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Never before has the life of Marie Antoinette been told so intimately and with such authority as in Antonia Fraser’s newest work, Marie Antoinette: The Journey. Famously known as the eighteenth-century French queen whose excesses have become legend, Marie Antoinette was blamed for instigating the French Revolution.
Brilliantly written, Marie Antoinette is a work of impeccable scholarship. Drawing on a wealth of family letters and other archival materials, Antonia Fraser successfully avoids the hagiography of some the French queen’s admirers and the misogyny of many of her critics. The result is an utterly riveting and intensely moving book by one of our finest biographers.
Fraser paints a more sympathetic portrait than some and more even-handed than others. She manages to balance Marie's life and the times to this reader's delight. Well-written and scrupulously researched.
More Reviews and RecommendationsSince 1969 Antonia Fraser has written many acclaimed historical works which have been international bestsellers and is the recipient of many literary awards, including the James Tait Black Memorial Prize. These include the biographies Mary Queen of Scots, Cromwell: Our Chief of Men, and King Charles II. Three highly praised books focus on women in history: The Weaker Vessel: Women's Lot in Seventeenth-Century England, The Warrior Queens, and The Six Wives of Henry VIII. Her most recent book was Faith and Treason: The Story of the Gunpowder Plot. She is editor of the series of Kings and Queens of England. Antonia Fraser is married to Harold Pinter and lives in London.
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July 27, 2009: Very enjoyable history of a most misunderstood person.
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April 14, 2009: It really started good then it dragged on and on. I had to put the book down and then start another finishing this one here and there. It is a really nice looking book, lots of nice pictures. Better then the story... I think after finally finishing it that Marie Antoinette was murdered for lies that were spread. I feel sorry for her in this story. It's too bad what happened to her. I'd recommend this book if you have ALOT of time on your hands and would really want to know what happend to her.
The Barnes & Noble Review
Was she a sexual predator, political meddler, wastrel, and traitor? Or was she a scapegoat for a corrupt and bankrupt nation, who went with superb dignity to the guillotine, the victim of a vindictive judicial murder? The tragic life of Marie Antoinette, rich in conflicting detail, remains a biographer's challenge, and Antonia Fraser's richly human yet evenhanded account is a reader's delight.
In 1770, Marie Antoinette, aged 14, wed the awkward 16-year-old who in 1774 became Louis XVI. The marriage was intended to strengthen the Austrian-French alliance and produce sons to continue it. Marie Antoinette was of little use in the first endeavor; she lacked political power. Louis was of only occasional help in the second; he suffered from phimosis, an inhibiting physical condition. While the pair wandered through their doomed lives, fury built up in bankrupt France, exploding in the ferocity of the Revolution.
Everybody criticized Marie, who was known both as l'Autrichienne (the Austrian woman) and l'autruche chienne (the ostrich bitch). She was regarded as extravagant ("Madame Deficit"), pro-Austrian, and childless for too long. But, as Fraser demonstrates, Versailles demanded extravagance, and in politics Marie Antoinette was more pawn than player, pushed by wily Austrian diplomats and blocked by shrewd French ministers.
Fraser draws upon a huge range of sources to present a dazzling cast. Mozart, Gluck, Jefferson, Paine, Franklin and numerous others cross her pages. Fersen, the queen's discreet, devoted Swedish lover, looms large. The author succeeds brilliantly in describing how the once-vibrant Marie and the decent, despised, and irresolute Louis transformed themselves as the Revolution took its murderous course. Love of family gave them courage; love of France gave them nobility.
The horrific fate of Marie Antoinette, physically abused by the canaille, viciously libeled by the blood-soaked false prophets of liberty who condemned her, reminds the reader of just how thin the veneer of civilization is -- and how often revolutionaries are worse than those they condemn. Excellent illustrations and an extensive bibliography add to Fraser's fine book. Enthusiasts hungry for more can try Evelyne Lever's "martyred queen" portrait (Marie Antoinette: A Biography) and Chantal Thomas's analysis (The Wicked Queen), both now available in translation. (Peter Skinner)
Peter Skinner lives in New York City.
