From Barnes & Noble
Thirteen-year-old Mau has almost completed the initiation rite of his Pacific island culture. Only one part of the ritual remains, but Mau worries that he will never be able to complete it. A devastating tsunami has wiped out his entire island, leaving only Mau and the British governor's daughters as survivors. Of course, what follows is far more poignant than any quiet South Pacific ceremony. A thoroughly engaging teen novel about identity, community, and resilience by fantasy wizard Terry Pratchett.
From the Publisher
When a giant wave destroys his village, Mau is the only one left. Daphne—a traveler from the other side of the globe—is the sole survivor of a shipwreck. Separated by language and customs, the two are united by catastrophe. Slowly, they are joined by other refugees. And as they struggle to protect the small band, Mau and Daphne defy ancestral spirits, challenge death himself, and uncover a long-hidden secret that literally turns the world upside down.
The New York Times -
James Hynes
The heart of the book is Pratchett's serious examination of the roots and utility of religion. He's clearly a skeptic, and at times Nation reads like Philip Pullman, but with less anger and more jokes, and a bit more ambiguity…It's a wonderful story, by turns harrowing and triumphant, and Mau and Daphne are complicated and tremendously appealing characters. And since it's a Terry Pratchett novel, there is also a small army of vivid minor characters, including some colorfully venal British mutineers, a hilariously dry civil servant named Mr. Black and, in a cameo appearance from Discworld, Death himself, who appears here as a god called Locaha. It's a book that can be read with great pleasure by young readers—and not a few of their parents, I suspect—as both a high-spirited yarn and a subtle examination of the risks and virtues of faith.
The Washington Post -
Michael Dirda
Nation remains at heart a novel of ideas, a ferocious questioning of vested cultural attitudes and beliefs. In form it is a classic "Robinsonade," that is, a book in which characters are marooned on a desert island and there create a little civilization of their own…While Nation occasionally moves a little slowly, it soon develops great momentum, and we come to care and worry about Mau, Daphne and the others. Moreover, this being a Pratchett novel, the writing is always a pleasure…It's a terrific, thought-provoking book, and it ends wonderfully.
Publishers Weekly
In Carnegie Medalist Pratchett's (the Discworld novels; A Hat Full of Sky) superb mix of alternate history and fantasy, the king of England, along with the next 137 people in line to the throne, has just succumbed to the plague; the era might be akin to the 1860s or '70s. As the heir apparent is being fetched from his new post as governor of an island chain in the South Pelagic Ocean, his daughter, the redoubtable Ermintrude, still en route to join him in the South Pelagic, has been shipwrecked by a tsunami. She meets Mau, whose entire people have been wiped out by the great wave (he escaped their fate only because he was undergoing an initiation rite on another island). She and Mau each suffer profound crises of faith, and together they re-establish Mau's nation from other survivors who gradually wash up on shore and rediscover (with guidance from spirits) its remarkable lost heritage. Neatly balancing the somber and the wildly humorous in a riveting tale of discovery, Pratchett shows himself at the height of his powers. Ages 12-up. (Oct.)
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VOYA
Young Mau is stuck between two identities, boy and man, when his rite of passage into adulthood is thwarted by a deadly storm that wipes out the rest of his island nation. As fellow survivors from disparate places and cultures begin to converge on his home, Mau must not only work to negotiate his own identity, he must also lead these strangers through their own recovery. Mau's closest ally is Daphne, a "ghost girl," British royalty whose ship crashed onto the island during the storm. Despite language and cultural differences, Mau and Daphne manage to connect and lead the others by sharing and merging cultural histories, sometime listening to and other times ignoring the loud voices of their ancestors. Although most of what Mau knows has been ruined and much of what Daphne has been taught turned on its head, their leadership forges a new nation, as old truths are questioned and revised. Again Pratchett creates a magical yet familiar world full of fantastic images and difficult decisions. There is a lot going on in the novel-this reviewer could not help feeling as if she were missing something-but there is something to be said for Pratchett's respect for the young reader whom he imagines can keep up with and find pleasure in the difficult worlds he creates. Dark and sometimes funny, this complex tale asks the reader to consider a variety of issues, from identity and tradition to faith and prejudice. Reviewer: Jennifer Miskec
KLIATT
