From the Publisher
Hollis Woods has been in so many foster homes she can hardly remember them all. When Hollis is sent to Josie, she’ll do everything in her power to make sure they stay together.
Publishers Weekly
Giff (Lily s Crossing; All the Way Home) again introduces a carefully delineated and sympathetic heroine in this quiet contemporary novel. Artistically talented Hollis Woods, age 12, has made a habit of running away from foster homes, but she s found a place on Long Island where she wants to stay for a while. She immediately bonds with Josie, her new guardian, who is a slightly eccentric, retired art teacher. Yet Hollis is far from content. She worries about Josie s increasing forgetfulness, and she sorely misses her last foster family, the Regans, whom she left under tense circumstances that are only gradually made clear. Giff intersperses tender scenes demonstrating Hollis s growing affection for Josie with memories of the Regans, whose images Hollis preserves in her sketchbook. Pictures of motherly Izzy Regan, her architect husband and their mischievous yet compassionate son, Steven, sensitively express the young artist s conception of a perfect family. As readers become intimately acquainted with Hollis, they will come to understand her fears, regrets and longings, and will root for her as she pursues her dream of finding a home where she belongs. Copyright 2002 Cahners Business Information.
Myra Marler
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KLIATT
Twelve-year-old Hollis Woods was found abandoned as an infant. Since then, she has shuttled from one foster home to another, never quite loved, and pronounced "a mountain of trouble" by her latest caretaker because she always runs away. The Regans wanted to adopt her, but inexplicably, she ran away again and now finds herself in the care of an elderly artist, Josie, whom she grows to love. The problem is that Josie is showing signs of Alzheimer's and the agency plans to remove Hollis from her home. Instead, Hollis takes Josie in hand and runs away again—back to the Regans. Through trial and error Josie learns the meaning of family and the strength of the bonds that hold people together. The story is compelling, with an interesting narrative line that leads to the solution of a mystery. The plot unfolds in a series of word pictures that flash between the present and the past and effectively illustrate Hollis' own creative drive. KLIATT Codes: J*—Exceptional book, recommended for junior high school students. 2002, Random House, Dell Yearling, 166p., Ages 12 to 15.
School Library Journal
Abandoned at birth, Hollis Woods has lived in about a half dozen homes and has always wished for a family. A foster caretaker describes her as "a mountain of trouble." When Josie Cahill, a retired art teacher, takes the 12-year-old into her home on Long Island, NY, the two bond almost immediately. Hollis draws pictures with colored pencils and Josie carves branches into people. However, it soon becomes clear that Josie has trouble remembering things, and Hollis becomes the caregiver. When she stops attending school, a social worker comes by to investigate. Flashbacks slowly illuminate Hollis's life with one family who had hoped to adopt her and why this didn't happen. Giff masterfully weaves these two strands together in a surprising and satisfying ending. Strong characterization and a solid sense of place are the strengths of this heartfelt story that will appeal to fans of Sharon Creech's Ruby Holler (2002), Katherine Paterson's The Great Gilly Hopkins (1978, both HarperCollins), and Zilpha Keatley Snyder's Gib Rides Home (Delacorte, 1998).-Jean Gaffney, Dayton and Montgomery County Public Library, Miamisburg, OH Copyright 2002 Cahners Business Information.
Kirkus Reviews
Twelve-year-old Hollis Woods, abandoned as a one-hour-old baby, was named after the part of Queens where she was found with a note pinned on her blanket: "Call her Hollis Woods." She has lived with a progression of foster families since then, running away whenever she feels the urge. Now she has landed at the home of Josie Cahill, a retired art teacher who reaches Hollis in new ways: by helping her develop her artistic talent. In addition, for the first time a foster parent needs Hollis more than Hollis needs her; Josie is starting to forget things, and Hollis vows to make sure that no one will take her away and put Josie in a retirement home. From the beginning, it's clear through Hollis's recollections that something awful happened at her previous foster home, something for which she feels responsible. The Regans had a son Hollis's age and were anxious to adopt her; while Hollis reciprocated their affection and has longed for a family her whole life, she fears she exacerbated existing family tensions and ran away. It's a relief when what happened is finally revealed; the accident for which Hollis blames herself was unfortunate, but not fatal or unforgivable. Giff (All the Way Home, 2001, etc.) expertly portrays the intense, heartfelt emotions Hollis experiences and gives her talent and spunk; she is in no way pathetic, despite her perennial foster-childhood. The secondary characters are also completely drawn and are likable without being too good to be true. This touching story will leave readers pleasantly drained, satisfied with the happy ending, and eager for more about Hollis's future.
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