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(Hardcover)
From the million-copy bestselling author of Running With Scissors comes Augusten Burroughs’s most intimate and transcendent collection of stories yet
Nostalgia, entertainment and humor are possible side effects of listening to this audiobook. Burroughs delivers a slew of reflections about both serious and mundane aspects of his life. His style of delivery fluctuates from piece to piece so one is never sure what the theme or moral is until he finishes. When he's not highlighting the idiosyncrasies of humanity or his own eccentricities, he romanticizes life in New York City, plots John Updike's death and expounds upon the love of his partner or pets. Though his performance keeps listener's attention, it's far from stellar. He fluctuates with character accents. He voices all of his women in the same tone and quality. His overemphasis with expletives often detracts because it's not usually necessary; expletives will stand out on their own. His youthful voice does help legitimate the stories in that the experiences shared need vibrancy to imply truthfulness. Light and endearing with the occasional somber thought, this audiobook takes hold of listeners from the beginning and carries them through adventures and mishaps that prove worth the trip. Simultaneous release with the St. Martin's hardcover (Reviews, Feb. 20). (May) Copyright 2006 Reed Business Information.
More Reviews and RecommendationsWhen Augusten Burroughs released 2002's Running with Scissors -- his memoir about growing up in the mother of all dysfunctional families -- readers didn't know whether to drop their jaws in horror or hold their stomachs from laughing. Whatever reactions he gets from readers, Burroughs's gift for dishing on all things stranger than fiction has made him a bestselling author.
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August 10, 2008: I enjoyed the way the author allows you to see life through his eyes, no matter how complicated it was, and sets a funny tone to it. Very funny, easy and real read.
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January 10, 2008: Started reading it yesterday, finished it today. It definitely fit my sense of humor. I loved it. I plan to buy Running With Scissors, too.

Name:
Augusten Burroughs
Also Known As:
Augusten X. Burroughs
Current Home:
New York, New York and western Massachusetts
Date of Birth:
October 23, 1965
Place of Birth:
Pittsburgh, Pennsylvania
Education:
No formal education beyond elementary school
Awards:
"I am awaiting my honorary doctorate in medicine from Harvard Medical School."
Although Augusten Burroughs achieved moderate success with his debut novel, Sellevision, it was his 2002 memoir, Running with Scissors, that catapulted him into the literary stratosphere. Indeed, few writers have spun a bizarre childhood and eccentric personal life into literary gold with as much wit and panache as Burroughs, whose harrowing accounts of dysfunction and addiction are offset by an acerbic humor readers and critics find irresistible.
Born Christopher Robison (he changed his name when he turned 18), Burroughs is the son of an alcoholic father who abandoned his family and a manic-depressive mother who fancied herself a poet in the style of Anne Sexton. At age 12, he was farmed out to his mother's psychiatrist, a deeply disturbed -- and disturbing -- man whose medical license was ultimately revoked for gross misconduct. In Running with Scissors, Burroughs recounts his life with the pseudonymous Finch family as an experience tantamount to being raised by wolves. The characters he describes are unforgettable: children of assorted ages running wild through a filthy, dilapidated Victorian house, totally unfettered by rules or inhibitions; a variety of deranged patients who take up residence with the Finches seemingly at will; and a 33-year-old pedophile who lives in the backyard shed and initiates an intense, openly homosexual relationship with the 13-year-old Burroughs right under the doctor's nose.
That he is able to wring humor and insight out of this shocking scenario is testimony to Burroughs's writing skill. Upon its publication in 2002, Scissors was hailed as "mordantly funny" (Los Angeles Times), "hilarious" (San Francisco Chronicle), and "sociologically suggestive and psychologically astute" (The New York Times). The book became a #1 bestseller and was turned into a 2006 movie starring Annette Bening, Alec Baldwin, and Joseph Fienes.
