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(Paperback - Vintage International Series)
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Published when Truman Capote was only twenty-three years old, Other Voices, Other Rooms is a literary touchstone of the mid-twentieth century. In this semiautobiographical coming-of-age novel, thirteen-year-old Joel Knox, after losing his mother, is sent from New Orleans to live with the father who abandoned him at birth. But when Joel arrives at Skully's Landing, the decaying mansion in rural Alabama, his father is nowhere to be found. Instead, Joel meets his morose stepmother, Amy, eccentric cousin Randolph, and a defiant little girl named Idabel, who soon offers Joel the love and approval he seeks.
Fueled by a world-weariness that belied Capote's tender age, this novel tempers its themes of waylaid hopes and lost innocence with an appreciation for small pleasures and the colorful language of its time and place.
This new edition, featuring an enlightening Introduction by John Berendt, offers readers a fresh look at Capote's emerging brilliance as a writer of protean power and effortless grace.
More Reviews and RecommendationsWhen Truman Capote debuted on the New York literary scene in 1948, no one had seen anything quite like him. Capote soon became famous for his intensely readable and nuanced short stories, novels, and novellas, but he was equally famous as a personality, gadfly, and bon vivant -- not to mention as a crime writer. Capote’s much-imitated 1965 book, In Cold Blood, all but invented the narrative true-crime genre.
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March 28, 2006: Joel Knox is the main character in this riveting and compelling novel of the South. It?s probably the most ?true? of all of Capote?s works?based mostly on his life as a child in Alabama. This is, probably, one of the most perfect books, second only to IN COLD BLOOD which IS the most perfect. Some have likened OTHER VOICES to McCuller?s THE HEART IS A LONELY HUNTER, but I don?t take to that comparison. This is much more Gothic and more completely formed than HUNTER. Published in January 1948 and Capote's second novel (but the first to reach print), this still engaging work was a sensation and best seller that year and has been in print ever since. Like Capote himself, it's one of a kind. A misfit young boy, Joel Knox, the product of a broken home (as was Capote), travels from New Orleans to the backwater town of Noon City, Mississippi in search of his unknown father. After twelve years of separation, his father has supposedly written to Joel's loving aunt in New Orleans and wants Joel back. But Joel, longing for his father's love, finds himself in the decaying hothouse home of his stepmother, Miss Amy, and his clever and perverse cousin Randolph, their black 'maid' Zoo, and Zoo's ancient father Jesus Fever. Joel's father is in the house too, but not in the form he anticipated. Two local girls, Florabel and the wild tomboy Idabel, round out the players and are Joel's allies in a threatening world of perversity, mental instability, and sexual ambiguity. Even though he was just 23 when he finished this work, Capote displays tremendous inventiveness, narrative talent, and over-the-top imagery. A coming-of-age story, this work gushes southern atmosphere and contains, in Capote's own words, 'a certain anguished, pleading intensity like the message stuffed in a bottle and thrown into the sea.' It also is semi-autobiographical, 'an attempt to exorcise demons,' although Capote claimed many years later that he was unconscious of this when he wrote it. On another level, this work is also about the elusive search for the father, and the discovery that one is all alone, seeking to feel that 'everything is going to be all right.' As a post-war novel, OTHER VOICES, OTHER ROOMS found an audience longing for the same thing, seeking the safety of a benevolent father in a perverse world, and wanting to grow up and find itself. The only other novel that I enjoyed this much (though it is totally different, yet at the same time Capote-like) was Jackson McCrae?s KATZENJAMMER (Soon to be a major motion picture) with its twists and turns.
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July 26, 2002: If you only know Capote through his work in 'In Cold Blood,' then you've experienced only a part of his potential. Capote's first published novel (another unfinished prior novel was put aside and eventually discarded by him), reflects his own emotional journeys through the South, looking for comfort and place. 'Other Voices, Other Rooms' is cast with eccentric characters, atmospheric settings and an overall ethereal quality. At times it reads like a poem viewed through a hazy mist. The story is murky at times and the ending somewhat inconclusive. But readers who are up for a challenge and want to see another side of Capote's talent are bound to find rewarding and intriguing moments in this relatively short novel.