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When Chef Anthony Bourdain wrote "Don't Eat Before You Read This" in The New Yorker, he spared no one's appetite, revealing what goes on behind the kitchen door. In Kitchen Confidential, he expanded that appetizer into a deliciously funny, delectable shocking banquet that lays out his 25 years of sex, drugs, and haute cuisine.
From his first oyster in the Gironde to the kitchen of the Rainbow Room atop Rockefeller Center, from the restaurants of Tokyo to the drug dealers of the East Village, from the mobsters to the rats, Bourdain's brilliantly written, wild-but-true tales make the belly ache with laughter.
New York Chef Tony Bourdain gives away secrets of the trade in his wickedly funny, inspiring memoir/expose. Kitchen Confidential reveals what Bourdain calls "twenty-five years of sex, drugs, bad behavior and haute cuisine."
Anthony Bourdain's Kitchen Confidential has already turned a few stomachs with its frank discussions of what goes on in the kitchens of America's favorite restaurants. He revels in anecdotes that would make an Ozzy Osbourne roadie question the catered stuff on his plate. Sex, drugs, sex near food while on drugs: Bourdain gleefully dishes the dirt on some of his former haunts, from the fish houses of New England to the elegant-on-the-outside eateries of New York. Yet the tone he takes with his joyously muckraking expose/memoir follows a distinctive rhythm, a blunt, boastful swagger that recalls some accounts of organized crime. Bourdain is just as likely to tantalize with his descriptions of food as disgust with his descriptions of the people and actions swirling around it, the activities disgusting yet somehow funny at the same time. It's an exhilarating combination often invoked in mobster tell-alls, but while there's more than a little goodfella in Bourdain -- he dices, dresses, and dishes with trash-talking braggadocio -- he clearly loves what he does. While he admits early on that the call of the kitchen often comes only after every other option has failed, he clearly enjoys working in such terrible conditions. It's like he has the key to the ultimate backroom club, a place of privilege where everyone operates with a different set of rules and gets off on a different set of thrills. Eat to live, don't live to eat, the saying goes, and for Bourdain, life is never better than when he's the one doing the cooking.
More Reviews and RecommendationsExecutive chef Anthony Bourdain grabbed the attention of diners everywhere with his revealing look at the restaurant biz, Kitchen Confidential. Along with hosting popular food shows on the Discovery Channel and the Food Network, Bourdain has also written several novels that have earned him a reputation as "a new master of the wiseass crime comedy" (Publishers Weekly).
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November 13, 2009: If you enjoy No Reservations, then you will like this book--though it is less censored. Read it before deciding to become a cook or chef.
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October 11, 2009: I bought this book after entering into my "Julia phase". I saw the movie "Julie and Julia" and read an old Oprah conversation with Julia Child before she died. She listed this book as one of her favorite reads, so I said, what the heck....trust me, this guy is hilarious. I will never eat out in the same way, I will eye wait-staff, bartenders and sous chefs very closely. I will revere chefs from diners to 4 star restaurants or slam them mercilessly, whichever is appropriate. I cook differently on my own, and I can better appreciate meals made for me by others. I am a better conversationalist and dropping something socially unacceptable during dinner from Anthony's endless antics will spice up even the driest of dinner parties. I know he has been around for a while now, and that I am behind a mere 9 years in getting this book. But alas, better late than never, and really, don't you want to know how to buy a decent chef's knife, for God's sake?
I Also Recommend: Julie and Julia.
Name:
Anthony Bourdain
Current Home:
New York, New York
Date of Birth:
June 25, 1956
Place of Birth:
New York, New York
Education:
High school diploma, Dwight Englewood School, 1973; A.O.S. degree, The Culinary Institute of America, 1978
Awards:
Named Best Food Writer of the Year by Bon Appétit magazine and the Guild of British Food Writers for Kitchen Confidential, 2002
Like all great chefs, Anthony Bourdain is a true jack-of-all-trades. Just as a truly skilled chef would not limit himself to, say, cooking risotto, Bourdain has approached his writing career in much the same way. His repertoire consists of comedic crime novels, autobiographical travelogues, exposes, and historical explorations -- not to mention a collection of tasty recipes.
Bourdain's career has been characterized by more unexpected twists and turns than one would find in one of his novels. After the native New Yorker graduated from the Culinary Institute of America, he opened his own classic French Bistro, Brasserie Les Halles. However, never satisfied with simply traveling a single avenue, Bourdain tried his hand at penning a novel. The results were wholly unexpected: A witty, gritty mob tale set in the Little Italy section of Manhattan, Bone in the Throat was published in 1995. Bourdain's second novel, Gone Bamboo, followed two years later, and once again the writer's innate knack for black humor was on full display. Publishers Weekly confidently christened him "a new master of the wiseass crime comedy."
