Night Train to Lisbon by Pascal Mercier: Book Cover

    Night Train to Lisbon by Pascal Mercier, Barbara Harshav (Translator), Barbara Harshav (Translator)

    BUY IT NEW

    • $25.00 Online price
    • $20.00 Member price
    • Join Now
    • skip to cart
    • Add To List uiAction=GetAllLists&page=List&pageType=list&ean=9780802118585&productCode=BK&maxCount=100&threshold=3

    Usually ships within 2-3 days

    Get It There On Time
    Holiday Delivery Schedule

    FIND & RESERVE AN IN-STORE COPY

    Enter a zip code

    (Hardcover)

    • Publisher: Grove/Atlantic, Inc.
    • Pub. Date: December 2007
    • ISBN-13: 9780802118585
    • Sales Rank: 45,617
    • 438pp
     
    • Overview
    • Editorial Reviews
    • Customer Reviews
    • Full Product Details

    Synopsis

    A huge international best seller, this ambitious novel plumbs the depths of our shared humanity to offer up a breathtaking insight into life, love, and literature itself. A major hit in Germany that went on to become one of Europe’s biggest literary blockbusters in the last five years, Night Train to Lisbon is an astonishing novel, a compelling exploration of consciousness, the possibility of truly understanding another person, and the ability of language to define our very selves. Raimund Gregorius is a Latin teacher at a Swiss college who one day—after a chance encounter with a mysterious Portuguese woman—abandons his old life to start a new one. He takes the night train to Lisbon and carries with him a book by Amadeu de Prado, a (fictional) Portuguese doctor and essayist whose writings explore the ideas of loneliness, mortality, death, friendship, love, and loyalty. Gregorius becomes obsessed by what he reads and restlessly struggles to comprehend the life of the author. His investigations lead him all over the city of Lisbon, as he speaks to those who were entangled in Prado’s life. Gradually, the picture of an extraordinary man emerges—a doctor and poet who rebelled against Salazar’s dictatorship.

    Forest Turner - Library Journal

    Raimund Gregorius, a Swiss professor of classical languages, is crossing a rainy bridge in Bern when a mysterious woman writes a phone number on his forehead and utters a single word in Portuguese. Later that day, he wanders into a bookstore and finds himself drawn to a Portuguese book titled A Goldsmith of Words, self-published in Lisbon 30 years earlier. These unexplained and seemingly unrelated events conspire to tear myopic bookworm Gregorius out of his solitary and unvarying existence and send him to Lisbon in search of both the woman and Amadeu de Prado, the book's (fictional) author. This third novel by the pseudonymous Mercier caused a sensation in Europe and spent 140 weeks on the German best-sellers lists, feats unlikely to be duplicated in the United States because of the book's slow pacing. Patient readers will be rewarded, however, by the involving, unpredictable, and well-constructed plot and Mercier's virtuosic orchestration of a large and memorable cast of characters. As the stories of Gregorius and de Prado draw together, this becomes a moving meditation on the defining moments in our lives, the "silent explosions that change everything." Recommended for all fiction collections.

    More Reviews and Recommendations

    Customer Reviews

    • Reader Rating:
    • Ratings: 2Reviews: 1

    Night Train to Lisbonby Anonymous

    Reader Rating:
    See Detailed Ratings

    May 23, 2008: The plot of Night Train To Lisbon begins with a well-worn premise: a character stuck in the routine of life suddenly receives an epiphany and goes on a horizon-expanding quest to find himself. But few novels or movies plumb the philosophical depths of this novel, the third by Swiss philosophy professor Peter Bieri, whose nom de plume is Pascal Mercier. A bestseller in Europe when it was first published in 2004, it is translated for the first time from German to English by Barbara Harshav. In this novel, the soon-to-be englightened protagonist is Raimund Gregorius, a 57-year-old divorced teacher of ancient Greek, Latin and Hebrew at a secondary school in Bern, Switzerland, the same one he attended as a school boy. For years he has stuck to this uneventful life, watching his students come and go over the top of his Coke-bottle glasses and beloved textbooks of dead languages. But he is inspired to 'take his life into his own hands for the first time' after meeting a mysterious Portugese woman on the bridge he crosses every day to go to school. Thus, he abandons class, goes to a bookshop and comes across a Portugese book titled A Goldsmith Of Words by a man named Amadeu Inacio De Almeida Prado. He knows not the language, but has the bookseller translate for him. He is struck by a sentence: 'Given that we can live only a small part of what there is in us - what happens with the rest?' We find out when Gregorius ups and leaves, abandoning home and school to travel to Lisbon, in search of the mysterious author of the book. He finds out that the latter, a doctor and a member of the resistance fighting against dictator Antonio de Oliveira Salazar, died in 1973. But he is able to track down siblings and friends through some painstaking detective work. Most of them have their own samples of Amadeu's writing, and Gregorius slowly (and the plot indeed takes its time to unfurl in this 438-page tome) gains insight into a brilliant, melancholic man, a clever wordsmith who was yet frustrated by the inabaility of words to truly bridge the distance between people. The characters in the novel are rather old-fashioned in a Romantic sort of way, with soul-tortured people who haunt rooms where time has stopped, who harbour heart-rending regrets that from the central core of their lives, who swoon and bang their heads against the walls due to inner tumult. But such gothic cheesiness is compensated by the nuggets of philosophy revealed as Gregorius goes about his quest. This is a book that trustst the reader to concentrate, to plough through chunks of italicised excerpts from Amadeu's book, with musings ranging from why we fear death to how travel allows us to bridge distances externally and internally. This novel is a dense, and at times tedious, read. But the moments of exquisitely crystalised insight will have you scrambling for a pen to jot them down, and are well worth this long train ride.