[Although the doctor who "raised" Burroughs was never named in the memoir, six members of the real-life family sued the author and his publisher for defamation, claiming that whole portions of the book were fabricated. Burroughs insisted that the book was entirely accurate but agreed in the 2007 settlement to change the wording of the author's note and acknowledgement in future editions of the book. He was never required to change a single word of the memoir itself.]
Since Running with Scissors, Burroughs has mined snippets of his life for more bestsellers, including further installments of his memoir (Dry, A Wolf at the Table) and several well-received collections of razor-sharp essays. His writing continues to appear in newspapers and magazines around the world, and he is a regular contributor to National Public Radio's Morning Edition.
Some fun and fascinating outtakes from our interview with Burroughs:
"When I was very young, maybe six or seven, I used to make little books out of construction paper and wallpaper. Then I'd sew the spine of the book with a needle and thread. Only after I had the actual book did I sit down with a pencil and write the text. I actually still have one of these little books and it's titled, obliquely, Little Book."
"Well, all of a sudden I am obsessed with PMC. For those of you who think I am speaking about plastic plumbing fixtures, I am not. PMC stands for Precious Metal Clay. And it works just like clay clay. You can shape it into anything you want. But after you fire it, you have something made of solid 22k gold or silver. So you want to be very careful. Anyway, I plan to make dog tags. So there's something."
"I'm a huge fan of English shortbread cookies, of anything English really. I very nearly worship David Strathairn. And I'm afraid that if I ever return to Sydney, Australia, I may not return."
"I will never refuse potato chips or buttered popcorn cooked in one of those thingamajigs you crank on top of the stove."
"And my politics could be considered extreme, as I truly believe that people who molest or otherwise abuse children should be buried in pits. And I do believe our country has been served by white male presidents quite enough for the next few hundred years. I really could go on and on here, so I'd best stop."
What was the book that most influenced your life or your career as a writer? Midaq Alley by Naguib Mahfouz was the first book I read as an adult, at the age of twenty-four. Until this time, I'd never had the opportunity to sit down and read. Reading takes solitude and it takes focus. My life had been extremely chaotic. By the time I was twenty-four, I was already an active alcoholic. But during a brief period of sobriety, I went to a local bookstore and selected Midaq Alley out of all the other books, simply because I liked the cover. It turned out to be a profound experience for me. I was completely absorbed in the book, in the experience of reading. I felt transported from my life into a different, better life. From that moment forward, I was a heavy reader, often devouring three or four books a week.
What are your ten favorite books, and what makes them special to you?
Not in order, here are ten of my favorite books.
What are some of your favorite films, and what makes them unforgettable to you?
Who's Afraid of Virginia Woolf? -- Mike Nichols's first film -- continues to be my favorite movie. Maybe because it feels like the closest thing I have to a home movie.
Other films I love are films from the 1940s like Double Indemnity and Citizen Kane. I'm a huge fan of pictures from the 1970s, like Chinatown, Network, The Godfather, The Eyes of Laura Mars, The Little Girl Who Lives Down the Lane. A Streetcar Named Desire is one of my all-time favorite movies. As is On The Waterfront. More recent films that I love include Silkwood, The Accused, The Silence of the Lambs, Safe, American Beauty, The Hours. And this list is very incomplete.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I never listen to music when I write. And I tend to listen to NPR when I'm not writing. But I do listen to music when I'm in the car: Stevie Nicks, Julia Fordham, Carole King, Carly Simon, Patti Smith, Sinead O'Connor, Joni Mitchell, Bruce Springsteen, Elton John, Coldplay, Great Big Sea, Tina Turner. But my favorite band is Curbside Life, out of Chicago.
What are your favorite kinds of books to give -- and get -- as gifts?
