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Long Way Back by Brendan Halpin
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(Paperback - Reprint)
- Pub. Date: January 2008
- 224pp
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Product Details
- Pub. Date: January 2008
- Publisher: Random House Publishing Group
- Format: Paperback, 224pp
- ISBN-13: 9780812972900
- ISBN: 0812972902
- Edition Description: Reprint
Synopsis
From Brendan Halpin, author of the hilarious novel Donorboy and the intimate memoirs It Takes a Worried Man and Losing My Faculties, comes Long Way Back, a bighearted, thought-provoking story of faith, love, and punk rock.
Growing up with hippie activist parents, Clare and Francis Kelly share a strong bond. It’s firmly rooted in familial embarrassment (the Kellys’ house is “decorated like the inside of somebody’s hut in Guatemala”), reinforced by an abiding love of Dee Dee Ramone and other (lesser) gods of the rock pantheon, and cemented by the secret of a remarkable religious epiphany Francis experiences at the age of twelve.
Clare and Francis become happy adults with rewarding careers and loving spouses. But when tragedy strikes, Francis finds his faith shattered and his life horribly transformed, and Clare doesn’t know how to help the brother she loves but has never fully understood.
Nearly flattened by sadness, Francis turns to the angry, propulsive music that sustained him through adolescence and finds that you’re never too old to be punk rock. With the help of a bass guitar and the support of Clare and some unlikely new friends, Francis gradually finds his way back from the depths of despair to a life that feels worth living.
Told in Clare’s wry, compassionate voice, Long Way Back is an original, moving novel about grief, guitars, and grace. It shows that the Velvet Underground didn’t lie: Your life really can be saved by rock and roll.
From the Hardcover edition.
Publishers Weekly
Halpin (Donorboy) puts sensitive, studious Francis Kelly in the loving if slightly snarky hands of his older sister, Clare, who tells Francis's story with tenderness, admiration and affection, along with an occasional barb. Fran, a Catholic youth-group leader, is 35; his wife, Lourdes, has recently died of cancer, before they could start a family. Clare, taking care of Fran as he tries to climb out of depression, describes their youth near Cincinnati (both now live in the Boston suburbs), including two hippie parents and a shared passion for punk and related forms of rock. As Fran comes back to himself by connecting with a local rock chick 12 years younger (and whom he used to mentor), Clare has her own vicissitudes, dealing with marriage and children while working as an ER nurse, lamenting her lost youth and acting as the family liaison. Clare rolls her eyes as Fran takes up the bass and gets a tattoo, but is mostly nice to him. Halpin matches his prose to Clare's ordinariness and makes the progress of Fran's band less of interest in and of itself than as a regressive coping mechanism that works. Clare herself is not quite compelling, but her care for Fran carries the book. (On sale Jan. 3) Copyright 2005 Reed Business Information.
More Reviews and RecommendationsBiography
Brendan Halpin is the author of the acclaimed novel Donorboy and the memoirs It Takes a Worried Man and Losing My Faculties. He lives in Boston with his wife, Suzanne, and their children.
From the Hardcover edition.
From the Publisher
From Brendan Halpin, author of the hilarious novel Donorboy and the intimate memoirs It Takes a Worried Man and Losing My Faculties, comes Long Way Back, a bighearted, thought-provoking story of faith, love, and punk rock.
Growing up with hippie activist parents, Clare and Francis Kelly share a strong bond. It’s firmly rooted in familial embarrassment (the Kellys’ house is “decorated like the inside of somebody’s hut in Guatemala”), reinforced by an abiding love of Dee Dee Ramone and other (lesser) gods of the rock pantheon, and cemented by the secret of a remarkable religious epiphany Francis experiences at the age of twelve.
Clare and Francis become happy adults with rewarding careers and loving spouses. But when tragedy strikes, Francis finds his faith shattered and his life horribly transformed, and Clare doesn’t know how to help the brother she loves but has never fully understood.
Nearly flattened by sadness, Francis turns to the angry, propulsive music that sustained him through adolescence and finds that you’re never too old to be punk rock. With the help of a bass guitar and the support of Clare and some unlikely new friends, Francis gradually finds his way back from the depths of despair to a life that feels worth living.
Told in Clare’s wry, compassionate voice, Long Way Back is an original, moving novel about grief, guitars, and grace. It shows that the Velvet Underground didn’t lie: Your life really can be saved by rock and roll.
From the Hardcover edition.
