(MP3 on CD - Unabridged)
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| Compact Disc - Abridged, 5 CDs, 6 hours | $14.95 |
Welcome to our genetic world.
Fast, furious, and out of control.
This is not the world of the future-it's the world right now.
Is a loved one missing some body parts? Are blondes becoming extinct? Is everyone at your dinner table of the same species? Humans and chimpanzees differ in only 400 genes; is that why an adult human being resembles a chimp fetus? And should that worry us? There's a new genetic cure for drug addiction-is it worse than the disease?
We live in a time of momentous scientific leaps; a time when it's possible to sell our eggs and sperm online for thousands of dollars; test our spouses for genetic maladies and even frame someone for a genetic crime.
We live in a time when one fifth of all our genes are owned by someone else, and an unsuspecting person and his family can be pursued cross-country because they happen to have certain valuable genes within their chromosomes. . . .
Devilishly clever, Next blends fact and fiction into a breathless tale of a new world where nothing is what it seems, and a set of new possibilities can open at every turn. Next challenges our sense of reality and notions of morality. Balancing the comic and bizarre with the genuinely frightening and disturbing, Next shatters our assumptions, and reveals shocking new choices where we least expect.
The future is closer than you think. Get used to it.
Check out the wild world of Michael Crichton's Next! This video features a Bug DNA Kit, where kids can experiment with the DNA of real live insects, and learn about genetics in a fun and exciting way! (Bugs not included.)
Will cool your ardor for biotechnology. Crichton graphically portrays all the hideous things that can go wrong with genetic research. Critics carp that he exploitatively mixes fiction with fact to conjure up an array of Frankenstein-like outcomes. But so what? The last century showed us what the once popular, seemingly scientific idea of eugenics--the belief that we could improve human beings the way we improve animals and plants through selective breeding, planting and culling--led to. Most Western countries, including the U.S., forced sterilization on hundreds of thousands of people because the prevailing thought was that their bad genes shouldn't be passed on to future generations. The Nazis carried that idea to its murderous conclusion.
More Reviews and RecommendationsIt stands to reason that someone with as many pursuits as Michael Crichton (novelist, nonfiction writer, screenwriter, director, software engineer, M.D.) might achieve only modest success in any of them. But Crichton somehow excelled at them all. His books, suffused with his scientific research and knowledge, never failed to present imaginative, chilling scenarios that jumped from historical capers to futuristic sci-fi. He died on November 4, 2008, after a long battle against cancer.
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June 25, 2009: Every book I have read by Chrichton has been excellent. All the way from the first to last I have enjoyed Mr. Chrichton to the fullest extent and Next is no acception. I was locked in as soon as I started this novel. I did not want it to end. The subject matter is extremely interesting and very realistic. Michael Chrichton does do his research. I went to his website to see if he published a new novel and thats how I found out he passed. I loved his books because he is a wonderful writer and I am going to miss his stories.
I Also Recommend: Stigma, State of Fear, Prey, Andromeda Strain, Timeline.
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June 07, 2009: I read this book in a critical mood, wanting to find every flaw in the book and complain about it. I almost WANTED this book to be bad. And if you want something to be bad, then your more likely to think its bad. But I thought this book was GREAT. It was origional, engaging, interesting and well thought out. A book that doesn't focus on one person or story to get its point across, a book that makes you think. A book about the future, where your cells can belong to somebody else.
The book has so many different plots intertwined that I can't give an adequate synopsis of it but can only tell you to read it.Name:
Michael Crichton
Also Known As:
John Michael Crichton (full name), Jeffery Hudson, John Lange
Current Home:
Los Angeles, California
Date of Birth:
October 23, 1942
Place of Birth:
Chicago, Illinois
Date of Death
November 04, 2008
Place of Death
Los Angeles, California
Education:
B.A.. in Anthropology, Harvard University, 1964; M.D., Harvard Medical School, 1969
Awards:
Edgar Award for In Case of Need (1968) and The Great Train Robbery (1980); New ankylosaurus species named Crichtonsaurus bohlini, 2003
Michael Crichton's oeuvre is so vivid and varied that it hard to believe everything sprang from the mind of a single writer. There's the dino-movie franchise and merchandising behemoth Jurassic Park; the long-running, top-rated TV series ER, which Crichton created; and sci-fi tales so cinematic a few were filmed more than once. He's even had a dinosaur named after him.