Of course, by the time the public had placed Bourdain in a specific literary niche, he was already on to bigger game. In 1999, The New Yorker published "Don't Eat Before Reading This," his scathing exposé of conditions within certain New York restaurants. The article, which garnered wide attention, would ultimately evolve into the critically lauded full-length book Kitchen Confidential: Adventures in the Culinary Underbelly. Bourdain brought the same cutting humor and confident swagger that marked his novels to his first nonfiction work, establishing a distinct voice that followed him from genre to genre. Jumping from memoir (The Nasty Bits) to biography (Typhoid Mary: An Urban Historical) to culinary how-to (Anthony Bourdain's Les Halles Cookbook), Bourdain served up his smartypants prose with the same skill he brought to his celebrated cuisine.
In the end, even as Bourdain continues to wear many hats -- master chef, restaurant entrepreneur, novelist, essayist, TV star -- his heart still lies in the kitchen. "When you've been a cook and chef for twenty-eight years, as I have, you never really look at the world from any other perspective," he told PreviewPort.com in 2002. "In many ways that's helpful with all the nonsense -- as one tends to have low expectations. For the time being -- I'm making it up as I go along and trying to enjoy the ride while it lasts."
When PreviewPort.com asked Bourdain who he would invite to "the ultimate dinner party," he responded with his typical deadpan flair, "Graham Greene, Iggy Pop, Kim Philby, Louise Brooks, Hede Massing" and would host it in "the squalid back room of the Siberia Bar in NYC."
You can add sitcom creator to Bourdain's long list of accomplishments. In 2005, FOX TV produced a comedy series based on his book Kitchen Confidential only to unceremoniously cancel the series before it even aired.
Bourdain can currently be seen traveling the world in search of the ultimate eating experience in his very own series Anthony Bourdain: No Reservations on the Discovery Channel.
What was the book that most influenced your life ?
Hunter Thompson's Fear and Loathing in Las Vegas changed my young life. Its mixture of passion, cynicism, hyperbole, and diatribe and its take on the failures of the '60s mirrored my own worldview. Thompson's language, his sentences, his lurid, violent, evocative prose inspired me -- and clearly influenced my own work.
What are your favorite books, and what makes them special to you?
Favorite films?
Favorite music?
Who are your favorite writers, and what makes their writing special?
I like writers who are passionate, curious, and skeptical, whose characters inhabit a moral gray area, neither completely good nor completely bad. So that would have to include Graham Greene, Hunter Thompson, George Pelecanos, the amazing Daniel Woodrell, Alan Furst, and the absolutely awesome Nick Tosches -- particularly Dino, his bio of Dean Martin, and Night Train, on Sonny Liston. Good technical mastery, good dialogue, good characters in a realistically portrayed and authentic atmosphere. Dialogue and atmosphere count for a lot with me.
If you've ever been curious about just what goes on in the kitchen of your favorite eatery, Kitchen Confidential: Adventures in the Culinary Underbelly is just the book you've been waiting for. Anthony Bourdain, acclaimed executive chef of Les Halles restaurants in New York, Washington, D.C., Miami, and Tokyo, spills the beans, so to speak, on "what it feels like, looks like, and smells like in the clutter and hiss of a big-city restaurant kitchen."
A deliciously funny, delectably shocking banquet of wild-but-true tales of life in the culinary trade from Chef Anthony Bourdain, laying out his more than a quarter-century of drugs, sex, and haute cuisine—now with all-new, never-before-published material
Anthony Bourdain's Kitchen Confidential has already turned a few stomachs with its frank discussions of what goes on in the kitchens of America's favorite restaurants. He revels in anecdotes that would make an Ozzy Osbourne roadie question the catered stuff on his plate. Sex, drugs, sex near food while on drugs: Bourdain gleefully dishes the dirt on some of his former haunts, from the fish houses of New England to the elegant-on-the-outside eateries of New York. Yet the tone he takes with his joyously muckraking expose/memoir follows a distinctive rhythm, a blunt, boastful swagger that recalls some accounts of organized crime. Bourdain is just as likely to tantalize with his descriptions of food as disgust with his descriptions of the people and actions swirling around it, the activities disgusting yet somehow funny at the same time. It's an exhilarating combination often invoked in mobster tell-alls, but while there's more than a little goodfella in Bourdain -- he dices, dresses, and dishes with trash-talking braggadocio -- he clearly loves what he does. While he admits early on that the call of the kitchen often comes only after every other option has failed, he clearly enjoys working in such terrible conditions. It's like he has the key to the ultimate backroom club, a place of privilege where everyone operates with a different set of rules and gets off on a different set of thrills. Eat to live, don't live to eat, the saying goes, and for Bourdain, life is never better than when he's the one doing the cooking.