France's iconic queen, Marie Antoinette, wrongly accused of uttering the infamous "Let them eat cake," was alternately revered and reviled during her lifetime. For centuries since, she has been the object of debate, speculation, and the fascination so often accorded illustrious figures in history. Married in mere girlhood, this essentially lighthearted child was thrust onto the royal stage and commanded by circumstance to play a significant role in European history. Antonia Fraser's lavish and engaging portrait excites compassion and regard for all aspects of the queen, immersing the reader not only in the coming-of-age of a graceful woman, but in the culture of an unparalleled time and place.
Fraser paints a more sympathetic portrait than some and more even-handed than others. She manages to balance Marie's life and the times to this reader's delight. Well-written and scrupulously researched.
In the hands of a vivid writer with a flair for fascinating detail, Versailles comes alive.
A child-princess is married off to a husband of limited carnal appetite. Her indiscretions and na vet , scorned by elderly dowagers, are coupled with charity, joie de vivre and almost divine glamour but her life is cut brutally short. The queen of France's life is rich in emotional resonance, riddled with sexual subplots and personal tragedies, and provides fertile ground for biographers. Fraser's sizable new portrait avoids the saccharine romance of Evelyne Lever's recent Marie Antoinette, balancing empathy for the pleasure-loving queen with an awareness of the inequalities that fed revolution after all, Marie herself was fully conscious of them. Her subject shows no let-them-eat cake arrogance, but is deeply (even surprisingly) compassionate, with a "public reputation for sweetness and mercy" that is only later sullied by vituperative pamphleteers and bitter unrest. She would sometimes be trapped by ingenuousness, and later by a fatal sense of duty. Yet her graceful bearing, acquired under the tutelage of her demanding mother, the empress Maria Teresa, made her an unusually popular princess before she was scapegoated as "Madame Deficit" and much, much worse. The portrait is drawn delicately, with pleasant touches of humor (a long-awaited baby is conceived around the time of Benjamin Franklin's visit: "Perhaps the King found this first contact with the virile New World inspirational"). Fraser's approach is controlled and thoughtful, avoiding the extravagance of Alison Weir's royal biographies. Her queen is neither heroine nor villain, but a young wife and mother who, in her journey into maturity, finds herself caught in a deadly vise. Color and b&w illus. It's a BOMC, History Book Club, Literary Guild and QPB selection. Copyright 2001 Cahners Business Information.
Vivid prose and exhaustive research make memorable Fraser's biography of the doomed Austrian Archduchesse Maria Antonia Josepha Joanna, known as Antoine to her family and Marie Antoinette to the ages. The 15th child of Marie Theresa, Queen-Empress of Austria, and the youngest of eight sisters, all sharing the name Maria, little Antoine was to make a long and tragic journey from sheltered and ill-tutored child to 14-year-old wife of French Dauphin Louis Auguste, the future Louis XVI, to mother, to reviled and maligned queen, to a prematurely aged woman of 38, bound and shorn, being carted to the guillotine. Fraser dispels some of the more flagrant calumnies directed at the queen, such as her involvement in the affair of the Diamond Necklace, and her purported callous "let them eat cake" statement, which story, Fraser points out, was first told about the Spanish princess who married Louis IV some 100 years earlier. She makes a convincing case for Marie Antoinette's designation by the press, the politicians and Court intrigue as scapegoat not only for the ills of an economically troubled nation, but for the entire French Revolution as well. There are numerous illustrations, both b/w and color plates, genealogical charts, an abridged list of sources (which nevertheless runs to 12 pages), and an exhaustive index. Literally hundreds of books have been written about Marie Antoinette, and Fraser's contribution is a relevant, compassionate and accessible portrait of the woman. A solid as well as entertaining read. KLIATT Codes: SA—Recommended for senior high school students, advanced students, and adults. 2001, Random House, Anchor, 511p. illus. notes. bibliog. index., Boatner
Fraser (Mary Queen of Scots) has written an exciting biography of a young Austrian woman named Marie Antoinette, the future bride of a future king of France, during a period of increasing political unrest. This volume moves quickly, but not without the most interesting of historical detail, through the courts of Austria and France. Marie Antoinette was the bride at 14 to Louis Auguste, her senior by just over a year; they both lacked the maturity for marriage, let alone the political leadership to command a European power. Fraser leads us through the daily lives of the two young people constantly before the public eye; from the planned marriage we move into an era of political and social revolution, knowing what the final violent outcome will be yet hoping for a different end. A well-researched biography that may cause one to rethink the role in which history has cast Marie Antoinette, this complements but doesn't replace Evelyne Lever's slightly less sympathetic Marie Antoinette: The Last Queen of France. Highly recommended for academic and public libraries. Bruce H. Webb, Clarion Univ. of Pennsylvania Lib. Copyright 2001 Cahners Business Information.