Ironically, for someone who is credited with selling over 150 million books, Crichton initially avoided writing because he didn't think he would make a living at it. So he turned to medical school instead, graduating with an M.D. from Harvard in 1969. The budding doctor had already written one award-winning novel pseudonymically (1968's A Case of Need) to help pay the bills through school; but when The Andromeda Strain came out in the same year of his med school graduation, Crichton's new career path became obvious.
The Andromeda Strain brilliantly and convincingly sets out an American scientific crisis in the form of a deadly epidemic. Its tone -- both critical of and sympathetic toward the scientific community -- set a precedent for Crichton works to come. A 1970 nonfiction work, Five Patients offers the same tone in a very different form, that being an inside look at a hospital.
Crichton's works were inspired by a remarkably curious mind. His plots often explored scientific issues -- but not always. Some of his most compelling thrillers were set against the backdrop of global trade relations (Rising Sun), corporate treachery (Disclosure) and good old-fashioned Victorian-era theft (The Great Train Robbery). The author never shied away from challenging topics, but it's obvious from his phenomenal sales that he never waxed pedantic. Writing about Prey, Crichton's cautionary tale of nanotech gone awry, The New York Times Book Review put it this way: "You're entertained on one level and you learn something on another."
On the page, Crichton's storytelling was eerily nonfictional in style. His journalistic, almost professorial, and usually third-person narration lent an air of credibility to his often disturbing tales -- in The Andromeda Strain, he went so far as to provide a fake bibliography. Along the way, he revelled in flouting basic, often subconscious assumptions: Dinosaurs are long-gone; women are workplace victims, not predators; computers are, by and large, predictable machines.
The dazzling diversity of Crichton's interests and talents became ever more evident as the years progressed. In addition to penning bestselling novels, he wrote screenplays and a travel memoir, directed several movies, created Academy Award-winning movie production software, and testified before Congress about the science of global warming -- this last as a result of his controversial 2004 eco-thriller State of Fear, a novel that reflected Crichton's own skepticism about the true nature of climate change. His views on the subject were severely criticized by leading environmentalists.
On November 4, 2008, Michael Crichton died, following a long battle against cancer. Beloved by millions of readers, his techno-thrillers and science-inflected cautionary tales remain perennial bestsellers and have spawned a literary genre all its own.
Some interesting outtakes from our 2005 interview with Crichton:
"I'm very interested in 20th-century American art."
"I have always been interested in movies and television as well as books. I see all these as media for storytelling, and I don't discriminate among them. At some periods of my life I preferred to work on movies, and at others I preferred books."
"In the early 1990s, interviewers began calling me ‘the father of the techno-thriller.' Nobody ever had before. Finally I began asking the interviewers, ‘Why do you call me that?' They said, ‘Because Tom Clancy says you are the father of the techno-thriller.' So I called Tom up and said, ‘Listen, thank you, but I'm not the father of the techno-thriller.' He said, ‘Yes you are.' I said, ‘No, I'm not, before me there were thrillers like Failsafe and Seven Days in May and The Manchurian Candidate that were techno-thrillers.' He said, ‘No, those are all political. You're the father of the techno-thriller.' And there it ended."
"My favorite recreation is to hike in the wilderness. I am fond of Hawaii."
"I used to scuba dive a lot, but haven't lately. For a time I liked to photograph sharks but like anything else, the thrill wears off. Earlier in my life I took serious risks, but I stopped when I became a parent."
"I taught myself to cook by following Indian and Szechuan recipes. They each have about 20 ingredients. I used to grind my own spices, I was really into it. Now I don't have much time to cook anymore. When I do, I cook Italian food."
"I read almost exclusively nonfiction. Most times I am researching some topic, which may or may not lead to a book. So my reading is pretty focused, although the focus can shift quickly."
