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(Compact Disc - Abridged, 2 CDs, 2 hours)
The spirit of the March sisters in Little Women embodies the real American experience. For the first time, in a book written primarily for young people, children could recognize themselves in the characters of Meg, Jo, Beth and Amy who spend the Civil War dealing with poverty and the pangs of growing up while waiting for their father to return from war. People from around the country could identify with the hopes, sorrows, laughter and trials of protagonists who talked and behaved much as they did because they were reading about lives already familiar to them in the fabric of their own world.
Chronicles the joys and sorrows of the four March sisters as they grow into young ladies in nineteenth-century New England.
The traditional story and characters are still there, but this edition includes fascinating background facts and photographs.
More Reviews and RecommendationsLouisa May Alcott, an American novelist in the 19th century, wrote several stories for children. Little Women is her best known work. She died in Boston, in 1888.
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December 14, 2008: This book is great!!! The beginning and end is AMAZING!! Everything is fantastic about this book! Buy it, you will NOT regret it!! I promise!!
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June 27, 2008: I was quite young when i first read this book, and till today no other book fascinates me like this one. When ever i'm frustrated or feeling low, this book helps me to regain my lost spirit..because it is the story of a family which faces the challenges of life, without letting go of faith in God, and their love for each other to come out triumphant.
Meet the March sisters: the talented and tomboyish Jo, the beautiful Meg, the frail Beth, and the spoiled Amy, as they pass through the years between girlhood and womanhood. A lively portrait of growing up in the 19th century with lasting vitality and enduring charm.
The latest addition ot the Charming Classic series includes a paperback edition of Little Women, the first American children's novel to become a classic, and a beautiful gold-tone cameo. This timeless favorite follows the four March sisterspretty Meg, tomboy Jo, shy Beth, and vain Amyas they grow and mature into four distinctive little women.
Louisa May Alcott was born in Pennsylvania and grew up in Boston and Concord, Massachusetts, the setting for Little Women. Jo is based on Louisa herself, and Meg, Beth, and Amy are inspired by Louisa's own three sisters.
The traditional story and characters are still there, but this edition includes fascinating background facts and photographs.
Many of us grew up reading Louisa May Alcott's books and lived vicariously in the world of Jo March and her family. They struggle to make ends meet during the Civil War, and gave to those who had even less. Jo befriended and was in turn befriended by Mr. Laurence and his grandson. She struggles mightily to control her temper and battles to break out of the decorum society imposed on women. She never loses her spirit and even in this much-abridged version of the story, the warmth and caring which epitomized the March family shines through. Gerver has retained the essence of Alcott's story, and this version is filled with wonderful period and those that depict life during the Civil War. For today's readers this may be as close as they will come to Alcott, but it is my hope that interest may be piqued and that her other books (Little Men, Jo's Boys, Rose in Bloom, etc.) will soon find their ways into readers hands. 1999, DK Publishing, Ages 9 up, $14.95. Reviewer: Marilyn Courtot
Alcott's standard gets bumped up to a Penguin Deluxe, complete with illustrated front and back covers, French flaps, and ragged paper. Very nice. Next time you're ordering new copies of LW, get this one.
Gr 5-8-This audio version of Louisa May Alcott's classic is both satisfying and disappointing. The narrator, Liza Ross, a voice artist with theater and television credits, does a remarkable job of bringing to life the voices of more than ten male and female characters, allowing the personalities of each character to emerge. Meg's longing, Jo's determination, Beth's gentleness, Amy's dreaminess, Marmee's loving morality and Laurie's charm and wit all shine through. The narration is nicely punctuated by classical piano music. Listeners will be disappointed that this abridgement ends with the first part of the novel (John Brooke's proposal). This is only mentioned briefly in the story description in the inside cover of the cassette, with no indication if the second half of the novel is or is not available. Listeners in elementary and middle school will enjoy this version, but older students will want to hear more of the March family's adventures.-Jo-Ann Carhart, East Islip Public Library, NY Copyright 2000 Cahners Business Information.
Loading...| Introduction | vii | |
| Suggestions for Further Reading | xxix | |
| A Note on the Text | xxxi | |
| Little Women | ||
| Preface | xxxv | |
| Part I1 | ||
| Part II236 | ||
| Notes | 493 |
1. In the first two chapters, the girls use John Bunyan's The Pilgrim's Progress as a model for their own journey to becoming "little women." What was Alcott trying to say by using such a strongly philosophical piece of literature as the girls' model?
2. What purpose does Beth's death serve? Was Alcott simply making a sentimental novel even more so, or was this a play on morality and philosophy? Do you think Beth was intended to be a Christ figure?
3. Consider the fact that Beth will never reach sexual maturity or marry. What do you think this says about the institution of marriage and, more important, about womanhood?
4. Consider Jo's writing: While we are treated to citations from "The Pickwick Portfolio" and the family's letters to one another, we are never presented with an excerpt from Jo's many literary works, though the text tells us they are quite successful. Why is this?
5. Do you find it surprising that once Laurie is rejected by Jo, he falls in love with Amy? Do you feel his characterization is complete and he is acting within the "norm" of the personality Alcott has created for him, or does Alcott simply dispose of him once our heroine rejects him?
6. Some critics argue that the characters are masochistic. Meg is the perfect little wife, Amy is the social gold digger, and Beth is the eternally loving and patient woman. Do you believe these characterizations are masochistic? If so, do you think Alcott could have characterized them any other way while maintaining the realism of the society she lived in? And if this is true, what of Jo's character?
7. The last two chapters find Jo setting aside her buddingliterary career to run a school with her husband. Why do you think Alcott made her strongest feminine figure sacrifice her own life plans for her husband's?
8. Alcott was a student of transcendentalism. How and where does this philosophy affect Alcott's writing, plot, and characterization?
9. Do you believe this is a feminine or a feminist piece of work?
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