A biography of a queen who never said, as legend has it, "Let them eat cake." Novelist and historian Fraser (Faith and Treason) manages to turn this spoiled, not-too-bright princess into a likable character. Pretty Marie was raised to further the Hapsburg family's political ambitions, as defined by her dominating mother, Empress Maria Theresa of Austria-Hungary. Fraser presents her subject's childhood, full of dancing but short on books, as a smaller version of the proving grounds she would inhabit for the rest of her life. She fought her brothers and sisters for the time and attention of their mother; married to King Louis XVI, she vied to increase her power at Versailles; as a prisoner in the Tower, she fought for survival according to the rules of the Revolutionary Tribunal. At each of these challenges, she failed. For years, Marie's position at court was undermined by the king's refusal to have sex (or at least proper sex) with her. When she finally fulfilled her function and bore an heir, 11 years after marriage, France was already in the financial crisis that would lead to the convening of the Estates-General and, later, the Revolution. If she had been a more successful plotter, Antoinette may have saved her life and the lives of her children. But skeletons from past court intrigues-most involved the Queen's enemies taking advantage of her-as well as inaction on the part of her brother, Joseph II, the Holy Roman Emperor, led her to the guillotine. For a brief few years, Antoinette did have a heyday, though. After the birth of her son, she made a splash by abandoning the elaborate dresses and makeup that marked Versailles, a bold move for the leading figure of worldfashion in the late-18th century. While Antoinette never made the oft-repeated line to peasants seeking bread, she was a spendthrift, a trait that helped do her in when the revolutionary lawyers made their case against her. Antoinette's story isn't really a tragedy-but Fraser somehow makes it seem like one.
Loading...My concern, as the subtitle of the book indicates, has been to trace the twofold journey of the Austrian-born French queen. On the one hand, this was an important political journey, from her fatherland to act as an ambassadress -- or agent -- in a predominantly hostile country where she was nicknamed in advance L'Autrichienne. On the other hand, there was her journey of personal development from the inadequate 14-year-old bride to a very different mature woman, 20-odd years later.
In the course of tracing this journey, I have hoped to unravel the cruel myths and salacious distortions surrounding her name. Principal among them must be the notorious incident that has Marie Antoinette urging the poor, being without bread, to eat cake. This story was first told about the Spanish princess who married Louis XIV 100 years before the arrival of Marie Antoinette in France; it continued to be repeated about a series of other princesses throughout the 18th century. As a handy journalistic cliché, it may never die. Yet not only was the story wrongly ascribed to Marie Antoinette in the first place, but such ignorant behavior would have been quite out of character. The unfashionably philanthropic Marie Antoinette would have been far more likely to bestow her own cake (or brioche) impulsively upon the starving people before her.
