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Hailed as the most masterful story ever told of the American civil rights movement, Parting the Waters is destined to endure for generations.
Moving from the fiery political baptism of Martin Luther King, Jr., to the corridors of Camelot where the Kennedy brothers weighed demands for justice against the deceptions of J. Edgar Hoover, here is a vivid tapestry of America, torn and finally transformed by a revolutionary struggle unequaled since the Civil War.
Taylor Branch provides an unsurpassed portrait of King's rise to greatness and illuminates the stunning courage and private conflict, the deals, maneuvers, betrayals, and rivalries that determined history behind closed doors, at boycotts and sit-ins, on bloody freedom rides, and through siege and murder.
Epic in scope and impact, Branch's chronicle definitively captures one of the nation's most crucial passages.
Parting the Waters is a rich, panoramic epic of the American civil rights movement and Dr. Martin Luther King, Jr.
Branch continues his acclaimed trilogy on the Civil Rights era, begun with Parting the Waters (LJ 1/89).
More Reviews and RecommendationsTaylor Branch is an author and historian perhaps best known for his acclaimed trilogy of books chronicling the life and accomplishments of Martin Luther King, Jr. and the arc of the American civil rights movement. "I would like my readers to entertain the core notion that civil rights history is not a quaint tale of yesteryear, but rather our best model for the urgent task of understanding and refining democracy," he reflects in our interview.
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January 19, 2000: An excellant history of a time and place. For some (like me), a 900 page book is a daunting commitment to make, but well worth it. I look forward to reading Pillar of Fire (vol. 2 of this work), and vol. 3, whenever it comes out.

Name:
Taylor Branch
Current Home:
Baltimore, Maryland
Date of Birth:
January 14, 1947
Place of Birth:
Atlanta, Georgia
Education:
A.B., University of North Carolina at Chapel Hill, 1968; M.P.A., Princeton University, 1970
Taylor Branch is the bestselling author of Parting the Waters: America in the King Years, 1954-63 (which won the Pulitzer Prize), Pillar of Fire: America in the King Years, 1963-65, and At Canaan's Edge: America in the King Years, 1965-1968.
The author of two other nonfiction books and a novel, Branch is a former staff member of The Washington Monthly, Harper's, and Esquire. He lives in Baltimore, Maryland.
Author biography courtesy of Simon & Schuster, Inc.
Some interesting and inspiring outtakes from our interview with Branch:
"The civil rights movement was my formative inspiration for writing, because I was both stunned and mystified by the courage of black people across town much younger than my non-political self."
"I would like my readers to entertain the core notion that civil rights history is not a quaint tale of yesteryear, but rather our best model for the urgent task of understanding and refining democracy."
What was the book that most influenced your life or your career as a writer?
Probably the Bible, unconsciously, for its use of personal stories to wrestle with the most basic human questions. In my primary field of American history, a landmark for me was Shelby Foote's three-volume The Civil War, which presented first-rate scholarship in a riveting narrative style.
What are your favorite books, and what makes them special to you?
The reasons are all over the place. My taste clearly runs to nonfiction, but I have read much of Anne Tyler, most of Jane Austen, and all of Patrick O'Brien.
What are some of your favorite films, and what makes them unforgettable to you?
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I grew up in the Atlanta Boys Choir, then had a folk trio in high school, a rock band in college, and now sing in a wonderful church choir. So I like many kinds of music. My friend Tom Hall introduced me to the choral wonder of the contemporary composer Morton Lauridsen, in "Lux Aeterna." I like the blues singer Keb 'Mo, the late Eva Cassidy, the Indigo Girls, and the Dixie Chicks. Two college classmates and I have enjoyed our old band music so steadily over forty years that we've just recorded a souvenir CD of our favorite cover songs, mostly the Beatles.
As much as I love music, I don't listen to anything when I'm writing.
If you had a book club, what would it be reading?
Reading for me is a solitary pleasure. I have very little experience with book clubs.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
My writing ritual is that I have to get started before dawn, usually around 5 in the morning. I have no daily goals for words or pages -- only a fixed rule that I sit and "stew" for ten hours whether the words flow or not. Generally speaking, if I concentrate in the quiet hours before the world wakes, I'll get started and set a promising pace for the day.