Publishers Weekly
Halpin (Donorboy) puts sensitive, studious Francis Kelly in the loving if slightly snarky hands of his older sister, Clare, who tells Francis's story with tenderness, admiration and affection, along with an occasional barb. Fran, a Catholic youth-group leader, is 35; his wife, Lourdes, has recently died of cancer, before they could start a family. Clare, taking care of Fran as he tries to climb out of depression, describes their youth near Cincinnati (both now live in the Boston suburbs), including two hippie parents and a shared passion for punk and related forms of rock. As Fran comes back to himself by connecting with a local rock chick 12 years younger (and whom he used to mentor), Clare has her own vicissitudes, dealing with marriage and children while working as an ER nurse, lamenting her lost youth and acting as the family liaison. Clare rolls her eyes as Fran takes up the bass and gets a tattoo, but is mostly nice to him. Halpin matches his prose to Clare's ordinariness and makes the progress of Fran's band less of interest in and of itself than as a regressive coping mechanism that works. Clare herself is not quite compelling, but her care for Fran carries the book. (On sale Jan. 3) Copyright 2005 Reed Business Information.
Kirkus Reviews
Boy meets God, boy gets girl, boy loses girl and God, all to a soundtrack by Dee Dee Ramone. When Francis Kelly was a kid, he had one of those religious experiences his older sister Clare had read about but never believed could really happen . . . but it did. Not that she's going to cut him any slack; he's still her dorky little brother whose only saving grace is that he shares her taste in music, specifically the punk-rock bands of the late '70s and '80s. Francis doesn't quite know what to do about the whole moment-of-ecstasy thing, either, so he and Clare, the unsentimental, wise-cracking narrator of this family's story, just go on with their day-to-day lives, which include ragging on their Catholic activist parents, cadging under-age admittance to music clubs and going to Sunday mass. Years pass. Both kids go to college and then settle in Boston. Their parents move to Central America to continue their missionary work and lecture the hierarchy of the Catholic Church from afar. Clare becomes a hospice nurse. Francis sets up youth groups for the diocese. His musical knowledge and kindness make him a hit. Years pass. Clare gets married, has two kids, wonders if Francis should have become a priest all along, until the day he meets the girl of his dreams, Lourdes, an oncologist at Mass General Hospital. They marry and all's right with the world until tragedy drives them apart and no amount of prayer or healing masses can change things. About the same time, the Cardinal Francis works for is implicated in a pedophilia scandal, and Francis's crisis of faith becomes a full-blown hatred for God, a dark night of the soul that can be assuaged only by the rank rage of the punk rock heroes of Clareand Francis's youth. How the Ramones (and rock's original anti-heroes, The Who) save the day, is the pleasing twist to this sweet Nick-Hornby-meets-Graham-Greene tragi-comedy from Halpin (Donorboy, 2004, etc.).
Product Details
- Pub. Date: January 2008
- Publisher: Random House Publishing Group
- Format: Paperback, 224pp
- ISBN-13: 9780812972900
- ISBN: 0812972902
- Edition Description: Reprint
Read an Excerpt
It is 1980. I’m fourteen, and, physically, I’m peaking—thinner and more beautiful than I will ever be again. But this isn’t really about me. Spring has sprung in the Greater Cincinnati Area, or as Ira Joe Fisher calls it on Eyewitness News, “the Tristate.”So it’s a really beautiful spring day in the Tristate. The sun is shining, and we walk into St. Bridget’s in Mount Lookout. The church is a squat circle built in the 1960s, and as we walk in, Mom tells us once again how she saved spare change all through her twelve years at St. Bridget’s School so they could build a new church, and this piece of crap is what they built.
Sometimes when I stay over at Stacey’s house we go to St. Monica’s on Sunday morning, which is this beautiful old stone church with a ceiling that seems about a hundred feet tall, with Christ seated at the right hand of the father painted on the ceiling and beautiful stained glass. St. Bridget’s, though, has sort of abstract, garish stained glass around the round outer wall and a plain wooden ceiling. I can see why Mom is bitter, but I do wish she’d stop saying it over and over.
There I am, in the pew next to Mom, who looks shockingly like I will look in 2003—brown hair in no discernible style turning mostly to gray; shapeless, comfortable clothes, including jeans that scandalize some of our fellow parishioners. Woe to anyone who mentions this to Mom—they are in for a lecture about the parish she worked in in Guatemala, and how the parishioners there were lucky to have shoes to wear to church, and how God loves what’s on the inside, blah blah blah.She embarrasses me—I’m dressed like every other fourteen-year-old girl I know—Izod sweater plastered to my chest (which, I do hate to go on and on, but look at the rack on me! What happened?), matching headband, tartan skirt. Next to Mom is Dad, who also wears jeans and a corduroy shirt. I’m seething. This is Easter, for God’s sake! Dress up! I know I’m going to hear about my hippie parents from all my preppy classmates at school tomorrow.