"I have always been interested in whatever is missing or excluded from conventional thought. As a result I am drawn to writers who are out of fashion, bypassed, irritating, difficult, or excessive. I also like the disreputable works of famous writers. Thus I end up reading and liking Paul Feyerabend (Against Method), G. K. Chesterton (Orthodoxy, What's Wrong with the World), John Stuart Mill, Hemingway (Garden of Eden), Nietzsche, Machiavelli, Alain Finkielkraut (Defeat of the Mind), Anton Ehrenzweig (Hidden Order of Art), Arthur Koestler (Midwife Toad, Beyond Reductionism), Ian McHarg (Design with Nature), Marguerite Duras, Jung, late James M. Cain (Serenade), Paul Campos.
"Because I get up so early to work, I tend to go to bed early, around 10 or 11. So I don't go out much. I suppose I am borderline reclusive. I don't care."
What was the book that most influenced your life or your career as a writer?
Arthur Conan Doyle's The Hound of the Baskervilles was the first novel I read as a young person, that I genuinely enjoyed. (I was plowing my way through the classics at the time, and Lorna Doone wasn't doing much for me.) I subsequently read all the Holmes stories, and later in life went back to study them, to see how Conan Doyle had moved his narratives forward so quickly. In fact, his techniques are quite cinematic.
What are your ten favorite books, and what makes them special to you?
I am not the sort of person who has lists of favorites. But off the top of my head, here are some books that I like a great deal:
What are some of your favorite films, and what makes them unforgettable to you?
Again, I don't have favorites. As a younger person I was heavily influenced by Kurosawa, Hitchcock, and Kubrick. As a child I saw Citizen Kane and was astonished by it. Few movies have astonished me since in that way.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
My tastes in music are eclectic. I like everything from Bach to Coldplay. I do my workouts to heavy rock 'n' roll, George Thorogood, AC/DC, BTO. I have a special fondness for the music I grew up with, which are now considered Golden Oldies: Little Richard, the Beatles, the Stones, the Coasters, the Beach Boys. I never listen to music when I am writing. I like it quiet.
What are your favorite kinds of books to give -- and get -- as gifts?
Art books and photography books.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I go to an office about a mile from my house. I start early, sometimes 4 or 5 in the morning. I work in a small room with the shades drawn so I don't see outside. I start the day with a cup of instant coffee and I begin to type. I have always typed ever since I was a kid -- in the old days on a manual typewriter, and since the 1970s on a word processor. Since 1985 I have written on Macintosh computers. I prefer them to PCs, although I work with PCs, too. I generally finish writing by noon. I graph my output in Excel. I used to eat the same thing every day, when I was working, but no longer follow this ritual. In the afternoon, I answer mail, and go work out to blow off steam. I do yoga several times a week. I think it helps.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I sold my first writing when I was 14 -- a travel article to The New York Times. That encouraged me to write more, and I sent stories and articles to magazines at a rapid rate. I could have papered a room with rejection slips. The next time I really sold anything was when I was 24. Ten years later. That's a lot of rejection slips.
What tips or advice do you have for writers still looking to be discovered?
Keep writing. People who successfully enter creative fields generally follow a path all their own. But I think writers, in particular, need to do a lot of writing to find their voice. It's all trial and error, so it takes time. Also, writing can be a frustrating and lonely job, and you might as well see if you really can tolerate the frustration, and the loneliness. Plenty of people think they can, but it turns out they can't.
Welcome to our genetic world.
Fast, furious, and out of control.
This is not the world of the future-it's the world right now.
Is a loved one missing some body parts? Are blondes becoming extinct? Is everyone at your dinner table of the same species? Humans and chimpanzees differ in only 400 genes; is that why an adult human being resembles a chimp fetus? And should that worry us? There's a new genetic cure for drug addiction-is it worse than the disease?
We live in a time of momentous scientific leaps; a time when it's possible to sell our eggs and sperm online for thousands of dollars; test our spouses for genetic maladies and even frame someone for a genetic crime.
We live in a time when one fifth of all our genes are owned by someone else, and an unsuspecting person and his family can be pursued cross-country because they happen to have certain valuable genes within their chromosomes. . . .
