The Narrows (Harry Bosch Series #10) by Michael Connelly

From the Publisher

About the Book
Private investigator Harry Bosch confronts the most terrifying killer he's ever known--the monster known to millions as the Poet.

FBI agent Rachel Walling finally gets the call she's dreaded for years. The Poet has returned. Years earlier she worked on the famous case tracking the serial killer who wove lines of poetry into his hideous crimes. Rachel has never forgotten the Poet--and apparently he has not forgotten her.

Former LAPD detective Harry Bosch gets a call, too, from an old friend whose husband recently died. The death appeared natural, but this man's ties to the hunt for the Poet make Harry dig deep. What he finds leads him into the most terrifying situation he has ever encountered.

Michael Connelly is the author of the bestselling series of Harry Bosch novels, including, A Darkness More than Night, City of Bones, and, most recently, Lost Light; and the bestselling novels Chasing the Dime, The Poet, Blood Work, and Void Moon. He lives in Florida.

About the DVD

The city of Los Angeles has been at the heart of all Michael Connelly's bestselling novels. In this limited edition DVD, Michael Connelly himself provides an insider's tour of the places that give his stories and characters their spark and texture. Directed by author and filmmaker Terrill Lee Lankford, BLUE NEON NIGHT brings Michael Connelly's Los Angeles to life and captures the essence of a writer's relationship with the place that inspires, frustrates, and ultimately fulfills him.

This limited release DVD contains several added features, including book summaries, an inside look at THE NARROWS, and Michael Connelly's thoughts on the music mentioned in his books.

Excerpts from Connelly's 14 books are read by William Petersen (CSI: Crime Scene Investigation, Manhunter, To Live and Die In LA).

LITTLE BROWN, AND COMPANY Presents an INCLINE ENTERTAINMENT PRODUCTION
BLUE NEON NIGHT: MICHAEL CONNELLY'S LOS ANGELES
Narrated By WILLIAM PETERSEN
Music By GEORGE CABLES and FRANK MORGAN * Edited By BILL SHAFFER
Photographed By JOHN VOGEL and TERRILL LEE LANKFORD * Co-Produced By JOHN VOGEL
Executive Producers JANE DAVIS and SOPHIE COTTRELL
Produced and Directed By TERRILL LEE LANKFORD

• Into The Narrows (an inside look at THE NARROWS)
• Harry's Music (Michael Connelly comments on the music mentioned in his Harry Bosch novels)
• George Cables (about composer and musician George Cables)
• The Books (about the Harry Bosch novels)
• TV Spots
• Deleted Scenes

The Washington Post - John Katzenbach

Connelly knows his forensic evidence and his serial killers, and he is very good on crime-solving techniques and processing -- both physical and mental … fans of Harry Bosch undoubtedly will be pleased.

The New York Times - Janet Maslin

The Narrows takes its name from a dangerous part of the Los Angeles River and prompts the requisite metaphorical warnings. ("Stay out of the narrows.") Like City of Bones, it's a title with more quiet eloquence than may first be apparent. That's the way Mr. Connelly works: in a style so simple, blunt and knowing that its impact is almost subconscious. But sleepless readers of The Narrows will know why Harry Bosch is said to have "seen-it-all-twice eyes."

Publishers Weekly

There's a gravitas to the mystery/thrillers of Michael Connelly, a bedrock commitment to the value of human life and the need for law enforcement pros to defend that value, that sets his work apart and above that of many of his contemporaries. That gravitas is in full force in Connelly's newest, and as nearly always in the work of this talented writer, it supports a dynamite plot, fully flowered characters and a meticulous attention to the details of investigative procedure. There are also some nifty hooks to this new Connelly: it features his most popular series character, retired L.A. homicide cop Harry Bosch, but it's also a sequel to his first stand-alone, The Poet (1996), and is only his second novel (along with The Poet) to be written in both first and third person. The first-person sections are narrated by Bosch, who agrees as a favor to the widow to investigate the death of Bosch's erstwhile colleague and friend Terry McCaleb (of Blood Work and A Darkness More Than Night). Bosch's digging brings him into contact with Rachel Walling, the FBI agent heroine of The Poet, and the third-person narrative concerns mostly her. Though generally presumed dead, the Poetthe serial killer who was a highly placed Fed and Walling's mentoris alive and killing anew, with, we soon learn, McCaleb among his victims and his sights now set on Walling. The story shuttles between Bosch's California and the Nevada desert, where the Poet has buried his victims to lure Walling. The suspense is steady throughout but, until a breathtaking climactic chase, arises more from Bosch and Walling's patient and inspired following of clues and dealing with bureaucratic obstacles than from slash-and-dash: an unusually intelligent approach to generating thrills. Connelly is a master and this novel is yet another of his masterpieces. (One-day laydown, May 3) Forecast: Connelly should hit #1 with this even without trying, but he and Little, Brown are going all out to support the novel, with plans including a 15-city author tour, a Today Show appearance and the distribution to media and bookstores of a DVD, Michael Connelly's Los Angeles, narrated by CSI star William Petersen. Simultaneous Time Warner Audio and large print edition. Copyright 2004 Reed Business Information.

