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E. Lynn Harris's blend of rich, romantic storytelling and controversial contemporary issues like race and bisexuality have found an enthusiastic and diverse audience across America. Readers celebrate the arrival in paperback of his second novel, Just As I Am, which picks up where Invisible Life left off, introducing Harris's appealing and authentic characters to a new set of joys, conflicts, and choices. Raymond, a young black lawyer from the South, struggles to come to terms with his sexuality and with the grim reality of AIDS. Nicole, an aspiring singer/actress, experiences frustration in both her career and in her attempts to find a genuine love relationship. Both characters share an eclectic group of friends who challenge them, and the reader, to look at themselves and the world around thern through different eyes. By portraying Nicole's and Raymond's joys, as well as their pain, Harris never ceases to remind us that life, like love, is about self-acceptance. In this vivid portrait of contemporary black life, with all its pressures and the complications of bisexuality, AIDS, and racism, Harris confirms a faith in the power of love -- love of all kinds -- to thrill and to heal, which will warm the hearts of readers everywhere.
From the author of Invisible Life comes a vivid portrait of contemporary black life, with all its pressures and the complications of bisexuality, AIDS and racism. Harris gives his readers a refreshing view of African-American achievement and a sensitive depiction of gay/straight friendships.
Set in a black upper-middle class milieu, this unappealing potboiler attempts to detail the lives and loves of an intersecting group of overachievers with a variety of sexual appetites. Harris ( Invisible Life ) has managed to capture the material aspects of the good life and the East Coast black gay scene, but he has also propped up his labored prose on a well-intentioned scaffold of gay activist issues. The result is more checklist than novel: when a character is introduced, a demographic stereotype is quickly outlined to elicit the reader's mechanical response. Successful, handsome and bisexual, African American sports lawyer Raymond Tyler Jr. has just moved to Atlanta from New York. But he's plagued by problems. His respected and politically active Alabama family think he's straight. He's hot for a supposedly hetero colleague at the law firm who seems to be coming on to him, but who fears being exposed. His newest client, a sexy star NFL quarterback and arrogant troublemaker, wants a little action too and doesn't mind embarrassing Tyler to get it. Meanwhile, Tyler's former lover, a New York actress, is dealing with a rich, pushy and cartoonishly possessive lover. Melodramatic and banal, this book is soap opera material. Author tour. (Mar.)
More Reviews and RecommendationsHow to categorize E. Lynn Harris? An African-American novelist? A gay novelist? A literary romance writer? Nothing quite fits, but to Harris’s fans, his bestselling novels belong in a genre of their own: one in which the characters are as difficult and complex as their problems, and the solutions as bittersweet and resonant as they often are in life.
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March 29, 2007: This book has done so much for me as a gay black male. It taught me that I am not the only one that goes through situations. More importantly it taught me self love. This is the first book ever that I actually related to. If I am moved to tears by a book then it must be a great read. I highly recommend this book.
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January 10, 2007: Wow this book had me laughing and crying. I've read he book all out of order cause it hard to find each one. So far they have been great reading...

Name:
E. Lynn Harris
Also Known As:
E-Lynn-Harris
Current Home:
Chicago, Illinois
Place of Birth:
Flint, Michigan
Education:
B.A. in journalism, University of Arkansas at Fayetteville, 1977
Awards:
James Baldwin Award for Literary Excellence, 1997
Jackie Collins has kept the literary romance world well stocked with claws-out, upper-crust melodramas. But until E. Lynn Harris came along, the genre lacked a little ... diversity. Harris brought diversity and then some, with his now-trademark “buppie” characters, questions about sexuality, and hopelessly (but deliciously) complicated relationships.
Written from both male and female points of view and featuring recurring characters, Harris’s books can be read as a veritable soap opera. The cycle begins with Invisible Life, the story of Raymond Winston Tyler Jr. -- a character Harris has acknowledged bears many similarities to himself. Raymond grapples with his sexuality, developing a relationship with a man he meets in law school and jeopardizing one with his girlfriend. His coming-of-age continues over the next two novels in the trilogy, Just As I Am and Abide with Me, as he struggles with losses of friends to AIDS, the ending of a relationship with an actress, and the beginning of a new one with a man.
Another recurring Harris character, Basil Henderson, is the man readers love to hate. An arrogant, badass football player-turned-sports agent, Basil beds both women and men until he meets up with his female (and later, male) counterparts. His story is mainly told in Not a Day Goes By and Any Way the Wind Blows.