Next to me is my little brother, Francis. Francis is just starting to get that awkward, head-doesn’t-quite-fit-his-body look of the early adolescent boy. Because I am a sensitive, kind, protective sister, I call him Pumpkinhead. Francis and I get along okay, I suppose. My friends are always telling me about their pesty little brothers making bra slingshots, or putting a tampon in a glass of tomato juice (I actually saw Stacey’s brother, Newt, do that. Unbelievable.), and Francis never does anything like that to me. In fact, he seems to really like and respect me. So I pay him back by teasing him mercilessly until I can get him to hit me. Which always gets me in trouble, because I Don’t Care What He Did, You’re the Oldest and You Should Set an Example.
So here we have another really boring Easter service. It’s nothing special. Later, when Francis is a religious studies major, he’ll call this the “capes drapes bells and smells” kind of service. So there’s incense, and there’s Father Mike’s Easter Homily: “Today, as Christ is reborn, may He be reborn in our hearts.” Blah blah blah. It’s a perfectly okay sentiment, I guess, but I swear, Father Mike says the same thing every year.
We go up to receive the host, and, as I always do, I will try to whisper something in Francis’s ear to make him choke when we’re walking back to the pew. So we’re walking back, heads down, chewing thoughtfully, and I whisper, “Hey, does this taste like feet to you?”
I usually get something out of him with a line like this, but Francis doesn’t even acknowledge me. We get back to our pew and kneel down, and I steal a glance at him. His eyes are wide open, he’s looking heavenward, and he has this big smile on his face. He’s male, he’s in color, and there’s no spotlight on his face, but otherwise he looks just like the girl in Song of Bernadette, which the nuns show the girls every year in an effort to encourage us to be virginal visionaries instead of the decidedly nonvirginal partiers the other schools in town know us as.
“Hey! What’s going on?” I ask.
He doesn’t answer. He’s just staring up, and I watch as tears form in his eyes and begin to spill out, rolling slowly down his cheeks, even though he’s still smiling. I stare at him for what seems like hours. The tears continue to trickle out, the smile remains, and I swear he never blinks. I feel like I should say something else to him, but I have no idea what to say.
Everybody else is kneeling, heads bowed, munching the body of Christ. Only Francis and I are not looking down. He’s still looking up, and I’m looking at him. He’s starting to freak me out.
Some more stuff happens in the mass—more blah blah from Father Mike, and then he tells us it’s time for the kiss of peace. I’m starting to get really worried—should I whisper something to Mom? Where has my little brother gone? And, though I don’t like this about myself, I am fourteen, so I am wondering if any of my classmates are staring at him, if I’m going to suffer socially because my brother’s a freak, or if I’m going to become famous in school as The Girl Whose Brother Went Catatonic at Easter Mass.
I really need him to snap out of it now before anybody else notices. Francis and I haven’t hugged at the kiss of peace since I was eight and he was six, so we usually have a quick handshake and a quick, embarrassed “peebwiyou.” I’m going to enforce this ritual whether Francis wants to or not, so I reach over kind of roughly and grab his hand, which is still clasping his other hand in prayer. And when my hand touches his hand, I feel a physical jolt.
I don’t mean that he jumps, and I don’t mean that I get a static shock. I mean that I feel something when I touch him that I have never felt from touching another human being, something I will never feel again. Years later when I live in Boston and see those “Danger Third Rail” signs all over the subway that warn you not to be a moron and touch the rail that supplies the electricity that makes the trains run, I will always remember this day. Francis is plugged into the third rail of the world, he’s a conduit for the energy that causes the world to exist, and, for just a second, I can feel it too. It’s enough to make me jump back in my seat and bump into Mom, who hisses, “Clare, if you can’t behave in Easter mass, you are losing your phone privileges for a month!”
Normally I would respond to this with protestations of how this isn’t fair, I didn’t do anything, or, if I was feeling especially cranky, with a long retort about how if she was worried about somebody embarrassing this family in church, maybe she should look in the mirror before she leaves the house, but today, I don’t even say anything.
I turn back to Francis, and he’s finally blinking, and he looks at me like he’s confused, like he just woke up from a nap. “Peace be with you?” I say.
