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During a crowded service at a cathedral in Germany, armed intruders in monks' robes unleash a nightmare of blood and destruction. But the killers have not come for gold; they seek a more valuable prize: the bones of the Magi who once paid homage to a newborn savior . . . a treasure that could reshape the world.
With the Vatican in turmoil, SIGMA Force leaps into action. An elite team of scientific and Special Forces operatives under the command of Grayson Pierce and accompanied by Lieutenant Rachel Verona of Rome's carabinieri, they are pursuing a deadly mystery that weaves through sites of the Seven Wonders of the World and ends at the doorstep of an ancient, mystical, and terrifying secret order. For there are those with dark plans for the stolen sacred remains that will alter the future of humankind . . . when science and religion unite to unleash a horror not seen since the beginning of time.
A mysterious biblical object, nefarious Vatican spies and a deadly centuries-old religious cabal-sound familiar? Sacramento veterinarian Rollins offers more Da Vinci Code-style thrills for the seriously addicted. In this seventh outing, hooded men invade midnight mass at the Cologne Cathedral and slaughter almost everyone present, then break open a gold sarcophagus and steal... the bones of the Three Wise Men. Grayson Pierce, top agent in the Department of Defense's covert Sigma Force, takes a team to Rome, joins up with love-interest Rachel Verona, a carabinieri corps lieutenant, and her Vatican official uncle, Vigot. It seems that the Dragon Court, a medieval alchemical cult-cell that still operates within the Catholic Church, is to blame, and it also seems that the bones of the Magi aren't really bones, but the highly reactive Monatomic gold that the group plans to use to accomplish its ultimate goal-Armegeddon. Rollins has few peers in the research department, which makes the historical material fascinating, and he keeps the dialogue believably colloquial and the incidental elements motivated-and plausible for at least short stretches. Clumsy romance is mostly overcome by lots of action. Dan Brown-ers looking for methadone will add to Rollins's usual solid numbers. (June) Copyright 2005 Reed Business Information.
More Reviews and RecommendationsSpelunker, scuba diver, and all-around adventure junkie James Rollins sold his veterinary practice in Sacramento, California, to concentrate full-time on writing -- his thirst for thrills clearly informing his bestselling novels, including Black Order, Subterranean and The Judas Strain.
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October 26, 2009: My dad bought this book so I am not sure how it is sorry
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September 06, 2009: I love misteries and history and this book is all of this
Name:
James Rollins
Current Home:
Sacramento, California
Date of Birth:
August 20, 1961
Place of Birth:
Chicago, Illinois
James Rollins is the New York Times, USA Today and Publishers Weekly bestselling author of Black Order, Map of Bones and other adventure thrillers. He was born in Chicago and grew up in Ontario, Canada, and St. Louis, Missouri. He graduated with honors from the University of Missouri with a degree in veterinary medicine. And like most veterinarians, he presently shares his home with a Golden Retriever, a Dachshund, and a sixty-five year old parrot named Igor. Rollins currently practices in Northern California, and when not writing or working in his veterinary practice, he can often be found underground or underwater as an amateur spelunker and scuba diver. These hobbies have helped in the creation of his earlier books Subterranean, Deep Fathom, Amazonia, and Sandstorm. His thriller, Black Order, skyrocketed to the top of bestseller lists across the country, winning the author countless new fans, and was proclaimed by People magazine as one of last summer's "hottest reads." Map of Bones was chosen by Publishers Weekly as one of the most likely to win over Dan Brown's faithful audience, and the New York Times rated the book as one the summer's top crowd pleasers.
Author biography courtesy of HarperCollins.
Some fun and fascinating outtakes from our interview with Rollins:
"I often get asked if I still practice veterinary medicine. While I don't practice full-time, I still do volunteer. I work with a group that traps stray cats, brings them to the shelter, where I spend a day spaying and neutering them. It's basically eight hours of removing genitalia. It's a hobby."
"I am a TV junkie. I have two Tivos and they are constantly full."
"My first job was to flip pizzas. I once got a pie spinning that was ten feet across. I had to spin it on my back to keep it going. Yet, I still love pizza."
"Two hobbies I love -- caving and scuba diving -- are also essential research for my novels. Case in point:
I've always been an avid cave explorer, from the vast systems in Missouri to the lava tubes of Hawaii to the tighter squeezes of the California foothills. But one of my most frightening episodes also allowed me to better describe claustrophobia in my novels. While climbing out of the fairly technical wild cavern, involving lots of rope work, I managed to jam myself midway up a narrow vertical chute. Hung up on my ascending gear midway up the chute, I found myself unable to move up or down. My chest was squeezed between two walls, my left knee turned the wrong way. I could not maneuver, and there was not enough room to get a rescue climber to me. I was trapped. I remember the team leader, leaning down from above, shining his helmet lamp at me. ‘You either find a way to un-jam yourself, or you stay there forever.'