I love to both give and receive very old books. For his birthday two years ago, I gave my partner a cookbook from the mid-17th century. Boiled sheep head anyone? Of course, the perfect book for book lovers (and graphic design students) would be a copy of Chip Kidd: Book One, an enormous and fascinating retrospective of the work of this most famous book jacket designer (and author). What's great about this book is that he really takes the reader through the design process, showing his initial sketches on napkins and scraps of paper, covers that were killed by the publisher or the author, and then the famous final covers we all know and love. And because Chip is a terrific and funny writer, it's a really interesting book to read, not just look at.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
My only ritual is to just sit down and write, write every day. I usually have a Blenheim ginger ale nearby. The television on the bookshelf behind me is always on, but always mute. I may have a lit candle on the table behind me. My French Bulldogs are probably snoring away. That's the ideal. But I can also write in crappy motel rooms, while standing in line, or sitting in the dentist's chair. The secret to being a writer is that you have to write. It's not enough to think about writing or to study literature or plan a future life as an author. You really have to lock yourself away, alone, and get to work.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I was rejected by every agent I contacted, except one. And he's still my agent today -- Christopher Schelling with Ralph Vicinanza, Ltd. As a writer, you can't allow yourself the luxury of being discouraged and giving up when you are rejected, either by agents or publishers. You absolutely must plow forward. I believe that if you have real talent as a writer, a true gift, you will eventually be published. But it may not happen according to your schedule. And it may not happen with the first manuscript you create. Or the second. So you have to be, if not patient, at least endlessly tenacious.
What tips or advice do you have for writers still looking to be discovered?
Well, like I said above -- you must never give up. Once I decided to write, to be published, I knew it would happen. I knew that if I wrote a new book every six months or every year, if I continued to read great books, eventually I would write something worthy of publication. I understood I might be in my forties or my fifties or even my sixties, but I felt confident that it would happen. The reason I was so confident is because I knew I wouldn't stop trying until it happened. And this is the secret. You don't need to be confident. You just need to be stubborn.
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In the summer of 2004, we asked authors featured in Meet the Writers to give us a list of their all-time favorite summer reads, and tell us what makes them just right for the season. Here's what made Burroughs's list:
National Bestseller
From the #1 New York Times bestselling author of Running with Scissors comes Augusten Burroughs's most provocative collection of true stories yet. From nicotine gum addiction to lesbian personal ads to incontinent dogs, Possible Side Effects mines Burroughs's life in a series of uproariously funny essays. These are stories that are uniquely Augusten, with all the over-the-top hilarity of Running with Scissors, the erudition of Dry, and the breadth of Magical Thinking. A collection that is universal in its appeal and unabashedly intimate, Possible Side Effects continues to explore that which is most personal, mirthful, disturbing, and cherished, with unmatched audacity. A cautionary tale in essay form. Be forewarned--hilarious, troubling, and shocking results might occur.
Nostalgia, entertainment and humor are possible side effects of listening to this audiobook. Burroughs delivers a slew of reflections about both serious and mundane aspects of his life. His style of delivery fluctuates from piece to piece so one is never sure what the theme or moral is until he finishes. When he's not highlighting the idiosyncrasies of humanity or his own eccentricities, he romanticizes life in New York City, plots John Updike's death and expounds upon the love of his partner or pets. Though his performance keeps listener's attention, it's far from stellar. He fluctuates with character accents. He voices all of his women in the same tone and quality. His overemphasis with expletives often detracts because it's not usually necessary; expletives will stand out on their own. His youthful voice does help legitimate the stories in that the experiences shared need vibrancy to imply truthfulness. Light and endearing with the occasional somber thought, this audiobook takes hold of listeners from the beginning and carries them through adventures and mishaps that prove worth the trip. Simultaneous release with the St. Martin's hardcover (Reviews, Feb. 20). (May) Copyright 2006 Reed Business Information.