Devilishly clever, Next blends fact and fiction into a breathless tale of a new world where nothing is what it seems, and a set of new possibilities can open at every turn. Next challenges our sense of reality and notions of morality. Balancing the comic and bizarre with the genuinely frightening and disturbing, Next shatters our assumptions, and reveals shocking new choices where we least expect.
The future is closer than you think. Get used to it.
Will cool your ardor for biotechnology. Crichton graphically portrays all the hideous things that can go wrong with genetic research. Critics carp that he exploitatively mixes fiction with fact to conjure up an array of Frankenstein-like outcomes. But so what? The last century showed us what the once popular, seemingly scientific idea of eugenics--the belief that we could improve human beings the way we improve animals and plants through selective breeding, planting and culling--led to. Most Western countries, including the U.S., forced sterilization on hundreds of thousands of people because the prevailing thought was that their bad genes shouldn't be passed on to future generations. The Nazis carried that idea to its murderous conclusion.
Do you own your body's cells? If a doctor develops a cure for a disease using your cells in the process, are you entitled to a share of the profits? These are some of the questions Crichton explores in his latest science-as-boogeyman polemic. Baker does all he can to give life to the characters, but they are little more than tools to convey the plot, so the author leaves him little to work with. Baker subtly shifts the tone of his voice to distinguish between characters and deftly alters the cadence of his speech to keep the narrative flowing. Despite his best efforts, though, Baker cannot turn the nonfiction interludes between chapters into anything remotely interesting. As if these weren't distracting enough, the multiple subplots make it quite difficult to keep track of what's going on, or how one plot line relates to another. Reading a book that goes in this many directions would be difficult enough, but on audio it's almost impossible to follow. Baker's performance is excellent all around, but listeners hoping Crichton would return to Jurassic Parkform will be left wanting. Simultaneous release with the S&S hardcover (reviewed online). (Jan.)
Copyright 2007 Reed Business InformationWill cool your ardor for biotechnology. Crichton graphically portrays all the hideous things that can go wrong with genetic research. Critics carp that he exploitatively mixes fiction with fact to conjure up an array of Frankenstein-like outcomes. But so what? The last century showed us what the once popular, seemingly scientific idea of eugenics--the belief that we could improve human beings the way we improve animals and plants through selective breeding, planting and culling--led to. Most Western countries, including the U.S., forced sterilization on hundreds of thousands of people because the prevailing thought was that their bad genes shouldn't be passed on to future generations. The Nazis carried that idea to its murderous conclusion. (18 Jun 2007)
Crichton's books dazzle listeners with technical jargon that sends them fleeing to an encyclopedia to find answers and actual characters who rub elbows with their fictitious counterparts. The subjects here are genetic engineering, genetic tampering, cross-cultural gene experiments, and stem cell research. Crichton screeches down the genetic highway at breakneck speed, tossing out truth and fiction in equal amounts. Can an African Grey parrot be able to carry on conversations with its owners? What about experiments to place commercial advertising on animals and fish? Throughout these flights of fancy are several story lines that bring the gene question down to a human level, pitting firm believers against equally firm opponents. Lawsuits that touch on the furthest reaches of genetic research confuse the jury and irritate the judges. Actor Dylan Baker has a multitude of voices to contend with as well as some tongue-twisting medical terms, and he handles the job very well. Some of his characters whine too much or speak sarcastically when the situation doesn't really call for it, and one has to wonder why journal headlines are read in a plummy British accent. Still, don't be diverted from diving head first into one of the most important fiction books of modern time. Highly recommended for all public libraries.
Loading...MC: Well, I think it is, in the sense that many of my books are. But for me what's different about this book is that so much of it is real - or that so much of it is very thinly-disguised versions of actual events that have occurred. Genetics, which is the subject of the book, has advanced extraordinarily rapidly in the last 15 years or so and has sometimes gone in directions that many people are troubled about, or disapprove of. It is a very interesting and hot contentious area.
Q2: What scares you the most about NEXT? And conversely, which possibilities do you find the most encouraging?
MC: I'm not really scared about anything in the genetic realm. My research actually reassured me, because I concluded that many of the things people discuss with great fear or great longing-such as designer babies, or extended longevity-are probably not going to happen.
