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As he did with In the Lake of the Woods, National Book Award winner Tim O'Brien strikes at the emotional nerve center of our lives with this ambitious, compassionate, and terrifically compelling new novel that tells the remarkable story of the generation molded and defined by the 1960s. At the thirtieth anniversary of Minnesota's Darton Hall College class of 1969, ten old friends reassemble for a July weekend of dancing, drinking, flirting, reminiscing, and regretting. The three decades since their graduation have seen marriage and divorce, children and careers, dreams deferred and disappointed-many memories and many ghosts. Together their individual stories create a portrait of a generation launched into adulthood at the moment when their country, too, lost its innocence. Imbued with his signature themes of passion, memory, and yearning, July, July is Tim O'Brien's most fully realized work.
If you believe that college was the bestor at least the most importanttime of your life, this novel is for you. Set in 2000, the date of the thirty-year reunion of Darnton Hall College's class of 1969, the novel uses the promise of the late '60s to explain the sorrows of its middle-aged protagonists. Each chapter focuses on one of a dozen or so characters, showing us a pivotal decision, a road not taken, a promise broken or fulfilled. Following the intertwined lives of a large cast of characters as they negotiate the meaningless present and the golden past gives O'Brien room to develop a complex narrative, but at the end of the day, it's not easy to sympathize with (or care much about) these people. Virtually indistinguishable from one another in their resentments and regrets, they bear witness to the narcissism of the baby boomer generation and the emptiness of its version of success.
More Reviews and RecommendationsIn collections of short stories and essays -- The Things They Carried and If I Die in a Combat Zone, Box Me Up and Ship Me Home -- and in his novels -- most notably, the National Book Award-winning Going After Cacciato -- Tim O'Brien has established himself as a startling and authoritative voice on one of the darkest chapters in American history -- the Vietnam war.
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July 10, 2008: I really like O'Brien's writing style. The characters are very carefully explained. It was really a very good novel to read.I would recomend this to anyone approach those big re-unions to lighten the mood.
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July 26, 2006: I really enjoined this book. Each character was layered and the book really had a real texture to it. I didn't like the fact that all the characters were still the exact same after thirty years.

Name:
Tim O'Brien
Also Known As:
William Timothy O’Brien
Date of Birth:
October 01, 1946
Place of Birth:
Austin, Minnesota
Education:
B.A., Macalester College, 1968; Graduate study at Harvard University
Awards:
National Book Award for Going after Cacciato, 1979
Tim O'Brien has said it was cowardice -- not courage -- that led him, in the late 1960s, to defer his admittance into Harvard in favor of combat in Vietnam. The alternatives of a flight to Canada or a moral stand in a U.S. jail were too unpopular.
He has since explored the definitions of courage -- moral, physical, political -- in his fiction, a body of work that has, at least until recently, dealt almost exclusively with America's most unpopular war and its domestic consequences. His first book, If I Die in a Combat Zone, Box Me Up and Ship Me Home looked at the war through a collection of war vignettes that he had written for newspapers in his home state of Minnesota, and his second book was a novel, Northern Lights, that he later decried as overly long and Hemingwayesque -- almost a parody of the writer's war stories.
His third book, Going After Cacciato in 1978 does not suffer such criticism from the author. Or, for that matter, from the critics. Grace Paley praised the novel -- which follows the journey of a soldier who goes AWOL from Vietnam and walks to Paris -- as "imaginative" in The New York Times. And the book became a breakthrough critical success for O'Brien, the start of a series that would give him the unofficial title as our pre-eminent Vietnam storyteller. Cacciato even won the prestigious National Book Award for fiction in 1979, beating out John Irving's The World According to Garp.
"Going After Cacciato taunts us with many faces and angles of vision," Catherine Calloway wrote in the 1990 book America Rediscovered: Critical Essays on Literature and Film of the Vietnam War. "The protagonist Paul Berlin cannot distinguish between what is real and what is imagined in the war just as the reader cannot differentiate between what is real and what is imagined in the novel... Paul Berlin is forced, as is the reader, into an attempt to distinguish between illusion and reality and in doing so creates a continuous critical dialogue between himself and the world around him."
Born in Austin, Minn., to an insurance salesman and schoolteacher, O'Brien grew up as a voracious reader but didn't find the courage to write until his experiences in Vietnam. After the war, he studied at the Harvard University's School of Government and was a staff reporter at The Washington Post in the early 1970s. He writes from early in the morning until the evening and has a reputation for discarding long passages of writing because he finds the effort substandard. He also can do extensive revisions of his books between editions.
His follow-up to Cacciato, 1981's The Nuclear Age, had a draft dodger find his fortune in the uranium business though he is consistently plagued by dreams of nuclear annihilation. Critics labeled it a misstep. But his subsequent effort, The Things They Carried, a collection of short stories about Vietnam, reaffirmed his reputation as a Vietnam observer. "By moving beyond the horror of the fighting to examine with sensitivity and insight the nature of courage and fear, by questioning the role that imagination plays in helping to form our memories and our own versions of truth, he places The Things They Carried high up on the list of best fiction about any war," The New York Times said in March of 1990. And his next novel, In the Lake of the Woods, another Vietnam effort, won the top spot on Time's roster of fiction for 1994.
In Lake, Minnesota politician John Wade, whose career has suffered a major setback with the revelation of his participation in the notorious My Lai massacre from the Vietnam War, retreats to his cabin with wife Kathy, who later disappears. The Times Literary Supplement said it was perhaps his "bleakest novel yet" and that "the most chilling passages are not those which deal with guns and gore in Vietnam but those set in Minnesota many years later, revealing a people at ease but never at peace." Pico Lyer, writing in Time, said "O'Brien manages what he does best, which is to find the boy scout in the foot soldier, and the foot soldier in every reader."
