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This book provides comprehensive, up-to-the-minute coverage of today's digital tools from scanners to sophisticated software for preparation of artwork to film and plates for printing. A broad overview of the reproduction process introduces the many other integral variables as they relate to production. Topics such as camera-ready and computer-ready art, pagination, color reproduction, hardware and software, press technology, work flow issues, output and service bureaus, on-demand technology and the latest applications of media technology are discussed and placed into this logical approach to prepress processes.
Frank Romano is the Melbert B. Cary Jr. Distinguished Professor of Graphics Arts at the Rochester Institute of Technology School of Printing Management Sciences. He is also a consultant and adivsor to universities, corporations, and government. He is the founder and editor of numerous publications and the author of several best selling graphic arts titles. Mr.
| Introduction | 17 | |
| Sect. 1 | Ink on Paper | 15 |
| Ch. 1 | Reproduction Processes | 18 |
| Ch. 2 | Preparation Process Elements | 55 |
| Ch. 3 | Color Reproduction | 66 |
| Ch. 4 | Digital Prepress Evolution | 117 |
| Ch. 5 | Desktop Computing | 143 |
| Ch. 6 | Graphic Formats | 161 |
| Ch. 7 | Image Acquisition | 179 |
| Sect. 2 | Prepress Concepts | 197 |
| Ch. 8 | Prepublishing | 202 |
| Ch. 9 | Advanced Digital Prepress Technology | 208 |
| Ch. 10 | Drawing and Painting Software | 253 |
| Sect. 3 | The Business Side of Digital Prepress | 267 |
| Ch. 11 | Budgeted Hourly Costs | 268 |
| Sect. 4 | The Future of Digital Prepress | 281 |
| Ch. 12 | On-Demand Printing | 284 |
| Ch. 13 | New Media Technology | 297 |
| Epilog | 323 | |
| Glossary | 325 | |
| Sources | 336 |
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