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Honey Santana–impassioned, willful, possibly bipolar, self-proclaimed “queen of lost causes”–has a scheme to help rid the world of irresponsibility, indifference, and dinnertime sales calls. She’s taking rude, gullible Relentless, Inc., telemarketer Boyd Shreave and his less-than-enthusiastic mistress, Eugenie, into the wilderness of Florida’s Ten Thousand Islands for a gentle lesson in civility.
What she doesn’t know is that she’s being followed by her Honey-obsessed former employer, Piejack. And he doesn’t know he’s being followed by Honey’s still-smitten former-drug-running ex-husband, Perry, and their wise-and-protective-way-beyond-his-years twelve-year-old son, Fry. And when they all pull up on Dismal Key, they don’t know they’re intruding on Sammy Tigertail, a half white-half Seminole failed alligator wrestler, trying like hell to be a hermit despite the Florida State coed who’s dying to be his hostage….
Like the prolific animal and insect life of the Everglades, Hiaasen's latest contains a cacophony of voices that clash with one another yet come together in the end to form an unique world. Hiaasen's novels compare favorably to the films of Robert Altman, as the author uses an ensemble approach rather than relying on one story. Adams is enthusiastically up to Hiaasen's hijinks, finding the right note for every character. Particularly good is her rendition of 12-year-old Fry, who stretches his vowels for emphasis and makes every sentence sound like a possible question. Piejack, the local looney fishmonger, and Honey, a borderline personality unable to overlook any slight, are performed with twangy gusto. And then there are the Texans, Boyd and his reluctant girlfriend, Eugenie, who bring another set of accents into the mix. In a wonderful moment on the last disk, Adams hilariously reproduces the muffled sentences of a person who has had her jaws wired shut. Adams's brisk style is perfect for Hiaasen's witty romp through the Everglades. Simultaneous release with the Knopf hardcover (Reviews, Sept. 18). (Nov.)
Copyright 2007 Reed Business Information More Reviews and RecommendationsIn his thrilling and hilarious mysteries, Carl Hiaasen does for the Florida Coast what Raymond Chandler did for L.A., embracing it in all its steamy surrealness, and elevating it to a kind of iconographic literary landscape.
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July 06, 2009: This was the second Carl Hiaasen book for me. His books are extremely unique with very unusual characters and plots. This one is set in the Florida Keys which Mr. Hiaasen writes about with wonderful descriptive clarity.
I don't know if I would ever want to know his characters, but they are quirky and fun. Well, some are fun, some are annoying and some are just out there! I'm sure I will read more of his books since they are extremely different!I Also Recommend: Skinny Dip.
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November 23, 2008: This was the first Hiaasen book I've red and he's captured my interest for sure. His writing style is so much fun and at the same time mood and meaning are injected into each word choice. It was a crazy plot with wildly concocted characters and just a good time to the very last page. Even with the lightness of the writing, there was still food for thought. Grab a book by this guy if you get the chance.
Name:
Carl Hiaasen
Current Home:
Tavernier, Florida
Place of Birth:
South Florida
Education:
Emory University; B.A., University of Florida, 1974
Awards:
Numerous journalism awards for reporting in the Miami Herald
When one thinks of the classics of pulp fiction, certain things -- gruff, amoral antiheroes, unflinching nihilism, and a certain melodramatic self-seriousness -- inevitably come to mind. However, the novels of Carl Hiaasen completely challenge these pulpy conventions. While the pulp of yesteryear seems forever chiseled in an almost quaint black and white world, Hiaasen's books vibrate with vivid color. They are veritable playgrounds for wild characters that flout clichés: a roadkill-eating ex-governor, a bouncer/assassin who takes care of business with a Weed Wacker, a failed alligator wrestler named Sammy Tigertail. Furthermore, Hiaasen infuses his absurdist stories with a powerful dose of social and political awareness, focusing on his home turf of South Florida with an unflinching keenness.
Hiaasen was born and raised in South Florida. During the 1970s, he got his start as a writer working for Cocoa Today as a public interest columnist. However, it was his gig as an investigative reporter for The Miami Herald that provided him with the fundamentals necessary for a career in fiction. "I'd always wanted to write books ever since I was a kid," Hiaasen told Barnes & Noble.com. "To me, the newspaper business was a way to learn about life and how things worked in the real world and how people spoke. You learn all the skills -- you learn to listen, you learn to take notes -- everything you use later as a novelist was valuable training in the newspaper world. But I always wanted to write novels."
Hiaasen made the transition from journalism to fiction in 1981 with the help of fellow reporter Bill Montalbano. Hiaasen and Montalbano drew upon all they had learned while covering the Miami beat in their debut novel Powder Burn, a sharp thriller about the legendary Miami cocaine trade, which the New York Times declared an "expertly plotted novel." The team followed up their debut with two more collaborative works before Hiaasen ventured out on his own with Tourist Season, an offbeat murder mystery that showcased the author's idiosyncratic sense of humor.
From then on, Hiaasen's sensibility has grown only more comically absurd and more socially pointed, with a particular emphasis on the environmental exploitation of his beloved home state. In addition to his irreverent and howlingly funny thrillers (Double Whammy, Sick Puppy, Nature Girl, etc), he has released collections of his newspaper columns (Kick Ass, Paradise Screwed) and penned children's books (Hoot, Flush). With his unique blend of comedy and righteousness ("I can't be funny without being angry."), the writer continues to view hallowed Florida institutions -- from tourism to real estate development -- with a decidedly jaundiced eye. As Kirkus Reviews has wryly observed, Hiassen depicts "...the Sunshine State as the weirdest place this side of Oz."
