From the Publisher
The Pulitzer Prize-winning author— "an immensely gifted writer and a magical prose stylist" (Michiko Kakutani, New York Times)—offers his first major work of nonfiction, an autobiographical narrative as inventive, beautiful, and powerful as his acclaimed, award-winning fiction.
A shy manifesto, an impractical handbook, the true story of a fabulist, an entire life in parts and pieces, Manhood for Amateurs is the first sustained work of personal writing from Michael Chabon. In these insightful, provocative, slyly interlinked essays, one of our most brilliant and humane writers presents his autobiography and his vision of life in the way so many of us experience our own lives: as a series of reflections, regrets, and reexaminations, each sparked by an encounter, in the present, that holds some legacy of the past.
What does it mean to be a man today? Chabon invokes and interprets and struggles to reinvent for us, with characteristic warmth and lyric wit, the personal and family history that haunts him even as—simply because—it goes on being written every day. As a devoted son, as a passionate husband, and above all as the father of four young Americans, Chabon presents his memories of childhood, of his parents' marriage and divorce, of moments of painful adolescent comedy and giddy encounters with the popular art and literature of his own youth, as a theme played—on different instruments, with a fresh tempo and in a new key—by the mad quartet of which he now finds himself co-conductor.
At once dazzling, hilarious, and moving, Manhood for Amateurs is destined to become aclassic.
The New York Times -
Michiko Kakutani
…for the most part in these pages [Chabon] manages to write about himself, his family and his generation with humor and introspective wisdom. As in his novels, he shifts gears easily between the comic and the melancholy, the whimsical and the serious, demonstrating once again his ability to write about the big subjects of love and memory and regret without falling prey to the Scylla and Charybdis of cynicism and sentimentality.
The New York Times Book Review -
David Kamp
A lot of Dad Lit makes me cringe, and, worse, makes me think less of writers I'd previously admired…So it's a relief to say that Manhood for Amateurs isn't really Dad Lit, at least not in the Xtreme sense that its user's-manual-like handle indicates. While it bears some of the hallmarks of the genre…the book is a closer relation to Joan Didion's White Album. That is to say, it's not a chronicle, but rather a vaguely themed collection of thoughtful first-person essays…that capture a certain time and mood. The theme: maleness in its various states—boyhood, manhood, fatherhood, brotherhood. The time: now, juxtaposed frequently with Chabon's 1970s childhood. The mood: wistful…Ultimately, what makes this collection so melancholically pleasurable is not the modern-dad stuff but Chabon's ready and vivid access to his own childhood.
Publishers Weekly
An entertaining omnibus of opinionated essays previously published mostly in Details magazine spotlights novelist Chabon's (The Yiddish Policemen's Union) model of being an attentive, honest father and a fairly observant Jew. Living in Berkeley, Calif., raising four children with his wife, Ayelet Waldman, who has also just published a collection of parenting stories (Bad Mother), Chabon, at 45, revisits his own years growing up in the 1970s with a mixture of rue and relief. A child of the suburbs of Maryland and elsewhere, where children could still play in what he calls in one essay the “Wilderness of Childhood,” he enjoyed a freedom now lost to kids, endured the divorce of his parents, smoked a lot of pot, suffered a short early marriage and finally found his life's partner, who takes risks where he won't. The essays are tidily arranged around themes of manly affection (his first father-in-law, his younger brother); “styles of manhood,” such as faking at being a handyman; and “patterns of early enchantment,” such as his delight in comic books, sci-fi and stargazing. Candid, warm and humorous, Chabon's essays display his habitual attention to craft. (Oct.)
Library Journal
This collection of previously published essays by the author of the Pulitzer Prize-winning The Amazing Adventures of Kavalier and Clay is both lyrical and side-splittingly funny. In each autobiographical composition, the self-deprecating Chabon reveals facets of his ongoing evolution into "manhood." His most resonant role, as father, finds him reviling the "provided solutions" and "pre-imagined environments" of contemporary toys and advocating that children "mock capitalism and the uses to which it seeks to put them." Chabon also notes the infrequency with which today's kids are left to their own devices; there is "no space…free of adult supervision, adult mediation, adult control" so that kids can, as did he, simply ride bikes or mess around. The writing makes epic the mundane, such as his teenaged adventure leading his young brother across an unfamiliar cityscape, or a rant on "crap" that manages to both skewer and celebrate pop culture past (Planet of the Apes TV series) and present ("family movies"). VERDICT Readers seeking the intelligence of Updike; the gentle, brainy appeal of Sedaris; or the literary virtuosity of Nabokov will thoroughly enjoy what the publisher bills as Chabon's first major nonfiction work. [See Prepub Alert, LJ 6/15/09.]—Douglas C. Lord, Connecticut State Lib., Hartford
Kirkus Reviews
A charming collection of autobiographical essays-on childhood, parenthood and lifelong geekhood-from the Pulitzer Prize-winning novelist. In modern classics like The Amazing Adventures of Kavalier & Clay (2000) and The Yiddish Policemen's Union (2007), Chabon (Gentlemen of the Road, 2007, etc.) gave genre writing literary heft, and he does much the same here. His material is the stuff of folksy, small-town newspaper columns, but he applies an unusual level of wit and candor to the form. In his essay on Legos, he drills deep into the tactile pleasures they provided him as a child and the frustrations that their current complex, imagination-killing designs give him as a parent. Writing about cooking, he patiently runs through the details of the first crumb cake he successfully baked as a nine-year-old. "A Woman of Valor" looks at Big Barda, a little-loved comic-book superheroine. It's a sharp essay on the definition of sincerely powerful women and why they rarely appear in pop culture. Chabon's tone is nostalgic, funny and self-deprecating, though the memories are often bittersweet: the strange, brief fling he had with a friend of his mother's when he was 15, bad experiences with women his own age, a botched first marriage, a drug-addicted acquaintance slipping away from his efforts to help. Chabon discusses life as a writer only glancingly. He briefly notes, for instance, his struggle to create an authentic female character in Kavalier & Clay-eventually gutting 400 pages of effort-within the context of misogyny in pop culture, and mentions David Foster Wallace's suicide only as a launchpad for an essay on his wife's bout with depression. Even his defense of MFAs says more about theemotional maturity he received pursuing the degree than anything about craft. Only once, in a forced bit of punditry about Jose Canseco and steroids, is he off his game. He'd much rather discuss sharing Doctor Who with his kids, and he's clearly having so much fun being a dad-and thinking about what it means to be a dad-that it's a wonder he has time to create such excellent novels. Wry and heartfelt, Chabon's riffs uncover brand-new insights in even the most quotidian subjects.
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