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From the #1 bestselling author of Running with Scissors and Dry--a contagiously funny, heartwarming, shocking, twisted, and absolutely magical collection. True stories that give voice to the thoughts we all have but dare not mention. It begins with a Tang Instant Breakfast Drink television commercial when Augusten was seven. Then there is the contest of wills with the deranged cleaning lady. The execution of a rodent carried out with military precision and utter horror. Telemarketing revenge. Dating an undertaker and much more. A collection of true stories that are universal in their appeal yet unabashedly intimate and very funny.
It would be tempting to call these highly personal and uninhibited essays painfully honest, except that Burroughs (Running with Scissors; Dry) is so forthright about his egocentricity that the revelations don't appear to cause him much pain. He approaches his material with a blithe tone that oozes sarcasm and crocodile tears. But the palpable humor of the writing itself endears listeners to him enough that they won't be completely repelled by even Burroughs's ugliest moments (which include his less than gallant reaction to accidentally stepping on a toddler's fingers in a store). His performance is off the cuff, but even when he's at his least humane, he still comes across as all too human. He adopts the same openness that made his previous memoirs-dealing with his bizarre upbringing and battle with addiction-so successful; now, however, he's focusing on less serious subject matter and displaying failings that are more vain. Burroughs excels in his personifications of others, whether portraying a domineering cleaning woman or an overbearing boss. While some may secretly wish for the death of such a boss, though, Burroughs admits openly and proudly that he believes he can will it to happen. That attitude, which is accentuated by his reading, makes this audiobook a true guilty pleasure. Simultaneous release with the St. Martin's hardcover (Forecasts, July 12). (Oct.) Copyright 2004 Reed Business Information.
More Reviews and RecommendationsWhen Augusten Burroughs released 2002's Running with Scissors -- his memoir about growing up in the mother of all dysfunctional families -- readers didn't know whether to drop their jaws in horror or hold their stomachs from laughing. Whatever reactions he gets from readers, Burroughs's gift for dishing on all things stranger than fiction has made him a bestselling author.
More About the Author
Number of Reviews: 24
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One of my favorites!
Ginny
(ginny_nowak@yahoo.com)
, a student in Latrobe, PA, 03/18/2008
I absolutely LOVED this book. It takes alot to make me laugh out loud, but this did the trick, and how!
Also recommended: Everything Augusten Burroughs
He has some stories.
Erica Swager
(Rocker_Chic0129@msn.com)
, A reviewer, 02/21/2008
This book is my favorite out of all of his books, for sure. I've never laughed so hard from a book. You'd never even think of doing some of the stuff this guy does. The salt, the pennies, and the Tang. Well, I can honestly say, this book is a must read. Absolutely superb.
Also recommended: Running with Scissors, Dry, Possible Side Effects, Sellevision, Look Me In The Eye
More Customer Reviews
Name:
Augusten Burroughs
Also Known As:
Augusten X. Burroughs
Current Home:
New York, New York and western Massachusetts
Date of Birth:
October 23, 1965
Place of Birth:
Pittsburgh, Pennsylvania
Education:
No formal education beyond elementary school
Awards:
"I am awaiting my honorary doctorate in medicine from Harvard Medical School."
Although Augusten Burroughs achieved moderate success with his debut novel, Sellevision, it was his 2002 memoir, Running with Scissors, that catapulted him into the literary stratosphere. Indeed, few writers have spun a bizarre childhood and eccentric personal life into literary gold with as much wit and panache as Burroughs, whose harrowing accounts of dysfunction and addiction are offset by an acerbic humor readers and critics find irresistible.
Born Christopher Robison (he changed his name when he turned 18), Burroughs is the son of an alcoholic father who abandoned his family and a manic-depressive mother who fancied herself a poet in the style of Anne Sexton. At age 12, he was farmed out to his mother's psychiatrist, a deeply disturbed -- and disturbing -- man whose medical license was ultimately revoked for gross misconduct. In Running with Scissors, Burroughs recounts his life with the pseudonymous Finch family as an experience tantamount to being raised by wolves. The characters he describes are unforgettable: children of assorted ages running wild through a filthy, dilapidated Victorian house, totally unfettered by rules or inhibitions; a variety of deranged patients who take up residence with the Finches seemingly at will; and a 33-year-old pedophile who lives in the backyard shed and initiates an intense, openly homosexual relationship with the 13-year-old Burroughs right under the doctor's nose.