On the subject of the queen's sex life -- insatiable lover? voracious lesbian? heroine of a single romantic passion? -- I have similarly tried to exert common sense in an area that must remain forever speculative (as indeed it was in her own day).
Biographers have their small, private moments of perception, the importance of which was recognized by the Goncourt brothers, admiring biographers of the queen in 1858: "A time of which one does not have a dress sample and a dinner menu, is a time dead to us, an irrecoverable time." Lafont d'Aussonne, author of an early post-Restoration study (1824), found an ear of wheat made out of silver thread on the floor of the queen's former bedroom at Saint Cloud at a sale -- and pocketed it. Two hundred years after the death of Marie Antoinette, I found the experience of being asked to don white gloves to inspect the tiny swatches in her Wardrobe Book at the Archives Nationales both appropriate and affecting, the pinpricks made by the queen to indicate her choice of the day's costume being still visible. I had, however, no desire to emulate Lafont d'Aussonne's act of pious theft -- if only because two gendarmes stood close behind my chair.
The Baronne d'Oberkirch, writing her memoirs just before the deluge, gave an unforgettable vignette of the aristocrats returning from an all-night ball at Versailles in their carriages, with the peasants already doing their rounds in the bright morning sunshine: "What a contrast between their calm and satisfied visages and our exhausted appearance! The rouge had fallen from our cheeks, the powder from our hair...not a pretty sight." Such a vision seems to sum up the contrasts of the ancien régime in France -- including the baronne's innocent assumption that the peasants were calm and satisfied. Certainly the wealth of female testimonies to the period and to the life of Marie Antoinette gives special immediacy to researchers. The women who survived felt an urgent need to relive the trauma and record the truth, a compulsion often modestly disguised as a little gift to their descendants: "C'est pour vous, mes enfants...," wrote Pauline de Tourzel, an eyewitness to some of the horrific incidents of the early Revolution, of her reminiscences. Probably no queen in history has been so well served by her female chroniclers.
In a book written in English about a French (and Austrian) subject, there is an obvious problem to do with translation. Nor does it have an easy solution. What is tiresomely obscure for one reader may be gratingly obvious to another. On the whole I have preferred to translate rather than not, in the interests of clarity. With names and titles I have also placed the need for clarity above consistency; even if some decisions may seem arbitrary in consequence, intelligibility has been the aim. As ever, it has been my pleasure and privilege to do my own research, except where individuals are specifically and most gratefully acknowledged. The sources are, with equal gratitude, listed in the References and Reference Books. (Antonia Fraser)
1. How important was Marie Antoinette's childhood in Austria–historical enemy of France–in influencing her career? Would it ever have been possible for an Austrian princess to have a satisfactory life in France?
2. Was Marie Antoinette's relationship with her mother, the Empress Maria Teresa, a damaging or a supportive element of her life?
3. Marie Antoinette's marriage to the Dauphin, later Louis XVI, remained unconsummated for seven and a half years. What effect did this have on her character–and her relationship wth her husband?
4. Were the accusations of extravagance and frivolity leveled against Marie Antoinette justified–both during her own lifetime and since? Marie Antoinette was also the target of numerous vicious libels about her sexuality. What part did these libels played in blackening the image of royalty in France, and how valid were they?
5. Assess the political role of Marie Antoinette in the years shortly before the French Revolution: Should she have tried to influence Louis XVI more or was she correct to let history take its own course?
6. Marie Antoinette was a patron of the arts and a nature enthusiast. Is philanthropy an essential part of the royal role?
7. Once the French Revolution started, Marie Antoinette could probably have escaped by herself, or with her little son disguised as a girl. Instead she saw it asher duty to remain at the King's side. Knowing that she was an unpopular queen, why did she make that decision?
8. Marie Antoinette's courage and composure at her trial and execution aroused widespread admiration at the time, even from her enemies. How much had her character changed since her youth? Or were such qualities always latent in her personality?
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