It's true that in the Basil Henderson books, Harris is taking a saucy cue or two from his female romance novel predecessors; but the author claims to be more heavily influenced by writers such as Maya Angelou and Terry McMillan, and it would be misleading to pigeonhole his books as purely guilty pleasures. Particularly in his earlier books, Harris brought to a mainstream readership the issues that many gay and bisexual men face, and added a new voice to the portrayal of black, upwardly mobile characters. And in books such as If This World Were Mine and the young adult novel Diaries of a Light-Skinned Colored Boy, he has addressed issues of race and self-realization.
Given his themes, it may seem surprising that the majority of Harris's readers are straight women; but it's also a testament to his ability to write about love and self-discovery with humor, not to mention a little steaminess.
Harris worked as a salesman for IBM, and earned a following by self-publishing Invisible Life before getting a book deal.
He was tapped to write the screenplay for an update of the 1976 movie Sparkle, to be produced by Whitney Houston's production company. But with the death of Aaliyah, who was attached to star, the project's future is uncertain.
E. Lynn Harris's blend of rich, romantic storytelling and controversial contemporary issues like race and bisexuality have found an enthusiastic and diverse audience across America. Readers celebrate the arrival in paperback of his second novel, Just As I Am, which picks up where Invisible Life left off, introducing Harris's appealing and authentic characters to a new set of joys, conflicts, and choices. Raymond, a young black lawyer from the South, struggles to come to terms with his sexuality and with the grim reality of AIDS. Nicole, an aspiring singer/actress, experiences frustration in both her career and in her attempts to find a genuine love relationship. Both characters share an eclectic group of friends who challenge them, and the reader, to look at themselves and the world around thern through different eyes. By portraying Nicole's and Raymond's joys, as well as their pain, Harris never ceases to remind us that life, like love, is about self-acceptance. In this vivid portrait of contemporary black life, with all its pressures and the complications of bisexuality, AIDS, and racism, Harris confirms a faith in the power of love -- love of all kinds -- to thrill and to heal, which will warm the hearts of readers everywhere.
Set in a black upper-middle class milieu, this unappealing potboiler attempts to detail the lives and loves of an intersecting group of overachievers with a variety of sexual appetites. Harris ( Invisible Life ) has managed to capture the material aspects of the good life and the East Coast black gay scene, but he has also propped up his labored prose on a well-intentioned scaffold of gay activist issues. The result is more checklist than novel: when a character is introduced, a demographic stereotype is quickly outlined to elicit the reader's mechanical response. Successful, handsome and bisexual, African American sports lawyer Raymond Tyler Jr. has just moved to Atlanta from New York. But he's plagued by problems. His respected and politically active Alabama family think he's straight. He's hot for a supposedly hetero colleague at the law firm who seems to be coming on to him, but who fears being exposed. His newest client, a sexy star NFL quarterback and arrogant troublemaker, wants a little action too and doesn't mind embarrassing Tyler to get it. Meanwhile, Tyler's former lover, a New York actress, is dealing with a rich, pushy and cartoonishly possessive lover. Melodramatic and banal, this book is soap opera material. Author tour. (Mar.)
This trilogy follows Raymond Tyler Jr. from his college days through his years as a successful young attorney. It is in college that he encounters his first homosexual experience, at a time when he has a steady girlfriend. When he takes his first job in New York City, he settles into a bisexual lifestyle but becomes engaged to Nicole, the other central figure in the series, who ambitiously pursues a show business career while searching for the perfect man. Raymond ultimately chooses a gay lifestyle but unlike some of his friends, who are comfortable with their sexual preference, he reflects on his choice. Harris (And This Too Shall Pass) has created a body of diverse characters, a group of friends and family members who admirably demonstrate a continuity of love and support. This is a work about young middle-class black people who, regardless of sexual preference, are looking for the perfect partner. For those who are gay or bisexual, there is the added pressure of disapproval from many corners. Michael Boatman's reading in all three novels is dynamic. He ably portrays the author's colorful characters, while Brenda Braxton takes the role of Nicole in Just As I Am. The story moves along and keeps the listener absorbed. The three tapes would make an interesting choice for adult fiction collections.--Catherine Swenson, Norwich Univ., Northfield, VT Copyright 1999 Cahners Business Information.