Library Journal

Beloved private eye Harry Bosch tangles with the Poet, the Connelly villain everyone loves to hate. Copyright 2004 Reed Business Information.

Product Details

• ISBN: 0446611646
  
• ISBN-13: 9780446611640
• Format: Paperback, 456pp
• Publisher: Grand Central Pub
• Pub. Date: February 2005
• Edition Description: Reprint
• Sales Rank: 8,304
• Series: Harry Bosch Series, #10

• Table of Contents
• Read an Excerpt

Table of Contents

Read an Excerpt

SHE WAS IN DARKNESS, floating on a black sea, a starless sky above. She could hear nothing and see nothing. It was a perfect black moment but then Rachel Walling opened her eyes from the dream.

She stared up at the ceiling. She listened to the wind outside and heard the branches of the azaleas scratching against the window. She wondered if it was the scratching on glass or some other noise from within the house that had awakened her. Then her cell phone rang. She wasn’t startled. She calmly reached to the bed table. She brought the phone to her ear and was fully alert when she answered, her voice showing no indication of sleep.

“Agent Walling,” she said.

“Rachel? It’s Cherie Dei.”

Rachel knew right away that this would not be a Rez call. Cherie Dei meant Quantico. It had been four years since the last time. Rachel had been waiting.

“Where are you, Rachel?”

“I’m at home. Where do you think I’d be?”

“I know you cover a lot of territory now. I thought maybe you —”

“I’m in Rapid City, Cherie. What is it?”

She answered after a long moment of silence.

“He’s resurfaced. He’s back.”

Rachel felt an invisible fist punch into her chest and then hold there. Her mind conjured memories and images. Bad ones. She closed her eyes. Cherie Dei didn’t have to use a name. Rachel knew it was Backus. The Poet had resurfaced. Just as they knew he would. Like a virulent infection that moves through the body, hidden from the outside for years, then breaking the skin as a reminder of its ugliness.

“Tell me.”

“Three days ago we got something in Quantico. A package in the mail. It contained —”

“Three days? You sat on it for three —”

“We didn’t sit on anything. We took our time with it. It was addressed to you. At Behavioral Sciences. The mail room brought it down to us and we had it X-rayed and then we opened it. Carefully.”

“What was in it?”

“A GPS reader.”

A global positioning system reader. Longitude and latitude coordinates. Rachel had encountered one on a case the previous year. An abduction out in the Badlands where the missing camper had marked her trail with a handheld GPS. They found it in her pack and traced her steps back to a camp where she had encountered a man and he had followed her. They got there too late to save her but they would have never gotten there at all if it hadn’t been for the GPS.

“What was on it?”

Rachel sat up and swung her legs over the side of the bed. She brought her free hand to her stomach and closed it like a dead flower. She waited and soon Cherie Dei continued. Rachel remembered her as once being so green, just an observer and learner on the go team, assigned to her under the bureau’s mentoring program. Ten years later and the cases, all the cases, had etched deep grooves into her voice. Cherie Dei wasn’t green anymore and she needed no mentor.

“It had one waypoint in its record. The Mojave. Just inside the California border at Nevada. We flew out yesterday and we went to the marker. We’ve been using thermal imaging and gas probes. Late yesterday we found the first body, Rachel.”

“Who is it?”

“We don’t know yet. It’s old. It had been there a long time. We’re just starting with it. The excavation work is slow.”

“You said the first body. How many more are there?”

“As of when I left the scene last we were up to four. We think there’s more.”

“Cause of death?”

“Too early.”

Rachel was silent as she thought about this. The first questions that ran through her filters were why there and why now.

“Rachel, I’m not calling just to tell you. The point is the Poet is back in play and we want you out here.”

Rachel nodded. It was a given that she would go there.

“Cherie?”

“What?”

“Why do you think he was the one who sent the package?”

“We don’t think it. We know it. We got a match a little while ago on a fingerprint from the GPS. He replaced the batteries on it and we got a thumb off of one of them. Robert Backus. It’s him. He’s back.”

Rachel slowly opened her fist and studied her hand. It was as still as a statue’s. The dread she had felt just a moment before was changing. She could admit it to herself but no one else. She could feel the juice begin moving in her blood again, turning it a darker red. Almost black. She had been waiting for this call. She slept every night with the cell phone near her ear. Yes, it was part of the job. The call outs. But this was the only call she had truly been waiting for.

“You can name the waypoints,” Dei said in the silence. “On the GPS. Up to twelve characters and spaces. He named this point ‘Hello Rachel.’ An exact fit. I guess he still has something for you. It’s like he’s calling you out, has some sort of plan.”

Rachel’s memory dredged up an image of a man falling backward through glass and into darkness. Disappearing into the dark void below.

“I’m on my way,” she said.

“We’re running it out of the Vegas field office. It will be easier to keep a blanket on it from there. Just be careful, Rachel. We don’t know what he has in mind with this, you know? Watch your back.”

“I will. I always do.”

“Call me with the details and I’ll pick you up.”

“I will,” she repeated.

Then she pushed the button that disconnected the call. She reached to the bed table and turned on the light. For a moment she remembered the dream, the stillness of the black water and the sky above, like black mirrors facing each other. And her in the middle, just floating.

Copyright © 2004 by Hieronymus, Inc.