My desk is usually strewn with files and reference works all around me.
What are you working on now?
I've just started a memoir of the Clinton presidency, and I'm waiting for the publisher's announcement to say more.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I spent six years in magazine journalism, starting under my mentor and first boss Charlie Peters of The Washington Monthly. Then I broke into writing books as a ghostwriter, for John Dean and then Bill Russell, thinking that ghostwriting in diverse voices was good practice to become a "real" writer in fiction. Then I wrote one forgettable novel and settled more sensibly, for me, into nonfiction.
What tips or advice do you have for writers still looking to be discovered?
Don't wait for gimmicks, gatekeepers, or permission to write. Just do it if you can. Seek out the writers and the forums you admire.
Branch took home multiple honors - including the Pulitzer Prize - for this sweeping examination of America, race, and the emerging Civil Rights effort. King is very much of his age, yet ahead of the times. Epic in scope, rich in detail, Parting the Waters is Branch's first volume of a planned trilogy on King.
Hailed as the most masterful story ever told of the American civil rights movement, Parting the Waters is destined to endure for generations.
Moving from the fiery political baptism of Martin Luther King, Jr., to the corridors of Camelot where the Kennedy brothers weighed demands for justice against the deceptions of J. Edgar Hoover, here is a vivid tapestry of America, torn and finally transformed by a revolutionary struggle unequaled since the Civil War.
Taylor Branch provides an unsurpassed portrait of King's rise to greatness and illuminates the stunning courage and private conflict, the deals, maneuvers, betrayals, and rivalries that determined history behind closed doors, at boycotts and sit-ins, on bloody freedom rides, and through siege and murder.
Epic in scope and impact, Branch's chronicle definitively captures one of the nation's most crucial passages.
Branch continues his acclaimed trilogy on the Civil Rights era, begun with Parting the Waters (LJ 1/89).
....Mr. Branch's book deepens, expands and fulfills the memories of many of us and the history of a time of great change in the nation. -- The New York Times Book of the Century
Monumental…an overwhelming new perspective.
J. Anthony Lukas
Stunning…commands the attention of all who wish to understand the times in which they live.
(J. Anthony Lukas, Pulitzer prizewinning author of Common Ground)
Loading...Nearly seven hundred Negro communicants, some wearing white robes, marched together in the exodus of 1867. They followed the white preacher out of the First Baptist Church and north through town to Columbus Street, then east up the muddy hill to Ripley Street. There on that empty site, the congregation declared itself the First Baptist Church (Colored), with appropriate prayers and ceremonies, and a former slave named Nathan Ashby became the first minister of an independent Negro Baptist church in Montgomery, Alabama.
Most local whites considered the separation a bargain, given the general state of turmoil and numb destitution after the war. Governor Robert M. Patton and the new legislature, in a wild gamble based on Andrew Johnson's friendliness toward prominent ex-Confederates, openly repudiated the Fourteenth Amendment's recognition of Negro citizenship rights, only to have a Union brigadier walk into the Montgomery capitol to declare that he was superseding the state government again until its officials saw fit to reconsider. White spirits fell; Negro spirits soared. The town's population had swelled to fourteen thousand, with Negroes outnumbering whites three to one. Refugees of both races were fleeing the crop failures and foreclosures in the countryside and streaming into Montgomery, where they often lived in clumps on the streets and entertained themselves by watching the outdoor sheriff's sales.
Under such conditions, and with the U.S. Congress threatening a new Fifteenth Amendment to establish the right of Negroes to vote and govern, most whites were of no mind to dispute the Negro right to religion. Many were only too happy to clear the throngs from the church basement, even if it meant that their previous items of property would be conducting their own church business at the corner of Columbus and Ripleyoffering motions, debating, forming committees, voting, hiring and firing preachers, contributing pennies, bricks, and labor to make pews and windows rise into the first free Negro institution. The Negro church legal in some respects before the Negro family, became more solvent than the local undertaker.
