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(Mass Market Paperback - Reprint)
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If you open your house to strangers, who knows who might come in. And what they might be after. Or whom. Now, ponder the unthinkable and surrender to your darkest dread, as sinister storyteller extraordinaire John Saul weaves a heart-stopping tale of lurking terror and twisted intent.
Every parent’s nightmare becomes reality for Kara Marshall when her daughter, Lindsay, vanishes from her bedroom during the night. The police suspect that the girl is just another moody teenage runaway, angry over leaving behind her school and friends because her family is moving. But Lindsay’s recent eerie claim–that someone invaded her room when the house was opened to prospective buyers–drives Kara to fear the worst: a nameless, faceless stalker has walked the halls of her home in search of more than a place to live.
Patrick Shields recognizes Kara’s pain–and carries plenty of his own since he lost his wife and two children in a devastating house fire. But more than grief draws Patrick and Kara together. He, too, senses the hand of a malevolent stranger in this tragedy. And as more people go missing from houses up for sale, Patrick’s suspicion, like Kara’s, blooms into horrified certainty.
Someone is trolling this peaceful community–undetected and undeterred–harvesting victims for a purpose no sane mind can fathom. Someone Kara and Patrick, alone and desperate, are determined to unmask. Someone who is even now watching, plotting, keeping a demented diary of unspeakable deeds . . . and waiting until the time is ripe for another fateful visit.
From the Hardcover edition.
A creepy stalker story becomes a shrewd whodunit as Saul's latest tracks a move from tranquil suburbia to the big city. After a job promotion, the Marshall family prepares to move from Long Island to Manhattan, unaware that a menace edges ever closer to kidnapping their teenage daughter, Lindsay. Eerie first-person chapters from the stalker's close-call perspective effectively counterpoint parents Kara and Steve Marshall's stressful relocation hurdles, as intuitive Kara begins sensing the imminence of the threat, but meets with resistance from harried family members. After the anonymous menace snatches Lindsay, Saul broadens the scope to encompass four likely male suspects, including a pair of real estate agents (one dour and one impossibly chipper). Steve Marshall conveniently dies in a car accident; police sergeant Andrew Grant is cautious and unconvinced of foul play. Lindsay's attempts to escape and the criminal's master plan keep the tension high and the plot accelerating, making this solid suspense from the veteran author of Suffer the Children and the Blackstone Chronicles series. Agent, Don Cleary at the Jane Rotrosen Agency. (On sale Aug. 30) Copyright 2005 Reed Business Information.
More Reviews and RecommendationsPerfect Nightmare is John Saul’s thirty-second novel. His first novel, Suffer the Children, published in 1977, was an immediate million-copy seller. His other bestselling suspense novels include Black Creek Crossing, Midnight Voices, The Manhattan Hunt Club, Nightshade, The Right Hand of Evil, The Presence, Black Lightning, Guardian, and The Homing. He is also the author of the New York Times bestselling serial thriller The Blackstone Chronicles, initially published in six installments but now available in one complete volume. Saul divides his time between Seattle, Washington, and Hawaii.
From the Hardcover edition.
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November 09, 2009: Perfect Nightmare is a perfect example of why I enjoy reading John Saul, but why I also need to take a break for a while from his novels after reading one or two. Saul's stories are always suspenseful, with teenagers often as the central characters. The story moves along rapidly making it a quick read and he throws in a few odd characters to try to keep you guessing who (and more importantly, why) the deranged antagonist does the things he does. I realize Saul is much more about plot than characters, but why, oh, WHY must he always make his protagonists (in this case, teenage Lindsay) so goody goody perfect--straight A student, a shoe-in for head cheerleader, dozens of friends and not one person who finds her to have a character flaw. And why must his adult female characters always be portrayed as helpless and annoyingly pampered? And his male characters so equally one-dimensional as provider and soothe-sayer who must keep the woman in his life from getting hysterical. It drove me up the wall to read about Kara and Steve's dilemma. They must move to the city because he has to make a long commute and they can't keep affording to pay for his apartment in the city. So why doesn't Kara GET A JOB--at least until their daughter graduates high school. And why on earth do they employ a cleaning person when there are only the three of them living there and money is supposedly tight? Even when Saul points out that Kara is a master at pretending to love people she detests, he presents it like that is an admirable social skill rather than obvious two-faced behavior. Husband, wife, and daughter all appear to be snobs, looking down their noses on the two realtors who are trying to sell their house and help them buy another, both of whom are only doing their jobs--and yet Saul seems unaware of this in his presentation. But I digress. If you want a quick, suspenseful page turner but don't care too much about character development, then pick this one up.
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February 03, 2009: I loved this book. It was very hard to put down. One of his best!