Look Again by Lisa Scottoline, Mary Stuart Masterson (Read by), Mary stuart Masterson (Read by)

From Barnes & Noble

If she hadn't looked at the picture, Betty Gleeson would have dropped the flyer in the waste paper basket. Instead, she stopped, transfixed: The missing boy in the photo looked identical to her adopted son. This seasoned reporter knew that Will's adoption had been totally aboveboard, but there was something that compelled her to pursue this eerie coincidence. In that moment, she made a decision that would thrust her into a hunt she can't abandon and a struggle she might not survive. Binding family ties; building suspense; sudden surprises.

From the Publisher

When reporter Ellen Gleeson gets a “Have You Seen This Child?” flyer in the mail, she almost throws it away. But something about it makes her look again, and her heart stops—the child in the photo is identical to her adopted son, Will. Her every instinct tells her to deny the similarity between the boys, because she knows her adoption was lawful. But she’s a journalist and won’t be able to stop thinking about the photo until she figures out the truth. And she can’t shake the question: if Will rightfully belongs to someone else, should she keep him or give him up? She investigates, uncovering clues no one was meant to discover, and when she digs too deep, she risks losing her own life—and that of the son she loves. Lisa Scottoline breaks new ground in Look Again, a thriller that’s both heart-stopping and heart-breaking, and sure to have new fans and book clubs buzzing.

The Washington Post - Janice Harayda

Scottoline's writing hasn't acquired the paunch often found in thrillers by authors whose careers have reached the literary equivalent of middle age. Her plots are as lean and swift as a scull on the Schuylkill River in her native Philadelphia

Publishers Weekly

Single mother and journalist Ellen Gleeson is unsettled by a "Have You Seen This Child?" flyer that features a child disconcertingly similar to her adopted son. Curiosity compels her to investigate further, and as evidence spirals closer to the truth, Ellen's horror rises as she uncovers broken trails and untimely deaths that may or may not be related to her own situation. As skillful as Scottoline's thriller is, it is enhanced by Mary Stuart Masterson's performance. Her characterizations are distinct and evocative, her tone remains smooth, even while ratcheting up the tension and suspense. Listeners will be wholly absorbed by this moving story. A St. Martin's hardcover (Reviews, Feb. 16). (Apr.)

Mary Todd Chesnut - Library Journal

If you received news that threatened your family, would you ignore it or devote yourself to proving it false? Pennsylvania reporter Ellen Gleeson is living an ordinary life with her son and cat until she receives a "Have You Seen This Child?" flyer in the mail. The boy photographed in the flyer bears a striking resemblance to her three-year-old adopted son, Will, and becomes an object of obsession for Ellen, shaking the very foundations of her family and propelling her into an investigation. Is Will really Timothy Braverman, missing since infancy? Ellen finds herself anticipating the worst as her quest for the truth progresses. In typical Scottoline (Daddy's Girl) fashion, a strong female fights for what she believes in, despite more than her share of obstacles. Scottoline's best novel to date will have faithful fans and new readers singing her praises. Highly recommended to all public libraries.

Kirkus Reviews

Legal and illegal shenanigans take a back seat to mother love and its vicissitudes in Scottoline's barn-burning crossover novel about every adoptive mother's worst nightmare. Even though the escalating homicide count in Philadelphia includes more and more children and economic clouds portend layoffs at her newspaper, features reporter Ellen Gleeson has her own private store of sunshine: her three-year-old son Will, whom she fell in love with two years ago when a story about pediatric care brought her to his hospital bedside. Because Will had a heart defect and his mother couldn't care for him, she was willing to sign him over to a single mother, a decision Ellen has blessed every day of her life-until the day she sees a circular asking, "HAVE YOU SEEN THIS CHILD?" with the photograph of a boy whose resemblance to Will is uncanny. Timothy Braverman, abducted from his wealthy Florida parents, Carol and Bill, in a carjacking that went horribly wrong, hasn't been seen since. Despite her dread of confirming her fear that Will is Tim, Ellen can't help neglecting her job (with predictably dire professional results) to gather more information about him, partly because of her reporter's nose for a story, but mostly because she wants what's best for her son, no matter the cost. The trail leads her to a garage full of adoption folders, some unwelcome revelations about Will's birth mother and a tense game of hide-and-seek with the Bravermans as she realizes what a hornet's nest her questions have stirred up, and how determined someone is to make sure this is one story she doesn't break. Though the blood-and-thunder climax arrives a mite early, there's one final twist in reserve. Fans will spot thelast twist a mile away, but it doesn't matter. For once Scottoline subordinates the criminal plot to the human-interest story that rides sidesaddle in all her thrillers (Lady Killer, 2008, etc.), and the result is her best book yet. First printing of 500,000

Product Details