manages to triumph through her own inner power as a woman.
Gripping and suspenseful, Power of a Woman takes readers on an unforgettable journey with a remarkable woman who discovers that her success, prestige, and wealth cannot help her when tragedy strikes at the very heart of her family.
Received too late for a full review, Bradford's newest romantic suspense yarn ("Her Own Rules," 1996, etc. etc.) begins during one Thanksgiving in Connecticut and ends, some months later, in the Grill Room of the Dorchester Hotel in London. Center-stage, between times, is the title's woman of power: the late-40ish, super- rich (thanks to her British in-laws' silversmith business) Stevie Jardinemarried at 16, widowed at 23, and now with three grown children, one of whom may be a good deal more devious than anyone (most especially his mother) ever knew. By the close, though, Stevie will have gone from a "sense of foreboding" to finding (no surprise) love and forgiveness all around. For Bradford's devoted fans, which by now number in the millions.
More Reviews and Recommendations
Barbara Taylor Bradford started her writing career in the 1960s as a journalist who felt destined to become "a hard-bitten reporter in a dirty trenchcoat." However, her breakout bestseller, A Woman of Substance (1979), sparked her prolific career as the author of thrilling novels of romance and intrigue.
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September 22, 2006: I have been a Taylor-Bradford fan since the first book in the Harte series 'A Woman of Substance' However, this book is a real bummer. Never quite getting to the point. A big disappointment.
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September 16, 2000: As an avid reader, I am always on the lookout for good stories. I used to like the 'family saga' type stories. However its insipid, boring contrived stuff like this book, that has made me turn to books of crime, law and supsense. Leave these kind of books for teens, although I doubt it would even keep a young girl's attention!
Name:
Barbara Taylor Bradford
Current Home:
New York, New York
Place of Birth:
Yorkshire, England
Education:
Christ Church Elementary School and Northcote Private School for Girls in Yorkshire, England
Awards:
Matrix Award in Books from New York Women in Communications. 1985; Birmingham-Southern Colleges Gala Women of the Year Award, 1995; Albert Einstein College of Medicine's Spirit of Achievement Award, 1996; British Excellence Award, 1998
Barbara Taylor Bradford was born and raised in Yorkshire, England. A voracious reader since childhood, she took her first job at the age of 15 with the Yorkshire Evening Post and by the age of 18 was the newspaper's women's page editor. Two years later, she headed for London and became a reporter for the London Evening News, Today Magazine, and other publications.
After meeting her husband-to-be, Robert Bradford, in 1961, she relocated to the United States. Continuing in journalism, Barbara created the syndicated column "Designing Woman," which ran nationwide for 12 years. Children's books and 8 works on decorating followed.
In 1979, Bradford published her first novel, A Woman of Substance, introducing the Emma Harte saga and beginning an almost uninterrupted string of bestsellers. Her work has been published in more than 90 countries in 40 languages, and total sales of her books now surpass 75 million.
Barbara now lives and writes in New York City with her husband, Robert. In addition to her work as a writer, she is active in a number of major charitable organizations, including the Police Athletic League, Girls Inc., City-Meals-on-Wheels, and the Susan G. Koman Breast Cancer Foundation.
Queen Elizabeth bestowed the Order of the British Empire on Barbara in October, 2007. The news was announced on the author's website with the following headline: "BTB Gets Her OBE from QEII."
Some interesting outtakes from our interview with Bradford:
"All 20 of my original manuscripts are stored by the prestigious Brotherton Library at Leeds University in England, next to the works of the Brontė sisters."
"My first job was working as a typist for the Yorkshire Evening Post at the age of 15."
"When I'm not writing, (which isn't often) I love to read. Biographies are my favorite genre, though I do like to read fiction to see what others are putting out on the market. Authors whose books I always make time for are Patricia Cornwell, Mary Higgins Clark, and Bernard Cornwell."
"I love to travel whenever possible. Paris is my favorite city to visit, though some of my favorite holidays are spent back in England."
"My husband, Bob, has a vote for the Academy Awards, so I get to see a lot of movie screenings."
"I'm involved in a number of charity organizations on both sides of the Atlantic. From the Police Athletic League and the Literary Guild in America to PACT (Parents and Children Together Again) in the U.K., I devote a fair amount of time to these causes. And as an advocate for world literacy, I am a member of the Madison Council to the Library of Congress in Washington, D.C."
What was the book that most influenced your life or your career as a writer?
Wuthering Heights by Emily Brontė -- I've always considered this the best book ever written in the English language. Being a Yorkshire girl, the Brontė sisters were towering figures and the most famous writers to emerge from the north of England. I grew up idolizing both of them, though I'd say Wuthering Heights is the standout among all their works.
What are your ten favorite books, and what makes them special to you?
