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From the acclaimed Scottish writer A. L. Kennedy (“If you are at all interested in contemporary fiction, this is work you must not miss”—Richard Ford; “A world-class fiction writer”—Thomas Lynch, New York Times Book Review), a brilliant short-story collection—her first to be published in this country—about adultery and sexual obsession.
The twelve stories in Indelible Acts are variations on a theme of longing. A line outside a cheese shop leads to a thrilling infidelity; a funeral exposes a love gone sour; a scene of sickness and despair in a foreign hotel room becomes a metaphor for incurable grief. In “A Bad Son,” a young boy from a damaged home searches for peace, risking his life on a snowy hill. In the title story, two lovers confront their lust amid the ruins of Rome.
Each piece in A. L. Kennedy’s mesmerizing collection is an eloquent, excoriating revelation, saved from bleakness by the humanity and humor of the author’s unrelenting wit and by her unwavering scrutiny of desire and loss. Her characters’ lives are dashed, impassioned, each in his or her own way immolated by hope and by the unassuageable human need for contact, for completion, for that most fugitive gift of all: reciprocal love.
The stories in the Scottish author A. L. Kennedy's Indelible Acts dramatize the way people crash into one another in their search for love. Not always love: sometimes they'll settle for just nurturance, or even contact. The predominating note here is failure. These characters act out the emotional errors through which we become the disappointed adults we are: how we hide our personalities to protect ourselves, then blame others for these dodges. D. T. Max
More Reviews and RecommendationsA. L. Kennedy lives in Glasgow. She has received many prizes for her work, including the Somerset Maugham Award, the Encore Award and the Saltire Scottish Book of the Year Award.
From the acclaimed Scottish writer A. L. Kennedy (“If you are at all interested in contemporary fiction, this is work you must not miss”—Richard Ford; “A world-class fiction writer”—Thomas Lynch, New York Times Book Review), a brilliant short-story collection—her first to be published in this country—about adultery and sexual obsession.
The twelve stories in Indelible Acts are variations on a theme of longing. A line outside a cheese shop leads to a thrilling infidelity; a funeral exposes a love gone sour; a scene of sickness and despair in a foreign hotel room becomes a metaphor for incurable grief. In “A Bad Son,” a young boy from a damaged home searches for peace, risking his life on a snowy hill. In the title story, two lovers confront their lust amid the ruins of Rome.
Each piece in A. L. Kennedy’s mesmerizing collection is an eloquent, excoriating revelation, saved from bleakness by the humanity and humor of the author’s unrelenting wit and by her unwavering scrutiny of desire and loss. Her characters’ lives are dashed, impassioned, each in his or her own way immolated by hope and by the unassuageable human need for contact, for completion, for that most fugitive gift of all: reciprocal love.
The stories in the Scottish author A. L. Kennedy's Indelible Acts dramatize the way people crash into one another in their search for love. Not always love: sometimes they'll settle for just nurturance, or even contact. The predominating note here is failure. These characters act out the emotional errors through which we become the disappointed adults we are: how we hide our personalities to protect ourselves, then blame others for these dodges. D. T. Max
A longing for connection is masked by ironic detachment in these 12 bracing, unsentimental stories by award-winning Scottish writer Kennedy (Everything You Need, etc.). Though occasionally too brief and telegraphic, most spark vividly to life, lit by Kennedy's unexpected, syncopated phrasings. Unusual settings give a piquant, humorous tilt to her characters' misery. In "Elsewhere," the lonely female protagonist faces her desolate future at a rodeo, after she overhears a man say, "That Juney Morris? I can't see anyone riding her, bare belly." In the title story, two lovers romp in Rome's Coliseum, aware that they may be discovered at any second, but delighting in the rush that possible exposure brings. An uptight lawyer embarks on a risky affair in the giddy "An Immaculate Man," when he is seduced by his married (male) boss and finds his whole world turned upside down ("I don't look gay. I don't act gay") and marvelously renewed: "a pleasant insanity was flaring and hopping up from rib to rib, lifting him, lifting him entire." More infidelity is revealed in "White House at Night," in which a husband-and-wife team of forensic examiners unearth the bodies of genocide victims in an unidentified Eastern European country, and the womanizing husband comes to the startling realization that his wife is capable of deception, too. The grisly backdrop brings violence to the fore, but it lurks more surreptitiously in other stories, like "A Bad Son," in which a boy spends a weekend on a farm, oppressed by the knowledge that he has left his abusive father alone with his mother. So eager is he to "not feel a thing" that even the snow tastes of "being invisible." Though the crushing weight of anomie and anxiety sometimes overwhelms her characters, turning them into ciphers, Kennedy fights clear of generalities with sharp, unsettling prose. (June 27) Copyright 2003 Reed Business Information.