That he is able to wring humor and insight out of this shocking scenario is testimony to Burroughs's writing skill. Upon its publication in 2002, Scissors was hailed as "mordantly funny" (Los Angeles Times), "hilarious" (San Francisco Chronicle), and "sociologically suggestive and psychologically astute" (The New York Times). The book became a #1 bestseller and was turned into a 2006 movie starring Annette Bening, Alec Baldwin, and Joseph Fienes.
[Although the doctor who "raised" Burroughs was never named in the memoir, six members of the real-life family sued the author and his publisher for defamation, claiming that whole portions of the book were fabricated. Burroughs insisted that the book was entirely accurate but agreed in the 2007 settlement to change the wording of the author's note and acknowledgement in future editions of the book. He was never required to change a single word of the memoir itself.]
Since Running with Scissors, Burroughs has mined snippets of his life for more bestsellers, including further installments of his memoir (Dry, A Wolf at the Table) and several well-received collections of razor-sharp essays. His writing continues to appear in newspapers and magazines around the world, and he is a regular contributor to National Public Radio's Morning Edition.
Some fun and fascinating outtakes from our interview with Burroughs:
"When I was very young, maybe six or seven, I used to make little books out of construction paper and wallpaper. Then I'd sew the spine of the book with a needle and thread. Only after I had the actual book did I sit down with a pencil and write the text. I actually still have one of these little books and it's titled, obliquely, Little Book."
"Well, all of a sudden I am obsessed with PMC. For those of you who think I am speaking about plastic plumbing fixtures, I am not. PMC stands for Precious Metal Clay. And it works just like clay clay. You can shape it into anything you want. But after you fire it, you have something made of solid 22k gold or silver. So you want to be very careful. Anyway, I plan to make dog tags. So there's something."
"I'm a huge fan of English shortbread cookies, of anything English really. I very nearly worship David Strathairn. And I'm afraid that if I ever return to Sydney, Australia, I may not return."
"I will never refuse potato chips or buttered popcorn cooked in one of those thingamajigs you crank on top of the stove."
"And my politics could be considered extreme, as I truly believe that people who molest or otherwise abuse children should be buried in pits. And I do believe our country has been served by white male presidents quite enough for the next few hundred years. I really could go on and on here, so I'd best stop."
What was the book that most influenced your life or your career as a writer? Midaq Alley by Naguib Mahfouz was the first book I read as an adult, at the age of twenty-four. Until this time, I'd never had the opportunity to sit down and read. Reading takes solitude and it takes focus. My life had been extremely chaotic. By the time I was twenty-four, I was already an active alcoholic. But during a brief period of sobriety, I went to a local bookstore and selected Midaq Alley out of all the other books, simply because I liked the cover. It turned out to be a profound experience for me. I was completely absorbed in the book, in the experience of reading. I felt transported from my life into a different, better life. From that moment forward, I was a heavy reader, often devouring three or four books a week.
What are your ten favorite books, and what makes them special to you?
Not in order, here are ten of my favorite books.
What are some of your favorite films, and what makes them unforgettable to you?
Who's Afraid of Virginia Woolf? -- Mike Nichols's first film -- continues to be my favorite movie. Maybe because it feels like the closest thing I have to a home movie.
Other films I love are films from the 1940s like Double Indemnity and Citizen Kane. I'm a huge fan of pictures from the 1970s, like Chinatown, Network, The Godfather, The Eyes of Laura Mars, The Little Girl Who Lives Down the Lane. A Streetcar Named Desire is one of my all-time favorite movies. As is On The Waterfront. More recent films that I love include Silkwood, The Accused, The Silence of the Lambs, Safe, American Beauty, The Hours. And this list is very incomplete.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I never listen to music when I write. And I tend to listen to NPR when I'm not writing. But I do listen to music when I'm in the car: Stevie Nicks, Julia Fordham, Carole King, Carly Simon, Patti Smith, Sinead O'Connor, Joni Mitchell, Bruce Springsteen, Elton John, Coldplay, Great Big Sea, Tina Turner. But my favorite band is Curbside Life, out of Chicago.