A tidal wave washes away Mau's village while he's off on a manhood rite of passage, and the young teen returns to find himself the only remaining member of his community. Grief-stricken but resourceful, Mau discovers he's not alone on his tropical island when he comes across Daphne, a white-skinned "ghost girl." She's the sole survivor of the shipwreck of the Sweet Judy, aside from a vile-mouthed parrot. Refugees from other places affected by the tidal wave soon start arriving on the isle they call the Nation, and Mau and Daphne are kept busy taking care of the newcomers, which involves everything from milking a pig to learning to make beer. Then raiders arrive, accompanied by nasty mutineers from the Sweet Judy, and Mau and Daphne must fight to protect their new community and its inhabitants. This funny, wise commentary on the meaning of nationalism, set about 150 years ago, isn't part of Pratchett's beloved Discworld fantasy series, but his many fans as well as adventure-loving YA readers will eat up this appealing tale. The theme of carrying on despite grief and in the face of death seems especially poignant and apt, as Pratchett has been diagnosed with early onset Alzheimer's disease. Racism, feminism, and what it means to be a man are themes that are also addressed, along with the role of religion: Mau is angry at his gods, even while questioning their existence. A classic survival tale that offers laughs and much to mull over, this is a wonderfully entertaining novel for YAs. Reviewer: Paula Rohrlick
Children's Literature
Mau's right of passage ritual was supposed to prepare him for the transition from boy to man, not the wave that washes over his island village, leaving him the sole survivor. Facing the massive loss, he must focus on rebuilding his own life, preserving the traditions of his people, and becoming a leader to other survivors that find their way to the Nation. One survivor in particular has survived more than the wave. Daphne, whose father is one hundred and thirty-eighth in line for the throne, became free from the role as a proper young lady, and shunned her given name Ermintrude after the boat she was traveling shipwrecked on Mau's island. The reader learns the rituals of the island culture with Daphne, and discovers new parts of the island with Mau. You will find the story etched in your mind when you are going about your day. There are familiar elements in this story such as Charles Darwin, Isaac Newton, and the friction between religion and science as represented in Daphne's traditional grandmother and modern father. There are so many levels of thought in this book; it would be great for discussions. A true adventure and survival story outside of Pratchett's Discworld, his humor and depth still shine through. There is no better way to show both genders coming of age than with an island adventure that touches every emotion. Leadership, fear, questioning authority, and a sense of wonder all come together to make an unforgettable journey. Reviewer: Renee Farrah
School Library Journal
Gr 7-10
In this first novel for young people set outside of Discworld, Pratchett again shows his humor and humanity. Worlds are destroyed and cultures collide when a tsunami hits islands in a vast ocean much like the Pacific. Mau, a boy on his way back home from his initiation period and ready for the ritual that will make him a man, is the only one of his people, the Nation, to survive. Ermintrude, a girl from somewhere like Britain in a time like the 19th century, is on her way to meet her father, the governor of the Mothering Sunday islands. She is the sole survivor of her ship (or so she thinks), which is wrecked on Mau's island. She reinvents herself as Daphne, and uses her wits and practical sense to help the straggling refugees from nearby islands who start arriving. When raiders land on the island, they are led by a mutineer from the wrecked ship, and Mau must use all of his ingenuity to outsmart him. Then, just as readers are settling in to thinking that all will be well in the new world that Daphne and Mau are helping to build, Pratchett turns the story on its head. The main characters are engaging and interesting, and are the perfect medium for the author's sly humor. Daphne is a close literary cousin of Tiffany Aching in her common sense and keen intelligence wedded to courage. A rich and thought-provoking read.-Sue Giffard, Ethical Culture Fieldston School, New York City
Kirkus Reviews
Pratchett's latest masterpiece chronicles a lad's struggle to survive, and far harder struggle to make sense of the universe, after a tsunami wipes out his entire people. Along with the lives of everyone he has ever known, the devastating wave sweeps away Mau's simple, happy soul-literally, he believes. Fortunately, though much of his angry quest to find something to replace his lost faith in the gods is internal and individual, he acquires company on his tropical island, in the form of the shipwrecked, repressed-but-not-for-long daughter of a high British government official and a ragged group of survivors from other islands who straggle in. This is no heavy-toned tale: Tears and rage there may be in plenty, but also a cast of marvelously wrought characters, humor that flies from mild to screamingly funny to out-and-out gross, incredible discoveries, profound insights into human nature and several subplots-one of which involves deeply religious cannibals. A searching exploration of good and evil, fate and free will, both as broad and as deep as anything this brilliant and, happily, prolific author has produced so far. (Fantasy. 11 & up)
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