So over the course of a long hour -- wriggling, sweating, cursing, and clawing -- I managed to creep a millimeter at a time out of the jam. After this event, I had a better understanding for panic and the determination born of pure desperation, essential ingredients for to writing thrilling fiction.
But spelunking through caves was not my only ‘research' lesson. Two decades ago, I also took up scuba diving and went on dive trips all around the world: Monterey Bay, Hawaii, South Pacific, Australia. I particularly remember one trip to the Great Barrier Reef in Australia. I was informed by the dive master to beware of the many hazards found in the region. ‘On land, Australia has seven of the ten deadliest snakes. The seas are worse. Box jellyfish can kill in minutes. Local sea snakes are some of the most toxic. But worst of all is the stone fish. It looks like a stone, but its spines are loaded with paralytic poison. So be careful what you touch.'
And down we all went, buddied up in pairs, enthusiastic and excited. I dropped toward the reef and adjust my buoyancy until I'm floating just above the reef. All around spread amazing sights: giant clams, a flurry of colored fish, an astounding variety of coral. But I miscalculated my buoyancy, my weight shifted, and I planted a hand into the sand to stabilize my tumble, careful of the razor-sharp coral. Inches from my thumb, a jagged rock suddenly sprouted fins and swam away. I met the gaze of my buddy diver. His wide eyes firmed up the identification. The deadly stone fish. And I had almost slapped my hand on its back. As the fish scurried away, I understood at that exact moment how little Nature cared about the life of a scuba-diving novelist. Down here, Nature ruled. We were only visitors.
This mix of respect and terror is brought to life in my latest novel, The Judas Strain."
What was the book that most influenced your life or your career as a writer?
I don't know if it was any one novel so much as entire narrow genre of writing, specifically the pulp writers of the thirties and forties. I had a large collection of reprints while growing up: Doc Savage, The Shadow, The Spider, The Avenger. From adolescence through college, I was absolutely in love with these old "scientific adventure" novels. On some unconscious level, I think I've been trying to bring back those old dime adventure stories, recast into the present, adapted to modern technologies, and given a polish. Along those same lines, the three writers who also had a great impact as the founders of "scientific thrillers" were Jules Verne, H. Rider Haggard, and H. G. Wells. In fact, my first novel, Subterranean, was an attempt to do a modern retelling of Verne's Journey to the Center of the Earth.
What are your ten favorite books, and what makes them special to you?
Only ten? I read across a wide field of genres, so I'll list them by different genres.
Literary Fiction:
Fantasy:
Science Fiction:
Mystery:
Horror:
Graphic Novels:
Romance:
Thriller:
Memoir:
Other:
What are some of your favorite films, and what makes them unforgettable to you?
Here, also, I could go on and on:
Oh, I could fill up pages and pages here.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I am a massive Bruce Springsteen fan. I skipped studying for my national board exams in veterinary medicine to stay up until 2 a.m. to catch his concert. Still I got one of the highest scores of my veterinary class, which I attribute to Springsteen's concert. The Boss rules!
If you had a book club, what would it be reading?
I would run a book club that covered a wide range of genres. So many book clubs seem one note, limiting the range to literary fiction or one specific genre. I'd prefer to mix it up, challenge members to sample genres that they might never have considered, to pull them out of their comfort zone. Every genre offers a new world of vocabulary, pace, story, structure, and character. So why not stretch those wings a bit?
What are your favorite kinds of books to give -- and get -- as gifts?
Like I mentioned above, one of the joys of reading is that sense of discovery. I'd prefer to get a book that I might never have tried before. If there's a book you love, buy another copy and give it to a friend. I know I would love to receive such a gift. It not only offers a chance to read something new, but it also gives you some insight into your friend. Why did he or she like this enough to gift it to me? Additionally, it also allows you to share something later, to compare notes, to talk about it over coffee. So books make a GREAT gift.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
My main ritual is to write six pages every day. I'm very regimented in this, but to help with this, I have TWO yellow Post-it notes stuck to the edges of my computer monitor. One lists the five senses to remind me not to just write visually. Sometimes writing is like trying to capture a movie in your head and put it on paper. It's a struggle and a challenge every day to try to get that movie that plays like crystal in your head to shine like that on paper. And one of the ways of achieving that is not to forget to fold in other senses into your writing: taste, sound, touch, smell. So the Post-it note reminds me not to forget this. The second note is even more important. It's a simple declarative statement: "I give myself permission to write crap today." So many writers talk about being "blocked." And this statement is my shield against that. Sometimes the sense that you have to write perfect prose that day can cripple a writer, so my simple statement reminds me to relax, have fun with it, to know that writing is an adventure. And then the story flows!
