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Textbook (Hardcover - New Edition)
Textbook Information
There is a mystery about music. On one hand, music making and music listening have occupied a prominent place in every culture since the dawn of recorded history and people everywhere continue to engage in a variety of musical experiences as part of their daily lives. Yet questions about the nature and value of music and its importance as a subject of education remain perplexing to many thinkers and are still hotly debated, even today. As a result, while music has been part of the school curriculum since antiquity, its profound contribution to general education has never been harnessed--until now.
What is music? Does music deserve a place in general education? If so, why? Music Matters builds new answers to these basic questions through a wide-ranging examination of music as a diverse human practice. The result is a ground-breaking philosophy of music education that provides critically reasoned perspectives on the nature and significance of performing, listening, musicianship, multiculturalism, creativity, consciousness, curriculum development, and more. Indeed, Music Matters is exceptional for the attention it pays to many aspects of music and education that previous music education doctrine either misses or ignores altogether. Following an incisive critique of past thinking, this important text develops a multidimensional concept of music that explains why music making and listening are unique forms of thinking and unique sources of the most important kinds of knowing that human beings can gain. In a richly detailed narrative that examines a wealth of recent philosophical and psychological research, the author constructs a compelling philosophical foundation that allowsteachers to affirm to themselves and others that music deserves a central place in the education of all people. Among the many working ideas of this new philosophy is a distinctive concept of "curriculum-as-practicum" that explains how music educators can fulfill their educational mandate.
Invaluable as a core text for courses on foundations of music education or philosophy of music education at both the undergraduate and graduate level, Music Matters provides educators with critically reasoned perspectives on the "why, what, and how" of music teaching and learning, arguing convincingly that music is one of the most vital, dynamic, and practical pursuits in the human repertoire and, therefore, fundamental to the full development of the individual and collective self.
New York University
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September 25, 2009: Music Matters is the work of a brilliant and committed scholar and educator.
This book represents a much needed paradigm shift in the field. While some may find it provocative, Elliott's reasoning is sound. He backs uphis arguments with solid scholarship and philosophical argumentation. It is also clear that Elliott is a musician and an experienced teacher. In the process of taking my graduate music education foundations class, I've read some very erroneous discussions of Music Matters, especially by Bennett Reimer, who seems very angry that someone (Elliott) has exposed his faulty arguments. Reimer continues to slam Elliott for things that Elliott never says in Music Matters. It's also clear to me from reading Elliott and Reimer that Elliott is a real musician with real school teaching experience, whereas Reimer has very little, if any, real-world school teaching experience.Reader Rating:
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July 30, 2001: This is an amazing book! Elliott's lucid writing and his brilliant ideas make me proud to be in the field of music education. Although MUSIC MATTERS is challenging for my grad students to read in some places, it pushes all of us to thnk hard about our most cherished beliefs, and it offers alternatives that are simply brilliant!