What are your favorite kinds of books to give -- and get -- as gifts?
I love to both give and receive very old books. For his birthday two years ago, I gave my partner a cookbook from the mid-17th century. Boiled sheep head anyone? Of course, the perfect book for book lovers (and graphic design students) would be a copy of Chip Kidd: Book One, an enormous and fascinating retrospective of the work of this most famous book jacket designer (and author). What's great about this book is that he really takes the reader through the design process, showing his initial sketches on napkins and scraps of paper, covers that were killed by the publisher or the author, and then the famous final covers we all know and love. And because Chip is a terrific and funny writer, it's a really interesting book to read, not just look at.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
My only ritual is to just sit down and write, write every day. I usually have a Blenheim ginger ale nearby. The television on the bookshelf behind me is always on, but always mute. I may have a lit candle on the table behind me. My French Bulldogs are probably snoring away. That's the ideal. But I can also write in crappy motel rooms, while standing in line, or sitting in the dentist's chair. The secret to being a writer is that you have to write. It's not enough to think about writing or to study literature or plan a future life as an author. You really have to lock yourself away, alone, and get to work.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I was rejected by every agent I contacted, except one. And he's still my agent today -- Christopher Schelling with Ralph Vicinanza, Ltd. As a writer, you can't allow yourself the luxury of being discouraged and giving up when you are rejected, either by agents or publishers. You absolutely must plow forward. I believe that if you have real talent as a writer, a true gift, you will eventually be published. But it may not happen according to your schedule. And it may not happen with the first manuscript you create. Or the second. So you have to be, if not patient, at least endlessly tenacious.
What tips or advice do you have for writers still looking to be discovered?
Well, like I said above -- you must never give up. Once I decided to write, to be published, I knew it would happen. I knew that if I wrote a new book every six months or every year, if I continued to read great books, eventually I would write something worthy of publication. I understood I might be in my forties or my fifties or even my sixties, but I felt confident that it would happen. The reason I was so confident is because I knew I wouldn't stop trying until it happened. And this is the secret. You don't need to be confident. You just need to be stubborn.
--------------------------------------------------------------------------
In the summer of 2004, we asked authors featured in Meet the Writers to give us a list of their all-time favorite summer reads, and tell us what makes them just right for the season. Here's what made Burroughs's list:
Augusten Burroughs is always prepared for the worst. When Running with Scissors came out, he expected it to sell "about seven copies." Instead, this meandering self-exploration turned into a national bestseller. Even Burroughs gained optimism: "It was just great. It allowed me to continue writing and not have to publish myself at Kinko's." By the evidence of Magical Thinking, Kinko's has permanently lost a client and we have gained an engaging author. Burroughs himself describes these true stories as "weird things that have happened to me." The weird things include an epic contest of wills with a deranged cleaning lady; a story about the emotional complexity of rodent annihilation; and a cautionary history of failed first dates. Touching; twisted; absolutely magical.
From the #1 bestselling author of Running with Scissors and Dry--a contagiously funny, heartwarming, shocking, twisted, and absolutely magical collection. True stories that give voice to the thoughts we all have but dare not mention. It begins with a Tang Instant Breakfast Drink television commercial when Augusten was seven. Then there is the contest of wills with the deranged cleaning lady. The execution of a rodent carried out with military precision and utter horror. Telemarketing revenge. Dating an undertaker and much more. A collection of true stories that are universal in their appeal yet unabashedly intimate and very funny.
It would be tempting to call these highly personal and uninhibited essays painfully honest, except that Burroughs (Running with Scissors; Dry) is so forthright about his egocentricity that the revelations don't appear to cause him much pain. He approaches his material with a blithe tone that oozes sarcasm and crocodile tears. But the palpable humor of the writing itself endears listeners to him enough that they won't be completely repelled by even Burroughs's ugliest moments (which include his less than gallant reaction to accidentally stepping on a toddler's fingers in a store). His performance is off the cuff, but even when he's at his least humane, he still comes across as all too human. He adopts the same openness that made his previous memoirs-dealing with his bizarre upbringing and battle with addiction-so successful; now, however, he's focusing on less serious subject matter and displaying failings that are more vain. Burroughs excels in his personifications of others, whether portraying a domineering cleaning woman or an overbearing boss. While some may secretly wish for the death of such a boss, though, Burroughs admits openly and proudly that he believes he can will it to happen. That attitude, which is accentuated by his reading, makes this audiobook a true guilty pleasure. Simultaneous release with the St. Martin's hardcover (Forecasts, July 12). (Oct.) Copyright 2004 Reed Business Information.