Fans of the irreverent, often caustic Burroughs will revel in his latest collection of memoir-essays, which, like those in Magical Thinking, run the gamut from appealing to appalling. The author of Running with Scissors (a soon-to-be-released motion picture) offers another no-holds-barred look at his eventful life, including his troubled childhood, his former career in advertising and current career as a memoirist, his love life, his struggles with alcoholism, and his great love of animals. An absolutely brilliant writer as well as a gifted narrator, Burroughs easily draws listeners into descriptions of the everyday (vacations, business proposals, doctor visits) and his life-altering events, such as the day he took his dog to the ASPCA because his alcoholism prevented him from properly caring for the animal. While public libraries need to be aware that several of Burroughs's essays would merit the equivalent of an NC-17 rating, this outstanding work deserves serious consideration for an Audie and/or Grammy Award. Highly recommended. Beth Farrell, Portage Cty. Dist. Lib, OH Copyright 2006 Reed Business Information.
Popular memoirist Burroughs (Running with Scissors, 2002, etc.) again turns his whirligig neuroses into something resembling a book. In this general updating of life in the world of bestsellerdom, the author pulls together a string of autobiographical essays and sketches that consistently entertain, even if they don't always enlighten. You can almost see the child from a disturbed home dancing frantically about in these pages, doing anything to ward off the darkness. It brings a grimace with the laughter. Like many creative people who don't know what to do with themselves, Burroughs once worked in advertising, an experience summed up in a particularly gruesome piece about working on a Junior Mints campaign. "I hadn't been on the account for one week," he writes, "and already the phrase mint threshold was being bandied about." While the ad game is good for several anecdotes, Burroughs always spirals back to the morass of his inner world, which seems at times an endless parade of worry and addiction. After years of drinking and drugging, the author appears to have managed the transition from those substances to other dependencies: junk food, QVC, chain hotels, nicotine gum. Each of these provides grist for his self-mocking, Sedaris-like humor. Later chapters journey into territory more familiar to his fans: the tempestuous landscape of his childhood, complete with a manic-depressive mother and a brother afflicted with Asperger's Syndrome. The book peters out amidst less successful pieces of this sort; oddly, the less serious his subject matter, the more meaningful and heartfelt his prose. Readers will likely disregard the post-James Frey author's note indicating that "some of the eventsdescribed happened as related, other were expanded and changed." As if we didn't know. Wears a little thin by the end, but still no mean effort. Sometimes, a genuine laugh or 20 is enough. First printing of 500,000
Loading...Chapter One
Pest Control
The first time I was star-struck, the object of my affection was a glamorous Eastern Airlines stewardess. She had towering blond hair, frosted blue eyelids, and was well into her twenties. I was eight. We were thrown together when my parents put me on a flight by myself to Lawrenceville, Georgia, to visit my wealthy grandparents.
“I call them by their first names, Jack and Carolyn,” I told her with pride. “They’re my father’s parents. And my grandmother wears lots of jewelry, just like you.”
“Aren’t you precious?” the flight attendant said.
I smiled because I loved the name, precious. It reminded me of precious stones like rubies and emeralds and diamonds. And even semiprecious stones, like onyx, which was the black stone men wore, and the ugliest one of all.
The flight attendant returned to the kitchen, and I looked out the window, happy to see the mundane “North” pass by, far below me. As the only member of my family for generations born above the Mason-Dixon line, I was fascinated by the impossibly exotic South.
Like, instead of dirty, gray squirrels, my grandparents had Technicolor peacocks on their lawn. And while we got hateful blizzards in the winter, my grandparents got yet more sunshine. I found it impossible to believe that snow did not cover the world but here was proof.
Though this became an annual trip for me, my grandfather traveled a lot, so I never spent much time with him. And he was gruff, so when he was around I was frightened and avoided him.
But my grandmother spent every minute with me. And I adored her.
Carolyn was blond and wore minks. She hadgigantic jade and diamond rings on nearly every finger. And a gold charm bracelet that made a soft tinkle sound when she waved her hands in the air. At night, she slipped into a nightgown with fur trim along the neck and at the hem. And even her slippers had high heels. I thought she was beautiful, like a movie star.