With equal parts wit and wickedness, Bourdain [does] the unthinkable by revealing trade secrest that chefs and restauranteers cringe to read.
...the kind of book you read in one sitting, then rush about annoying your coworkers by declaiming whole passages.
You'll laugh, you'll cry...you're gonna love it.
Utterly riveting, swaggering with stylish machismo and precise ear for kitchen patois.
Chef at New York's Les Halles and author of Bone in the Throat, Bourdain pulls no punches in this memoir of his years in the restaurant business. His fast-lane personality and glee in recounting sophomoric kitchen pranks might be unbearable were it not for two things: Bourdain is as unsparingly acerbic with himself as he is with others, and he exhibits a sincere and profound love of good food. The latter was born on a family trip to France when young Bourdain tasted his first oyster, and his love has only grown since. He has attended culinary school, fallen prey to a drug habit and even established a restaurant in Tokyo, discovering along the way that the crazy, dirty, sometimes frightening world of the restaurant kitchen sustains him. Bourdain is no presentable TV version of a chef; he talks tough and dirty. His advice to aspiring chefs: "Show up at work on time six months in a row and we'll talk about red curry paste and lemon grass. Until then, I have four words for you: `Shut the fuck up.' " He disdains vegetarians, warns against ordering food well done and cautions that restaurant brunches are a crapshoot. Gossipy chapters discuss the many restaurants where Bourdain has worked, while a single chapter on how to cook like a professional at home exhorts readers to buy a few simple gadgets, such as a metal ring for tall food. Most of the book, however, deals with Bourdain's own maturation as a chef, and the culmination, a litany describing the many scars and oddities that he has developed on his hands, is surprisingly beautiful. He'd probably hate to hear it, but Bourdain has a tender side, and when it peeks through his rough exterior and the wall of four-letter words he constructs, it elevates this book to something more than blustery memoir.
From that magical boyhood visit, when he became a "foodie" in France, to today, when he is executive chef of the chic New York bistro, Les Halles, Tony Bourdain has experienced it all. A graduate of the Culinary Institute of America, he learned his trade, as he puts it, "knocking around" Europe and toiling in some famous multi-starred restaurants in New York and cities north, west, east, and south. He has served as dishwasher, prep-drone, fry-cook, grillardin, saucier, and sous-chef along the way, and the strange and exotic and horrendous subculture of the professional kitchen is as familiar to him as the meals he and his fellow "lifers" turn out, noon and night, in the great -- and sometimes not so great -- restaurants of our world.
Now, in this astonishingly frank, often outrageous, more-often hilarious romp of a book, Bourdain opens up the swinging, clattering kitchen doors to show vividly, pungently, "what it feels like, looks like, and smells like in the clutter and hiss of a big-city restaurant kitchen."
Woven in are the stories of some of the great and less than great characters he has known--Howard, the "revered elder statesman of Cape Cod cookery," with wild, unruly white hair and a gin-blossomed face, who had a lifelong love affair with seafood and wrote two books about it; Tyrone, the broilerman, "big, black, hugely muscled, with a prominent silver-capped front tooth, a fist-sized gold-hooped earring, and a size 56 chef's coat stretched across his back like a drumhead;" "Bigfoot," the giant Jewish restaurateur of Greenwich Village who remains beloved and/or despised by generations of waiters, bartenders, cooks and chefs but who taught Bourdain how to wring the last penny from this hugely difficult business; Nando, the famous pastry chef of the Rainbow Room, who found time to hurl profiteroles at the skaters in the Rockefeller Center rink, sixty-four floors down; Pino Luongo, the "Prince of Restaurant Darkness," who ran a string of Tuscan restaurants in high-priced New York venues; and all the zany, beleaguered, unpredictable talents, many of them immigrants and the self-styled marginals, who have worked for and with Bourdain in his 25 years in the business.
Woven in too are the secrets of the trade and their consequences, sometimes nefarious, for diners: Why Tuesday, Wednesday, and Thursday are the only truly good nights to eat in a restaurant, why chefs rub their hands over customers who want their beef well-done; why seafood frittata is a definite no-no at a weekend brunch.