Like Burroughs's earlier books (Running with Scissors; Dry) these humorous stories draw on the author's unstable childhood, work in advertising, struggle with alcoholism, and quest for fulfillment as a writer and a gay man. They treat a wide range of topics, from a gay couple's search for a summer home to homosexuality in the Catholic priesthood. Whether writing about the prevalence of steroid use by gay men or the murder of a mouse in the bathtub, Burroughs uses the same light touch. While his stories may at times shock or even disgust readers, they are redeemed in the end by laughter. Like the narrator in the title story, Burroughs wants to believe he has some control over the universe, or at least a tenuous connection to a higher power. A gifted satirist, Burroughs offers hilarity in the face of despair, and loyal readers of his earlier best sellers will welcome this new collection. Recommended for public libraries. [See Prepub Alert, LJ 6/15/04.]-William Gargan, Brooklyn Coll. Lib, CUNY Copyright 2004 Reed Business Information.
Number of Reviews: 24
Average Rating:
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One of my favorites!
Ginny (ginny_nowak@yahoo.com), a student in Latrobe, PA, 03/18/2008
I absolutely LOVED this book. It takes alot to make me laugh out loud, but this did the trick, and how!
Also recommended: Everything Augusten Burroughs
He has some stories.
Erica Swager (Rocker_Chic0129@msn.com), A reviewer, 02/21/2008
This book is my favorite out of all of his books, for sure. I've never laughed so hard from a book. You'd never even think of doing some of the stuff this guy does. The salt, the pennies, and the Tang. Well, I can honestly say, this book is a must read. Absolutely superb.
Also recommended: Running with Scissors, Dry, Possible Side Effects, Sellevision, Look Me In The Eye
A reviewer
Jeanie, A reviewer, 01/18/2008
I generally read at bedtime, but I kept laughing so hard while reading this book that my husband couldn't sleep. He also reveals the painful childhood he had in some of the stories, so it is helpful if you have read Running With Scissors first. I am going to buy Sellevision and Possible Side Effects next.
Also recommended: Running With Scissors and Dry by Augusten Burroughs
A reviewer
A reviewer, A reviewer, 12/19/2007
If all of this authors books are this way, I really don't know how anyone could read them. I purchased this book thinking that it would be a quirky, funny book and instead found myself reading over some of the most foul things I have ever seen. I opened the book to check out the different chapters and read about half of one and shut the book and threw it in the trash, I don't even want to bother returning it.
Open Your Eyes..
Missy (missyann4911@hotmail.com), a passionately in love with books!!, 09/28/2007
Never have I felt more connected to an author in a uncomfortable world as I do with Augusten Burroughs. A fresh prospective and hard hitting one-liners that make you say 'did I just read that correctly'. Deals and tells of raw situations with a sophisicated humor. This is a must read to everyone. This collection of stories captures what life is all about and how you cannot take ANYTHING too seriously. Please give it a try!
Also recommended: Possible Side Effects by Augusten Burroughs The Perks of Being a Wallflower by Stephen Chbosky The Catcher In The Rye by J.D Salinger The Polysyllabic Spree by Nick Hornby
Showing 1-5 Next| Commercial break | 1 | |
| Vanderbilt genes | 17 | |
| Transfixed by transsexuals | 25 | |
| Model behavior | 31 | |
| I dated an undertaker | 43 | |
| And now a word from our sponsor | 51 | |
| The rat/thing | 63 | |
| Debby's requirements | 73 | |
| Roof work | 97 | |
| Beating Raoul | 109 | |
| Holy blow job | 117 | |
| Mark the shrink | 125 | |
| Telemarketing revenge | 137 | |
| My last first date | 143 | |
| The schnauzer | 155 | |
| Key worst | 163 | |
| Ass burger | 171 | |
| Life cycle of the North American opossum | 181 | |
| Cunnilingusville | 189 | |
| I kid you not | 197 | |
| I'm gonna live forever | 205 | |
| Total turnaround | 213 | |
| Roid rage | 225 | |
| Magical thinking | 233 | |
| Puff derby | 245 | |
| Meanwhile, back at the ranch | 251 | |
| Up the escalator | 259 |
When I was seven, I was plucked from my uneventful life deep in darkest Massachusetts and dropped into a Tang Instant Breakfast Drink commercial. It was exactly like being abducted by aliens except without the anal probe. I was a lonely kid with entirely imaginary friends. I played with trees.