In this collection of 12 stories, each of which stands alone as a snippet of time, acclaimed Scottish writer Kennedy (Original Bliss) explores how certain decisions or unexpected moments shape our lives and influence the direction we choose. Several stories revolve around affairs that make people rethink some aspect of their lives: In "Spared," a man meets his future lover on a line in a cheese shop; in "An Immaculate Man," an encounter in a men's room leads to a gay relationship; in "A Little Like Light," a janitor finds love away from his stale marriage; and in "A White House at Night," a man realizes that his wife has a lover. Other stories focus on relationships gone bad, such as "Not Anything To Do with Love," where a woman and her former lover meet at a funeral; "Touch Positive," where a man revisits the ending of his relationship while looking for boxes in which to pack his belongings; and "How To Find Your Way in the Woods," a story about two ex-lovers reuniting. This is Kennedy's first story collection to be published here, and while the pieces are satisfying, they are not as edgy as her novels. Recommended for larger libraries.-Josh Cohen, Mid-Hudson Lib. Syst., Poughkeepsie, NY Copyright 2003 Reed Business Information.
The complications of loving and the pains of estrangement are explored with restrained wit and emotion in this new collection from the prizewinning Scottish author (Everything You Need, 2001, etc.). The weakest of these dozen stories are generally those that don’t develop beyond core expressions of longing, regret, or resentment. "Not Anything to Do with Love," for example, though beautifully written, amounts to little more than its unidentified narrator’s reflections on a recently concluded love affair. "Touch Positive," about a recently discarded husband losing himself in quotidian errands, and "Awaiting an Adverse Reaction," in which a woman being inoculated before taking a foreign trip considers escape from her nondescript husband, seem equally thin. But the strength of the volume is Kennedy’s command of several intriguingly varied voices, such as those heard in "An Immaculate Man," which precisely records the emotional whirligig that engulfs a timid divorce attorney unhinged by what he takes to be a homosexual advance made by his married boss. In "Spared," an unhappy husband finds both sexual gratification and apocalyptic terror in a hastily experienced adulterous dalliance. In the elaborately conceived "White House at Night," a forensic expert investigating atrocities in an embattled Eastern European country is himself violated by stunned apprehension of his own romantic and sexual vulnerability. A boy too young and frail to defend his mother against his father’s abuse fantasizes becoming her avenger ("A Bad Son"). And a janitor who moonlights as an amateur magician (in "A Little Like Light") must settle for the appearance rather than the reality of happiness in a sexless "affair"that leads him to realize that "The best love is a little like light. . . . It is beautiful and terrible and blinding and you will never understand the trick of it." Uneven but often striking work from one of the UK’s best younger writers.
| Spared | 3 | |
| Awaiting an Adverse Reaction | 24 | |
| An Immaculate Man | 29 | |
| Not Anything to Do with Love | 50 | |
| A Bad Son | 57 | |
| Touch Positive | 81 | |
| Indelible Acts | 97 | |
| Elsewhere | 106 | |
| White House at Night | 122 | |
| A Wrong Thing | 136 | |
| A Little like Light | 150 | |
| How to Find Your Way in the Woods | 173 |
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