Harris confronts several important issues head-on in this novel of a black American's coming out. Atlanta lawyer Raymond Tyler struggles with his sexual identity, openly dating women while seeking male liaisons and justifying his lifestyle under the guise of bisexuality. A year of crisis brings Raymond face to face with himself as he deals with Nicole, who loves him; Basil, who has a facade to maintain; Kyle, who is dying of AIDS; his parents, who don't understand; and Jared, his straight best friend. The execution is too pat, but superb character development and insight make this a powerful sequel to Invisible Life , which was privately printed in 1991 and is now being reissued by Anchor: Doubleday. Many gay readers will identify with the story, which often seems more truth than fiction. Recommended.-- Thomas L. Kilpatrick, Southern Illinois Univ. Lib., Carbondale
Loading...1. For Discussion: Just As I Am
At the beginning of the novel, both Raymond and Nicole are living celibate lives. Compare and contrast the reasons they give for making this choice. What role, for example, does fear play? How much does the desire for a "perfect love" influence them? Who do you think is more realistic about the possibility of finding a partner to trust and build a solid relationship with?
2. Raymond and Nicole alternate as narrators in Just As I Am. How does this enhance or detract from the flow of the book? Is Harris equally successful in creating their voices, or is one stronger or more believable than the other?
3. Raymond describes "a common syndrome in the black gay community, where nice, good-looking, educated black gay or bisexual men didn't mind being friendly, but would never date each other" [p. 12]. Why do you think this pattern developed?
4. Is Nicole overly concerned about the color of her skin? Is her image of herself a result of her upbringing in a Southern black community or are her beliefs about beauty and skin color shared by many African Americans? Is Nicole's mother's pleasure when Nicole does better than lighter-skinned girls in beauty contests a form of pride or of prejudice [p. 37]?
5. Why doesn't Nicole bring up race when she talks to her therapist about Pierce, the white man she is dating [p. 52]? Why is she both flattered and annoyed that Pierce compares her to Diahann Carroll? Do you think, as Nicole suggests, that race need not be an issue between two people who love each other? Later in the novel, Nicole asks herself "What type of black woman would be married to a white man? Is there atype?" [pp.120-121]. Is this a reflection of her doubts about Pierce or does it reveal her fundamental misgivings about interracial dating? Are there people who deliberately choose to go out with members of a different race, and if so, why do they make that choice?
6. When Raymond agrees to defend Basil in a lawsuit, Kyle says "You're actually promoting gay-bashing when you defend people like Basil" [p. 90]. Do you think this is a fair assessment? What are Raymond's motivations for taking on the case?
7. Nicole is hoping to get the lead in "To Tell the Truth, " a play about Anita Hill and Clarence Thomas that Pierce is producing. Why does Harris use this use well-known incident as the basis for his fictional play? What parallels are there between the themes explored in the novel and the real-life questions that erupted during Thomas's congressional hearing?
8. Why didn't Kyle tell his friends that he was HIV positive? What does he mean when he says "Long story short, I didn't want to spend the rest of my life dying" [p. 188]? Kyle receives a lot of help and support from the gay white community but why not any from the African American community?
9. Much of Just As I Am focuses on the secrets the characters keep from one another. How do secrets--and lies--affect the characters as individuals and relationships among them? Which relationships are the most honest? The least honest?
10. Kyle says "I think God just gets mad with us when we get down here and try to be something we're not. I really think that pisses Him off" [p. 247] Is this message different from the teachings of traditional religions? How has the church shaped the attitudes, good and bad, of the various characters?
11. For Discussion: Invisible Life Trilogy
The title Harris chose for his first book--and eventually for the entire trilogy--echoes Ralph Ellison's Invisible Man, a seminal work in African-American literature. How does the world Ellison describes compare to Harris's description of the African-American community today? Are the protagonists similar in any way? Does "Invisible Life" only refer to the lives of the gay and bisexual men, or does it encompass aspects of the women's lives as well?
12. Discuss the views of homosexuality you have encountered in your own life. Are most people more willing to accept racial and religious differences than sexual differences? Do gay black men and women suffer greater doubts and more guilt than gay whites? Why or why not? What cultural factors influence the way people feel and talk about sexuality? Did the novels change your own feelings about the gay community?
13. The characters' relationships with their parents is an important theme in the trilogy. What impact does her mother's criticism have on the choices Nicole makes and her image of herself? Is Basil's hostility toward women a result of being raised by his father? Do you think his father genuinely loved him? Why didn't his father succeed in teaching Basil "to be a man and to try and do what's right"? Is Peaches a believable character or is Harris's portrait of her too idealistic? Are you more sympathetic to Yancey when you find out how her mother treated her as a child?
14. Discuss the differences between the views on race, religion, and gender expressed by the two generations. How do they reflect the society in which each generation grew up? Do you think Americans are becoming more tolerant or that age-old prejudices still thrive?
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