Ten years later, a dissident faction of the First Baptist Church (Colored) marched away in a second exodus that would forever stamp the characters of the two churches. Both sides would do their best to pass off the schism as nothing more than the product of cramped quarters and growing pains, but trusted descendants would hear of the quarrels inevitable among a status-starved people. Undoubtedly some of the tensions were the legacy of slavery's division between the lowly field hands and the slightly more privileged house servants, the latter more often mulattoes. These tensions culminated when "higher elements" among the membership mounted a campaign to remodel the church to face the drier Ripley Street instead of the sloping Columbus, where they were obliged to muddy their shoes on Sundays after a rain. Their proposed renovation, while expensive, would afford cleaner and more dignified access.
Most members and some deacons considered this an unseemly and even un-Christian preoccupation with personal finery, but a sizable minority felt strongly enough to split off and form the Second Baptist Church (Colored). Although the secessionists shared the poverty of the times and of their raceand held their organizational meeting in the old Harwell Mason slave penthe world of their immediate vision was one of relative privilege. At the first baptismal services, conducted by a proper British minister, guests included three equally proper white Yankee schoolmistresses from the missionary legions who were still streaming south to educate and Christianize the freedmen. In January 1879, the new church paid $250 for a lot and a building that stood proudly in the center of town on Dexter Avenue, little more than a stone's throw from the grand entrance of the Alabama state capitol. The all-Negro congregation renamed itself Dexter Avenue Baptist Church. Its first minister, a former slave named Charles Octavius Boothe, wrote that the members were "people of money and refinement" and boasted that one of the members, a barber named Billingslea, owned property worth $300,000. This claim, though widely doubted, entered the official church history.
From the beginning, Dexter Avenue operated as a "deacons' church," meaning that the lay officers took advantage of the full sovereignty claimed by each Baptist congregation. They were free to hire any preacher they wantedtrained or untrained, fit or unfitwithout regard to bishops or other church hierarchy. The Baptists had no such hierarchy at all, nor any educational requirements for the pulpit, and this fact had contributed mightily to the spread of the denomination among unlettered whites and Negroes alike. Anyone with lungs and a claim of faith could become a preacher. And as the ministry was the only white-collar trade open to Negroes during slaverywhen it was a crime in all the Southern states to teach Negroes to read or allow them to engage in any business requiring the slightest literacypreachers and would-be preachers competed fiercely for recognition. Religious oratory became the only safe marketable skill, and a reputation for oratory substituted for diplomas and all other credentials. For most of the next century, a man with a burning desire to be a saint might well find himself competing with another preacher intent only on making a fortune, as all roads converged at the Negro church. It served not only as a place of worship but also as a bulletin board to a people who owned no organs of communication, a credit union to those without banks, and even a kind of people's court. These and a hundred extra functions further enhanced the importance of the minister, creating opportunities and pressures that forged what amounted to a new creature and caused the learned skeptic W.E.B. Du Bois to declare at the turn of the twentieth century that "the preacher is the most unique personality developed by the Negro on American soil."
Not surprisingly, these powerful characters sorely tested the ability of congregations to exercise the authority guaranteed them in Baptist doctrine. As a rule, the preachers had no use for church democracy. They considered themselves called by God to the role of Moses, a combination of ruler and prophet, and they believed that the congregation behaved best when its members, like the children of Israel, obeyed as children. The board of deacons at Dexter Avenue Baptist Church was one of the few to defend itself effectively against preachers who regularly tried to subdue the membership. Indeed, the board's very identity seemed rooted in the conviction that the church's quality lay as much in the membership as in the pastor. And because those same deacons also made it a tradition to choose the best trained, most ambitious ministers, titanic struggles after the fashion of those between European monarchs and nobles became almost a routine of church life at Dexter. Nearly a dozen preachers came and went in the first decade.
By contrast, the First Baptist Church (Colored) remained a "preacher's church," with only three pastors during its first fifty-seven years of existence. The exalted preachers tended to reign in a manner that provoked another mass exodus in 1910, not long after the church burned to the ground. The minister at that time, Andrew Stokes, was a great orator and organizer who had baptized an astonishing total of 1,100 new members during his first year in the pulpit. Stokes made First Baptist the largest Negro church in the United States until the great migration of 1917 created larger congregations in Chicago. He was also a money-maker. If white realtors had trouble selling a house, they often advanced Stokes the down payment, letting him keep his "refund" when white buyers mobilized to keep him out of their neighborhood. Stokes would joke with his deacons about the justice of making the whites pay for their prejudice, and he donated a portion of the proceeds to the church. This was fine, but a controversy erupted when Stokes proposed to rebuild the burned church a few hundred feet to the northeast on a corner lot that he owned and to take title to the parsonage in exchange for the property. Many irreparable wounds were inflicted in the debate that followed. Stokes went so far as to promise to make the new church entrance face Ripley Street, as the wealthier members had demanded more than thirty years earlier, but the unmollified elite among the deacons led a fresh secession down to Dexter Avenue Baptist.
