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The blockbuster New York Times bestselling author joins St. Martin's Press with a knock-out novel about a woman who comes to suspect that her adopted child is actually another couple's kidnapped child.
Scottoline's writing hasn't acquired the paunch often found in thrillers by authors whose careers have reached the literary equivalent of middle age. Her plots are as lean and swift as a scull on the Schuylkill River in her native Philadelphia
More Reviews and RecommendationsFor anyone who has ever read one of Lisa Scottoline’s funny, sexy, and addictively readable thrillers, it should come as no surprise that she seems to be having as much fun writing her provocative tales of intrigue as her fans have reading them.
More About the AuthorReader Rating:
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October 17, 2009: I'm a Scottoline fan, but it's hard to stay with this book. I've done so only because I enjoyed her previous books. It's all very predictable and the detail, rather than being interesting, is painstaking. There is no humor at all--something I enjoyed in LS's previous books.
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October 10, 2009: Loved it! I didn't want it to end.
Name:
Lisa Scottoline
Current Home:
Philadelphia, Pennsylvania
Date of Birth:
July 01, 1955
Place of Birth:
Philadelphia, Pennsylvania
Education:
B.A., University of Pennsylvania, 1976; J.D., University of Pennsylvania Law School, 1979
Awards:
Edgar Award, 1992; Distinguished Author Award, University of Scranton, 2001
Most authors admit that they need to work in silence in order to get into the creative process. For them, writing is serious work that requires the utmost peace and concentration. Of course, most authors are not writing the kind of whiz-bang, sharp, wild, and witty works that Lisa Scottoline is producing. Scottoline's unusual working methods and desire for all things pop culture have helped her to create some of the most unapologetically entertaining and compulsively page-turning novels in contemporary popular fiction.
Scottoline's initial impetus to become a novelist was not quite as joyful as her novels might suggest. She had recently given up her position as a litigator at a Philadelphia law firm to raise her newborn daughter at the same time as she was breaking up with her husband. While the birth of her daughter was an undoubtedly happy moment for Scottoline, she was also thrust into relative isolation in the wake of her separation and the end of her job. To keep herself busy (when not tending to her daughter, that is), she decided to write a novel, the provocative story of an ambitious young lawyer whose hectic life becomes even more manic when she learns she is being stalked. Three years after beginning the novel, Scottoline sold Everywhere That Mary Went to HarperCollins a mere week after taking a part-time job as a clerk for an appellate judge -- her first job since beginning the book. While her transition from lawyer to novelist may seem abrupt to some, Scottoline asserts that it was law school that gave her the necessary tools to spin a compelling yarn. In a 2005 interview with Barnes & Noble.com, Scottoline asserted that the job of a lawyer is surprisingly similar to that of a good writer: "Take the facts that matter, throw out the ones that don't, order them in such a way in which a point of view is created so that by the time someone is finished listening to your argument or reading your book they see things completely in that point of view."
Scottoline's sure-handed way with an intriguing narrative has led to a string of bestselling thrillers and a popular series revolving around the women of Rosato & Associates, an all-female law firm in Philadelphia -- the author's own beloved hometown. Jam-packed with humor, mystery, eroticism, and smarts, her novels are published worldwide and have been translated into twenty-five different languages.
Lisa Scottoline is definitely no TV snob. She feels no shame when revealing her love of everything from Court TV to Oprah to The Apprentice to I Love Lucy.
One of the reasons that Scottoline is such a fabulous writer may have something to do with having a particularly fabulous teacher. While studying English at the University of Pennsylvania she was instructed by National Book Award Winner Philip Roth.
Don't try this at home! Scottoline completed her first novel, Everywhere That Mary Went, while she and her newborn daughter lived solely on $35,000 worth of credit from five Visa cards, which she'd completely maxed out by the time she completed the book three years later.
What was the book that most influenced your life?
The Firm, by John Grisham. It's a truly page-turning book about lawyers, which ain't easy, and it changed my life on a very literal level. I'd always been a huge fan of the legal thriller, from the time of Erle Stanley Gardner. But John Grisham broke new ground in The Firm, because for the first time, a lawyer was the star of the novel, but he wasn't shown in a courtroom drama -- he was an underdog. Admittedly, a good-looking, wealthy, BMW-driving underdog, but an underdog just the same. And Grisham opened my eyes to the possibility that lawyers could have rich interior lives (at the time, I was a lawyer without a rich interior life), and from him I learned that these lives could make for first-rate suspense fiction, which led me to think that maybe I could try my hand at writing, as well. So I owe Grisham, not only as a fan and a lawyer, but as a writer. And I hope that anyone out there who has a secret longing to write a book will give it a try. Everyone has a book in them. Even lawyers.
What are some of your favorite books?
I like terrific writing, but I also like a terrific story. My favorite books have both, and they're by contemporary, commercial American writers. You don't have to be dead to write a classic, and you don't have to be literary to be smart. Here are the books that make awesome look easy:
Who are your favorite writers?
My favorite writers. First of all, Barbara Kingsolver, Mark Helprin, Scott Turow, Philip Roth.... Add to that Nelson DeMille, because his writing is so honest, his research authentic, and his humor so very sly; and Janet Evanovich, because everybody needs a speedy, fun crime novel. Elmore Leonard for his low-life punks with heart. Also in this class are Robert Parker (of the Spenser series) for much the same reason; and, since many of these citizens are latter-day Damon Runyans, we should pay homage to Damon Runyan for his wonderful and original voice.