I think that we'll have some remarkable new therapies from this area, and we will also find that the genome is vastly more complicated than we anticipated. In that sense, the genome is a bit like the human brain-much harder to understand than we once imagined.
Q3: What first sparked your interest in genetics?
MC: It's a longstanding interest of mine. I studied genetics and evolution in college, and of course as a medical student. Genetics has been one of the most exciting areas of scientific research in my lifetime. It's hard to remember that when I was born in the 1940s, people weren't really sure what a "gene" consisted of. And they thought human beings had 24 chromosomes, instead of 23! And they had no idea at all how an embryo grew and differentiated into a live birth.
Q4: You've chosen a very interesting and I think new form for this novel, which is to break down the conventional narrative into many different stories, some of which overlap, some of which are self-contained, and others which move forward and become the principle themes of the book. How did you conceive of this book, in formal terms?
MC: I had two considerations. One was that I was unable to overlook the structure of the genome as we are now starting to understand it, and how individual genes interact with other genes, or may seem to be silent, or we don't really know what they do, or sometimes there are repetitions that are not clear to us, and it struck me as an interesting idea to try to organize the novel in that way, even though it's not what one ordinarily does. The second thing driving me was the notion that there are a great many stories of interest in this area, and they're all quite different in terms of the legal and ethical problems that are raised in the field, so I wanted to do a number of different stories.
Q5: What is the latest court ruling as to what constitutes cell ownership? Are there any upcoming cases that you're keeping an eye on?
MC: Rules regarding tissues are fragmented. A recent Sixth Circuit decision regarding the tissue collection of Dr. William Catalona has set back the effots of patients to have some control over what happens to their tissues, once donated to medical research. There are good reasons why patients deserve such control. If you give your tissue for prostate research, you might not want the tissues used for other purposes you disagree with. You might have religious or other objections. You might have legal concerns, because if your genetic information was published your insurance might be cancelled. These are genuine concerns.
Federal guidelines regarding tissues are much more humane, and they don't interfere with research. We need Congress to make these guidelines the law of the land.
Q6: Many of your previous books have ignited public discussion and debate. Do you think NEXT will provoke a similar response?
MC: I am never sure how the public reaction to my books will be. I'm usually surprised.
Q7: In spite of the serious message of the book and the profound issues you're tackling, there is a lot of fun in this book. There are many jokes, there are many very amusing passages and stories, and there are a number of ideas - concepts - that perhaps are true or perhaps are fictional. Is there anything in the book that you would like to be real, that perhaps isn't real - that would improve your life?
MC: Interesting question…I don't know how to answer that…I guess what I feel is that whatever I might imagine is probably right around the corner anyway.
Q8: After the final thrilling page, what would you most like readers to take away from NEXT?
MC: The future is bright and exciting, and it will challenge us to think in fresh ways about our lives. But among our challenges today, we have some legal problems in genetics that need to be fixed. We need some laws passed, and some laws changed.
But I am optimistic about the future. Very optimistic.
Division 48 of Los Angeles Superior Court was a wood-paneled room dominated by the great seal of the state of California. The room was small and had a tawdry feeling. The reddish carpet was frayed and streaked with dirt. The wood veneer on the witness stand was chipped, and one of the fluorescent lights was out, leaving the jury box darker than the rest of the room. The jurors themselves were dressed casually, in jeans and short-sleeve shirts. The judge's chair squeaked whenever the Honorable Davis Pike turned away to glance at his laptop, which he did often throughout the day. Alex Burnet suspected he was checking his e-mail or his stocks.
All in all, this courtroom seemed an odd place to litigate complex issues of biotechnology, but that was what they had been doing for the past two weeks in Frank M. Burnet v. Regents of the University of California.
Alex was thirty-two, a successful litigator, a junior partner in her law firm. She sat at the plaintiff's table with the other members of her father's legal team, and watched as her father took the witness stand. Although she smiled reassuringly, she was, in fact, worried about how he would fare.