And with no nonsense clarity, Bourdain spells out in a few pages what it takes to bring your kitchen up to par with the pros. It is not as difficult as you might think. It may take as little as a new Global chef's knife and the right kind of bottle to spritz your serving plates like a pro…
Tony Bourdain may be a master chef by profession, but he is also a born raconteur. A portion of his book, in a somewhat different form, ran in The New Yorker and his portrayal of the "underbelly" of the contemporary big-city restaurant can only be compared to George Orwell's in DOWN AND OUT IN PARIS AND LONDON. The great difference between Orwell's hellish vision and Bourdain's is that Bourdain is enormously proud of his profession, and trumpets its "grandeurs" as well as he bemoans its "miseries." As he puts it, "For me, the cooking life has been a long love affair, with moments both sublime and ridiculous. But like a love affair, looking back you remember the happy times best, the things that drew you in in the first place, the things that kept you coming back for more."
KITCHEN CONFIDENTIAL is that kind of meal.
...the best book I have ever read about the nuts and bolts mechanics of running serious restaurant kitchens...brilliant on the tumult of running a kitchen that might turn out anywhere from two hundred to four hundred serious meals a night...Bourdain is a wild old boy and a bit of a lost soul, and, being strongly anti-malarkey, utterly believable.
Bourdain clearly operates with all six burners on scorch, and the result keeps the reader excited.
[A] literary chef, as appreciated for quips as for steak frites.
Unique…mesmerizing.
Utterly riveting, swaggering with stylish machismo and a precise ear for kitchen patois.
You'll laugh, you'll cry…you're gonna love it.
The guy is hysterical…in a style partaking of Hunter S. Thompson, Iggy Pop and a little Jonathan Swift, Bourdain gleefully rips through the scenery to reveal private backstage horrors.
Funny, irreverent, scandalous.
Loading...| Appetizer | ||
| A Note from the Chef | 3 | |
| First Course | ||
| Food Is Good | 9 | |
| Food Is Sex | 19 | |
| Food Is Pain | 25 | |
| Inside the CIA | 36 | |
| The Return of Mal Carne | 45 | |
| Second Course | ||
| Who Cooks? | 55 | |
| From Our Kitchen to Your Table | 64 | |
| How to Cook Like the Pros | 75 | |
| Owner's Syndrome and Other Medical Anomalies | 84 | |
| Bigfoot | 91 | |
| Third Course | ||
| I Make My Bones | 105 | |
| The Happy Time | 120 | |
| Chef of the Future! | 128 | |
| Apocalypse Now | 134 | |
| The Wilderness Years | 144 | |
| What I Know About Meat | 153 | |
| Pino Noir: Tuscan Interlude | 163 | |
| Dessert | ||
| A Day in the Life | 183 | |
| Sous-Chef | 206 | |
| The Level of Discourse | 221 | |
| Other Bodies | 229 | |
| Adam Real-Last-Name-Unknown | 235 | |
| Department of Human Resources | 246 | |
| Coffee and a Cigarette | ||
| The Life of Bryan | 255 | |
| Mission to Tokyo | 272 | |
| So You Want to Be a Chef? A Commencement Address | 293 | |
| Kitchen's Closed | 300 |
"Hysterical…Bourdain gleefully rips through the scenery to reveal private backstage horrors." -- New York Times Book ReviewSummary From appetizer to main course to dessert, bestselling author and world renowned chef Anthony Bourdain takes you behind the swinging doors and into the bustling core of the nation's restaurants, exposing as never before the shocking, hilarious, untold world of cooks and chefs. Bourdain's honest and entertaining account of the many successes and failures he has experienced throughout his career is as engrossing as it is eye-opening. His beautiful "elegy" to his body -- the many scars, aches, and pains, the abused hands he longed for -- in the closing chapter is a true testament to a life well spent in the trenches of cooking. Topics for Discussion
I saw a sign the other day outside one of those Chinese-Japanese hybrids that are beginning to pop up around town, advertising 'Discount Sushi'. I can't imagine a better example of Things To Be Wary Of in the food department than bargain sushi. Yet the place had customers. I wonder, had the sign said 'Cheap Sushi' or 'Old Sushi', if they'd still have eaten there.
Good food and good eating are about risk. Every once in a while an oyster, for instance, will make you sick to your stomach. Does this mean you should stop eating oysters? No way. The more exotic the food, the more adventurous the serious eater, the higher the likelihood of later discomfort. I'm not going to deny myself the pleasures of morcilla sausage, or sashimi, or even ropa vieja at the local Cuban joint just because sometimes I feel bad a few hours after I've eaten them.