Only when she leaned in very close to me and I saw through her thick pancake makeup to the deep lines beneath did I become slightly alarmed. Old people had always scared me a little. And while my grandmother certainly wasn’t old from a distance, she seemed brittle when you looked at her very closely. Sometimes when she kissed me on the forehead at night, I flinched, worried a piece of her might chip off and stick to me.
The summer I turned seven the tooth on my upper left side became loose. And I spent the afternoon worrying it with my finger.
“Honey, just let that tooth come out all on its own accord. Don’t force it before it’s ready,” my grandmother said.
“But Carolyn, it’s almost ready. It’s just about to come out.”
“Well, sweetie. Just let it be. It’ll come out. And then do you know what to do?” she asked.
We were sitting on iron garden chairs in her glass sunroom. I was watching television and Carolyn was paging through a mail-order catalogue, licking her fingers and then dog-earring the corners of certain pages.
“Do when?” I said.
“Do you know what to do when your tooth falls out?” she asked, smiling at me.
I didn’t understand what she was asking me. Was there something I had to do?
“Call the police?” I guessed.
She laughed in her gentle, though somewhat mischievous way. “No, you don’t call the police, silly. Don’t you know about the Tooth Fairy?”
“The what?”
“Honey,” she said, now concerned. She placed her catalogue on her lap and leaned forward. “The Tooth Fairy? You know about the Tooth Fairy. How could you not? You’re seven years old. Surely, you know about the Tooth Fairy.”
I felt bad, like I’d done something wrong. “No,” I said in a small voice.
My grandmother explained. “Goodness gracious. I knew your mother was an odd bird, but I had no idea she was raising you in a cave in that godforsaken New England.”
I wondered if my mother knew about a cave someplace. And if we could go there when I went back home.
“The Tooth Fairy is a fairy, like Tinkerbell? You know Tinkerbell, don’t you?”
I did know Tinkerbell. The irritating cartoon insect. “Yes,” I said. “I know that thing.” I frowned.
“Well, the Tooth Fairy is like Tinkerbell. And whenever you lose a tooth, you place it under your pillow at night before you go to bed. And then the Tooth Fairy slips into your room and takes your tooth away. And leaves some money in its place, right there under your pillow. Real money, sweetheart. That you can spend on whatever you like.”
I was horrified.
I imagined that creepy bug woman with her devil wand, sneaking into my bedroom at night while I was sleeping, and taking my teeth and leaving things under the pillow that shouldn’t be there. Cash, which my father said was very limited. And something I knew I shouldn’t have.
“Carolyn, is this real?” I asked, because I just couldn’t believe it.
She smiled, then laughed as she set the catalogue on the floor next to her feet. “Baby, yes of course it’s real. The Tooth Fairy is real for every child.”
And I thought, why hadn’t somebody warned me about this? Why hadn’t any of my friends ever talked about this horrible bug that comes into your bedroom and takes your teeth?
I immediately stopped fiddling with my tooth. I tried to press it back in place.
That night, Carolyn tucked me into bed. “Open your mouth,” she said.
I did.
She leaned forward. “Oh, you’ve still got your tooth! That means the Tooth Fairy won’t come tonight. But”—and her eyes became wide—“maybe tomorrow!” The skin around her mouth was cracked and her lipstick was bleeding into the lines around her lips. Suddenly, she seemed extremely scary.
After she left, I got out of bed and checked the windows again. They were locked. But could it enter the room any other way?
I went to the bathroom that was attached to the bedroom and I grabbed all the towels, rolling them into tubes and then placing them in front of the crack under the door. I didn’t know how strong the Tooth Fairy was, but I knew an ordinary insect wouldn’t be able to move those towels.
Then I climbed back into bed and prayed to Jesus.
At this point, I wasn’t sure where I stood, Jesus-wise.
Although my parents never attended church or mentioned Jesus except when they screamed at each other—and then they used his full name, “Jesus Fucking Christ”—they did explain that he was a man who lived in the sky and granted wishes to certain people. People he liked.