He looks at me like I’ve just spoken Chinese, like he understands that I’ve made words, but he can’t quite wrap his brain around what they are supposed to mean. He cocks his head to one side and looks at me for about five seconds, and then he gets that lightbulb-over-the-head look and says, “Peace be with you.”
Finally the mass is ended, and we go in peace. As we leave, Mom and Dad have to stop to talk to Father Mike about social justice, about Christ’s call to his people to serve the poor, and about what the parish is doing about it, and I am of course mortified that they still don’t get that this isn’t that kind of parish, go over to the Newman Center and the Franciscans if you want that kind of thing. Francis still looks kind of blissed out—he’s not shambling like he usually does. He’s walking, don’t get me wrong, it’s not like he’s floating above it all or anything; except that he kind of is.
Finally Mom and Dad respond to my dirty looks and Father Mike’s obvious social cues and give up on their conversation. We all pile into the Rabbit, I slump down in the back seat in an effort not to be seen by anybody who knows me, and we drive home.
By the time we get home, Francis has gotten sullen and sulky, and he becomes this big dark cloud over the house all afternoon, and eventually it just gets on my nerves, because I’m the sulky one, dammit, so I wander into his room while Mom and Dad work on some kind of Latin American Easter dinner downstairs.
“Hey,” I say. Francis gives me that dazed, just-woke-up look again.
“Huh?”
“What the hell’s wrong with you today? What happened to you?”
He looks at me like he’s about to say something, but then he just says, “Nothing. I’m just thinking about stuff.”
“Come on. You were crying in church.”
“I was?”
“Yeah.”
“Really?”
“Yes, okay? So what happened?”
“Promise you won’t make fun of me.”
“I won’t.” I am, of course, mentally crossing my fingers at this one.
“And promise you won’t tell Mom and Dad.”
“I promise.” No need to cross my fingers—it’s all I can do to exchange pleasantries with them these days, because I am just way too cool for them.
“I . . . I . . . I don’t know what happened. It’s just . . . all the sudden . . . I . . . I don’t know, and I think I might be crazy, Clare, I don’t understand what happened to me, I think maybe something’s wrong with my brain!”
“Something’s definitely wrong with your brain.” He gives me this look he has—a look that says, instantly, you betrayed me after promising not to mock me, I trusted you and you threw my trust away, you are the worst person on earth—and tears are starting again, and I immediately jump back in with “I’m sorry, I’m sorry, it’s just a reflex. I swear to God it won’t happen again.” I mean it. I can’t stand getting that look.
He gives me a long look, testing my sincerity. Apparently I pass the test, because he continues. “I . . . I don’t know. It’s like I left. Like I wasn’t there at all, like I was surrounded by—I don’t know, Clare, it wasn’t like anything else ever. It’s not like I could see anything, but it was—promise not to laugh—it was so beautiful. It was like the best, most wonderful thing I could ever imagine, except it was real. And you know when you have a really good dream, and then you wake up? That’s how I feel. Like I’m already losing that feeling that was so great . . .”
I just look at him. I don’t know what to say. We’ve been faithful mass attendees all our lives, and of course Mom and Dad talk frequently about God and how we can serve Him and see His face in the stranger, blah blah, but Francis is twelve—he mostly talks about the Reds and Star Wars. What do I say to this?
“Oh,” is the best I can come up with.
“And . . . and . . .”—and now he’s crying, and I can’t stand to see him crying, which he’s always been able to use against me, but I don’t think he’s using it against me now—“the only thing I can imagine is that I saw . . . or touched . . . or anyway . . .”—his voice drops down to a whisper—“I think maybe it was God, Clare, I don’t know what else it could have been, and I know that makes me crazy, only crazy people see God, Clare, I don’t want to be crazy, and I’m really really scared.”
From the Hardcover edition.
Read a Sample Chapter
Long Way Back
By Brendan Halpin
Random House
Brendan HalpinAll right reserved.
ISBN: 1400062780
Chapter One
It is 1980. I'm fourteen, and, physically, I'm peaking--thinner and more beautiful than I will ever be again. But this isn't really about me. Spring has sprung in the Greater Cincinnati Area, or as Ira Joe Fisher calls it on Eyewitness News, "the Tristate."
So it's a really beautiful spring day in the Tristate. The sun is shining, and we walk into St. Bridget's in Mount Lookout. The church is a squat circle built in the 1960s, and as we walk in, Mom tells us once again how she saved spare change all through her twelve years at St. Bridget's School so they could build a new church, and this piece of crap is what they built.