But there are some general principles I adhere to, things I've seen over the years that remain in mind and have altered my eating habits. I may be perfectly willing to try the grilled lobster at an open-air barbecue shack in the Caribbean, where the refrigeration is dubious and I can see with my own eyes the flies buzzing around the grill (I mean, how often am I in the Caribbean? I want to make the most of it!), but on home turf, with the daily business of eating in restaurants, there are some definite dos and don'ts I've chosen to live by.
I never order fish on Monday, unless I'm eating at Le Bernardin -- a four-star restaurant where I know they are buying their fish directly from the source. I know how old most seafood is on Monday -- about four to five days old!
You walk into a nice two-star place in Tribeca on a sleepy Monday evening and you see they're running a delicious sounding special of Yellowfin Tuna, Braised Fennel, Confit Tomatoes and a Saffron Sauce. Why not go for it? Here are the two words that should leap out at you when you navigate the menu: 'Monday' and 'Special ' .
Here's how it works: the chef of this fine restaurant orders his fish on Thursday for delivery Friday morning. He's ordering a pretty good amount of it, too, as he's not getting another delivery until Monday morning. All right, some seafood purveyors make Saturday deliveries, but the market is closed Friday night. It's the same fish from Thursday! The chef is hoping to sell the bulk of that fish -- your tuna -- on Friday and Saturday nights, when he assumes it will be busy. He's assuming also that if he has a little left on Sunday, he can unload the rest of it then, as seafood salad for brunch, or as a special. Monday? It's merchandizing night, when whatever is left over from the weekend is used up, and hopefully sold for money. Terrible, you say? Why doesn't he throw the leftover tuna out? The guy can get deliveries on Monday, right? Sure, he can ... but what is preventing his seafood purveyor from thinking exactly the same way? The seafood vendor is emptying out his refrigerator, too! But the Fulton Street fish market is open on Monday morning, you say!! He can get fresh! I've been to the Fulton Street market at three o'clock on Monday morning, friends, and believe me, it does not inspire confidence. Chances are good that that tuna you're thinking of ordering on Monday night has been kicking around in the restaurant's reach-ins, already cut and held with the mise-en-place on line, commingling with the chicken and the salmon and the lamb chops for four days, the reach-in doors swinging open every few seconds as the line cooks plunge their fists in, blindly feeling around for what they need. These are not optimum refrigeration conditions.
This is why you don't see a lot of codfish or other perishable items as a Sunday or Monday night special -- they're not sturdy enough. The chef knows. He anticipates the likelihood that he might still have some fish lying around on Monday morning -- and he'd like to get money for it without poisoning his customers.
Seafood is a tricky business. Red snapper may only cost a chef $4.95 a pound, but that price includes the bones, the head, the scales and all the stuff that gets cut and thrown away. By the time it's cut, the actual cost of each piece of cleaned fillet costs the chef more than twice that amount, and he'd greatly prefer to sell it than toss it in the garbage. If it still smells okay on Monday night -- you're eating it.
I don't eat mussels in restaurants unless I know the chef personally, or have seen, with my own eyes, how they store and hold their mussels for service. I love mussels. But in my experience, most cooks are less than scrupulous in their handling of them. More often than not, mussels are allowed to wallow in their own foul-smelling piss in the bottom of a reach-in. Some restaurants, I'm sure, have special containers, with convenient slotted bins, which allow the mussels to drain while being held -- and maybe, just maybe, the cooks at these places pick carefully through every order, mussel by mussel, making sure that every one is healthy and alive before throwing them into a pot. I haven't worked in too many places like that. Mussels are too easy. Line cooks consider mussels a gift; they take two minutes to cook, a few seconds to dump in a bowl, and ba-da-bing, one more customer taken care of -- now they can concentrate on slicing the damn duck breast. I have had, at a very good Paris brasserie, the misfortune to eat a single bad mussel, one treacherous little guy hidden among an otherwise impeccable group. It slammed me shut like a book, sent me crawling to the bathroom shitting like a mink, clutching my stomach and projectile vomiting. I prayed that night. For many hours. And, as you might assume, I'm the worst kind of atheist. Fortunately, the French have liberal policies on doctor's house calls and affordable health care. But I do not care to repeat that experience. No thank you on the mussels. If I'm hungry for mussels, I'll pick the good-looking ones out of your order.
How about seafood on Sunday? Well ... sometimes, but never an obvious attempt to offload aging stuff, like seafood salad vinaigrette or seafood frittata, on a brunch menu. Brunch menus are an open invitation to the cost-conscious chef, a dumping ground for the odd bits left over from Friday and Saturday nights or for the scraps generated in the normal course of business. You see a fish that would be much better served by quick grilling with a slice of lemon, suddenly all dressed up with vinaigrette? For 'en vinaigrette' on the menu, read 'preserved' or 'disguised'.