Then, one day during penmanship class, a white van pulled up in front of our little gray schoolhouse, and the men from Tang climbed out.
My elementary school sat atop a low grassy hill in the center of Shutesbury, a small New England town that was so "small New England town" one had the sensation of existing within a snow globe at a souvenir shop. The mailboxes at the local post office had ornate brass doors with etched-glass windows. There was a white church with solid mahogany pews and a pipe organ. A small red library was tucked on the edge of the town square and carried books about local birds and field mice. It was retchingly quaint.
Of course, in this wholesome idyllic community, my school was the anchor. It was a gray clapboard building, two stories tall, with shutters. There was a steeple on top and inside a bell that worked. The door was bright red. There were two apple trees on either side. The playground consisted of a sandbox, two swing sets, and an area of blacktop on which was painted a hopscotch outline.
Now that I am an adult and have wasted much of my life as an advertising executive, I can easily imagine the conversation that must have taken place among the occupants of that van, upon their seeing my schoolhouse.
"So Cronkite was grilling the guy, you know? Just really asking the tough questions. Then they cut away to Nixon, and boy oh boy, you should have seen his face. It was li-"
"Jesus fucking Christ, Mitch. Get a load of that."
"Huh? Oh, mother of flicking God. STOP THE VAN."
"Christ, there's even a bell on top."
"Love those trees. But are those actually apples? Christ, yes, those are apples. The client's gonna hate that. Apples clash with the orange flavor."
"So we'll cut 'em down and throw up a couple of maple trees. What's the fucking difference?"
"You know, you couldn't build a set this perfect in Burbank, you really couldn't. This is so New England schoolhouse. We have hit pay dirt, gents. I think we've got a few triple martinis ahead of us tonight."
I was sitting in Mrs. Ames's tedious penmanship class looking out the window when the white van pulled into the circular driveway. I watched as a window was rolled halfway down and two lit cigarettes were tossed out. Then the doors opened, and the men stepped out.
Mrs. Ames noticed, too, because she paused in the middle of looping a D. When she turned her ancient neck to the window, my mind added the sound effect of a branch creaking under the weight of snow before it snaps. I was quite sure that Mrs. Ames was one of the original settlers of the town. She once said that television was "nonsense, just a fad like radio."
Visitors were uncommon at our school. Especially visitors dressed in dark suits, wearing sunglasses, and carrying black briefcases. These were like the men who followed President Nixon around and whispered things in his ear.
"Remain seated and do not talk," Mrs. Ames said, glaring at us down the point of her nose. "I shall return in a moment." She quickly brushed her hands down the front of her heavy gray wool skirt to remove any wrinkles. She straightened the dainty single pearl that hung around her neck, centering it perfectly between her breasts, which were certainly bound with ace bandages beneath her crisp white shirt.
The group of men removed their sunglasses in unison, raised their chins in the air, and inhaled. I could tell they were inhaling because they slapped at their chests and flared their nostrils. It was a familiar gesture. Many of my mother's friends from New York City or Boston did the same thing when they came to Shutesbury. Personally, I could never understand why, because the air was thick with pollen and insects. If one wanted fresh air, why not just open the door to the clothes drier and stick your face in there?
One of the men approached the school, came right up to the window, and knocked on the wood next to the glass. "It's real, all right," he called back to his associates.
A moment later, Mrs. Ames joined the men outside and, to my horror, smiled. I'd never seen Mrs. Ames smile before, and the thought had never occurred to me that such an act was even possible for her. But there it was, her mouth open in the white daylight, her teeth exposed. One of the men stepped forward, removed his sunglasses, and said something to her. She touched her hair with her hand and laughed. Kimberly Plumme, who liked to insert marbles into her vagina at recess, said, "Gross." Her lips frowned in disgust. I myself was horrified to see Mrs. Ames laugh. And then blush. To see her in such a state of obvious bliss was unbearable. I had to look away.
