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Ancient Rome is the setting for the superb new novel from Robert Harris, author of the number one bestsellers Fatherland, Enigma and Archangel.
Where else to enjoy the last days of summer than on the beautiful Bay of Naples. All along the coast, the Roman Empire’s richest citizens are relaxing in their luxurious villas. The world’s largest navy lies peacefully at anchor in Misenum. The tourists are spending their money in the seaside resorts of Baiae, Herculaneum and Pompeii.
Only one man is worried. The engineer Marius Primus has just taken charge of the Aqua Augusta, the enormous aqueduct that brings fresh water to a quarter of a million people in nine towns around the Bay. Springs are failing for the first time in generations. His predecessor has disappeared. And now there is a crisis on the Augusta’s sixty-mile main line -- somewhere to the north of Pompeii, on the slopes of Mount Vesuvius. Marius -- decent, practical, incorruptible -- promises Pliny, the famous scholar who commands the navy, that he can repair the aqueduct before the reservoir runs dry. But as he heads out towards Vesuvius he is about to discover there are forces that even the world’s only superpower can’t control.
Pompeii recreates in spellbinding detail one of the most famous natural disasters of all time. And by focusing on the characters of an engineer and a scientist, it offers an entirely original perspective on the Roman world.
… Harris actually has done a nice job of creating a believable 1st-century atmosphere without losing the 21st-century reader along the way. Obviously he has done scads of research, but the results don't lie heavily on the page. If anything, one comes away from Pompeii with a heightened regard for the engineers of Rome, who devised, built and maintained a water system that most of today's engineers would -- or certainly should -- be proud to claim as their own. Jonathan Yardley
More Reviews and RecommendationsRobert Harris is the author of Enigma, Fatherland, and Archangel. He has been a television correspondent with the BBC and a newspaper columnist for the London Sunday Times. His novels have sold more than six million copies and been translated into thirty languages. He lives in Berkshire, England, with his wife and three children.
From the Hardcover edition.
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November 29, 2009: When I was first assigned this book for my Ancient Civilizations class I was not exactly excited to read it. I actually dreaded it. I am not the type of person to read historical fiction novels just for fun. But when I picked it up I realized about half way through that I was not able to put it down. Overall i loved the book. It did take me a while to get into because the beginning was pretty much just useless information that kept dragging on but when i got about half way into the book things really started to pick up. I even read over weekends which is very unusual for me. The book was filled with totally accurate and very interesting information but on the side it also had a little mystery, action, and even some romance. I really enjoyed this book and I would recommend it to anyone and I'm not just saying that, I'm not a big reader especially a historical fiction reader but in all honesty this is now one of my
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November 08, 2009: I enjoyed this book overall. The story is very interesting and stimulating during the final chapters, though I thought it had a slow page in the beginning. The major themes - the power of fate, corruption of society, and awareness - were very good and well-developed. The historical accuracy and hint of romance were the parts I liked best. I didn't think I'd be interested in historical fiction until I read this.
All along the Mediterranean coast, the Roman empire’s richest citizens are relaxing in their luxurious villas, enjoying the last days of summer. The world’s largest navy lies peacefully at anchor in Misenum. The tourists are spending their money in the seaside resorts of Baiae, Herculaneum, and Pompeii.
But the carefree lifestyle and gorgeous weather belie an impending cataclysm, and only one man is worried. The young engineer Marcus Attilius Primus has just taken charge of the Aqua Augusta, the enormous aqueduct that brings fresh water to a quarter of a million people in nine towns around the Bay of Naples. His predecessor has disappeared. Springs are failing for the first time in generations. And now there is a crisis on the Augusta’s sixty-mile main line—somewhere to the north of Pompeii, on the slopes of Mount Vesuvius.
Attilius—decent, practical, and incorruptible—promises Pliny, the famous scholar who commands the navy, that he can repair the aqueduct before the reservoir runs dry. His plan is to travel to Pompeii and put together an expedition, then head out to the place where he believes the fault lies. But Pompeii proves to be a corrupt and violent town, and Attilius soon discovers that there are powerful forces at work—both natural and man-made—threatening to destroy him.
With his trademark elegance and intelligence, Robert Harris, bestselling author of Archangel and Fatherland, re-creates a world on the brink of disaster.
From the Hardcover edition.