I became addicted to the books of the Brontė sisters -- Emily, Charlotte, and Anne. Often, my mother would take me to Haworth, where the sisters grew up with their brother, Branwell, at the Haworth Parsonage. Their father was the parson. This is a museum now; my mother also took me over the wild, windswept moors to Top Withens, supposedly the site of Wuthering Heights, which is of course, the name of the house where Catherine Earnshaw lived. It is not a place. I grew up in Yorkshire, and Haworth is about two hours from Leeds, the city of my birth. This book, more than any other, influenced me and my writing. I believe Emily Brontė to be one of the great geniuses in the English literature. So influenced am I by the Brontės, I invented a play called Charlotte and Her Sisters, which I used in my novel The Triumph of Katie Byrne. Katie is an actress and appears in the play, but before this happens, I "take" her to Haworth to visit the parsonage and to wander the moors. What is so extraordinary about this book is the fact that Emily Brontė used two narrators to tell her story. Also, Heathcliff is the great Byronic hero. Even today, I still find it "unputdownable."
What are some of your favorite films, and what makes them unforgettable to you?
My top ten in order are:
Some of these are great love stories. A few are based on classic books I read as a child. I have many fond memories of going to the cinema with my mother and being enthralled by seeing these films on the big screen. They just don't make movies quite the way they used to -- although today's special effects (Titanic) are amazing.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
Frank Sinatra is my absolute favorite singer. I don't have music on often while I'm concentrating on writing, but I love to listen whenever possible. My husband, Bob, and I also love attending Broadway musicals. A favorite opera singer of mine is Dame Kiri Te Kanawa.
What are your favorite kinds of books to give -- and get -- as gifts?
I love biographies, especially figures I grew up idolizing. Biographies would be my favorite gifts to receive. As for giving, it depends on the person to whom I'm giving the gift. Sometimes I'll buy a decorating book for friends moving into a new place. I am also one who loves to cook when time allows, so frequently, I'll send cookbooks to those that share my culinary enthusiasm.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I am strict about keeping to a writing schedule, especially when working against a deadline. I'm usually up and at my desk by 5:30 a.m. and typing away until lunchtime. After a short break, I'm back at it until 4 or 5 p.m. I mention typing, because I do type all my manuscripts, not on a computer, but on a Lexmark typewriter. As a creature of habit, I prefer creating in the same manner that I've done it for 25 years. Under my desk while I write are my two little bichon frise dogs, Beaji and Chammi. They love to sit close to me, even when I'm lost in a fictional world somewhere in my imagination.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I wrote four unfinished novels before starting A Woman of Substance. Making the jump from journalist to novelist was not an easy step. For me, the hardest part was coming up with a character that held my interest from start to finish. I was quite lucky in that I was never rejected with A Woman of Substance, or any book since. Of course, I did have to significantly shorten my first book to a manageable 901 pages. The original manuscript was notably longer. It took two years of editing and polishing before publication. I've never looked back since.
What tips or advice do you have for writers still looking to be discovered?
Discipline is essential. Keep to a dedicated writing structure and constantly work to improve your craft. If you don't continue to build your writing skills, you will never get to the level being sought by agents and publishers. Even if you have a full-time job elsewhere, set aside a few hours every night where you can devote yourself to writing. Discipline is also crucial in getting yourself an agent. Learn to accept rejection as just part of the process. Don't dwell on the negative. Savor the opportunities to have your work seen. If you aren't a disciplined writer, your chances of getting published are minimal.
Stephanie Jardine is at the apex of her career and life running the American branch of Jardine's, the prestigious Crown Jewellers of London. A young widow, she has three grown sons and one very precious teenage daughter, Chloe. Then one day, an unexpected act of violence committed by a stranger on the other side of the world plunges Stevie into turmoil and despair.
To save her injured daughter's life and ensure her future, Stevie must go back to her own past and confront a relationship that has only brought her heartbreak. As she battles for her daughter, Stevie comes to understand how fragile life is and how it can be forever changed by others when least expected.
A moving novel about family secrets, betrayal, and redemption, Power of a Woman is the story of an innocent victim of a stranger's vengeance, who manages to triumph through her own inner power as a woman.
Received too late for a full review, Bradford's newest romantic suspense yarn ("Her Own Rules," 1996, etc. etc.) begins during one Thanksgiving in Connecticut and ends, some months later, in the Grill Room of the Dorchester Hotel in London. Center-stage, between times, is the title's woman of power: the late-40ish, super- rich (thanks to her British in-laws' silversmith business) Stevie Jardinemarried at 16, widowed at 23, and now with three grown children, one of whom may be a good deal more devious than anyone (most especially his mother) ever knew. By the close, though, Stevie will have gone from a "sense of foreboding" to finding (no surprise) love and forgiveness all around. For Bradford's devoted fans, which by now number in the millions.
Loading...Chapter One
A fine mist floated like pale water over the meadows, drifting, eddying, blurring the trees, turning them into illusory shapes that loomed against the somber sky.
Beyond these meadows, the distant Litchfield hills were purplish in the dimming light, their bases obscured by the rising mist so that only their peaks were visible now.