So I prayed. “Dear Jesus. Please keep It out of my room. I promise, promise, promise that I will be honest and very nice to everybody and I love my mother and my father and brother and all my relatives here and over in Cairo, Georgia, and I love everybody that I know and even people I don’t know now but will know someday. And I promise everything. But please keep It out of my room and away from me. Thank you, Jesus Fucking Christ.”
Somewhat relieved, but not altogether certain I was safe, I eventually drifted to sleep.
Only to awaken that next morning seeing a smear of blood on the cream satin pillowcase. And there, right under my shoulder near the pillow, my tooth, bloody and with a horrible dark root-thing attached.
I began to cry. I got out of the bed as fast as I could and looked closer at the pillowcase. It was blood all right. And a lot of it. And that was my tooth. And it didn’t look smooth and pretty. But weird and awful and out of my mouth.
I ran into the bathroom to look at my face and there, in the corner of my mouth, more blood.
I cried harder.
I ran back to the bedroom and lifted up the pillow, to see where the money was. But there was nothing, just the tooth and another streak of blood.
I didn’t even put my pants on. I just ran downstairs in my underwear, sobbing, looking for Carolyn.
“Baby, baby, what is the matter?” she said. She was in the kitchen, standing at the sink, draping a paper towel over the length of dental floss she had strung between the two cabinets. My grandmother always rinsed her paper towels and used them again. Even though my grandparents lived in a mansion that my mother called “half the damn size of Georgia.”
She turned the water off and dried her hands hastily on her apron. She bent down. “Sweetness, what is the matter? You stop that crying right now. What happened?”
For lack of words, I opened my mouth, showed her the black hole. The pit, that ached and tasted metallic, like blood.
She inhaled. “Oh! Look at you! Big boy!”
I said, “It came and It knocked my tooth out and then It left and there’s blood everywhere and I don’t know how It got in and I prayed to Jesus but It came anyway.”
And then I cried some more.
My grandmother stroked my head. “There, there, baby. It’s okay, it’s okay. What are you fussing about? What came? What it?”
“That Tooth Fairy. It came and took my teeth and I looked but there wasn’t anything under the pillow, like you said. It didn’t give me money. It just took.”
My grandmother sighed. “Well, baby. Sometimes, the Tooth Fairy, she gets the date wrong. You know what I mean? You know how sometimes you get mixed up and you have to do something at school? Only you forget which day? And so you don’t do it?”
I had no idea what she was talking about. I just knew I wanted to get on the first Eastern Airlines jet home.
“Listen, it’s okay,” she said, leading me by the arm out of the kitchen and into her bedroom.
“You sit yourself right down here,” she said, tapping the soft, thick comforter on the bed.
Then she walked across her room and got her purse. She pulled out her wallet, showing me. “See? See, baby? I think the Tooth Fairy must have put your money in here. By mistake.” Then she pulled out a fifty. “See! Look at this!” she cried, lifting the crisp bill out of her wallet and placing it in my hand. “This was meant for you, sugar. For you! The Tooth Fairy, she made a little error. It can happen to anyone, even a fairy. She made a little mistake and she put your money into my wallet. Imagine that!”
I took the money and looked at it. It looked just like regular money except something was different.
“It’s a fifty, sweetie. Do you know what that means?”
I did know what that meant. I knew exactly what that meant. I got an allowance and that was a one. This was the same size as the one, but you could buy fifty times more things with it.
“Are you sure I’m supposed to have this?”
“I am absolutely sure,” she said. “The Tooth Fairy just had the wrong tooth. And I think I know what confused her so much,” my grandmother said.
Then she reached into her mouth and pulled out all of her teeth, all at once, even her gums.
And I couldn’t breathe.
She smiled and gummed the words, “I lothed my eeth, ooo!”
Copyright © 2006 by Island Road, LLC. All rights reserved.
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