Sometimes when I stay over at Stacey's house we go to St. Monica's on Sunday morning, which is this beautiful old stone church with a ceiling that seems about a hundred feet tall, with Christ seated at the right hand of the father painted on the ceiling and beautiful stained glass. St. Bridget's, though, has sort of abstract, garish stained glass around the round outer wall and a plain wooden ceiling. I can see why Mom is bitter, but I do wish she'd stop saying it over and over.
There I am, in the pew next to Mom, who looks shockingly like I will look in 2003--brown hair in no discernible style turning mostly to gray; shapeless, comfortable clothes, including jeans that scandalize some of our fellow parishioners. Woe to anyone who mentions this to Mom--they are in for a lecture about the parish she worked in in Guatemala, and how the parishioners there were lucky to have shoes to wear to church, and how God loves what's on the inside, blah blah blah. She embarrasses me--I'm dressed like every other fourteen-year-old girl I know--Izod sweater plastered to my chest (which, I do hate to go on and on, but look at the rack on me! What happened?), matching headband, tartan skirt. Next to Mom is Dad, who also wears jeans and a corduroy shirt. I'm seething. This is Easter, for God's sake! Dress up! I know I'm going to hear about my hippie parents from all my preppy classmates at school tomorrow.
Next to me is my little brother, Francis. Francis is just starting to get that awkward, head-doesn't-quite-fit-his-body look of the early adolescent boy. Because I am a sensitive, kind, protective sister, I call him Pumpkinhead. Francis and I get along okay, I suppose. My friends are always telling me about their pesty little brothers making bra slingshots, or putting a tampon in a glass of tomato juice (I actually saw Stacey's brother, Newt, do that. Unbelievable.), and Francis never does anything like that to me. In fact, he seems to really like and respect me. So I pay him back by teasing him mercilessly until I can get him to hit me. Which always gets me in trouble, because I Don't Care What He Did, You're the Oldest and You Should Set an Example.
So here we have another really boring Easter service. It's nothing special. Later, when Francis is a religious studies major, he'll call this the "capes drapes bells and smells" kind of service. So there's incense, and there's Father Mike's Easter Homily: "Today, as Christ is reborn, may He be reborn in our hearts." Blah blah blah. It's a perfectly okay sentiment, I guess, but I swear, Father Mike says the same thing every year.
We go up to receive the host, and, as I always do, I will try to whisper something in Francis's ear to make him choke when we're walking back to the pew. So we're walking back, heads down, chewing thoughtfully, and I whisper, "Hey, does this taste like feet to you?"
I usually get something out of him with a line like this, but Francis doesn't even acknowledge me. We get back to our pew and kneel down, and I steal a glance at him. His eyes are wide open, he's looking heavenward, and he has this big smile on his face. He's male, he's in color, and there's no spotlight on his face, but otherwise he looks just like the girl in Song of Bernadette, which the nuns show the girls every year in an effort to encourage us to be virginal visionaries instead of the decidedly nonvirginal partiers the other schools in town know us as.
"Hey! What's going on?" I ask.
He doesn't answer. He's just staring up, and I watch as tears form in his eyes and begin to spill out, rolling slowly down his cheeks, even though he's still smiling. I stare at him for what seems like hours. The tears continue to trickle out, the smile remains, and I swear he never blinks. I feel like I should say something else to him, but I have no idea what to say.
Everybody else is kneeling, heads bowed, munching the body of Christ. Only Francis and I are not looking down. He's still looking up, and I'm looking at him. He's starting to freak me out.
Some more stuff happens in the mass--more blah blah from Father Mike, and then he tells us it's time for the kiss of peace. I'm starting to get really worried--should I whisper something to Mom? Where has my little brother gone? And, though I don't like this about myself, I am fourteen, so I am wondering if any of my classmates are staring at him, if I'm going to suffer socially because my brother's a freak, or if I'm going to become famous in school as The Girl Whose Brother Went Catatonic at Easter Mass.
I really need him to snap out of it now before anybody else notices. Francis and I haven't hugged at the kiss of peace since I was eight and he was six, so we usually have a quick handshake and a quick, embarrassed "peebwiyou." I'm going to enforce this ritual whether Francis wants to or not, so I reach over kind of roughly and grab his hand, which is still clasping his other hand in prayer. And when my hand touches his hand, I feel a physical jolt.
