
Reserve it at BN.com & pick it up in 60 minutes at your local store.
Enter a zip code
Textbook (Paperback - New Edition)
Textbook Information
In a masterful evocation of Italian Harlem and the men and women who lived there, Robert A. Orsi examines how the annual festa of the Madonna of 115th Street both influenced and reflected the lives of the celebrants. His prize-winning book offers a new perspective on lived religion, religion's place in the everyday lives of men, women, and children, the experiences of immigration and community formation, and American Catholicism. This edition includes a new introduction by the author that outlines both the changes that Italian Harlem has undergone in recent years and significant shifts in the field of religious history. Awarded the 1985 Alpha Sigma Nu National Book Prize presented by the Association of Jesuit Colleges and Universities for the outstanding book in the humanities Winner of the 1986 American Catholic Historical Association's John Gilmary Shea Prize
A richly tapestried portrait-narrative... . Orsi is to be commended for a truly significant contribution to the annals of American social history.
More Reviews and RecommendationsReader Rating:
See Detailed Ratings
November 12, 2003: Robert Orsi?s Madonna of 115th Street is a brilliant multi-dimensional research on the meaning of ?popular religion? in the Italian community of Harlem in New York. However, to be just, Orsi himself is rather cautious about labeling his study by the term ?popular?. It is ?religion in the streets,? Orsi says, that is in the center of his examination: ?This study began in a sense of the limitations of the meaning of popular religion and a desire to broaden and deepen our understanding of this phenomenon? (Orsi, 1985:xiv). Robert Orsi raises pertinent and engaging questions regarding the melding of ethnicity, religion, and community values which have implications beyond the scope of the present work. The study of Italian American religion begins with the people themselves as a story of suffering, conflict, and hope intimately related to Mary. The men and women of Italian Harlem, the Sicilian refugees brought to the United States along with their modest material goods their incredibly rich religiosity and devotion to the Marian cult. The latter, unlike in the case of Polish Catholics (Orsi, 1985:xvi), was hardly controlled by the Church structures. This unique feature of the Southern Italian Catholicism defined people?s religion as the totality of their ultimate values, their most deeply held ethical convictions, their efforts to order their reality, their cosmology: ?This also could be called their ?ground of being?, but only if this is understood in a very concrete, social-historical way, not as reality beyond their lives, but as the reason that, consciously and unconsciously, structured and was expressed in their actions and reflections? (Orsi, 1985:xvii). Orsi?s analysis resembles Durkheim?s research on The Elementary Forms of Religious Life who believes that religion is ?a fundamental and permanent aspect of humanity?. The reality of religious forces is to be found in the real experience of social life, according to Durkheim (Durkheim, 1995:36). Interestingly enough, in the same way as Durkheim finds the birth of that idea in rites, as moments of collective effervescence, Orsi finds the annual festa of the Madonna of Mount Carmel in the 115th Street in the heart of the socio-religious dynamics of the Italian Harlem.