Frank Burnet was a barrel-chested man who looked younger than his fifty-one years. He appeared healthy and confident as he was sworn in. Alex knew that her father's vigorous appearance could undermine hiscase. And, of course, the pretrial publicity had been savagely negative. Rick Diehl's PR team had worked hard to portray her dad as an ungrateful, greedy, unscrupulous man. A man who interfered with medical research. A man who wouldn't keep his word, who just wanted money.
None of that was true--in reality, it was the opposite of the truth. But not a single reporter had called her father to ask his side of the story. Not one. Behind Rick Diehl stood Jack Watson, the famous philanthropist. The media assumed that Watson was the good guy, and therefore her father was the bad guy. Once that version of the morality play appeared in the New York Times (written by the local entertainment reporter), everybody else fell into line. There was a huge "me, too" piece in the L.A. Times, trying to outdo the New York version in vilifying her father. And the local news shows kept up a daily drumbeat about the man who wanted to halt medical progress, the man who dared criticize UCLA, that renowned center of learning, the great hometown university. A half-dozen cameras followed her and her father whenever they walked up the courthouse steps.
Their own efforts to get the story out had been singularly unsuccessful. Her father's hired media advisor was competent enough, but no match for Jack Watson's well-oiled, well-financed machine.
Of course, members of the jury would have seen some of the coverage. And the impact of the coverage was to put added pressure on her father not merely to tell his story, but also to redeem himself, to contradict the damage already done to him by the press, before he ever got to the witness stand.
Her father's attorney stood and began his questions. "Mr. Burnet, let me take you back to the month of June, some eight years ago. What were you doing at that time?"
"I was working construction," her father said, in a firm voice. "Supervising all the welding on the Calgary natural gas pipeline."
"And when did you first suspect you were ill?"
"I started waking up in the night. Soaking wet, drenched."
"You had a fever?"
"I thought so."
"You consulted a doctor?"
"Not for a while," he said. "I thought I had the flu or something. But the sweats never stopped. After a month, I started to feel very weak. Then I went to the doctor."
"And what did the doctor tell you?"
"He said I had a growth in my abdomen. And he referred me to the most eminent specialist on the West Coast. A professor at UCLA Medical Center, in Los Angeles."
"Who was that specialist?"
"Dr. Michael Gross. Over there." Her father pointed to the defendant, sitting at the next table. Alex did not look over. She kept her gaze on her father.
"And were you subsequently examined by Dr. Gross?"
"Yes, I was."
"He conducted a physical exam?"
"Yes."
"Did he do any tests at that time?"
"Yes. He took blood and he did X-rays and a CAT scan of my entire body. And he took a biopsy of my bone marrow."
"How was that done, Mr. Burnet?"
"He stuck a needle in my hipbone, right here. The needle punches through the bone and into the marrow. They suck out the marrow and analyze it."
"And after these tests were concluded, did he tell you his diagnosis?"
"Yes. He said I had acute T-cell lymphoblastic leukemia."
"What did you understand that disease to be?"
"Cancer of the bone marrow."
"Did he propose treatment?"
"Yes. Surgery and then chemotherapy."
"And did he tell you your prognosis? What the outcome of this disease was likely to be?"
"He said that it wasn't good."
"Was he more specific?"
"He said, probably less than a year."
"Did you subsequently get a second opinion from another doctor?"
"Yes, I did."
"With what result?"
"My diagnosis was . . . he, uh . . . he confirmed the diagnosis." Her father paused, bit his lip, fighting emotion. Alex was surprised. He was usually tough and unemotional. She felt a twinge of concern for him, even though she knew this moment would help his case. "I was scared, really scared," her father said. "They all told me . . . I didn't have long to live." He lowered his head.
The courtroom was silent.
"Mr. Burnet, would you like some water?"
"No. I'm fine." He raised his head, passed his hand across his forehead. "Please continue when you're ready."
"I got a third opinion, too. And everybody said to me that Dr. Gross was the best doctor for this disease."
Excerpted from Next LP by Michael Crichton Copyright © 2006 by Michael Crichton. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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See our exclusive video interview with Crichton (5:08).
From the Publisher: Hear an audio interview with Michael Crichton about his new novel, Next (11:47).
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