I also love James Patterson for his breathless pace and P.G. Wodehouse for his sharp humor, character, and dialogue. I adore James Hall, who writes superb crime novels set in South Florida, and the late William Coughlin, who has a voice in his legal novels that reminds me wonderfully of Robert Travers's seminal work, Anatomy of a Murder. And I can't wait for the next book from John Searles, whose finely crafted first novel, Boy Still Missing, managed to be a mystery story, a family story, and a love story all rolled up into one. Now that's a feat.
What else should we know?
I am an open book, literally. I don't mind if people know way too much about me. In fact, if they read me, they already do. I love spaghetti with bumpy meatballs. I collect overweight golden retrievers and books I can't put down. My favorite families are the Sopranos, the Osbournes, and my own. I am completely star-struck, and Jennifer Aniston matters to me. TV is always on in my office, but not a radio or music. I love my job, and I love books. I read anything, including cereal boxes. I care deeply about what people think of my books, and I memorize my reviews. I love to hear from my readers. I am the only fully-clothed person to write a book on a webcam, at www.scottoline.com. Truth to tell, I may be the only fully-clothed person to do anything on a webcam. To unwind, I make out with my golden retrievers. But not on the webcam. There are limits.
If she hadn't looked at the picture, Betty Gleeson would have dropped the flyer in the waste paper basket. Instead, she stopped, transfixed: The missing boy in the photo looked identical to her adopted son. This seasoned reporter knew that Will's adoption had been totally aboveboard, but there was something that compelled her to pursue this eerie coincidence. In that moment, she made a decision that would thrust her into a hunt she can't abandon and a struggle she might not survive. Binding family ties; building suspense; sudden surprises.
When reporter Ellen Gleeson gets a “Have You Seen This Child?” flyer in the mail, she almost throws it away. But something about it makes her look again, and her heart stops—the child in the photo is identical to her adopted son, Will. Her every instinct tells her to deny the similarity between the boys, because she knows her adoption was lawful. But she’s a journalist and won’t be able to stop thinking about the photo until she figures out the truth. And she can’t shake the question: if Will rightfully belongs to someone else, should she keep him or give him up? She investigates, uncovering clues no one was meant to discover, and when she digs too deep, she risks losing her own life—and that of the son she loves.
Lisa Scottoline breaks new ground in Look Again, a thriller that’s both heart-stopping and heart-breaking, and sure to have new fans and book clubs buzzing.
Scottoline's writing hasn't acquired the paunch often found in thrillers by authors whose careers have reached the literary equivalent of middle age. Her plots are as lean and swift as a scull on the Schuylkill River in her native Philadelphia
Single mother and journalist Ellen Gleeson is unsettled by a "Have You Seen This Child?" flyer that features a child disconcertingly similar to her adopted son. Curiosity compels her to investigate further, and as evidence spirals closer to the truth, Ellen's horror rises as she uncovers broken trails and untimely deaths that may or may not be related to her own situation. As skillful as Scottoline's thriller is, it is enhanced by Mary Stuart Masterson's performance. Her characterizations are distinct and evocative, her tone remains smooth, even while ratcheting up the tension and suspense. Listeners will be wholly absorbed by this moving story. A St. Martin's hardcover (Reviews, Feb. 16). (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.If you received news that threatened your family, would you ignore it or devote yourself to proving it false? Pennsylvania reporter Ellen Gleeson is living an ordinary life with her son and cat until she receives a "Have You Seen This Child?" flyer in the mail. The boy photographed in the flyer bears a striking resemblance to her three-year-old adopted son, Will, and becomes an object of obsession for Ellen, shaking the very foundations of her family and propelling her into an investigation. Is Will really Timothy Braverman, missing since infancy? Ellen finds herself anticipating the worst as her quest for the truth progresses. In typical Scottoline (Daddy's Girl) fashion, a strong female fights for what she believes in, despite more than her share of obstacles. Scottoline's best novel to date will have faithful fans and new readers singing her praises. Highly recommended to all public libraries.
Legal and illegal shenanigans take a back seat to mother love and its vicissitudes in Scottoline's barn-burning crossover novel about every adoptive mother's worst nightmare. Even though the escalating homicide count in Philadelphia includes more and more children and economic clouds portend layoffs at her newspaper, features reporter Ellen Gleeson has her own private store of sunshine: her three-year-old son Will, whom she fell in love with two years ago when a story about pediatric care brought her to his hospital bedside. Because Will had a heart defect and his mother couldn't care for him, she was willing to sign him over to a single mother, a decision Ellen has blessed every day of her life-until the day she sees a circular asking, "HAVE YOU SEEN THIS CHILD?" with the photograph of a boy whose resemblance to Will is uncanny. Timothy Braverman, abducted from his wealthy Florida parents, Carol and Bill, in a carjacking that went horribly wrong, hasn't been seen since. Despite her dread of confirming her fear that Will is Tim, Ellen can't help neglecting her job (with predictably dire professional results) to gather more information about him, partly because of her reporter's nose for a story, but mostly because she wants what's best for her son, no matter the cost. The trail leads her to a garage full of adoption folders, some unwelcome revelations about Will's birth mother and a tense game of hide-and-seek with the Bravermans as she realizes what a hornet's nest her questions have stirred up, and how determined someone is to make sure this is one story she doesn't break. Though the blood-and-thunder climax arrives a mite early, there's one final twist in reserve. Fans will spot thelast twist a mile away, but it doesn't matter. For once Scottoline subordinates the criminal plot to the human-interest story that rides sidesaddle in all her thrillers (Lady Killer, 2008, etc.), and the result is her best book yet. First printing of 500,000
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