It was said that Dexter actually discouraged new members, fearing that additions above the peak of seven hundred would reduce the quality of the whole, and several Dexter deacons predicted in public that Stokes would never be able to rebuild First Baptist without their money and influence. Undaunted, Stokes continued preaching to the impoverished masses who stayed with him, meeting outdoors when he could not borrow a church, and he laid down his law: those who were too poor to meet the demands of the building fund must bring one brick each day to the new site, whether that brick was bought, stolen, or unearthed from Civil War ruins. At the dedication ceremony five years later, Stokes led the great cry of thanks that went up for what became known as the "Bricka-Day Church."
Copyright © 1988 by Taylor Branch
Nearly seven hundred Negro communicants, some wearing white robes, marched together in the exodus of 1867. They followed the white preacher out of the First Baptist Church and north through town to Columbus Street, then east up the muddy hill to Ripley Street. There on that empty site, the congregation declared itself the First Baptist Church (Colored), with appropriate prayers and ceremonies, and a former slave named Nathan Ashby became the first minister of an independent Negro Baptist church in Montgomery, Alabama.
Most local whites considered the separation a bargain, given the general state of turmoil and numb destitution after the war. Governor Robert M. Patton and the new legislature, in a wild gamble based on Andrew Johnson's friendliness toward prominent ex-Confederates, openly repudiated the Fourteenth Amendment's recognition of Negro citizenship rights, only to have a Union brigadier walk into the Montgomery capitol to declare that he was superseding the state government again until its officials saw fit to reconsider. White spirits fell; Negro spirits soared. The town's population had swelled to fourteen thousand, with Negroes outnumbering whites three to one. Refugees of both races were fleeing the crop failures and foreclosures in the countryside and streaming into Montgomery, where they often lived in clumps on the streets and entertained themselves by watching the outdoor sheriff's sales.
Under such conditions, and with the U.S. Congress threatening a new Fifteenth Amendment to establish the right of Negroes to vote and govern, most whites were of no mind to dispute the Negro right to religion. Many were only too happy to clear the throngs from the church basement, even if it meant that their previous items of property would be conducting their own church business at the corner of Columbus and Ripleyoffering motions, debating, forming committees, voting, hiring and firing preachers, contributing pennies, bricks, and labor to make pews and windows rise into the first free Negro institution. The Negro church legal in some respects before the Negro family, became more solvent than the local undertaker.
Ten years later, a dissident faction of the First Baptist Church (Colored) marched away in a second exodus that would forever stamp the characters of the two churches. Both sides would do their best to pass off the schism as nothing more than the product of cramped quarters and growing pains, but trusted descendants would hear of the quarrels inevitable among a status-starved people. Undoubtedly some of the tensions were the legacy of slavery's division between the lowly field hands and the slightly more privileged house servants, the latter more often mulattoes. These tensions culminated when "higher elements" among the membership mounted a campaign to remodel the church to face the drier Ripley Street instead of the sloping Columbus, where they were obliged to muddy their shoes on Sundays after a rain. Their proposed renovation, while expensive, would afford cleaner and more dignified access.
Most members and some deacons considered this an unseemly and even un-Christian preoccupation with personal finery, but a sizable minority felt strongly enough to split off and form the Second Baptist Church (Colored). Although the secessionists shared the poverty of the times and of their raceand held their organizational meeting in the old Harwell Mason slave penthe world of their immediate vision was one of relative privilege. At the first baptismal services, conducted by a proper British minister, guests included three equally proper white Yankee schoolmistresses from the missionary legions who were still streaming south to educate and Christianize the freedmen. In January 1879, the new church paid $250 for a lot and a building that stood proudly in the center of town on Dexter Avenue, little more than a stone's throw from the grand entrance of the Alabama state capitol. The all-Negro congregation renamed itself Dexter Avenue Baptist Church. Its first minister, a former slave named Charles Octavius Boothe, wrote that the members were "people of money and refinement" and boasted that one of the members, a barber named Billingslea, owned property worth $300,000. This claim, though widely doubted, entered the official church history.