Eventually, Mrs. Ames walked back into the room, and I watched her legs, all plump and plastic-looking through her support hose. She wore high heels of an unfashionable style that made a sharp, angry sklack against the tile floor when she walked. She was kind only to the girls. And by "kind," I mean she was not mean. She was punishing to the boys, even the prissy, girly boys like me. But for once, she had something to say that interested me.
"Children, children, may I have your attention please?" She clapped her hands together quickly. Smacksmacksmacksmacksmack.
But this was unnecessary because she already had our full attention. We'd been sitting there waiting for her, not daring to breathe lest we disturb the balance of the universe, causing her to fall and die and then not be able to tell us why the men had come to our school. Or worse: somehow cause the men to simply drive away.
"We have some very special surprise guests here today." She looked to the door and nodded, and the men entered the room. "Hi kids," they said. "Hi there, everyone."
It was thrilling to hear them speak in their deep, baritone voices and to see, up close, the dark razor stubble that shadowed their chins. At the same time, an exotic aroma entered the room, one that made me feel light-headed and flushed, like I'd been on a pogo stick. Only as an adult would I be able to name this intoxicating scent: English Leather.
Mrs. Ames continued. "These men are from New York City. And I hope you all know where New York City is. Because we have studied our geography quite a bit this year. Does everyone here know where New York City is?"
We nodded yes, but we all thought, What's the matter with you, crazy old witch? Why is your face so red?
Although it alarmed mc to recognize that my own face was red, as well. Something about the presence of the men made both Mrs. Ames and me turn red and become hot. The fact that we had this in common made me wonder what was wrong with me.
"Good. Well, then. These men are here to make a television commercial."
Here, I almost peed. She might as well have told me that as of today, I never had to come to school ever again and for that matter was free to hit anybody I wanted to, without being punished. I lived for television commercials. The only reason I watched TV was so that I could see the commercials. Faberge Organics Shampoo: "I told two friends. And they told two friends. And so on ... and so on ... and so on." Or my current favorite: "Gee, your hair smells terrific!" I was also fond of the commercial with the dog chasing the chuck wagon underneath the kitchen sink: "It makes its own rich gravy."
I watched one of the men scan the faces in the room. Occasionally he would jab his friend on the shoulder and nod in the direction of one of the students. As I was watching him he caught my eye and smiled. I thought he was a very friendly man, very nice. I admired his crisp dark suit, white shirt, and black tie. His hair was thick and glossy, combed back. I smiled at him. He nudged his friend and nodded in my direction, and then the other man looked at me. He smiled, too.
I wanted to jump up out of my seat and run to the men, hugging them around the legs. I wanted to lick the hair on their wrists.
Mrs. Ames announced to the class, "These men would like to use our schoolhouse in a commercial for their special beverage. It's called Tang. Do any of you know Tang?"
There were gasps in the room. Of course we knew Tang, the orange crystalline powder that the astronauts brought with them to outer space. I loved Tang and would sometimes eat it by the teaspoon, straight from the jar. I loved the green label, the orange lid. The way the lid was extra wide and easy to unscrew. I even liked the paper eardrum that was over the mouth of the lid when you first opened the jar. You had to puncture the eardrum with a spoon, and printed on top was "Tang, Tang, Tang."
My mother despised Tang. "I've just made this fresh tangerine juice and put it into this nice clay pitcher I bought at the Leverette Arts Center, and you want that god-awful artificial junk." She did like cinnamon DYNAMINTS, though.
Mrs. Ames told us that the men from the van wanted to use some of us in their commercial. "Not all of you, now. Only some of you. They're going to have to choose."
Instantly the students began raising their hands. Except for me. Some voice inside me said, "Don't do it. It's beneath you." Instead, I sat politely at my desk with my hands clasped firmly together. I was very pleased that I'd thought to wear my fourteen-karat-gold electroplated ID bracelet that day. One thing was certain: I would be in their Tang commercial. And if any of the other children tried to get in my way, I would use my pencil to blind them.
"So these men would like to separate everybody into groups and then ask each group a few questions."