While we're on brunch, how about hollandaise sauce? Not for me. Bacteria love hollandaise. And hollandaise, that delicate emulsion of egg yolks and clarified butter, must be held at a temperature not too hot nor too cold, lest it break when spooned over your poached eggs. Unfortunately, this lukewarm holding temperature is also the favorite environment for bacteria to copulate and reproduce in. Nobody I know has ever made hollandaise to order. Most likely, the stuff on your eggs was made hours ago and held on station. Equally disturbing is the likelihood that the butter used in the hollandaise is melted table butter, heated, clarified, and strained to get out all the breadcrumbs and cigarette butts. Butter is expensive, you know. Hollandaise is a veritable petri-dish of biohazards. And how long has that Canadian bacon been festering in the walk-in anyway? Remember, brunch is only served once a week -- on the weekends. Buzzword here, 'Brunch Menu'. Translation? 'Old, nasty odds and ends, and 12 dollars for two eggs with a free Bloody Mary'. One other point about brunch. Cooks hate brunch. A wise chef will deploy his best line cooks on Friday and Saturday nights; he'll be reluctant to schedule those same cooks early Sunday morning, especially since they probably went out after work Saturday and got hammered until the wee hours. Worse, brunch is demoralizing to the serious line cook. Nothing makes an aspiring Escoffier feel more like an army commissary cook, or Mel from Mel's Diner, than having to slop out eggs over bacon and eggs Benedict for the Sunday brunch crowd. Brunch is punishment block for the 'B'-Team cooks, or where the farm team of recent dishwashers learn their chops. Most chefs are off on Sundays, too, so supervision is at a minimum. Consider that before ordering the seafood frittata.
I will eat bread in restaurants. Even if I know it's probably been recycled off someone else's table. The reuse of bread is an industry-wide practice. I saw a recent news expose¨, hidden camera and all, where the anchor was shocked ... shocked to see unused bread returned to the kitchen and then sent right back onto the floor. Bullshit. I'm sure that some restaurants explicitly instruct their Bengali busboys to throw out all that unused bread -- which amounts to about 50 percent -- and maybe some places actually do it. But when it's busy, and the busboy is crumbing tables, emptying ashtrays, refilling water glasses, making espresso and cappuccino, hustling dirty dishes to the dishwasher -- and he sees a basket full of untouched bread -- most times he's going to use it. This is a fact of life. This doesn't bother me, and shouldn't surprise you. Okay, maybe once in a while some tubercular hillbilly has been coughing and spraying in the general direction of that bread basket, or some tourist who's just returned from a walking tour of the wetlands of West Africa sneezes -- you might find that prospect upsetting. But you might just as well avoid air travel, or subways, equally dodgy environments for airborne transmission of disease. Eat the bread.
I won't eat in a restaurant with filthy bathrooms. This isn't a hard call. They let you see the bathrooms. If the restaurant can't be bothered to replace the puck in the urinal or keep the toilets and floors clean, then just imagine what their refrigeration and work spaces look like. Bathrooms are relatively easy to clean. Kitchens are not. In fact, if you see the chef sitting unshaven at the bar, with a dirty apron on, one finger halfway up his nose, you can assume he's not handling your food any better behind closed doors. Your waiter looks like he just woke up under a bridge? If management allows him to wander out on the floor looking like that, God knows what they're doing to your shrimp!
'Beef Parmentier'? 'Shepherd's pie'? 'Chili special'? Sounds like leftovers to me. How about swordfish? I like it fine. But my seafood purveyor, when he goes out to dinner, won't eat it. He's seen too many of those 3-foot-long parasitic worms that riddle the fish's flesh. You see a few of these babies -- and we all do -- and you won't be tucking into swordfish anytime soon.
Chilean sea bass? Trendy. Expensive. More than likely frozen. This came as a surprise to me when I visited the market recently. Apparently the great majority of the stuff arrives frozen solid, still on the bone. In fact, as I said earlier, the whole Fulton Street market is not an inspiring sight. Fish is left to sit, un-iced, in leaking crates, in the middle of August, right out in the open. What isn't bought early is sold for cheap later. At 7 a.m. the Korean and Chinese buyers, who've been sitting in local bars waiting for the market to be near closing, swoop down on the over-extended fishmonger and buy up what's left at rock-bottom prices. The next folks to arrive will be the cat-food people. Think about that when you see the 'Discount Sushi' sign.