… Harris actually has done a nice job of creating a believable 1st-century atmosphere without losing the 21st-century reader along the way. Obviously he has done scads of research, but the results don't lie heavily on the page. If anything, one comes away from Pompeii with a heightened regard for the engineers of Rome, who devised, built and maintained a water system that most of today's engineers would -- or certainly should -- be proud to claim as their own. Jonathan Yardley
...Harris's latest thriller is so cunningly devised that, however unsurprising its denouement is, it still manages to end with a bang. Daniel Mendelsohn
Harris’s historical novel begins in August, 79 B.C., two days before the eruption of Vesuvius. The hero is Marcus Attilius Primus, an aqueduct engineer who is investigating a mysterious blockage, apparently related to recent tremors, in the aqueduct that runs from Misenum to Pompeii. In addition to landing this prestigious job—it’s the Empire’s longest aqueduct—he has met a young woman who has the “same darkness of hair” and the “same voluptuousness of figure” as his dear departed first wife. The only problem is her father, a corrupt and powerful millionaire who is stealing from the water supply. Although the plot seems to owe more to “Chinatown” than to Pliny, Harris garnishes the action with seductive period detail, and the novel comes alive in the main event, a cataclysmic explosion with a thermal energy equal to a hundred thousand Hiroshimas.
In this fine historical by British novelist Harris (Archangel; Enigma; Fatherland), an upstanding Roman engineer rushes to repair an aqueduct in the shadow of Mount Vesuvius, which, in A.D. 79, is getting ready to blow its top. Young Marcus Attilius Primus becomes the aquarius of the great Aqua Augusta when its former chief engineer disappears after 20 years on the job. When water flow to the coastal town of Misenum is interrupted, Attilius convinces the admiral of the Roman fleet-the scholar Pliny the Elder-to give him a fast ship to Pompeii, where he finds the source of the problem in a burst sluiceway. Lively writing, convincing but economical period details and plenty of intrigue keep the pace quick, as Attilius meets Corelia, the defiant daughter of a vile real estate speculator, who supplies him with documents implicating her father and Attilius's predecessor in a water embezzlement scheme. Attilius has bigger worries, though: a climb up Vesuvius reveals that an eruption is imminent. Before he can warn anyone, he's ambushed by the double-crossing foreman of his team, Corvax, and a furious chase ensues. As the volcano spews hot ash, Attilius fights his way back to Pompeii in an attempt to rescue Corelia. Attilius, while possessed of certain modern attitudes and a respect for empirical observation, is no anachronism. He even sends Corelia back to her cruel father at one point, advising her to accept her fate as a woman. Harris's volcanology is well researched, and the plot, while decidedly secondary to the expertly rendered historic spectacle, keeps this impressive novel moving along toward its exciting finale. (Nov. 18) Copyright 2003 Reed Business Information.
In the year 79 C.E., the resort town of Pompeii is home to more than 20,000 people. Rumors of isolated tremors and vaporous gases on the mountain circulate, but the last serious earthquake had occurred some 15 years earlier, residents reason. To boot, rebuilding projects from that disaster are nearing completion. Only one man sees cause for concern: Attilus, newly arrived from Rome to take charge of the massive aqueduct that supplies water to all the towns along the Bay of Naples. Told from his point of view, this latest novel by Harris (Archangel) not only depicts the people of the region and their tragic loss of life but also the immensely powerful forces of nature that shaped their lives and deaths. In spite of the inherent drama in the eruption of Vesuvius, there is a detached and analytical feel to the novel, appropriate to the scientific nature of the protagonist. However, rather than detracting from the novel, Attilus's observations and calculations add to the air of impending and unstoppable disaster. Readers who like their historical fiction well grounded in fact won't be able to put this down. Recommended for larger public and academic libraries. [Previewed in Prepub Alert, LJ 8/03.]-Jane Baird, Anchorage Municipal Libs., AK Copyright 2003 Reed Business Information.