Chaos erupted as the kids began to screech with excitement. Desks were shoved back, chairs knocked over. Mrs. Ames tried to gain control of her students by slapping her ruler against the edge of her globe. "Now, now, now, silence! Stop this! Children, come to attention at once!"
Reluctantly the class came to attention, facing the flag and placing their hands over their hearts, ready to recite the Pledge of Allegiance.
"No, not that," she said. "Just stand still and be silent."
Eventually, we were split up into groups of three. Then group by group the men met with the kids.
I stared hatefully at the back of Lisa Tucker's fat head. I was trying to determine where the odor she emitted was coming from. A hole? Some sort of vent for her brain? I hated Lisa, and so did everyone else. She smelled like feet and something worse, something spoiled and eggy. And she was mean. She was a strong girl who pushed the boys around. Her older brother, Tommy, was one of the big kids who went to the new school down the street. Once he hit me so hard he knocked the wind out of me. I wished that Lisa and Tommy would go swimming in the ocean and be eaten by Jaws. Surely the men would know not to cast her in their commercial.
When it was finally my turn, the men were tired, as evidenced by their loosened ties and the large wet spots that spread from under their arms. They'd spoken to all thirty kids and had notes splayed out on the table in front of them. They looked funny sitting in our small chairs, which had never seemed small before.
The man who had first smiled at me said, "Hi guys. So do any of you want to be in a commercial?" He looked at me when he said this, and I got the feeling that he had already chosen me. His eyes said, You are special arm better than all the other children, and I would like you to come live with me and my blue eyes in a city far away from here. His eves said, I will save you.
We all nodded our heads yes.
"Good then. Good. So what I want to do is, I want to see if you can laugh. I'm gonna tell you a joke, and I just want to see what you sound like when you laugh. Ready?"
The other children nodded, I thought, like puppets. I smiled and winked at him, like I'd seen people do on TV.
He winked back and nudged the man on his left.
"Okay," he said. Then he raised his voice and made a comical face. "Your mother wears army boots!"
Neither of the other kids laughed.
I tossed my head back in an explosion of delight and laughed so hard I was able to bring tears to my eyes. My face was flushed, my hands dripping with sweat from the pressure.
"Wow," said the man. "You really liked that joke, did you?"
His friend turned to him. "Yeah, Phil, you're a real laugh-riot."
I quickly looked back and forth between the two men, but I wasn't sure what was going on between them. Had I laughed before the punch line? Or was it a trick joke? Had I just blown my chance?
"Do you kids like Tang?" he asked.
The other two kids nodded grimly.
"I love Tang!" I gushed. "Only I like to make it with an extra scoop. Plus, you can put it in ice cube trays and then freeze it! That's really good."
Where had that come from? I'd never in my life frozen Tang.
"That's great!" said the man with the blue eves who was going to lake me away to live with him in a penthouse apartment.
All of the men exchanged a look. Then my man said, "Thanks a lot, kids."
Disgusting Evan and retarded Ellen immediately pushed their chairs back from the table and fled. But I was crushed, stunned, so I moved in slow motion, carefully rising from my chair. They might as well run over me with their white Tang van now, I thought.
"Uh, no. Not you. What's your name?"
"Augusten?" I said.
"Yes, you, Augusten. You were great. We want you." It was the man with the blue eves speaking, and now I had my confirmation: he adores me, too. Instantly, my mood reversed, and I began to grind my teeth in joy.
I can now trace my manic adult tendencies to this moment. It was the first time I felt deeply thrilled about something just a fraction of an instant after being completely crushed. I believe those three words "We want you" were enough to cause my brain to rewire itself, and from then on, I would require MORE than other people. At the same time, my tolerance for alcohol was instantly increased, and a new neural pathway was created for the future appreciation of crack cocaine and prescription painkillers.
"You want me?" I said, containing my enthusiasm so completely that I probably appeared disinterested.
"Well, yeah. Don't you want to be in the commercial?"
"Well, yeah. A lot." I tried to imitate an excited boy. I was excited but somehow unable to express the actual emotion of excitement. My electrical system was all off now.
"Good," he said clapping his hands.
Continues...
Excerpted from Magical Thinking by Augusten Burroughs Copyright © 2004 by Island Road, L.L.C.. Excerpted by permission.
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