'Saving for well-done' is a time-honored tradition dating back to cuisine's earliest days: meat and fish cost money. Every piece of cut, fabricated food must, ideally, be sold for three or even four times its cost in order for the chef to make his 'food cost percent'. So what happens when the chef finds a tough, slightly skanky end-cut of sirloin, that's been pushed repeatedly to the back of the pile? He can throw it out, but that's a total loss, representing a three-fold loss of what it cost him per pound. He can feed it to the family, which is the same as throwing it out. Or he can 'save for well-done' -- serve it to some rube who prefers to eat his meat or fish incinerated into a flavorless, leathery hunk of carbon, who won't be able to tell if what he's eating is food or flotsam. Ordinarily, a proud chef would hate this customer, hold him in contempt for destroying his fine food. But not in this case. The dumb bastard is paying for the privilege of eating his garbage! What's not to like?
Vegetarians, and their Hezbollah-like splinter-faction, the vegans, are a persistent irritant to any chef worth a damn. To me, life without veal stock, pork fat, sausage, organ meat, demi-glace, or even stinky cheese is a life not worth living. Vegetarians are the enemy of everything good and decent in the human spirit, an affront to all I stand for, the pure enjoyment of food. The body, these waterheads imagine, is a temple that should not be polluted by animal protein. It's healthier, they insist, though every vegetarian waiter I've worked with is brought down by any rumor of a cold. Oh, I'll accommodate them, I'll rummage around for something to feed them, for a 'vegetarian plate', if called on to do so. Fourteen dollars for a few slices of grilled eggplant and zucchini suits my food cost fine. But let me tell you a story.
A few years back, at a swinging singles joint on Columbus Avenue, we had the misfortune to employ a sensitive young man as a waiter who, in addition to a wide and varied social life involving numerous unsafe sexual practices, was something of a jailhouse lawyer. After he was fired for incompetence, he took it on himself to sue the restaurant, claiming that his gastro-intestinal problem, caused apparently by amoebas, was a result of his work there. Management took this litigation seriously enough to engage the services of an epidemiologist, who obtained stool samples from every employee. The results -- which I was privy to -- were enlightening to say the least. The waiter's strain of amoebas, it was concluded, was common to persons of his lifestyle, and to many others. What was interesting were the results of our Mexican and South American prep cooks. These guys were teeming with numerous varieties of critters, none of which, in their cases, caused illness or discomfort. It was explained that the results in our restaurant were no different from results at any other restaurant and that, particularly amongst my recently arrived Latino brethren, this sort of thing is normal -- that their systems are used to it, and it causes them no difficulties at all. Amoebas, however, are transferred most easily through the handling of raw, uncooked vegetables, particularly during the washing of salad greens and leafy produce. So think about that next time you want to exchange deep tongue kisses with a vegetarian.
I'm not even going to talk about blood. Let's just say we cut ourselves a lot in the kitchen and leave it at that.
Pigs are filthy animals, say some, when explaining why they deny themselves the delights of pork. Maybe they should visit a chicken ranch. America's favorite menu item is also the most likely to make you ill. Commercially available chickens, for the most part (we're not talking about kosher and expensive free-range birds), are loaded with salmonella. Chickens are dirty. They eat their own feces, are kept packed close together like in a rush-hour subway, and when handled in a restaurant situation are most likely to infect other foods, or cross-contaminate them. And chicken is boring. Chefs see it as a menu item for people who don't know what they want to eat.
Shrimp? All right, if it looks fresh, smells fresh, and the restaurant is busy, guaranteeing turnover of product on a regular basis. But shrimp toast? I'll pass. I walk into a restaurant with a mostly empty dining room, and an unhappy-looking owner staring out the window? I'm not ordering shrimp.
This principle applies to anything on a menu actually, especially something esoteric and adventurous like, say, bouillabaisse. If a restaurant is known for steak, and doesn't seem to be doing much business, how long do you think those few orders of clams and mussels and lobster and fish have been sitting in the refrigerator, waiting for someone like you to order it? The key is rotation. If the restaurant is busy, and you see bouillabaisse flying out the kitchen doors every few minutes, then it's probably a good bet. But a big and varied menu in a slow, half-empty place? Those less popular items like broiled mackerel and calves' liver are kept festering in a dark corner of the reach-in because they look good on the menu. You might not actually want to eat them. Look at your waiter's face. He knows. It's another reason to be polite to your waiter: he could save your life with a raised eyebrow or a sigh. If he likes you, maybe he'll stop you from ordering a piece of fish he knows is going to hurt you. On the other hand, maybe the chef has ordered him, under pain of death, to move that codfish before it begins to really reek. Observe the body language, and take note.