What are you working on now?
I'm just finishing up my 2008 thriller, and I've just sold my first young adult novel, which I'm gearing up to write this winter. And just to keep busy, I'm also writing the novelization to the next Indiana Jones movie. Now you understand WHY I mentioned above about the necessity of writing six pages a day. Writer's block?!? Who has time for writer's block?!?
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I definitely was not an overnight success. First of all, I have years of short stories -- horribly written short stories -- buried in my backyard. I personally fear some future archaeologist stumbling upon this cache of stories and using them a verifiable proof that the end of the twentieth century was void of literary merit. And it didn't get much better when I got around to writing novels. I was rejected by 50 different agents before one finally agreed to represent my first novel. So it's a long haul, but one well worth the uphill climb.
If you could choose one new writer to be "discovered," who would it be?
I'm going to choose not so much a new writer as someone who deserves be discovered and read more widely. That would be Dan Simmons, whose novel The Terror was a critical success and finally a moderately commercial success. But I've been reading Dan Simmons since his first novel, The Song of Kali. It went on to read horror awards across the board with its debut. Later, he produced a modern opus of science fiction titled Hyperion, which garnered him the Hugo Award for best science fiction of the year. He's gone on to write stellar detective novels and now a novel in the literary vein with The Terror. The ability of this writer to cross genres with some striking success is amazing. As a writer, he's a high-wire act that everyone should be experiencing.
What tips or advice do you have for writers still looking to be discovered?
As I mentioned above, as someone who was rejected by fifty different agencies, I must stress the word PERSISTENCE. Believe in your work, keeping sending it out there... but more importantly, don't stop writing. Move on to a new project. Don't keep revising the same book unless an agent or editor asks you to. Simply accept that baby is finished and ready for the world... and go about conceiving a new one. Keep doing this and eventually you will get published! And while I do believe in the old adage "Write Everyday," I also also believe you should "Read Every Night." The best teacher of the craft is simply a good book. As you write and struggle with difficulties in your own writing, each book you read can teach you aspects of the craft. Why re-invent the wheel, when you can learn by example?
During a crowded service at a cathedral in Germany, armed intruders in monks' robes unleash a nightmare of blood and destruction. But the killers have not come for gold; they seek a more valuable prize: the bones of the Magi who once paid homage to a newborn savior . . . a treasure that could reshape the world.
With the Vatican in turmoil, SIGMA Force leaps into action. An elite team of scientific and Special Forces operatives under the command of Grayson Pierce and accompanied by Lieutenant Rachel Verona of Rome's carabinieri, they are pursuing a deadly mystery that weaves through sites of the Seven Wonders of the World and ends at the doorstep of an ancient, mystical, and terrifying secret order. For there are those with dark plans for the stolen sacred remains that will alter the future of humankind . . . when science and religion unite to unleash a horror not seen since the beginning of time.
A mysterious biblical object, nefarious Vatican spies and a deadly centuries-old religious cabal-sound familiar? Sacramento veterinarian Rollins offers more Da Vinci Code-style thrills for the seriously addicted. In this seventh outing, hooded men invade midnight mass at the Cologne Cathedral and slaughter almost everyone present, then break open a gold sarcophagus and steal... the bones of the Three Wise Men. Grayson Pierce, top agent in the Department of Defense's covert Sigma Force, takes a team to Rome, joins up with love-interest Rachel Verona, a carabinieri corps lieutenant, and her Vatican official uncle, Vigot. It seems that the Dragon Court, a medieval alchemical cult-cell that still operates within the Catholic Church, is to blame, and it also seems that the bones of the Magi aren't really bones, but the highly reactive Monatomic gold that the group plans to use to accomplish its ultimate goal-Armegeddon. Rollins has few peers in the research department, which makes the historical material fascinating, and he keeps the dialogue believably colloquial and the incidental elements motivated-and plausible for at least short stretches. Clumsy romance is mostly overcome by lots of action. Dan Brown-ers looking for methadone will add to Rollins's usual solid numbers. (June) Copyright 2005 Reed Business Information.
When a reliquary containing the bones of the Magi vanishes with the burning of a German cathedral, SIGMA force is rushed in to save the day. The start of a new SIGMA adventure series. Copyright 2005 Reed Business Information.
Loading...JULY 24, 4:34 A.M.
FREDERICK, MARYLAND
The saboteur had arrived.