O'Brien's more recent efforts -- his sexual comedy of manners Tomcat in Love and July, July, which centers on a high-school reunion of the Vietnam set -- have not received the high praise of his earlier efforts. But O'Brien has said he is not writing for the critics, noting that Moby Dick was loathed upon its release.
"I don't get too excited about bad reviews or good ones," he told Contemporary Literature in 1991. "I feel happy if they're good, feel sad if they're bad, but the feelings disappear pretty quickly, because ultimately I'm not writing for my contemporaries but for the ages, like every good writer should be. You're writing for history, in the hope that your book -- out of the thousands that are published each year -- might be the last to be read a hundred years from now and enjoyed."
O'Brien was stationed in the setting of the infamous My Lai massacre a year after it occurred.
His father wrote personal accounts of World War II for The New York Times.
O'Brien's book The Things They Carried was a contender as Washington D.C. looked in 2002 to find a book for its campaign to have the entire city simultaneously reading the same book.
The Barnes & Noble Review
In his National Book Awardwinning Going After Cacciato and his exquisite collection of linked stories, The Things They Carried, Tim O'Brien proved to be one of the most eloquent, original chroniclers of the Vietnam War. In July, July he broadens his approach, dramatizing both the war itself and the larger social history of the generation that came of age in that turbulent era.
Set at a Minnesota college, the novel follows a group of 1969 graduates during their wild, weekend-long 30th reunion as they reveal their hopes, memories, failures, and aspirations. Highlights include a former baseball star who lost his leg on the banks of the Song Tra Ky river; a Presbyterian minister removed from her pulpit under scandalous circumstances; a militant idealist who burned his draft card and moved to Winnipeg; a "well married woman" who shares her life with two husbands and an occasional boyfriend; and an ailing, overweight broom-and-mop manufacturer who briefly impersonated a reclusive, Pynchon-like novelist named Thomas Pierce. In lesser hands, this approach could have resulted in a by-the-numbers rehash of The Big Chill. Instead, O'Brien's humor, empathy, and bone-deep understanding of these lost, deeply confused men and women light up the novel, revealing him to be a master storyteller at the absolute top of his form.
July, July is an essentially realistic novel interrupted occasionally by otherworldly flourishes: oracular voices that may or may not have psychological origins. These voices speak to various characters about their (usually) grim futures, granting them glimpses of "the appalling drift of things to come." The result of this unique commingling of the banal and the miraculous, the tragic and the trivial, is a deeply involving, strikingly original novel in a class by itself -- easily one of the literary high points of 2002. Bill Sheehan
As he did with In the Lake of the Woods, National Book Award winner Tim O'Brien strikes at the emotional nerve center of our lives with this ambitious, compassionate, and terrifically compelling new novel that tells the remarkable story of the generation molded and defined by the 1960s. At the thirtieth anniversary of Minnesota's Darton Hall College class of 1969, ten old friends reassemble for a July weekend of dancing, drinking, flirting, reminiscing, and regretting. The three decades since their graduation have seen marriage and divorce, children and careers, dreams deferred and disappointed-many memories and many ghosts. Together their individual stories create a portrait of a generation launched into adulthood at the moment when their country, too, lost its innocence. Imbued with his signature themes of passion, memory, and yearning, July, July is Tim O'Brien's most fully realized work.
If you believe that college was the bestor at least the most importanttime of your life, this novel is for you. Set in 2000, the date of the thirty-year reunion of Darnton Hall College's class of 1969, the novel uses the promise of the late '60s to explain the sorrows of its middle-aged protagonists. Each chapter focuses on one of a dozen or so characters, showing us a pivotal decision, a road not taken, a promise broken or fulfilled. Following the intertwined lives of a large cast of characters as they negotiate the meaningless present and the golden past gives O'Brien room to develop a complex narrative, but at the end of the day, it's not easy to sympathize with (or care much about) these people. Virtually indistinguishable from one another in their resentments and regrets, they bear witness to the narcissism of the baby boomer generation and the emptiness of its version of success.
Like The Big Chill, National Book Award winner O'Brien's latest novel is about a group of college students from the radical days of the late 1960s. Assembled years later, the friends and acquaintances go through the usual motions of reminiscing, regretting, lusting, laughing and crying. Unlike the gang from that 1983 movie, though, this group is not brought together to mourn the death of a mutual friend but rather a 30-year class reunion. Yet they're still mourning, lamenting their lost youth, vibrancy, ideals, looks and health. Among the ruins, however, they find old friends, common struggles and rekindled passions. Although this is more a group of interwoven short stories or character studies than a traditional novel, O'Brien (The Things They Carried) fully fleshes out each character with aplomb. Actor and experienced audiobook reader Sanders offers a smooth and knowing delivery. His cynical, dry, yet humorous tone perfectly matches O'Brien's prose. The surface of this comic tale seems jaded and despairing, but sympathy, camaraderie, solidarity and love run deeply throughout. Simultaneous release with the Houghton Mifflin hardcover (Forecasts, July 1). (Oct.) Copyright 2002 Cahners Business Information.
A great novel about the '60s by one of Esquire's favorites. -- Esquire
The 30th reunion of Darton Hall College gives O'Brien the chance to play with a host of troubled characters. If you think you've seen this before, you're right: it was excerpted in The New Yorker and Esquire. Copyright 2002 Cahners Business Information.
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