I don't mean that he jumps, and I don't mean that I get a static shock. I mean that I feel something when I touch him that I have never felt from touching another human being, something I will never feel again. Years later when I live in Boston and see those "Danger Third Rail" signs all over the subway that warn you not to be a moron and touch the rail that supplies the electricity that makes the trains run, I will always remember this day. Francis is plugged into the third rail of the world, he's a conduit for the energy that causes the world to exist, and, for just a second, I can feel it too. It's enough to make me jump back in my seat and bump into Mom, who hisses, "Clare, if you can't behave in Easter mass, you are losing your phone privileges for a month!"
Normally I would respond to this with protestations of how this isn't fair, I didn't do anything, or, if I was feeling especially cranky, with a long retort about how if she was worried about somebody embarrassing this family in church, maybe she should look in the mirror before she leaves the house, but today, I don't even say anything.
I turn back to Francis, and he's finally blinking, and he looks at me like he's confused, like he just woke up from a nap. "Peace be with you?" I say.
He looks at me like I've just spoken Chinese, like he understands that I've made words, but he can't quite wrap his brain around what they are supposed to mean. He cocks his head to one side and looks at me for about five seconds, and then he gets that lightbulb-over-the-head look and says, "Peace be with you."
Finally the mass is ended, and we go in peace. As we leave, Mom and Dad have to stop to talk to Father Mike about social justice, about Christ's call to his people to serve the poor, and about what the parish is doing about it, and I am of course mortified that they still don't get that this isn't that kind of parish, go over to the Newman Center and the Franciscans if you want that kind of thing. Francis still looks kind of blissed out--he's not shambling like he usually does. He's walking, don't get me wrong, it's not like he's floating above it all or anything; except that he kind of is.
Finally Mom and Dad respond to my dirty looks and Father Mike's obvious social cues and give up on their conversation. We all pile into the Rabbit, I slump down in the back seat in an effort not to be seen by anybody who knows me, and we drive home.
By the time we get home, Francis has gotten sullen and sulky, and he becomes this big dark cloud over the house all afternoon, and eventually it just gets on my nerves, because I'm the sulky one, dammit, so I wander into his room while Mom and Dad work on some kind of Latin American Easter dinner downstairs.
"Hey," I say. Francis gives me that dazed, just-woke-up look again.
"Huh?"
"What the hell's wrong with you today? What happened to you?"
He looks at me like he's about to say something, but then he just says, "Nothing. I'm just thinking about stuff."
"Come on. You were crying in church."
"I was?"
"Yeah."
"Really?"
"Yes, okay? So what happened?"
"Promise you won't make fun of me."
"I won't." I am, of course, mentally crossing my fingers at this one.
"And promise you won't tell Mom and Dad."
"I promise." No need to cross my fingers--it's all I can do to exchange pleasantries with them these days, because I am just way too cool for them.
"I . . . I . . . I don't know what happened. It's just . . . all the sudden . . . I . . . I don't know, and I think I might be crazy, Clare, I don't understand what happened to me, I think maybe something's wrong with my brain!"
"Something's definitely wrong with your brain." He gives me this look he has--a look that says, instantly, you betrayed me after promising not to mock me, I trusted you and you threw my trust away, you are the worst person on earth--and tears are starting again, and I immediately jump back in with "I'm sorry, I'm sorry, it's just a reflex. I swear to God it won't happen again." I mean it. I can't stand getting that look.
He gives me a long look, testing my sincerity. Apparently I pass the test, because he continues. "I . . . I don't know. It's like I left. Like I wasn't there at all, like I was surrounded by--I don't know, Clare, it wasn't like anything else ever. It's not like I could see anything, but it was--promise not to laugh--it was so beautiful. It was like the best, most wonderful thing I could ever imagine, except it was real. And you know when you have a really good dream, and then you wake up? That's how I feel. Like I'm already losing that feeling that was so great . . ."
I just look at him. I don't know what to say. We've been faithful mass attendees all our lives, and of course Mom and Dad talk frequently about God and how we can serve Him and see His face in the stranger, blah blah, but Francis is twelve--he mostly talks about the Reds and Star Wars. What do I say to this?
"Oh," is the best I can come up with.
"And . . . and . . ."--and now he's crying, and I can't stand to see him crying, which he's always been able to use against me, but I don't think he's using it against me now--"the only thing I can imagine is that I saw . . . or touched . . . or anyway . . ."--his voice drops down to a whisper--"I think maybe it was God, Clare, I don't know what else it could have been, and I know that makes me crazy, only crazy people see God, Clare, I don't want to be crazy, and I'm really really scared."
Excerpted from Long Way Back by Brendan Halpin Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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