Methodologies of Art: An Introduction by Laurie Schneider Adams, Laurie Schneider Adams

From the Publisher

Since the nineteenth century, when art history became an established academic discipline, works of art have been “read” in a variety of ways. These different ways of describing and interpreting art are the methodologies of artistic analysis, the divining rods of meaning. Regardless of a work’s perceived difficulty, an art object is, in theory, complex. Every work of art is an expression of its culture (time and place) and its maker (the artist) and is dependent on its media (what it’s made of). The methodologies discussed here—formal analysis, iconology and iconography, Marxism, feminism, biography and autobiography, psychoanalysis, structuralism, race and gender—reflect the multiplicity of meanings in an artistic image. The second edition includes nineteen new images, new sections on race, gender, orientalism and colonialism, along with a new epilogue that approaches a single painting to illustrate the different methodological viewpoints.

Contents
1. What Is Art?
2. Formalism and Style
3. Iconography
4. Contextual Approaches I: Marxism, Orientalism, Colonialism, and Racial Iconography
5. Contextual Approaches II: Feminism and Gender
6. Biography and Autobiography
7. Semiotics I: Structuralism and Post-Structuralism
8. Semiotics II: Deconstruction
9. Psychoanalysis I: Freud
10. Psychoanalysis II: Winnicott and Lacan
11. Aesthetics and Psychoanalysis: Roger Fry and Roland Barthes

Library Journal

Because works of art can be interpreted in a variety of ways, this book surveys "methodologies," diverse approaches to artistic analysis used by art historians, philosophers, and critics to enlighten viewers. The author, whose works include Art and Psychoanalysis (LJ 9/15/93) and A History of Western Art (LJ 3/15/94), then relates these methods to masterpieces of Western art. Adams's well-crafted, thoughtful essays consider biography and the presence of such artists as Gauguin, van Eyck, and Raphael in their paintings; Marxist readings of Giotto and Delacroix; a deconstructionist analysis of van Gogh's "Shoes"; the feminist approach to O'Keeffe and Chicago; a Freudian analysis of Donatello's "David"; and much more. With 70 black-and-white photos and four color plates, this is a good choice for introductory college art history courses. Libraries needing a more scholarly study should consider Art History and Its Methods (LJ 12/95), which contains excerpts from original sources.Joan Levin, MLS, Chicago

Product Details

• Table of Contents

Table of Contents