Adult/High School-With detailed examination of time, place, and circumstance, Harris brings to life first-century Pompeii and its surroundings. Vesuvius, a sleeping giant, towers over the Bay of Naples while the citizenry frets over a drought that is threatening the water supply. Marcus Attilius Primus, the new chief engineer for the huge aqueduct that supplies the area, is summoned by Corelia, beautiful daughter of the powerful and corrupt Ampliatus, to investigate a fish kill in their villa's pool, fed by the aqueduct. Attilius discovers that the bay's water supply is diminishing rapidly and is contaminated with sulfur. Youthful, upright Attilius vows to Pliny, famous scholar and admiral in charge of the huge fleet based there, to repair the damaged aqueduct in two days. Meanwhile, tremors are felt in Pompeii, and the populace fears that the god Vulcan is angry and may send another earthquake, such as occurred 17 years earlier. Attilius is successful, but the air, now filled with a fine gray dust, begins to rain pumice, and Vesuvius unleashes its fury. As the populace flees, he turns back to rescue Corelia, trapped in Pompeii, and the aqueduct he knows so well becomes their salvation. This story of a corrupt, violent society focused on its own pleasure, set against the fascinating history of a familiar catastrophe, makes for a compelling drama.-Molly Connally, Chantilly Regional Library, VA Copyright 2004 Reed Business Information.
A straight-arrow Imperial Roman hydraulic engineer on assignment in Naples plumbs into the corruption of the waterworks as Vesuvius begins to rumble. How do you breathe life into a 2,000-year-old catastrophe? If you're the thoroughly capable British novelist-journalist-columnist Harris (Archangel, 1999, etc.), you conjure up an unassuming but utterly trustworthy civil engineer, Marcus Attilius Primus, have the Emperor send him from Rome to the steamy south to fill the mysteriously vacated shoes of the longtime overseer of the Aqua Augusta, the local water supply, throw him up against embedded proto-Mafia corruption, bring in real-life polymath admiral Pliny the Elder, stir up a pen of man-eating eels, sketch a long-legged lass about to be wed to one of her criminal father's tame politicians, and steam everything in sulfurous vapors of the continent's great sleeping volcano. Although they may be in Imperial drag, Harris's slaves, masters, bureaucrats, and soldiers move through the streets of Pompeii, a pretty little city on the make, like . . . well . . . Italians. And who ever would have thought the ins and outs of an aqueduct would work to knit everything together? Engineering may be geeky to some, but you've got to respect a public work that works, bringing water over arches and through tunnels hundreds of miles from the mountains to greater Naples, where it plashes through fountains and baths. But the water has suddenly stopped west of the Pompeii junction. Did Attilius' predecessor skimp on the maintenance? Hard to say since nobody will talk about him. And just what did nouveau superrich ex-slave Numerius Popidius Ampliatus, proud owner of a garish villa next to Pliny's naval base,have to do with the water supply that feeds his fancy fish farm? And how did he make that fortune in little old Pompeii? And why is the ground steaming? And that wine glass-it's trembling. Fast, fact-filled, and quite fun. A blast, really.
Loading...1. 'It struck me that Rome might be a way to write about America' —Robert Harris
Robert Harris had initially set out to write about a utopia gone wrong, set in the future and created by a giant American corporation, he even originally researched the Walt Disney 'empire'. Do you think the Roman Empire is an interesting way to write about a modern day superpower? What are the similarities with current global events?
2. There is a current vogue in film (Gladiator, Troy, Alexander the Great) as well as books for classical themes — why do you think this is? What are the parallels with our society?
3. Harris has referred to 'toga resistance' because so much about the Romans — their habits, assumptions, they way they speak, even their names — can be alienating to a contemporary audience. Do you feel he succeeds in being readable and authentic?
4. The ability to disguise the outcome is held to be a vital part of the thriller writer's art. Pompeii is a 'known-ending story' — how successful do you think the author has been in building tension despite this? Where does the suspense lie? Does he use the reader's foreknowledge to good effect?
5. 'I was interested in power and those who seek power' —Robert Harris
Discuss the theme of power, corruption and greed within the novel — particularly in light of the apocalyptic ending. Also, the forces of nature versus civilisation and town versus countryside.
6. The epigraphs to the chapters are extracts from volcanology texts — what purpose do you think these serve? Do they work, along with the four-day structure, as a narrativedevice? If so, how?
7. Harris has an accessible but informed style of writing. He spent three years researching Pompeii. Has he convincingly blurred fact with the pace of fiction for you? Are plot twists chosen over nuances of character and does this matter to you?
8. Attilius is an aquarius, the structure of the novel moves from water to fire — discuss the theme of water within the novel.
9. The story of Attilius and his unfulfilled love for Corelia adds a very human dimension to the novel. Do you feel this is an effective subplot?
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