Perhaps in keeping with his South Floridian mindset, Hiaasen keeps snakes as housepets. He says on his web site, "They're clean and quiet. You give them rodents and they give you pure, unconditional indifference."
Hiaasen is also a songwriter: He's co-written two songs, "Seminole Bingo" and "Rottweiler Blues", with Warren Zevon for the album Mutineer. In turn, Zevon recorded a song based on the lyrics Hiaasen had written for a dead rock star character in Basket Case.
In Hiaasen's novel Nature Girl, he gets the opportunity to deal with a long-held fantasy. "I'd always fantasized about tracking down one of these telemarketing creeps and turning the tables -- phoning his house every night at dinner, the way they hassle everybody else," he explains on his web site. "In the novel, my heroine takes it a whole step farther. She actually tricks the guy into signing up for a bogus ‘ecotour' in Florida, and then proceeds to teach him some manners. Or tries."
Carl Hiaasen's novels invariably test the talents and challenge the sanity of synopsis writers. The zany plot knot of Nature Girl features a headstrong "queen of lost causes," an obnoxious telemarketer and his spouse, a particularly persistent sexual harasser, a former drug runner ex-husband pursuer and a failed alligator wrestler. Shaken vigorously and adding a pinch of salt, these critters produce an uproariously funny whodunit.
Honey Santana–impassioned, willful, possibly bipolar, self-proclaimed “queen of lost causes”–has a scheme to help rid the world of irresponsibility, indifference, and dinnertime sales calls. She’s taking rude, gullible Relentless, Inc., telemarketer Boyd Shreave and his less-than-enthusiastic mistress, Eugenie, into the wilderness of Florida’s Ten Thousand Islands for a gentle lesson in civility.
What she doesn’t know is that she’s being followed by her Honey-obsessed former employer, Piejack. And he doesn’t know he’s being followed by Honey’s still-smitten former-drug-running ex-husband, Perry, and their wise-and-protective-way-beyond-his-years twelve-year-old son, Fry. And when they all pull up on Dismal Key, they don’t know they’re intruding on Sammy Tigertail, a half white-half Seminole failed alligator wrestler, trying like hell to be a hermit despite the Florida State coed who’s dying to be his hostage….
Like the prolific animal and insect life of the Everglades, Hiaasen's latest contains a cacophony of voices that clash with one another yet come together in the end to form an unique world. Hiaasen's novels compare favorably to the films of Robert Altman, as the author uses an ensemble approach rather than relying on one story. Adams is enthusiastically up to Hiaasen's hijinks, finding the right note for every character. Particularly good is her rendition of 12-year-old Fry, who stretches his vowels for emphasis and makes every sentence sound like a possible question. Piejack, the local looney fishmonger, and Honey, a borderline personality unable to overlook any slight, are performed with twangy gusto. And then there are the Texans, Boyd and his reluctant girlfriend, Eugenie, who bring another set of accents into the mix. In a wonderful moment on the last disk, Adams hilariously reproduces the muffled sentences of a person who has had her jaws wired shut. Adams's brisk style is perfect for Hiaasen's witty romp through the Everglades. Simultaneous release with the Knopf hardcover (Reviews, Sept. 18). (Nov.)
Copyright 2007 Reed Business InformationHoney Santana plans to save the world by taking tele-marketer Boyd Shreave and his brassy girlfriend to Florida's Ten Thousand Islands for some lessons in good behavior. But with Honey's possessive ex-husband in pursuit and half-Seminole failed alligator wrestler Sammy Tigertail causing trouble, civility goes out the window. Copyright 2006 Reed Business Information.
Hiaasen's latest heroine is mad as hell, at least when she's off her meds, and she's not going to take it anymore. When a telemarketer who's interrupted dinner with her son Fry to peddle waterlogged Florida real estate responds to her gentle reproof with obscenities, Honey Santana, deciding he needs to be taught a lesson, sets out to entice Boyd Shreave to the Everglades to give him a taste of his own medicine. She lures both Boyd and his colleague and mistress Eugenie Fonda to Dismal Key, where she proposes to give them a comprehensive immersion in unspoiled Florida. For better or worse, though, she's picked a week when Dismal Key is overrun with other loonies. Sammy Tigertail has come at the behest of the late Jeter Wilson, whose spirit has been nagging him ("This was the worst vacation I ever had") ever since Sammy dumped his body into an obliging swamp. Theodore Dealey is a private eye hoping to get photos of Boyd and Eugenie in flagrante for Boyd's wife, whose interest in the affair has gone way beyond divorce. Louis Piejack, the rancid ex-boss who groped Honey and lived to regret the sequel, is positive she has the hots for him. Perry Skinner, vice mayor of Everglades City, takes a proprietary interest in both Honey, since he used to be her husband, and Fry, since he used to be his father. Members of the First Resurrectionist Maritime Assembly for God are waiting for the Messiah to make landfall. FSU undergraduate Gillian St. Croix, who just wants to have fun, is about the only cast member to get her wish. For once, the characters are funnier than their exhaustingly unpredictable interactions. The result is less satire than usual from Hiaasen (Skinny Dip, 2004, etc.), and more RubeGoldberg farce. First printing of 600,000. Agent: Esther Newberg/International Creative Management (ICM)
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