
On Lacy Springs's list of One Hundred Things I Want Out of Life, the first slot is disconcertingly blank. Unfortunately, the second slot is filled - by her desire for a man who is wrong for her in every way. Lacy Springs has a job she cares about, a fiance she loves, and a wedding she should be planning. But one night she meets a blues singer called Black Jesus, and all her well-laid plans are cast aside. Nothing Lacy says or does or tells herself can keep her from falling into an overwhelming affair with Black Jesus, one that threatens not just her nuptials, but also her most basic ideas about who she is. Playing the Bones is Lacy's account of nights with Black Jesus and days trying to put her life back together. In her quest for balance, Lacy turns to some strange remedies: a celibacy program for her wedding night, healing rituals at the scenes of childhood traumas, going on the road with Black Jesus and his band, even a trip to Graceland. These actions take Lacy far beyond her familiar territory and help her begin to see that intimacy with someone else will only work once she's opened up to herself. As the story unfolds, Lacy sets out, undaunted - if not toward a happy ending, at least on a journey she knows is worth taking.
A delicious, warm, and sexy first novel about love, infidelity, and the blues. Lacy Springs is a proper Texas girl with a proper Texas fiance and a wedding she should be planning. Instead she is spending her nights in a ravenous affair with local blues star Black Jesus, in whose music she finds a passion that eludes her elsewhere.
Equal parts recovery manual, travelogue and tall tale, Redd's first novel sings a bluesy ballad about Lacy Springs, an attractive young Texas schoolteacher wrestling with her dark and disturbing past. Raised in Dallas by her wealthy, abusive mother, Lacy, who teaches high-school English, lives in Houston with Ellis, her long-suffering fianc. Ellis may be tender and understanding, but that's not enough to stop Lacy from sneaking out for wild assignations with blues musician Black Jesus, her volatile, sensual lover. Even "my PhD in Comparative Literature does not prevent my heart from freezing up, and then thawing when I hear this man's foolish talk," she confesses. The story line traces Lacy's struggles to confront her demons. She's aided in this quest by a cut-rate New Age therapist, Eva, a loopy grad student in a Velcro-fastened turban, but when Lacy can't face Eva's questions, she scribbles lyrics on a legal pad, recasting into comfortably abstracted songs the themes that trouble her. Like the turbulent lives of the blues musicians she admires, Lacy's own existence grows increasingly dramatic as she juggles the promise of a stable domestic routine with Ellis and her exciting, sometimes violent, time on the road with Black Jesus. As the action shifts through the South, from Houston to Graceland, Redd provides evocative descriptions of a world where restaurants serve "salsa so hot it drives the confusion right out of your head." The plot takes some broad, almost farcical, twists that leaven the solemnity of Lacy's revelations but also come close to trivializing them. On the whole, though, this is an engaging and affecting examination of one woman's determined search for self-affirmation. (May)
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