From the beginning, Dexter Avenue operated as a "deacons' church," meaning that the lay officers took advantage of the full sovereignty claimed by each Baptist congregation. They were free to hire any preacher they wantedtrained or untrained, fit or unfitwithout regard to bishops or other church hierarchy. The Baptists had no such hierarchy at all, nor any educational requirements for the pulpit, and this fact had contributed mightily to the spread of the denomination among unlettered whites and Negroes alike. Anyone with lungs and a claim of faith could become a preacher. And as the ministry was the only white-collar trade open to Negroes during slaverywhen it was a crime in all the Southern states to teach Negroes to read or allow them to engage in any business requiring the slightest literacypreachers and would-be preachers competed fiercely for recognition. Religious oratory became the only safe marketable skill, and a reputation for oratory substituted for diplomas and all other credentials. For most of the next century, a man with a burning desire to be a saint might well find himself competing with another preacher intent only on making a fortune, as all roads converged at the Negro church. It served not only as a place of worship but also as a bulletin board to a people who owned no organs of communication, a credit union to those without banks, and even a kind of people's court. These and a hundred extra functions further enhanced the importance of the minister, creating opportunities and pressures that forged what amounted to a new creature and caused the learned skeptic W.E.B. Du Bois to declare at the turn of the twentieth century that "the preacher is the most unique personality developed by the Negro on American soil."
Not surprisingly, these powerful characters sorely tested the ability of congregations to exercise the authority guaranteed them in Baptist doctrine. As a rule, the preachers had no use for church democracy. They considered themselves called by God to the role of Moses, a combination of ruler and prophet, and they believed that the congregation behaved best when its members, like the children of Israel, obeyed as children. The board of deacons at Dexter Avenue Baptist Church was one of the few to defend itself effectively against preachers who regularly tried to subdue the membership. Indeed, the board's very identity seemed rooted in the conviction that the church's quality lay as much in the membership as in the pastor. And because those same deacons also made it a tradition to choose the best trained, most ambitious ministers, titanic struggles after the fashion of those between European monarchs and nobles became almost a routine of church life at Dexter. Nearly a dozen preachers came and went in the first decade.
By contrast, the First Baptist Church (Colored) remained a "preacher's church," with only three pastors during its first fifty-seven years of existence. The exalted preachers tended to reign in a manner that provoked another mass exodus in 1910, not long after the church burned to the ground. The minister at that time, Andrew Stokes, was a great orator and organizer who had baptized an astonishing total of 1,100 new members during his first year in the pulpit. Stokes made First Baptist the largest Negro church in the United States until the great migration of 1917 created larger congregations in Chicago. He was also a money-maker. If white realtors had trouble selling a house, they often advanced Stokes the down payment, letting him keep his "refund" when white buyers mobilized to keep him out of their neighborhood. Stokes would joke with his deacons about the justice of making the whites pay for their prejudice, and he donated a portion of the proceeds to the church. This was fine, but a controversy erupted when Stokes proposed to rebuild the burned church a few hundred feet to the northeast on a corner lot that he owned and to take title to the parsonage in exchange for the property. Many irreparable wounds were inflicted in the debate that followed. Stokes went so far as to promise to make the new church entrance face Ripley Street, as the wealthier members had demanded more than thirty years earlier, but the unmollified elite among the deacons led a fresh secession down to Dexter Avenue Baptist.
It was said that Dexter actually discouraged new members, fearing that additions above the peak of seven hundred would reduce the quality of the whole, and several Dexter deacons predicted in public that Stokes would never be able to rebuild First Baptist without their money and influence. Undaunted, Stokes continued preaching to the impoverished masses who stayed with him, meeting outdoors when he could not borrow a church, and he laid down his law: those who were too poor to meet the demands of the building fund must bring one brick each day to the new site, whether that brick was bought, stolen, or unearthed from Civil War ruins. At the dedication ceremony five years later, Stokes led the great cry of thanks that went up for what became known as the "Bricka-Day Church."
Copyright © 1988 by Taylor Branch
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