Watchwords for fine dining? Tuesday through Saturday. Busy. Turnover. Rotation. Tuesdays and Thursdays are the best nights to order fish in New York. The food that comes in Tuesday is fresh, the station prep is new, and the chef is well rested after a Sunday or a Monday off. It's the real start of the new week, when you've got the goodwill of the kitchen on your side. Fridays and Saturdays, the food is fresh, but it's busy, so the chef and cooks can't pay as much attention to your food as they -- and you -- might like. And weekend diners are universally viewed with suspicion, even contempt, by both cooks and waiters alike; they're the slackjaws, the rubes, the out-of-towners, the well-done-eating, undertipping, bridge-and-tunnel pre-theater hordes, in to see Cats or Les Miz and never to return. Weekday diners, on the other hand, are the home team -- potential regulars, whom all concerned want to make happy. Rested and ready after a day off, the chef is going to put his best foot forward on Tuesday; he's got his best-quality product coming in and he's had a day or two to think of creative things to do with it. He wants you to be happy on Tuesday night. On Saturday, he's thinking more about turning over tables and getting through the rush.
If the restaurant is clean, the cooks and waiters well groomed, the dining room busy, everyone seems to actually care about what they're doing -- not just trying to pick up a few extra bucks between head-shots and auditions for Days of Our Lives -- chances are you're in for a decent meal. The owner, chef and a bored-looking waiter sitting at a front table chatting about soccer scores? Plumber walking through the dining room with a toilet snake? Bad signs. Watch the trucks pull up outside the restaurant delivery entrance in the morning if you're in the neighborhood. Reputable vendors of seafood, meat and produce? Good sign. If you see sinister, unmarked step-vans, offloading all three at once, or the big tractor trailers from one of the national outfits -- you know the ones, 'Servicing Restaurants and Institutions for Fifty Years' -- remember what institutions they're talking about: cafeterias, schools, prisons. Unless you like frozen, portion-controlled 'convenience food'.
Do all these horrifying assertions frighten you? Should you stop eating out? Wipe yourself down with antiseptic towelettes every time you pass a restaurant? No way. Like I said before, your body is not a temple, it's an amusement park. Enjoy the ride. Sure, it's a 'play you pay' sort of an adventure, but you knew that already, every time you ever ordered a taco or a dirty-water hot dog. If you're willing to risk some slight lower GI distress for one of those Italian sweet sausages at the street fair, or for a slice of pizza you just know has been sitting on the board for an hour or two, why not take a chance on the good stuff? All the great developments of classical cuisine, the first guys to eat sweetbreads, to try unpasteurized Stilton, to discover that snails actually taste good with enough garlic butter, these were daredevils, innovators and desperados. I don't know who figured out that if you crammed rich food into a goose long enough for its liver to balloon up to more than its normal body weight you'd get something as good as foie gras -- I believe it was those kooky Romans -- but I'm very grateful for their efforts. Popping raw fish into your face, especially in pre-refrigeration days, might have seemed like sheer madness to some, but it turned out to be a pretty good idea. They say that Rasputin used to eat a little arsenic with breakfast every day, building up resistance for the day that an enemy might poison him, and that sounds like good sense to me. Judging from accounts of his death, the Mad Monk wasn't fazed at all by the stuff; it took repeated beatings, a couple of bullets, and a long fall off a bridge into a frozen river to finish the job. Perhaps we, as serious diners, should emulate his example. We are, after all, citizens of the world -- a world filled with bacteria, some friendly, some not so friendly. Do we really want to travel in hermetically sealed popemobiles through the rural provinces of France, Mexico and the Far East, eating only in Hard Rock Cafe¨s and McDonald's? Or do we want to eat without fear, tearing into the local stew, the humble taqueria's mystery meat, the sincerely offered gift of a lightly grilled fish head? I know what I want. I want it all. I want to try everything once. I'll give you the benefit of the doubt, Senor Tamale Stand Owner, Sushi-chef-san, Monsieur Bucket-head. What's that feathered game bird, hanging on the porch, getting riper by the day, the body nearly ready to drop off? I want some.
I have no wish to die, nor do I have some unhealthy fondness for dysentery. If I know you're storing your squid at room temperature next to a cat box, I'll get my squid down the street, thank you very much. I will continue to do my seafood eating on Tuesdays, Wednesdays and Thursdays, because I know better, because I can wait. But if I have one chance at a full-blown dinner of blowfish gizzard -- even if I have not been properly introduced to the chef -- and I'm in a strange, Far Eastern city and my plane leaves tomorrow? I'm going for it. You only go around once.
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