Grayson Pierce edged his motorcycle between the dark buildings that made up the heart of Fort Detrick. He kept the bike idling. Its electric engine purred no louder than a refrigerator's motor. The black gloves he wore matched the bike's paint, a nickel-phosphorous compound called NPL Super Black. It absorbed more visible light, making ordinary black seem positively shiny. His cloth body suit and rigid helmet were equally shaded.
Hunched over the bike, he neared the end of the alley. A courtyard opened ahead, a dark chasm framed by the brick-and-mortar buildings that composed the National Cancer Institute, an adjunct to USAMRIID, the U.S. Army Medical Research Institute of Infectious Diseases. Here the country's war on bioterrorism was waged across sixty thousand square feet of maximum-containment labs.
Gray cut the engine but stayed seated. His left knee rested against the satchel. It held the seventy thousand dollars. He remained in the alley, avoiding the open courtyard. He preferred the dark. The moon had long set, and the sun would not rise for another twenty-two minutes. Even the stars remained clouded by the shredding tail of last night's summer storm.
Would his ruse hold?
He subvocalized into his throat mike. "Mule to Eagle, I've reached the rendezvous. Proceeding on foot."
"Roger that. We've got you on satellite."
Gray resisted the urge to look up and wave. He hated to be watched, scrutinized, but the deal here was too big. He did manage to gain a concession: to take the meeting alone. His contact was skittish. It had taken six months to groom this contact, brokering connections in Libya and the Sudan. It hadn't been easy. Money did not buy much trust. Especially in this business.
He reached down to the satchel and shouldered the money bag. Wary, he walked his bike over to a shadowed alcove, parked it, and hooked a leg over the seat.
He crossed down the alley.
There were few eyes awake at this hour, and most of those were only electronic. All of his identification had passed inspection at the Old Farm Gate, the service entrance to the base. And now he had to trust that his subterfuge held out long enough to evade electronic surveillance.
He glanced to the glowing dial on his Breitling diver's watch: 4:45. The meeting was set for fifteen minutes from now. So much depended on his success here.
Gray reached his destination. Building 470. It was deserted at this hour, due for demolition next month. Poorly secured, the building was perfect for the rendezvous, yet the choice of venue was also oddly ironic. In the sixties, spores of anthrax had been brewed inside the building, in giant vats and tanks, fermenting strains of bacterial death, until the toxic brewery had been decommissioned back in 1971. Since then, the building had been left fallow, becoming a giant storage closet for the National Cancer Institute.
But once again, the business of anthrax would be conducted under this roof. He glanced up. The windows were all dark. He was to meet the seller on the fourth floor.
Reaching the side door, he swiped the lock with an electronic keycard supplied by his contact at the base. He carried the second half of the man's payment over his shoulder, having wired the first half a month before. Gray also bore a foot-long plastic, carbonized dagger in a concealed wrist sheath.
His only weapon.
He couldn't risk bringing anything else through the security gate.
Gray closed the door and crossed to the stairwell on the right. The only light on the stairs came from the red EXIT sign. He reached to his motorcycle helmet and toggled on the night-vision mode. The world brightened in tones of green and silver. He mounted the stairs and climbed quickly to the fourth floor.
At the top, he pushed through the landing's door.
He had no idea where he was supposed to meet his contact. Only that he was to await the man's signal. He paused for a breath at the door, surveying the space before him. He didn't like it.
The stairwell opened at the corner of the building. One corridor stretched straight ahead; the other ran to the left. Frosted glass office doors lined the inner walls; windows slitted the other. He proceeded directly ahead at a slow pace, alert for any sign of movement.
A flood of light swept through one of the windows, washing over him.
Dazzled through his night-vision, he rolled against one wall, back into darkness. Had he been spotted? The sweep of light pierced the other windows, one after the other, passing down the hall ahead of him. Leaning out, he peered through one of the windows. It faced the wide courtyard that fronted the building. Across the way, he watched a Humvee trundle slowly down the street. Its searchlight swept through the courtyard.
A patrol.
Would the attention spook his contact?
Cursing silently, Gray waited for the truck to finish its round. The patrol vanished momentarily, crossing behind a hulking structure that rose from the middle of the courtyard below. It looked like some rusting spaceship, but was in fact a million-liter steel containment sphere, three stories tall, mounted on a dozen pedestal legs. Ladders and scaffolding surrounded the structure as it underwent a renovation, an attempt to return it to its former glory when it was a Cold War research facility. Even the steel catwalk that had once circumnavigated the globe's equator had been replaced.
Gray knew the giant globe's nickname at the base.
The Eight Ball.
Map of Bones. Copyright © by James Rollins. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
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