And all about this wintry landscape lay an unremitting silence, as if the world had stopped; everything was washed in a vast unconsciousness. The stillness was all-pervasive; nothing moved or stirred.
In the summertime these low meadows were verdant and lush with billowing grass, and every kind of wildflower grew among the grasses. But on this cold Wednesday afternoon in November they appeared bleak and uninviting.
Stevie Jardine normally did not mind this kind of misty weather, for inevitably it brought the past back to her, and happily so, reminding her as it did of the Yorkshire moors and the lovely old farmhouse she owned. Yet now the vaporous air was chilling her through and through; it seemed to permeate her bones.
Unexpectedly, she experienced a rush of apprehension, and this startled her. Pulling her woolen cape closer to her body, she hurried faster, trying to shake off the strange feeling of foreboding that had just enveloped her. Involuntarily, Stevie shivered. Somebody walked over my grave, she thought, and she shivered again. She looked up.
The sky was remote and cold, turning color, curdling to a peculiar faded green. A bitter sky, eerie; she increased her pace, running, eager now to get home. She no longer liked it outside, regretted her decision to take a long walk. The fog hadclosed in, but earlier the weather had been beautiful, almost an Indian summer's afternoon, until the dankness had scuttled the day.
Her feet knew well the path across the fields, and her step was sure, did not falter as it suddenly dipped, curved down into the dell. The fog was dense on this lower ground. Shivering once more, she drew herself farther into her cape.
Soon the narrow path was rising upward as the landscape changed, became hilly; the mist was evaporating up there, where the land was higher. When she reached the crest of the hill the air grew colder, but it was much clearer.
From this vantage point Stevie could make out her house nestling cozily in the valley below, and she felt a surge of relief. Smoke curled up from its chimneys, lights glimmered brightly in the windows. It was a welcoming sight, warm and inviting in the dusk.
She was glad she was home.
The house was two hundred years old, built in 1796, and stood in a long, green valley under the shadow of Connecticut's Litchfield hills. It had been something of an eyesore when she had first seen it five years before, an unsightly hodgepodge of additions that had been built onto it over the decades. After some skillful remodeling and restoration, its former graciousness and charm were recaptured.
Stevie moved rapidly across the wet lawn and up the steps onto the covered porch, entering the house through the side door, which led directly into the cloakroom.
Once she had hung up her damp cape she went into the great hall. This was vast, with a wide staircase at one end and a dark wood floor so highly polished it gleamed like glass. A beamed ceiling, heavy oak doors, and mullioned windows bespoke the age of the house.
Stevie always thought of the great hall as the core of the house, since all the other rooms flowed around it. From the moment she moved in, the hall had been used as a family living room, where everyone congregated. Several pink-silk-shaded lamps had been turned on, and they glowed rosily, adding to the inviting atmosphere. It was a comfortable, welcoming room, with an old, faded Savonnerie rug in front of the fireplace, antique Jacobean tables and chests made of dark carved wood. Big sofas, covered in a fir-green tapestry, were grouped with several chairs around the fire.
Stevie's face instantly brightened as she crossed the hall. It was cheerful, safe, reassuring. A log fire roared in the big stone hearth and the air was redolent with the spicy scent of pine, a hint of wood smoke and ripe apples. From the kitchen there floated the fragrant aroma of bread baking.
Coming to a standstill at the fireplace, Stevie stood with her hands outstretched to the flames, warming them. Unexpectedly, laughter bubbled in her throat and she began to laugh out loud. At herself. How foolish she had been a short while ago when she was crossing the meadows. There was no reason for her to feel apprehensive. Her sense of foreboding had been irrational. She laughed again, chastising herself for her uneasiness earlier.
After a few seconds she turned away from the fireplace and crossed to the staircase, heading upstairs. She loved every corner of this lovely old house, in particular the small study that opened off her bedroom. As she pushed open the door and walked in, she could not help admiring the room. It was beautifully proportioned, with a cathedral ceiling, tall windows at one end, and a grand fireplace flanked on either side by soaring bookshelves.
Stevie had had the study decoratively painted by an artist, who had layered innumerable coats of amber-colored paint on the walls, then given them a glazed finish. This Venetian stucco treatment created a soft golden sheen, as if sunshine had been perpetually trapped within the confines of the room.
Lovely paintings, selectively chosen over the years, family photographs in silver frames, a variety of treasured mementos, and well-loved books were the things that made this room hers, and very special to her.
The fire was laid and she went and knelt in front of it. Striking a match, she brought the flame to the paper and within seconds a roaring fire was blazing up the chimney.
Rising, she walked across the floor and seated herself at the oval-shaped Georgian desk in the window area. Papers from her briefcase were neatly stacked on it, but after a quick, cursory glance at these she turned away from them, sat back in the chair. Her mind was suddenly far, far away. Power of a Woman. Copyright © by Barbara Taylor Bradford. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
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